Genre: Solo Instrumental

The 28th edition of the Society of Composers, Inc. release series and the 4th on Navona Records, PENDULUM extrapolates and elaborates on several themes relating to variation, transformation, repetition, and more.

Continuing the mission of the original Capstone Records series by the Connecticut Composers, Inc., this debut Navona Records release of the same name, SPECTRA, highlights six contemporary composers from northeastern United States, who reflect the diversity and progression of today's music.

What must it feel like to play an instrument that is one of seven known to exist in the world and is two hundred years old? Pianists Shuko Watanabe and Timothy Gaylard know this feeling, playing works written by Muzio Clementi (1752-1832) on a Clementi grand fortepiano in pieces on the Navona Records release, CLEMENTI GRAND.

Gavin Borchert of Seattle Weekly applauds Peter Vukmirovic Stevens' AUGUST RUINS (2013), saying, "[Cellist] Paige Stockley plays it stunningly; I would relish the chance to hear her do it live." The opportunity to hear a live performance of Stockley playing Stevens' compelling solo cello work is now available as a digital release through Navona Records, AUGUST RUINS LIVE.

ICE & FIRE, the debut Navona Records album by Stephen Scott, showcases a variety of works for bowed piano. The album features The Bowed Piano Ensemble, an experimental piano group based at Colorado College in Colorado Springs that was founded by Scott.

ABHANDEN, Chicago based cellist Chris Wild's debut album on Navona Records, features six compositions for solo cello and small ensemble that stretch across multiple decades and concepts of style. Focusing on the unification of the diverse aesthetics of contemporary music, ABHANDEN seeks to demonstrate the shared ends of expression these six pieces exhibit.

FOR THE YOUNG ARTIST, Michael Glenn Williams' debut on Navona Records, pursues the tradition of hearing a composer's works performed by a world-class musician. Sean Chen, a rising star pianist who had his 2013 break through winning the prestigious American Pianists Association DeHaan Classical Fellow Award and the Crystal Award at the Van Cliburn Piano Competition, performs the works of Williams.

Drawing from a diverse set of genres and stylistic sources including atonal, folk, chant, dance, and more, Alexandra Ottaway's solo Navona Records debut TETRAHEDRON DREAMS presents a singular and striking listening experience.

Navona Records is proud to present NOVA, the 27th edition of the acclaimed Society of Composers, Inc. CD Series and the third SCI release on Navona. This entry in the series features chamber works by eight SCI composers.

THE PARMA SESSIONS: Vít Mužík presents a series of recordings by longtime PARMA collaborator and violinist Vít Mužík. Showcasing the artists skill, adaptability, and dedication, this digital compilation features Vít Mužík performing works by a diverse set of composers with myriad influences and styles.

THE PARMA SESSIONS: KAROLINA ROJAHN presents a series of recordings featuring longtime PARMA collaborator and pianist Karolina Rojahn. Showcasing the artist's skill, adaptability, and dedication, this digital compilation features Rojahn performing works by a diverse set of composers with myriad influences and styles.

CYCLES OF THE MOON, the new release from composer Ayala Asherov, is a colorful and poignant cross-section of works from various cycles of the composer's life. As a native of Israel, Ms. Asherov's music is largely informed by Hebrew chamber music. The music is tonal and intended to be accessible, says Asherov, "I didn't want to write what I thought a listener would not want to hear. My guiding light-or should I say melody-is something one can hold on to while exercising the imagination."

WITH PASSION is the latest release from Navona Records featuring the works of French composer Yves Ramette (1921-2012). Exquisitely beautiful, these cascading works for solo piano stand alone within a palate of tine, color, and space that Mr. Ramette crafted and honed throughout his studies and professional career.

About 100 years ago, classical music made a jagged turn away from the harmonic structures that had comprised its underpinnings for several centuries. This departure was early-on dubbed atonalism, and opposed the functional harmony that prevailed during the great musical flourishing of the 17th, 18th, and 19th centuries. Composer Sparky Davis, who takes a "modern, not modernistic" approach to writing his music, continues this forward movement, expanding the vocabulary of music to include non-traditional elements and adding to the functional uses of long-established note combinations.

KEYBOARD3 Navona's second all-Sergio Cervetti album takes the listener to a world of kinetic and emotionally charged sound forged from three keyboard instruments. Sometimes it is the pianoforte, the king of instruments or the double keyboard of the harpsichord.

Here at Navona, we believe that despite varied influences, styles, and techniques, contemporary works by a variety of carefully selected composers can unite to represent the classical landscape as a whole. On MOTO PERPETUO, a collection of moving works for cello by March, Bartholomew, Beeler, Sherrill, Gottschalk, and Ascioti, the music is bound by the instruments simultaneous steadfastness and adaptability and the composers' shared ability to seize and control the instruments expressive timbre and range.

Praised for her "boldly inflected readings" (Jeremy Eichler, New York Times), "powerful technique" (Allan Kozinn, New York Times), and "purely pianistic panache" (Richard Dyer, Boston Globe), New York-based pianist Beth Levin has honed her interpretive and expressive skills since her days as a child prodigy in Philadelphia.

French composer Yves Ramette's (1921-2012) music is marked by its ability to broadcast "messages of the heart," offering unflinching and distinguished representations of emotion and experience using traditional forms. A student of Honegger and contemporary of Boulez, among others, Ramette's works draw from the rhythmic and harmonic elements of mid-20th-century France.

Peter Vukmirovic Stevens is a composer whose music is informed and guided by deep connections with visual media, literature, travel, and works by composers past and present. AUGUST RUINS, an album of Stevens' works for solo cello, gives these influences life through the cello's unequivocal range and timbre, allowing for a raw, isolated expression of emotion, history, and visual beauty unencumbered by accompaniment.

For too long the trombone has been ignored as a central instrument in contemporary music. On PAPER CLIPS, trombonist Andy Malloy proves the instrument's capabilities of being a driving force and, along with pianist Karolina Rojahn, its collaborative appeal. An unabashed champion for the trombone, Malloy commissioned each work on this album specifically to expand the often overlooked instrument's repertoire.