Instrumentaion: Ensemble

Elliott Miles McKinley has long been an influential figure in the American contemporary music scene. The award-winning music professor's new album THE SHADOW DANCER presents several recent chamber works, all centered on a common theme: memories of love.

THE RIVER OF TIME, Navona Records’ latest release, is a captivating tour de force by conductor Mike Fansler and the Western Illinois University Wind Ensemble. Recorded by legendary engineer Bruce Leek – whose recording portfolio includes the President’s Own Marine Band – this album captures the full emotive intensity of one of America’s finest collegiate ensembles.

HARMONY OF DISSONANCE brings together, juxtaposes, and intertwines the disparate singing styles of the regions of Dalmatia, which remain stylistically and performatively distant even today. While these musical worlds present seemingly irreconcilable musical and cultural differences, they are all connected by polyphonic singing, which forms the core of this collaboration between the Harmonija Dissonance Ensemble and the Jazz Orchestra of the Academy of Music in Zagreb.

Described as having “Versatility and flair with lively improvisations” by the New York Times and being “always compelling and always exhilarating” by Imperfect Fifths, NYC-based Sirius Quartet is only the most natural choice for showcasing the genius of five genre-bending contemporary composers. Navona Records’ PLAYING ON THE EDGE brings inspiration and experience from all walks of life into one string quartet collection with the music of composers Jennifer Castellano, Ian Erickson, Brian Field, Marga Richter, and Mari Tamaki.

The works of the eight composers on QUADRANTS 3 display both the broad scope of styles and energies that the string quartet can produce, while also highlighting the individual talents of each artist. The resident ensemble for QUADRANTS 3, Altius Quartet, who take their name from the Olympic motto: Citius, Altius, Fortius (Faster, Higher, Stronger), handles each piece with skill and flair.

Throughout Navona Records’ WINDSWEPT, the wind quintet makes up the characters of collective stories written by five unique composers. In each piece, the Boston-based Arcadian Winds project a storytelling experience that is joyful, moving, and meaningful to hear.

Wong Hok-yeung opens the Hong Kong Composers’ Guild’s RESONATING COLOURS 5 with Night Poem, a composition for cello and piano. Rhapsodic and ambling, the piece conjures nightly thoughts, welling up and vanishing with lifelike authenticity. Chan Chin-ting features with two pieces for solo violin: Cross-Currents, an exploration of the violin's full tonal range, and Postcards, an assortment of, in the composer's words, "six miniatures/musical gifts," which, quite like the name suggests, can be played as standalone pieces, but also feature a common theme that unites them.

With her richly diverse background and commissions from the BBC Proms and The Royal Opera, one would expect that composer Eleanor Alberga’s Navona Records release would be nothing short of a showstopper. It is just that and more. The three pieces on her STRING QUARTETS 1, 2 & 3 offer a penetrating view into Alberga’s creative genius. The album pulls the absolute best from the gifted Ensemble Arcadiana.

Acclaimed international piano trio Trio Casals makes a triumphant return with the fourth installment of Navona Records' MOTO series, zestfully interpreting nine new American compositions – virtually all of them either tailor-made or arranged for the ensemble. The opening track, Three for Three by David Nisbet Stewart, could almost be considered a neoclassical piano trio – if you're thinking along the lines of Prokofiev's Love for Three Oranges. Like his Russian predecessor, Stewart chose to endow his composition with a perspicacious structure, along which the motives and modulations climb like vines on a trellis.

Award-winning composer Elliott McKinley’s music has been performed throughout the United States, Canada, and Europe. On THREE SCENES, he presents three powerful pieces of modern chamber music of the caliber that has earned him global recognition.

On September 2, 1998, 229 passengers and crew members lost their lives when Swissair Flight 111 crashed into the Atlantic Ocean near Nova Scotia. Composer Matt Frey, who identified with the Swissair tragedy due to his own brush with a plane malfunction, explores the human relationship to air travel while also commemorating the lives lost in the chamber opera ONE-ELEVEN HEAVY.

Characterized by a unique style of instrumentation and experimentation with formality, VIRTUOSITY is the colorful expression of composer John Robertson's symphonic creativity. VIRTUOSITY combines a clarinet and a trumpet concerto, a symphony, and an orchestral fantasy based on a Maori love story – all on one album.

Composer Mark Dal Porto's award-winning, neo-Romantic Song of Eternity for Orchestra starts off THE MUSIC OF MARK DAL PORTO in epic fashion. If Mahler and Prokofiev had collaborated on a composition, it would probably have sounded a lot like this: pensive, evocative, and nostalgic. Song of Eternity describes the eternal renewal of nature with cinematic impact. It is inspired by an ancient Chinese poem, as is the next piece, I Seek Rest for My Lonely Heart for A-Cappella Choir. This work continues the subject of nature, albeit in a more individualized fashion, capturing the sentiment of a distressed soul in search of peace in a pastoral setting.

PARMA Recordings, together with the esteemed Croatian Chamber Orchestra, is proud to release BENEATH THE TIDE, a reflection on human emotion and experience through a collection of five concertos. As the title suggests, BENEATH THE TIDE looks under the surface, examining underlying human realities that rise to the surface with the arrival of life’s changes.

Composer Garth Baxter calls his commitment to form and aesthetic "modern traditionalism." And indeed, his new album RESISTANCE may just offer the best of both worlds in one captivating experience. Each piece has certain features in common: they are immediately, intuitively accessible to the listening ear, and all of them draw upon Baxter's ability to evoke sincere emotions with every note.

Pan-Fare, the album's starting point, is a rare modern classical piece for steel pan and a motley, jazz-inflected ensemble. Fun, energetic, and brimming with rhythmic imagination, it is set against an original percussive backdrop provided by, among others, a vibraslap, a marimba, and a Chinese opera gong.

SPOON HANGING FROM MY NOSE, the debut album by composer J.A. Kawarsky, combines spirit and wit with compositions that dance between tender and strikingly agitated. With works for orchestra, some composed by Kawarsky and others originally by Brahms but arranged and reimagined by Kawarsky, the album as a whole is a triumphant entrance into the full album release for the composer.

PARMA Recordings presents LEGENDS & LIGHT, a compilation album featuring works by composers Hans Bakker, Jan Järvlepp, Clive Muncaster, and Shirley Mier. Each has a different, unique story to tell, and the narratives are brought to life by the orchestra and string ensemble.

Navona Records proudly presents Flare, recordings by members of the Society of Composers, Inc. Now in its 32nd installment, it offers a veritable cross-section of some of the most original voices in composition today. The album opens with 19-year-old Vaibhav Mohanty's Rhapsody No. 1 (2017), traveling through elements of Western classical composition, jazz, and Indian traditional music with such well-proportioned naturalness and ease, it bears all the telltale signs of an instant repertoire classic.

It should be no secret that Miami-based composer Ferdinando De Sena is a tour de force amongst electroacoustic composers. Just listening to SECRETS FOR FREE is all the proof you need. The EP boasts adventurous yet accessible compositions that balance real instruments with computer-generated sound. SECRETS FOR FREE is a testament to fans of either subgenre that the two approaches to classical music do not have to be mutually exclusive.