Genre: Orchestral

Navona Records is proud to present SUBLIMITAS, a symphonic album bringing to life the posthumous works of composer Michael G. Cunningham. Performed by the Janáček Philharmonic Orchestra, Cunningham’s 5th and 6th Symphonies soar with spirited flair and clarity. These works are thoughtfully paired with his Mountain Poem, a jubilant and moving piece composed with musical peaks and valleys that simulate a thrilling adventure. As a composer whose works span 11 previous Navona Records releases, the works presented on SUBLIMITAS make for a delightful final parting gift from an artist who showed an unwavering dedication to sharing his music with the world.

BEE-SHARP HONEYBEE from composer Rae Howell is an immersive journey through the secret life of bees, performed here by the Sunwrae String Orchestra, intertwined with the hum of a live honeybee hive. It is the foundation of a large-scale multimedia work, featuring live animated projections synchronized with the music, and a real-time stream of honeybees, filmed, amplified, and intermittently fed through the live performance. Developed from extensive research into bee (buzz) rhythm, pitch, and "waggle dance" patterns (the sophisticated system of communication between bees, detailing the distance and direction of nectar in the environment), BEE-SHARP HONEYBEE magnifies the subtle intricacies of the beehive, highlighting these distinct patterns, identified through field recordings made during the initial research and development of the project.

Hot on the heels of its preceding installments, DIMENSIONS VOL. 5 from Navona Records highlights the works of seven celebrated composers. These orchestral pieces showcase a broad range of innovative compositional styles featuring traditional and modern influences, drawing inspiration from an opera about a mystical wolf, moments of uncertainty and reflection in life, the music of Handel, and traditional Latvian folk music, just to name a few. Leveraging musical passion and orchestral ferocity, DIMENSIONS VOL. 5 offers listeners a broad example of some of the most exciting work in contemporary orchestral music.

WALTON & BARBER from famed British violinist Thomas Bowes celebrates the works of two early 20th century composers, William Walton and Samuel Barber. The album includes Walton’s Concerto for Violin and Orchestra and Two Pieces for Strings from Henry V, as well as Barber’s Concerto for Violin and Orchestra op. 14 and the touchstone Adagio for Strings op. 11. Throughout the album, Bowes’ breathtaking virtuosity is on full display. His playing, which has been characterized by Gramophone Magazine as “deeply human” and “unusually communicative,” teases out subtleties and rises to the challenge of the most technically-demanding passages. With the violin at centerstage, WALTON & BARBER brings the full power of the orchestra to bear.

DANCING IN THE PALM OF GOD'S HAND from J.A. Kawarsky and Navona Records isn't at all a typical worship album; rather, it's a cross section through Kawarsky's oeuvre that encompasses minimalist solo pieces, intimate chamber music, and grand orchestral works. The themes on this album are vast and sweeping, at once lavish and carefully measured, reflecting the great and the minute, like an interplay between human and God. It's an almost philosophical experience, and one needn't be religious to enjoy its uplifting qualities.

The accordion surely is an evocative instrument, its mere timbre conjuring mellow images of the Italian Riviera or cobbled Parisian streets. One would expect it to be quite out of place in the relatively formal environment of the classical concert hall – and be sorely mistaken, as far as Richard Galliano is concerned. The versatile French composer and accordion virtuoso sets out to elegantly shatter expectations – and his new album MADREPERLA proves him right. MADREPERLA's brilliance stems not only from the sheer audacity of juxtaposing the accordion with a full orchestra, nor from the fact that it succeeds spectacularly in doing so. What's most intoxicating is Galliano's fusion of symphonic writing with eclectic styles of dance – the pavane, the mazurka, the milonga, the forró, the waltz – whose particular zest, allure and élan pour forth torrentially from these compositions. A triumph.

