Genre: Chamber

In PASSAGES THROUGH TIME, composer Rain Worthington explores the mystery of instrumental music’s ability to communicate the universality of human experiences. She invites the listener into the realm of the nonverbal to reveal our primal commonality, directly touching the heart and soul with music that is delicate and subtle, yet powerful and transporting. Worthington’s music has been hailed as “a fusion of styles—ancient, medieval modality and sonorities, modernist minimalist ostinato, and classical” (IAWM Journal). Embark on a journey through the currents of Worthington’s musical streams and the emotional forces that drive her unique voice.

Concept albums are few and far between, and rarer yet in classical music. THINGS IN PAIRS, a conceptual as well as a musical beacon by violin/piano duo Audrey Wright and Yundu Wang, fills this gap. The tracks on THINGS IN PAIRS were not just carefully curated – rather, they were selected and sorted with the precision of a steady-handed artist stacking a formidable house of cards. Spanning five centuries, these pieces contrast the classical Joseph Bologne with modern minimalist Arvo Pärt, Baroque virtuoso Biber with the contemporary Rain Worthington, all under the watchful eye of Viennese Classical Beethoven.

Just as each season brings its own sensations and expressions, so does composer John Mitchell’s SEASONS from Navona Records. Performed by the award winning Benda Quartet, the compositions envelop the various characteristics and hallmarks of each time of year, capturing both their beauty and the emotions they evoke. Autumn exudes the subtle warmth left from summer, Winter brings suspenseful chills and flurries of notes, Spring, a shedding of winter coats, and Summer, a regal and relaxing musical soundscape, all conjured from a dynamic and expressive string quartet performance.

New York City native Michael Cohen surprises with a formidable cross section of his oeuvre, the splendidly and mysteriously named A SONG FOR SILENCED VOICES. Narrowly skirting traditional notions of (a)tonality, this selection of works leaps to and fro between collected serenity and impassioned melodicism. The setups are as diverse as the music: A SONG FOR SILENCED VOICES includes a string quartet, an excerpt of Cohen's opera Rappaccini's Daughter, a Prelude for Piano, a chamber/vocal work titled I Remember based on works from his musical Yours, Anne, as well as the album's namesake piece, which happens to be not a song, but a duo for cello and piano.

Navona Records presents ANTHELION, showcasing favorite works from composer Adrienne Elisha (1958-2017). The works that comprise the album are technically demanding and rich in philosophical significance. Anthelion, for one, is a sonic contemplation of a natural phenomenon in which the sun’s light is projected across the sky, reflecting itself on the opposite horizon. The two-movement work, scored for flute, clarinet, violin, violoncello, percussion, and piano, expresses moments of “sonic abstraction” and continuous reverberation by way of unique instrumental timbres. In TranscenDance, on the other hand, Elisha makes a humanistic statement about the Syrian civil war, borrowing joyful melodies from Arab music and reimagining them in an orchestral setting. In this way, the music of ANTHELION is at once abstract and deeply contextual, challenging yet ultimately transcendent.

Navona Records is proud to present RESTLESS NATION: THE MUSIC OF ANDY TEIRSTEIN. A student of Leonard Bernstein and Henry Brant, Teirstein’s music has been described by The New York Times as “magically atmospheric” and “tumultuously exuberant,” with “shifts from dark, earthy urgency to floating purity.” Featuring master soloists Marco Ambrosini (nyckelharpa) and Yair Dalal (oud), this new collection takes inspiration from the composer’s many travels directing the global initiative Translucent Borders, with musical influences from Bedouin singing, Scandinavian folk music, and his roots as a folk fiddle and banjo player. Letter from Woody is an orchestral reimagining of a letter the iconic folk balladeer Woody Guthrie wrote to his lover and future wife, the dancer Marjorie Mazia, in the 1940s, with hints of Guthrie’s songs and an introduction for harmonica.

MOTO FINALE brings the beloved chamber music series to a close with a number of works inspired by nature, loss, spiritual connection, and music of the past. The seasoned Trio Casals returns for this seventh and final installment to perform the works of seven composers in a diverse and conclusive capstone of modern composition. A fitting album to end the series, MOTO FINALE rewards the attention of listeners as it leads them on a journey of interweaving experiences. Trauma and chaos mingle with tranquility, nostalgia, melancholy, and hope, painting a broad emotional landscape.

WINDPOWER from composer Eric Biddington highlights the versatility of the saxophone through the proficiency and musicality of the players, the Saxcess Quartet, in a collection of 11 original works. With multiple orchestrations and movements spanning 34 tracks, Biddington’s compositions are on full display with works for solo saxophone as well as sax trio and quartet. From tender and emotional to lush and energetic, Biddington’s compositions explore every nook and cranny of musical possibility. The dextrous and emotive performance by the Saxcess Quartet unites the pieces into a whole, providing a pleasing continuity throughout the varied arrangements and orchestrations.

