Instrumentaion: Ensemble

Navona Records presents PINNACLE VOL. 3, a collection of contemporary chamber works by composers Alla Elana Cohen, Andrew Schneider, Dušan Bavdek, and Richard E Brown that highlight the melodic, emotive, and dramatic styles offered by today’s chamber music. This diverse assortment of repertoire spans numerous influences and orchestrations, delivering a range of sounds from somber and moving to sprightly and energetic. Leveraging raw thematic material and colorful musical portraits, the composers and performers in this edition of PINNACLE keep the fire burning while bringing a fresh and unique tone to the series.

Edward Hart’s UNDER AN INDIGO SKY features A Charleston Concerto and Under an Indigo Sky, two concertos that celebrate and reflect the history and culture of the Southeastern United States. A native of Charleston SC, Hart finds inspiration in the natural beauty and multicultural heritage of his homeland. A Charleston Concerto was written to commemorate the 350th Anniversary of the City of Charleston; it features a collaboration with the Charleston Symphony and the world-renowned Harlem Quartet. It takes an unflinching yet ultimately hopeful view of the city’s complex history over those three and a half centuries. Under an Indigo Sky for violin and orchestra is a musical love letter written to Hart’s geographical home. It explores both the physical splendor of the mountains and coast, but also the feel and “soul” of these breathtaking places.

Life can sometimes seem like an infinity mirror of colors reflecting off of themselves, each tint deeply distinct in its own right, yet profoundly beautiful when viewed as a whole. This sentiment is thoughtfully expressed in KALEIDOSCOPE from composer Craig Morris and Navona Records. Morris’s compositional strengths are far-reaching and dynamic, and aptly showcased here with orchestral and chamber works written in a variety of orchestrations. Sentiments of gentle reflections, care and acceptance, and love are echoed throughout this release, a cohesive collection of works written from powerful emotions that tie into the kaleidoscope that is the human experience.

Throughout his lifetime, composer Sydney Hodkinson wrote over 250 works, covering a wide array of genres including educational literature, chamber arrangements, and large-scale orchestral pieces. SYDNEY HODKINSON: CHAMBER WORKS from Navona Records brings four live recordings of the late composer’s string quartets and a trio, Rogatio Gravis, to life with performances from the Benda Quartet and the Jupiter Quartet. With works written in dedication to family members, loved ones, and friends, this posthumous release serves as a perfect parting gift from Hodkinson — a musical display of his compositional prowess and kindness.

QUADRANTS VOL. 4 comes as the fourth installment of Navona's acclaimed series of string quartet recordings by contemporary composers. This time, a variety of ensembles perform a selection of pieces by Daniel Gil, Jacob E. Goodman, John Summers, Sami Seif, and Judith Lang Zaimont. Like its predecessors, QUADRANTS VOL. 4 presents musical creations that are highly structured, thoroughly conceptualized and profoundly cerebral, drawing upon subject matters as diverse as Kabbalistic philosophy, English urban poetry, and Arabic cultural identity, among others. Often the result of years-long toil, these compositions are by no means easy to perform – but each ensemble masterfully succeeds with virtuosic panache.

There are generally two ways one can face a crisis. One can give up, or one can persevere and use it to one's advantage. Choir director Dominick DiOrio definitely chose the latter during the pandemic, turning his reflections and sentiments about it into a profoundly engaging, almost philosophical choral album titled WHAT IS OURS. DiOrio conjures a formidable cross-section of music by a range of contemporary composers that not only reflects the diversity and multiplicity of modern-day America, but also its underbelly of struggle, challenge, and an eventual triumph of humanity.

Globally recognized for its unique radio programming, innovative collaborations, and community outreach, All Classical Portland presents AMPLIFY, a response to the industry’s inequities in classical music recordings. The works of five contemporary composers are brought to light in this album, each infused with recollections of stories, cities, and movements that have made an impact along the artists’ journey. As the 1,000th album brought to life by parent organization PARMA Recordings, this important Navona Records release marks a monumental achievement in highlighting voices in classical music, and is a step in helping to change America’s playlist.

THE LEADER from Canadian-American composer Karim Al-Zand is at once timeless and also deeply relevant for the age we live in. A commentary on the rise of fascist tyranny, its titular piece tells the story of a buffoonish charlatan who is adored despite his ridiculous behavior, echoing concerns of the modern day in this chamber opera based on Eugene Ionesco's 1953 satire Le Maître. Another vocal work, Songs from the Post Truth Era similarly comments on the political realities (or unrealities) of our time. The album features several other chamber works by Al-Zand including his Six Bagatelles, with music inspired by the art of Robert Motherwell (1915–1991).

AMERICAN SCENES, from composer Samuel A. Livingston is, as its title suggests, a painterly tribute to America. The album’s title piece, Three American Scenes, is a three-movement suite that expresses the grandeur of the American west, the serenity of a mountain lake at dawn, and the bustle of a busy day in a large city. The album opens with Celebrating the Fourth, which depicts an American Fourth of July celebration. The final two selections feature works for concert band with a solo instrument – the flute, in Silvertube Variations, and the clarinet, in Balkan Dance. In that last selection, Livingston turns his attention beyond our shores, to the harmonies and rhythms of the folk music of the Balkan countries, especially Bulgaria and North Macedonia. Altogether, AMERICAN SCENES is thoughtfully-crafted and unabashedly jubilant, expressing appreciation for America and the world beyond with refreshing sincerity.

