Instrumentaion: Piano

Saxophonist Dave Camwell's interpretations on SECOND WIND impressively demonstrate the capabilities of the instrument in music spanning three centuries. SECOND WIND presents a wide selection of saxophone music: a J. S. Bach partita with piano accompaniment added by Robert Schumann, a Vivaldi concerto, a Händel sonata, but also several contemporary, tonal saxophone compositions.

HARMONY OF DISSONANCE brings together, juxtaposes, and intertwines the disparate singing styles of the regions of Dalmatia, which remain stylistically and performatively distant even today. While these musical worlds present seemingly irreconcilable musical and cultural differences, they are all connected by polyphonic singing, which forms the core of this collaboration between the Harmonija Dissonance Ensemble and the Jazz Orchestra of the Academy of Music in Zagreb.

Can you satisfy God with one sound? This question was repeatedly posed to Lachlan Skipworth by his shakuhachi teacher during a three-year period of intensive study in Japan. It sparked a deep exploration of cross-cultural aesthetics that finds expression in this self-titled Navona Records album. At the beginning of each shakuhachi lesson, student and master begin by repeatedly playing a single note on the end-blown bamboo flute. This focuses their minds on core questions of technique: “have I made progress? Am I closer to mastery of this, shakuhachi’s most fundamental note?”

Wong Hok-yeung opens the Hong Kong Composers’ Guild’s RESONATING COLOURS 5 with Night Poem, a composition for cello and piano. Rhapsodic and ambling, the piece conjures nightly thoughts, welling up and vanishing with lifelike authenticity. Chan Chin-ting features with two pieces for solo violin: Cross-Currents, an exploration of the violin's full tonal range, and Postcards, an assortment of, in the composer's words, "six miniatures/musical gifts," which, quite like the name suggests, can be played as standalone pieces, but also feature a common theme that unites them.

PREACH SISTER, PREACH showcases award-winning Katherine Jolly’s “agile, bright lyric soprano” voice (The New York Times) on a series of pieces that are distinctively individual in their inspiration while cohesively united by the passions of their composers.

Pianist Roberta Rust brings her own unique dynamism to the works of eight composers with whom she has had direct contact over the years. Dedicated to her late mother and step-daughter, this collection is as personal and touching as it is memorable for the broader audience.

Daniel Ott, who holds degrees in Composition from both the Curtis Institute of Music and the Juilliard School, and currently serves on the faculty of the latter, is not only expertly familiar with the piano duet as a genre, but also harbors a very personal link to it: The piano duo who performs the works on the album, Karen and Jeffrey Savage of 88^SQUARED , are close friends of Ott from university days.

It’s almost hard to believe that Andrew Anderson hails from Australia, given how deeply rooted he seems to be in the European High-Romantic tradition. The first quartet in particular is profoundly reminiscent of the virtuoso chamber works of Dussek and Hummel, with a dash of Dvořák for good measure. And yet, its sound is decidedly modern. Not only is the work stunningly well-proportioned, it effortlessly adheres to the classical sonata form – not in a rigid, miniaturized way of imitation, but completely naturally, as if it could only exist in this way and no other.

Hailed by the New York Times as "An interesting composer” and "attractive and tonal" with music described as "a passionate duet “ and "a sprightly songfest,” prolific contemporary composer Mira J. Spektor’s career spans decades, languages, and disciplines. With a compositional repertoire including chamber operas, musicals, film scores, art songs, and cabaret, Spektor has written English, French, and German songs and performed and recorded in the United States, Europe, and Israel. She is also a published poet and brings her wealth of knowledge, experience, and musical passion to her Navona Records debut SUMMER & WINTER SONGS.

It is tempting to compare Matej Meštrović's compositional style to his great predecessors in the late-Romantic tradition. After all, much of the Croatian composer's style and techniques would be right at home in Rachmaninoff’s concertos, Tchaikovsky's works, or Prokofiev's neoclassicism; and the name of the album's first work, Danube Rhapsody, naturally evokes associations with Smetana's similarly river-themed Vltava. Add to all of this that Meštrović, like most of his great musical ancestors, is a talented virtuoso pianist, and it's easy to see why 3 RHAPSODIES is bound to meet with enthusiasm.

