Period: 21st Century

Composer Garth Baxter calls his commitment to form and aesthetic "modern traditionalism." And indeed, his new album RESISTANCE may just offer the best of both worlds in one captivating experience. Each piece has certain features in common: they are immediately, intuitively accessible to the listening ear, and all of them draw upon Baxter's ability to evoke sincere emotions with every note.

Within their varied appearances and sounds, the piano, vibraphone, and marimba make up a unique family. Nonetheless, key similarities bind them together, and SUSTAIN explores just that. The latest multi-composer release by Navona Records, SUSTAIN presents works for various keyboards that explore not only the abilities of each instrument, but the varied approaches from five different composers.

Composer David Carpenter’s PARMA debut, FROM THE VALLEY OF BACA, features three works that illustrate the expansive scope of his compositional style. From the lyrical Trio, to the powerfully poetic title work for baritone and piano, to the romantically-inclined Sonata, FROM THE VALLEY OF BACA demonstrates the composer’s ability to express his artistic vision in a wide variety of musical genres.

Composer Richard Thompson’s three-act opera presents the life behind the name of Paul Laurence Dunbar, one of the most prominent African American poets of the early 20th Century. This dramatic performance, inspired by the hundreds of letters exchanged between Dunbar and his wife, Alice Ruth Moore, removes the masks of fame and social identity to investigate the psychological realities of the people underneath.

Despite the frequent crescendos to the sonic peaks of each composition, RENMEN LAMENTS is an exploration into the valleys of the soul. For most, creating art in the realm of somber moods poses challenges. For the Renaissance Men, the melancholic nature of their musical exploration is not only achieved individually but shared amongst the talents of the vocalists.

Acclaimed piano four-hand duo Dana Muller and Gary Steigerwalt come together once more for IN YOUR HEAD, a collection featuring the work of six composers that highlights both fresh compositional talents and earlier successful works. Each piece demonstrates the unique synergy between the two performers. With twice the hands, twice the talent, and twice the interpretation, the piano is pushed to dynamic and sonoric extremes.

Pan-Fare, the album's starting point, is a rare modern classical piece for steel pan and a motley, jazz-inflected ensemble. Fun, energetic, and brimming with rhythmic imagination, it is set against an original percussive backdrop provided by, among others, a vibraslap, a marimba, and a Chinese opera gong.

SPOON HANGING FROM MY NOSE, the debut album by composer J.A. Kawarsky, combines spirit and wit with compositions that dance between tender and strikingly agitated. With works for orchestra, some composed by Kawarsky and others originally by Brahms but arranged and reimagined by Kawarsky, the album as a whole is a triumphant entrance into the full album release for the composer.

Les Délices, which includes Baroque oboist Debra Nagy, Mélisande Corriveau on viola da gamba, and Eric Milnes on harpsichord, explores the dramatic potential and emotional resonance of long-forgotten music. Founded by Nagy in 2009, Les Délices has established a reputation for their unique programs that are “thematically concise, richly expressive, and featuring composers few people have heard of.” The New York Times added, “Concerts and recordings by Les Délices are journeys of discovery.”

BUTTERFLY EFFECTS AND OTHER WORKS contains four pieces of music, each with its own personality. Vercoe composed Butterfly Effects using evocative melodies reminiscent of a butterfly in flight. The mood of each of the seven movements, set by the interplay of harp and flute (piccolo, bass, alto, or concert flute), is at times somber and reflective, and at other times bluesy and brilliant. Vercoe experiments with various techniques, sometimes with soaring melodies and trills in the flute, and at other times with more primal, percussive sounds such as beat boxing and key slaps.

International folk dances and Western film scores meet in GENTLE WINDS, a richly tonal collection that is as pleasing to hear as it is to perform. With the melodic, songlike phrases that highlight each instrument equally, one can hear the joy emanating from every performer.

First up in this compelling collection is a selection of Walt Whitman's oeuvre, including the work that inspired the album's title, which Perkins' music hauntingly elucidates as the lament of a soul hovering on the brink between life and death. Intriguingly, the composer preserves the mood for the Holy Sonnets by John Donne, a Petrarch-style, English Renaissance collection of sonnets auguring the later Baroque period's preoccupation with the contrast between carnality and mortality.

GREAT SOUTHERN LAND marks trumpeter Phillip Chase Hawkins’ recording debut. Hawkins’ decision to present the music of internationally renowned composer Brendan Collins in both duo and trio configurations clearly illustrates the exceptional synergy that exists between composer and artist. Each piece presents a unique scene, from Australian bushrangers escaping prison to the rich sounds of Vienna and its composers.

Composer Stas Namin has been recognized throughout his lifetime for using art to critique society and stand up against injustice, and his latest work with the London Symphony Orchestra is certainly no exception. CENTURIA S-QUARK, Namin’s symphony, is the composer’s prediction of a strange, material world to come in which humanity functions less as a community and instead favors individual interests. Using the sonata form as a base, Namin builds from multiple themes to create the symphony — after all, life itself is so complex that the human experience does not build from just a couple themes.

How can something as intimate as a musical moment shared between two people open up the door to endless possibilities? Discover the answer in ART FOR TWO, a collection of works by acclaimed composer Arthur Gottschalk and performed by Italian woodwind extraordinaires Sauro Berti and Mario Ciaccio, accompanied by the skilled hands of pianist Naomi Fujiya. In each piece, the performers call listeners into the moment as they traverse art music inspired by sources from traditional Jewish hymns to Frank Zappa.

In MEZZANINE SEAT, Cunningham exhibits a mastery over all aspects of the orchestra, filling out every bit of space with breathtaking melody and harmony. The arrangements emote a sophistication that echoes J.S. Bach, one of Cunningham’s greatest inspirations. In the three-part composition Bach Diadem, Cunningham pays tribute to the famed composer and incorporates 18th-century orchestral influence in his compositions.

PARMA Recordings presents LEGENDS & LIGHT, a compilation album featuring works by composers Hans Bakker, Jan Järvlepp, Clive Muncaster, and Shirley Mier. Each has a different, unique story to tell, and the narratives are brought to life by the orchestra and string ensemble.

SPECTRA 2 unveils the works of six composers, each of whom tells a unique, memorable story. First up is Elizabeth R. Austin's B-A-C-HOMAGE, an intricately constructed tribute to the German Baroque composer. Based on Bach's name and his "Air on G" respectively, the first and second movement reflect upon the clarity of his work through the lens of Austin's decidedly modern tonal language.

In MY SYMPHONIC POEMS, the two-disc album that is Mark John McEncroe’s fourth recording overall for Navona Records, the Australian composer explores worlds both internal and external. On each of the album’s ten tracks, McEncroe has crafted a musical painting, a work of art that describes, as it were, his reflections on the subject alluded to in its title.

On WHISPERING FRAGRANCE, his first solo album with Navona Records, composer Stephen Yip merges serenity with agitation, earthiness with sophistication and the mundane with the sublime. The result is an original creation that is unapologetically post-modern, yet deeply rooted in Chinese traditionalism.