SYMPHONIC CHRONICLES VOL I from Navona Records features the works of celebrated living composers from a wide variety of backgrounds and influences. Performed by the London Symphony Orchestra and Royal Scottish National Orchestra, the music touches on topics ranging from jazz to the COVID pandemic, racial injustice, and more. Steve Law’s melodic and rhythmic Piano Concerto draws inspiration from Gershwin, Rachmaninoff, and Prokofiev while assimilating the influences of jazz, pop, and minimalism. In Barbara Jazwinski’s Fantasy on Jazz, the composer meditates on the complex and ever-evolving music of New Orleans. Simon Andrews’ Interlude No. 3 from “The Scars On His Back” recounts the story of legendary Native American freedom fighter Po’pay, and the revolt against the Spanish colonists he helped inspire. These examples are just a taste of the evocative works found on SYMPHONIC CHRONICLES VOL I.

Daniel Burwasser’s music has been praised as accessible, communicative, and imaginative, descriptors encapsulated in the recordings of FLIGHTS OF IMAGINATION, a comprehensive release including some of Burwasser’s most beloved works. Burwasser provides no shortage of musical variety; the childlike wonder of Catching Fireflies is paired with the rhythmic, jubilant, and occasionally mystical qualities of Whirlwind, Flux, and Puck’s Game, while A Well-Traveled Road is a tumultuous and lively musical journey through lush, overflowing fields of orchestration. There is undoubtedly something for every musical ear in the works of Daniel Burwasser, and in FLIGHTS OF IMAGINATION, listeners will be well-met in finding it.

Eight exceptional composers, eight premiere recordings with a legendary orchestra, and one spectacular soloist: LONDON CELLO CONNECTION is a captivating compendium of contemporary compositions by celebrated cellist Ovidiu Marinescu and the London Symphony Orchestra with conductor Miran Vaupotić. Marinescu’s emotive, lush sound and superb technical command provides the continuous thread throughout the program, from the elegant “Sarabande” by Marvin Lamb to Arthur Gottschalk’s regal “Brunetti Meditations” to the shimmering, pulsing “Soul Dance” of Diane Jones, connecting and contrasting each of these works and others by John Robertson, Katherine Price, Joanna Estelle, L Peter Deutsch, and Keith Kramer. Recorded in June 2022 at the LSO’s St. Luke’s Church, the historic site on London’s Old Street which dates to 1733 and was restored to become home to the orchestra’s recording, community, and music education programs.

DIMENSIONS VOL. 4 gathers together a diverse collection of works for large ensemble by six lauded contemporary composers. These powerful yet intimate creations expand the boundaries of traditional chamber music while preserving the unique timbre of each individual instrument. The collection includes works like Shallow Streams by Ashlee T Busch, in which quick-moving wind, string, and percussion lines dance over the calm “riverbed” of the piano. A Distant Place by James Lentini employs eight instruments including harp and guitar to portray the driving spirit that compels us to chase our dreams. Meanwhile, Piccola Serenata from composer Liova Bueno is a 21st-century take on a style of music composed and performed in Europe during the 17th and 18th centuries, intended as light entertainment at social gatherings. These are just a few examples of the sheer breadth of DIMENSIONS VOL. 4.

Navona Records is proud to present LEGENDS AND LIGHT VOL. 3, an ambitious collection of new works for large ensemble performed by the Janáček Philharmonic Ostrava. Several modern composers assemble on this album to deliver new expressions in classical music, highlighting stark contrasts of darkness and light and the other-worldy experiences that charge our artistic spirit. Inspired by art, mystical experiences, and the wonders of our universe, this edition of the LEGENDS AND LIGHT series casts a serene spotlight on the compositional innovation and orchestral ferocity of today’s composers and performers, an exhilarating showcase of the current and exciting state of classical music.

Edward Hart’s UNDER AN INDIGO SKY features A Charleston Concerto and Under an Indigo Sky, two concertos that celebrate and reflect the history and culture of the Southeastern United States. A native of Charleston SC, Hart finds inspiration in the natural beauty and multicultural heritage of his homeland. A Charleston Concerto was written to commemorate the 350th Anniversary of the City of Charleston; it features a collaboration with the Charleston Symphony and the world-renowned Harlem Quartet. It takes an unflinching yet ultimately hopeful view of the city’s complex history over those three and a half centuries. Under an Indigo Sky for violin and orchestra is a musical love letter written to Hart’s geographical home. It explores both the physical splendor of the mountains and coast, but also the feel and “soul” of these breathtaking places.