Introducing the album is Lee Actor’s Duo for Violin and Cello. The track, which won the Eva Thompson Phillips Award for Composition in 1979, is a short, textured, and powerful piece. In ABA form, the energy of the stringed instruments swings like a parabola from the height of sharp, angular rhythms down into deep and gentle expressions and builds up to a sharp, explosive climax.

Beginning with just the spark to write three trios, composer Carl Vollrath created an intense yet reflective collection of works in SOULS IN TRANSITIONS. This Navona Records release moves through waves of contemplation on life, history, and the evolution of spirituality through the performances of violin, cello, and piano by acclaimed pianist Karolina Rojahn.

The idea for THE JOHN PSATHAS PERCUSSION PROJECT: VOLUME ONE began in 2013 with John Psathas’ piano and gamelan piece Waiting: Still which Omar Carmenates arranged for percussion trio. While unknown at the time, this arrangement launched a five-year-long relationship that culminates in Carmenates’ debut for PARMA Recordings. For THE JOHN PSATHAS PERCUSSION PROJECT: VOLUME ONE, Carmenates acts as arranger, director, and performer, and is joined by a roster of talented musicians including pianist Daniel Koppelman and drum set soloist Justin Alexander.

Composer Garth Baxter calls his commitment to form and aesthetic "modern traditionalism." And indeed, his new album RESISTANCE may just offer the best of both worlds in one captivating experience. Each piece has certain features in common: they are immediately, intuitively accessible to the listening ear, and all of them draw upon Baxter's ability to evoke sincere emotions with every note.

Within their varied appearances and sounds, the piano, vibraphone, and marimba make up a unique family. Nonetheless, key similarities bind them together, and SUSTAIN explores just that. The latest multi-composer release by Navona Records, SUSTAIN presents works for various keyboards that explore not only the abilities of each instrument, but the varied approaches from five different composers.

Composer David Carpenter’s PARMA debut, FROM THE VALLEY OF BACA, features three works that illustrate the expansive scope of his compositional style. From the lyrical Trio, to the powerfully poetic title work for baritone and piano, to the romantically-inclined Sonata, FROM THE VALLEY OF BACA demonstrates the composer’s ability to express his artistic vision in a wide variety of musical genres.

Composer Richard Thompson’s three-act opera presents the life behind the name of Paul Laurence Dunbar, one of the most prominent African American poets of the early 20th Century. This dramatic performance, inspired by the hundreds of letters exchanged between Dunbar and his wife, Alice Ruth Moore, removes the masks of fame and social identity to investigate the psychological realities of the people underneath.

Acclaimed piano four-hand duo Dana Muller and Gary Steigerwalt come together once more for IN YOUR HEAD, a collection featuring the work of six composers that highlights both fresh compositional talents and earlier successful works. Each piece demonstrates the unique synergy between the two performers. With twice the hands, twice the talent, and twice the interpretation, the piano is pushed to dynamic and sonoric extremes.

BUTTERFLY EFFECTS AND OTHER WORKS contains four pieces of music, each with its own personality. Vercoe composed Butterfly Effects using evocative melodies reminiscent of a butterfly in flight. The mood of each of the seven movements, set by the interplay of harp and flute (piccolo, bass, alto, or concert flute), is at times somber and reflective, and at other times bluesy and brilliant. Vercoe experiments with various techniques, sometimes with soaring melodies and trills in the flute, and at other times with more primal, percussive sounds such as beat boxing and key slaps.

First up in this compelling collection is a selection of Walt Whitman's oeuvre, including the work that inspired the album's title, which Perkins' music hauntingly elucidates as the lament of a soul hovering on the brink between life and death. Intriguingly, the composer preserves the mood for the Holy Sonnets by John Donne, a Petrarch-style, English Renaissance collection of sonnets auguring the later Baroque period's preoccupation with the contrast between carnality and mortality.