TRACK LISTING

 

Butterfly Effects for flute and harp

Peter H. Bloom flutes

Mary Jane Rupert harp

 

 01  Mourningcloak

 02 Banded Blue Pierrot

 03  Common Jezebel

 04  Question Mark

 05  Monkey Puzzle

 06  Karner Blues

 07  Psyche

 

This is my letter to the World for voice, flute, and piano

texts by Emily Dickinson

D’Anna Fortunato mezzo-soprano

Peter H. Bloom flute and piccolo

Mary Jane Rupert piano

 

08  This is my letter to the World

09  Bee!

10  Snow

11  Title divine

12  A Spider sewed at Night

13 I taste a liquor never brewed

 

14 Elegy for viola and piano

       Patricia McCarty viola

       Ellen Weckler piano

 

Herstory I for soprano, piano, and vibraphone

The Boston Musica Viva

Richard Pittman director

Cheryl Cobb soprano

Randall Hodgkinson piano

Dean Anderson vibraphone

 

15   Noon Walk on the Asylum Lawn

text by Anne Sexton

16   Her Kind

text by Anne Sexton

17   Side by Side

text by Adrienne Rich

18 For a Child: A. The Crib B. Morning Song

text by Adrienne Rich, Sylvia Plath

19   Mirror, Old

text by Sylvia Plath, Anne Sexton

20   Sleep

text by Pam White

CREDITS

 

Butterfly Effects for flute and harp

Recorded August 24, 2017 at Futura Productions in Roslindale MA

Session Producer Brad Michel

Session Engineer John Weston

 

This is my letter to the World for voice, flute, and piano

Recorded August 25-26, 2017

at Futura Productions in Roslindale MA

Session Producer Brad Michel

Session Engineer John Weston

 

Elegy for viola and piano

Recorded live in concert on November 9, 1990

in Pickman Hall at the Longy School

of Music in Cambridge MA

 

Herstory I for soprano, piano, and vibraphone

Recorded for broadcast in 1979 at WGBH-FM

studios in Allston MA

 

 

Executive Producer Bob Lord

Executive A&R Sam Renshaw

A&R Chris Robinson

Vice President, Audio Production Jeff LeRoy

Editing & Mixing Lucas Paquette

Mastering Shaun Michaud

Recording Sessions Manager Levi Brown

Art Director Brett Picknell

Design Edward Fleming

Publicity Patrick Niland, Scott Feldman