Life can sometimes seem like an infinity mirror of colors reflecting off of themselves, each tint deeply distinct in its own right, yet profoundly beautiful when viewed as a whole. This sentiment is thoughtfully expressed in KALEIDOSCOPE from composer Craig Morris and Navona Records. Morris’s compositional strengths are far-reaching and dynamic, and aptly showcased here with orchestral and chamber works written in a variety of orchestrations. Sentiments of gentle reflections, care and acceptance, and love are echoed throughout this release, a cohesive collection of works written from powerful emotions that tie into the kaleidoscope that is the human experience.

Navona Records and the Portland Youth Philharmonic are proud to present TOMÁŠ SVOBODA: PREMIERE RECORDINGS, an album bringing four works from composer Tomáš Svoboda to life. Since 1924, the Portland Youth Philharmonic has provided young musicians in Portland OR with a challenging opportunity to explore their creativity while receiving the highest quality musical education. Through this album, the ensemble further upholds their mission statement with these dexterous works including two premiere recordings, Svoboda’s Folk Concertino for 7 instruments and Variations for Violin and String Orchestra.

Contemporary symphonic music tends to fall into either one of two categories: hopelessly cerebral concert hall material that is difficult (if not impossible) to understand – or background music for motion pictures. Neither classification would be much to the liking of New York native Anthony Iannaccone, who sets out to prove that one can have the best of both worlds on LOOKING BACK, MOVING ON. Both his third and fourth symphonies make a strong case: spirited, organically structured, and imaginative, they are formidable displays of American verve. The Concertante for Clarinet and Orchestra, more subtle but no less energetic, drives home the point.

INVITING WORLDS VOL 3 offers a fresh look into the Navona Records series with a new roster of modern composers. Building on the canon of orchestral works presented thus far, this edition of the series features works inspired by historic poetry, iconic stories, and memories, tied together and brought to life by the raw power of today’s ensembles. From whimsical and uplifting passages to deep stirring nostalgia, the works featured on INVITING WORLDS VOL 3 are unrelenting in their emotive qualities.

Navona Records presents HEDGEHOG'S HOME, a classic tale centered on the importance of caring for our natural habitat. Based on the original children’s story by Bosnian Serb author Branko Ćopić, this adaptation for the Zagreb Philharmonic Orchestra was originally premiered in September 2019 at Zagreb’s Vatroslav Lisinski Hall under the baton of then maestro David Danzmayr. A time-tested narrative in an all new form, this presentation of Hedgehog’s Home serves as a gentle and artistically driven reminder not to take our respective abodes for granted.

Navona Records presents DASHING VOL. 3, a festive assortment of new works inspired by the signature sounds and staples of the holiday season. Comprising stories, nods to classic holiday tunes, and an underlying current of wistful nostalgia, this installment of the DASHING series keeps the spirit of holiday music alive with new compositions and arrangements of well-known favorites. Brought to life by a number of orchestras, chamber ensembles, and choirs, the works of new and returning composers to the series are sure to ignite the charm and congeniality of the holiday season, highlighting the many facets that the bright break of winter can bring.

Navona Records presents SPARKS: THE EYE OF LONDON, an assembly of original fanfares performed by the London Symphony Orchestra. Drawing from the compositional strengths of today’s composers, the orchestra navigates chaos and order, isolation, and ascension towards triumph through passionate orchestral writing reminiscent of the fire that burns within us. A collection spanning thought-provoking narratives, scenic synesthesia, soothing passages, and the whimsically abstract, the London Symphony Orchestra explores a vast musical landscape of emotions, tackling each with precision and verve.

Navona Records presents Michael Kurek’s SYMPHONY NO. 2: TALES FROM THE REALM OF FAERIE, a rich musical tapestry intertwining the colors and characteristics of many fantastical worlds the composer has entered and loved. Performed by the European Recording Orchestra, a certain spirit of unspoiled beauty, innocence, nobility, hope, and heroic goodness stretches across four movements, each giving the listener creative control of the worlds they conjure. With a well-balanced lineage of traditional compositional techniques running throughout his symphony and other works for choir to follow, Kurek presents a dynamic assortment of work that keeps the spirit and heritage of classical music alive.