Hot on the heels of its first edition, INVITING WORLDS VOL 2 follows in the footsteps of its predecessor with the rhythmic dexterity and textural nuance of today’s orchestras paired with a new roster of composers. New sounds and expressions burst with emotion and uplift us through dark days, navigating uncertainty and delivering us to tranquil resolution. From the frenetic energy and hair raising harmony of Chasse Noir to the soothing solemnity of When Quiet Comes, INVITING WORLDS VOL 2 delivers a colorful palette of orchestral virtuosity sure to please any listener who lends an ear.

From the mysterious magic of our darkest corners to the exuberant atmosphere of Carnaval, infinite possibilities lay within INVITING WORLDS from Navona Records. The musical dimensions of several composers are explored by the Janáček Philharmonic Ostrava, Zagreb Festival Orchestra, and the National Moravian-Silesian Theater Choir in this dynamic journey, offering insight into new realms through imaginative approaches to composition. Even in far away lands, close-to-home concepts are explored in thought-provoking soundscapes, showcasing the rhythmic dexterity and textural nuance of today’s orchestras across a wide breadth of compositional styles.

On RISE: MUSIC IN TIMES OF UNCERTAINTY, composer David Colson employs conventional and innovative chamber combinations alike to express a wide array of emotional content. Drawing upon years of experience as a performer, conductor, and composer, his command over the music and ability to adapt is present on each piece. How We Change for brass quintet pays homage to a dear friend with quick-changing tempos and unequal phrases, which represent the flood of emotions caused by sudden loss. The Wind Is Rising, the Earth lets itself be inhaled for bassoon and percussion, simultaneously primitive and cosmic, calls for respect for the earth. The micro-concerto RISE for piano and percussion quartet highlights various percussion elements to emphasize the performers’ skill and versatility. Finally, Dionysian Mysteries, composed freeform with minimal methodology, allows the saxophone quartet to plumb the depths of their instruments’ capabilities to render raw, emotional sound.

Award winning composer Peter Knell offers a deep dive into a number of his inspirations and formative experiences through a variety of orchestrations in SOUNDSCAPES from Navona Records. Expressed through solo violin, violin and vocal duo, and string quartet, Knell’s work encompasses the poetry of Pablo Neruda, the art of Rolf Stein, landscapes of his youth, and more. Dive in and become immersed in the natural imagery and sensations both Knell and these performers bring forth.

SEQUOIAS from composer Jeffrey Jacob and Navona Records is an ode to the entrancing qualities of the natural world, echoing through music an appreciation for its transcendental beauty and concern for the devastating impact of climate change. Inspired by what he calls “cathedral-like sentinels of nature,” Symphony No. 6 meditates on the magnificence and grandeur of the tall trees towering in California’s Sierra Nevada Mountains. With other pieces inspired by the limitless reverberations conjured from the forest and the natural light that illuminates it, SEQUOIAS showcases the composer’s creative ambition and commitment to the environment.

Just as each season brings its own sensations and expressions, so does composer John Mitchell’s SEASONS from Navona Records. Performed by the award winning Benda Quartet, the compositions envelop the various characteristics and hallmarks of each time of year, capturing both their beauty and the emotions they evoke. Autumn exudes the subtle warmth left from summer, Winter brings suspenseful chills and flurries of notes, Spring, a shedding of winter coats, and Summer, a regal and relaxing musical soundscape, all conjured from a dynamic and expressive string quartet performance.

New York City native Michael Cohen surprises with a formidable cross section of his oeuvre, the splendidly and mysteriously named A SONG FOR SILENCED VOICES. Narrowly skirting traditional notions of (a)tonality, this selection of works leaps to and fro between collected serenity and impassioned melodicism. The setups are as diverse as the music: A SONG FOR SILENCED VOICES includes a string quartet, an excerpt of Cohen's opera Rappaccini's Daughter, a Prelude for Piano, a chamber/vocal work titled I Remember based on works from his musical Yours, Anne, as well as the album's namesake piece, which happens to be not a song, but a duo for cello and piano.

Navona Records is proud to present RESTLESS NATION: THE MUSIC OF ANDY TEIRSTEIN. A student of Leonard Bernstein and Henry Brant, Teirstein’s music has been described by The New York Times as “magically atmospheric” and “tumultuously exuberant,” with “shifts from dark, earthy urgency to floating purity.” Featuring master soloists Marco Ambrosini (nyckelharpa) and Yair Dalal (oud), this new collection takes inspiration from the composer’s many travels directing the global initiative Translucent Borders, with musical influences from Bedouin singing, Scandinavian folk music, and his roots as a folk fiddle and banjo player. Letter from Woody is an orchestral reimagining of a letter the iconic folk balladeer Woody Guthrie wrote to his lover and future wife, the dancer Marjorie Mazia, in the 1940s, with hints of Guthrie’s songs and an introduction for harmonica.

Navona Records proudly presents HIGH VOLTAGE CHAMBER MUSIC, the latest album from composer Jan Järvlepp. Following close on the heels of CONCERTO 2000 and FLIGHTS OF FANCY, Järvlepp carries forward the momentum with this newest release. Featured on the album is String Quartet No. 1, the composer’s first full-length string quartet—an important milestone for any composer.

Navona Records presents PINNACLE VOL. 2, a collection of contemporary chamber works by composers John A. Carollo, Edmund Cionek, Sarah Wallin Huff, Santiago Kodela, Adnan Marafi, Amintas Silva, Joseph T. Spaniola, and Kong-Yu Wong, that highlight the melodic, emotive, and dramatic styles offered by today’s chamber music. Throughout the album, the composers explore the cyclicity of life and nature.

From yin and yang to public debate, much in the world revolves around opposing forces. POLARITIES VOL. 2, an album of new presentations in classical music, documents the intricacies of these forces, expressing the emotions, sensations, and scenes associated with the extreme ends of conversation and change.