Hot on the heels of her first Navona Records release, award winning composer Monika Gurak keeps the fire burning with SCENES FROM A LIFE, an album of original and personalized works for piano and vibraphone. Infused with wit and whimsy, Gurak’s 15 Humoresques deliver a lighthearted quality to the album’s first half, featuring pianists Scott Downing and Emma Collette Moss with vibraphonist Michael Davidson.

True to their name, Duo Dramatique delights audiences with fierce and thoughtful performances of genre-bending programs with an undercurrent of social and emotional issues. On CROSSROADS, violinist Dominika Dancewicz and pianist Donald Doucet perform three original works written to highlight their style and talents. Arthur Gottschalk’s Sonata for Violin and Piano pays homage to great jazz violinists of the 20th century, with echoes of “Bluesette” and “When Sunny Gets Blue.” Karl Blench’s Sonata “In D” For Violin and Piano traverses distinct moods, using music to depict sarcasm, humor, and quiet serenity. Erberk Eryilmaz’s Insistent Music draws inspiration from Eastern European folk music to close out the album with percussive patterns and bursting melodic lines.

Navona Records proudly presents HIGH VOLTAGE CHAMBER MUSIC, the latest album from composer Jan Järvlepp. Following close on the heels of CONCERTO 2000 and FLIGHTS OF FANCY, Järvlepp carries forward the momentum with this newest release. Featured on the album is String Quartet No. 1, the composer’s first full-length string quartet—an important milestone for any composer.

Australian Bruce Crossman blends East and West in his new release HEAVEN TO EARTH BORDER HOUSE on Navona Records. With his modernist approach to musical construction and style, he effortlessly integrates traditional Western, Korean, and Chinese instruments and philosophies into a coherent, enlightening whole.

Navona Records presents PINNACLE VOL. 2, a collection of contemporary chamber works by composers John A. Carollo, Edmund Cionek, Sarah Wallin Huff, Santiago Kodela, Adnan Marafi, Amintas Silva, Joseph T. Spaniola, and Kong-Yu Wong, that highlight the melodic, emotive, and dramatic styles offered by today’s chamber music. Throughout the album, the composers explore the cyclicity of life and nature.

Inspired by traditional melodies and cultural flavors, A GRAND JOURNEY gives us contemporary chamber works by Richard E Brown, Ovidiu Marinescu, and Mark G. Simon. Performed by internationally acclaimed Trio Casals, these distinct works immerse listeners in varying motifs drawn from diverse cultures, simulating a journey of melodic Korean folk patterns, Greek mythological icons, Irish fiddling, tango, and sensations garnered from the Black Sea and English countryside.

Monika Gurak certainly is no ordinary songwriter: not just because of her academic background, but also because of her love of foreign cultures. Her linguistic fluency in English, Spanish, and Polish heavily influences her work on I LOVE YOU LIKE SPAIN from Navona Records: the songs are sung in English, but the music comes with a generous helping of both Iberian exoticism as well as Polish sensibility.

Navona Records presents DIVISION OF MEMORY, a comprehensive collection featuring a variety of sound production methods displayed on the cello by Thomas Mesa. The works of composers Lydia Jane Pugh, George Holloway, Ben Yee-Paulson, Jonathan Chenette, and Elizabeth Start are featured on this album, each with their own compositional personality and a repertoire dedicated to the multifaceted soundscape of the cello.

MODERN MUSES is an entirely new presentation of captivating music in its first commercial recording and release, showcasing works composed by women and works representing female perspective. Inspired by Greek and Roman mythology, Josefien Stoppelenburg’s arresting soprano is juxtaposed with Jean Hatmaker’s poetic cello in this recording, fostering a rich musical dichotomy that blends together in a refreshingly powerful way.

One does not have to be religious to appreciate the depth, inspiration, and melodiousness of PSALMS, Eloise Hynes Stowe's new album from Navona Records. Scored for voice and piano, and occasionally supplemented by flute and violin, these psalms and hymns immediately demonstrate the literary and emotional grasp of the biblical texts and ecclesiastical interpretations.

From online performances to benefit albums, musicians kept their art alive throughout the most dire days of the coronavirus pandemic. Among them are composer Stanley Grill and violist Brett Deubner, who collaborated via remote recording sessions to transform Grill’s multi-instrumental chamber pieces into an intimate collection of multilayered works for viola. The resulting album, TRANSFIGURATION, showcases a singular connection between composer and performer.

On SOUND AND LIGHT, Demondrae Thurman wields the euphonium to further expand its repertoire and cement its graceful power into the minds of composers of solos and orchestral works alike. Playing works written by five close friends, Thurman wholly dedicates himself to unlocking the musical mysteries of every measure and fully exploring the instrument’s potential.