Genre: Chamber

MOTHER EARTH, the new album from celebrated violist Brett Deubner with PARMA Recordings, reflects humanity’s search for meaning in the midst of loss and mortal frailty. Born out of the strife of 2020, MOTHER EARTH expresses the angst and hope of this deeply challenging period through the language of music. Chant-like meditations, cathartic outpourings, and even a call to arms for environmental justice are only a few of the themes explored in MOTHER EARTH.

Two years after the release of SUSTAIN comes the long-anticipated follow-up, SUSTAIN VOL. 2. This fresh collection of works centered around the piano includes a range of contemporary compositional styles: tonal, atonal, and everything in between. This volume features a new cast of composers and performers, with contributions by Sarah Wallin-Huff, Karen Tarlow, Chen-Hsin Su, Bill Sherrill, Jim Puckett, Ron Nagorcka, Gordon Monahan, Kenneth A. Kuhn, Santiago Kodela, John Craven, and John A. Carollo. The album’s varied soundscapes and arrangements—including solo piano, piano and saxophone, and piano and strings—constantly surprise and delight the ear. A fitting sequel to the first installment, SUSTAIN VOL. 2 is steeped in the dynamic complexity piano music offers.

Even the briefest moments can burn themselves into memory, inspiring feelings that last a lifetime. On FLEETING REALMS VOL 2, works in chamber settings tap into our innermost thoughts and emotions, stirring the senses and sparking imagination.

Eleanor Alberga explores the whole gamut of the human experience in  WILD BLUE YONDER, an equally diverse and coherent set of four contemporary chamber music pieces. While written over the course of twenty-two years, these pieces burst the limits of both space and time. No-Man’s-Land Lullaby reaches back over a century to World War I; Shining Gate of Morpheus enters the realm of the mystical; Succubus Moon explores the dark sides of the  human psyche; and The Wild Blue Yonder offers a glimpse into a world that is at once alien and  wonderful. Undauntedly, positively unsettling album; perfect listening for these unsettling times and a worthy addition to the much hailed album of Alberga's three string quartets from 2019.

LOCK & KEY VOL II is the second presentation of five composers drawing from the well of inspiration – in highly heterogeneous ways and from a plethora of sources, yet all united by a common theme: the profound depths of the human experience. The pieces all revel exuberantly: in the natural beauty of Iceland, the nostalgia evoked by a distantly familiar melody, the random augury of a deck of tarot cards, late 19th Century anthems adapted for woodwind quintet, or the kinetic energy of musical gestures.

Stanley Grill’s REMEMBER is presented by Navona Records. Featuring viola and piano, these inventive works aptly demonstrate Grill’s unique style; rooted in his passion for medieval and Renaissance music, his compositions are as pioneering and contemporary as they are fundamentally traditional. Grill’s work focuses particularly on melody, modal harmonies, and contrapuntal, interweaving lines. The result is a musical experience greater than the sum of the instruments involved.

Newly released from Navona is CONVERSATIONS WITH MY SOUL, a collection of new chamber works from acclaimed composer-pianist Bun-Ching Lam. The music sets in different languages the poetry of Shelley, Heine, Rimbaud, and Lasker-Shüller, as well as the poems of 9th Century Chinese mystic Han Shan and contemporary writer Etel Adnan. In a compositional voice The New York Times has called “alluringly exotic,” Lam incorporates baritone voice, piano, viola, flute, French horn, and harp to elucidate timeless works concerning life’s fundamental questions.

Navona Records is proud to release TRANSIT VOICES from composer Carl Vollrath. Featuring a series of works for clarinet, the album grapples with existential questions; who were the humans of prehistory, and what defining qualities do our spirits share in common with theirs? Vollrath imagines these clarinet pieces as found archaeological objects, voices from long ago that have somehow made their way to our present-day ears. Inspired by Andrew Robinson's book Lost Languages: The Enigma of the World's Undeciphered Scripts, the music plums a cavernous underworld for clues toward a deeper understanding of human existence.

Navona Records proudly presents BREAKING THE SILENCE from legendary Australian composer George Palmer. The works featured on this new album draw inspiration from centuries-old poetry as well as the composer’s own life experience; Breaking the Silence unpacks a 17th-century pastoral haiku depicting a lone frog’s leap into a still pond, while Not Going Quietly is a touching tribute to a concert pianist whose life was cut short by a brain tumor.

The piano trio Pangaea Chamber Players explores the fickle nexus between music and visual art in their Navona release THREE PERSPECTIVES. While the ensemble's flute-cello-piano setup might evoke ideas of Baroque music, there are no such reminiscences to be found. Instead, the young trio presents three new compositions by contemporary composers. Although recent works, all pieces on THREE PERSPECTIVES are tonal – perhaps owing to their descriptive, illustrative purpose.

Fusing European and American musical traditions, the album pairs the excitement of rock and jazz rhythms with classical orchestral and chamber music forms.

The Society of Composers, Inc. continues its decades-long mission to promote and disseminate contemporary music on DRIFT, the 34th installment of the SCI Composers’ Series. DRIFT marks the 10th album in the series to release on Navona Records, and SCI continues to curate new works by luminaries that span generations.

BRUSH STROKES from Athenia Trio features works for flute, oboe, and bassoon. The program harnesses the impressive versatility of the trio, with six pieces by six different composers, including two commissioned specially for the ensemble: Alyssa Morris’s Brush Strokes, and Robbie McCarthy's The Blind Men and the Elephant.

New from Navona Records is saxophonist José Antonio Zayas Cabán’s CENTENNIAL, an album of cutting-edge solo and chamber music reflecting on the shortcomings of the 19th Amendment during its 100-year anniversary. Rather than celebrating, this album urges listeners to recognize the significant work that remains in achieving global equality.

New from Navona Records and Craig Morris comes CHAMBER MUSIC FOR OUR TIMES, a stirring album of original chamber works. Following DREAMS, which was released in 2011 to critical acclaim, CHAMBER MUSIC FOR OUR TIMES is the work of a master craftsman with an ear for poignant lyricism. The album features four pieces, each of which exhaustively explores the colors and timbres available to the chamber ensembles.

Throughout history, music has overcome culture and borders to bring people together through a universal language. Composer Shuying Li and Four Corners Ensemble present WORLD MAP, a collection of five mini-concertos for quintet, which takes listeners on a journey around the world, opening their ears to music’s evolution as an international unifier.

PLAYING ON THE EDGE 2 follows up Navona Records' first Gramophone-lauded album in this series for string quartet. Like the first installment, the award-winning Sirius Quartet plays the entire catalogue to perfection.

Navona Records presents PAINTED MUSIC from Quatra Duo. This album of works for flute and guitar by four heralded contemporary composers unlocks the imaginative, expressive power of these beloved instruments.

Composer Carl Vollrath returns to Navona Records with THE UNFOLDING FLUTE, a collection of contemporary chamber works showcasing his years of experience writing for flute. Vollrath unfolds his talents piece by piece through the performances of acclaimed flutist Dieter Flury and pianist Ieva Osa.

From Mozart’s concertos to Jethro Tull’s “Aqualung,” the flute has served as a versatile tool for conveying the spectrum of human emotion. On AERO, flutist Dieter Flury puts decades of study and a handmade golden flute by Yamaha to work to breathe life into works by contemporary composers and spark the imaginations of listeners.