Artists

Driven to create a musical bond with her listeners, saxophonist Heidi Radtke is attracted to the many musical traditions that claim the saxophone as their own. With influences ranging from contemporary classical to jazz and popular genres, Radtke gravitates towards music that dances, sings, and tells a story. As a performing artist, Radtke seeks to entertain, provide emotional connection and release, stir creativity, pique curiosity, generate compassion, and above all, inspire the artistic voice in others.

Monica (Niki) Houghton was born in Vermont and raised in northern Nevada. She holds A.B. and A.M. degrees from Harvard University in Chinese Language and Literature and East Asian Studies. She earned an M.M. in Composition from the Cleveland Institute of Music in 2003 and served as Instructor for their Joint Music Program with Case Western Reserve University for nine years before moving back to Nevada in 2011.

Roaring onto the operatic stage in recent seasons, Melanie Henley Heyn made her Straussian and Wagnerian debuts as Salome & Brünnhilde, followed closely by a harrowing portrayal of Magda Sorel in Gian Carlo Menotti’s Pulitzer Prize-winning drama, The Consul. Singing a vast repertoire of music spanning the opera, concert, and folk worlds, her 33 divas recording project combining classic Wagner, Verdi, and Puccini roles with modern American opera heroines remains the No. 1 Most Funded Kickstarter for a Solo Classical Artist.

​Before turning his attention to composition, Andrew Lewinter had a long and varied career as an orchestral horn player and soloist. As a composer, Lewinter has a decidedly tonal and neo-romantic style that is often very contrapuntal and always emotionally gripping. His works include sonatas for each of the brass instruments and piano, a quartet for trumpet, horn, trombone and piano, quintets for both horn and string quartet and oboe and string quartet, a woodwind quintet, a string quartet, and a trio for oboe, horn, and piano, among other works scored for a variety of chamber ensembles. Lewinter’s compositions have been widely performed and recorded, and are available on Navona Records and Ablaze records.

“A new voice on our horizon is felt and heard with [composer] Debra Kaye” (Classical Modern Music Review). Her visceral music has been described as “an eclectic unfolding of creativity” (Gramophone), it ranges from lyrical to grooving, experimental to coloristic but above all, expressive and deeply felt. Kaye is a hybrid and her music reflects it. Born in Motown, currently living in New York City, she moved to Atlanta at an early age. Her life and music reflect a desire to feel, understand, and to integrate opposites.

Since making a highly-praised debut at the 1996 edition of the Pablo Casals Festival in Puerto Rico, Trio Casals has delighted audiences with spectacular virtuosity, engaging enthusiasm, and exquisite musical elegance. The ensemble released several commercial albums with PARMA Recordings and Navona Records to critical acclaim with Ovidiu Marinescu and past members including Anna Kislitysyna, Alexandr Kislitsyn, and Sylvia Ahramjian, from the beloved MOTO series to A GRAND JOURNEY and more. Marinescu remains in the current ensemble line up, with Mădălina-Claudia Dănilă and Timothy Schwarz joining in 2024.

Composer Jan Järvlepp creates a genuine European/American musical fusion by combining the excitement of rock and jazz rhythms with the large-scale classical structures found in orchestral and chamber music. The seriousness of his well-thought-out forms and the immediacy of contemporary rhythmic and melodic ideas make a potent brew that is appealing to both open-minded classical listeners and pop music listeners who are searching for something new.

Pianist and harpsichordist Anna Kislitsyna made her solo debut at age 10 with the Omsk Symphony Orchestra. She remains in high demand as a soloist, collaborative pianist, and educator. Recent season highlights include five new album productions with PARMA Recordings and two release concerts in Carnegie Hall’s Weill Recital Hall, performing Haydn and Shostakovich Piano Concertos with Helena Symphony and Southeastern Pennsylvania Symphony Orchestra, and returning to the Omsk Philharmonic as a soloist to give the inaugural performance on the new harpsichord.

Michael Murray has been described as "a contemporary craftsman-artist of original stripe" whose music is "easy to listen to in the best possible way." His compositions cover a wide variety of styles and media, but his gift for lyricism is particularly well suited to music for strings and the human voice. In addition to composing concert music, he has written music for film, theater productions, dance, and visual arts installations. His music appears on Navona and Ansonica Records, and is published by Ars Nova Press. He lives in Springfield MO where he is Professor of Music at Missouri State University.

Christopher Brakel (b. 1977) is a Boston-based composer of acoustic and electroacoustic concert music, an educator/arts advocate, a music copyist/engraver, and a technology consultant. To date, his concert works have been commissioned and performed across the United States, in Canada, Colombia, the Czech Republic, France, Germany, and Italy. These performances have included prominent regional, national, and international festivals, conferences, and concerts, including the L.A. Composers Project, Darmstädter Ferienkurse, SEAMUS, and SCI National Conferences, FSU Festival of New Music, June in Buffalo, Midwest Composers Symposium, and the Czech-American Summer Music Institute.

Nathan Froebe (b.1983) is a composer, conductor, and music educator. Having written for band, chorus, orchestra, chamber settings, and electronic media, his works have been performed both nationally and internationally, and frequently appear as favorites in the Midwest. Additionally, his works have been featured at a number of festivals and conferences, including the North American Saxophone Alliance, the International Tuba-Euphonium Association, the National Flute Association, the International Trombone Festival, and the Society of Composers, Inc. Froebe’s works often focus on narrative design and gestural presentation, utilizing a harmonic palette that ranges from thorny chromaticism to exuberant lyricism.

William Copper is an American composer of contemporary classical music, a theorist, and the authority on Intonalism, the science of structuring music according to intonation. His music is praised for its beauty, structural integrity, and innovative originality. He has been a life-long supporter and volunteer as Board Member and officer for music and cultural organizations.

Denice Rippentrop believes that composing is a craft that is as much about the creative journey as the final composition itself. Rippentrop is the creator of numerous choral works, each of which she finds challenging in process, but fulfilling in the end. Composing gives her energy and purpose as she continually challenges herself to write with integrity and compassion. Rippentrop writes with a style and flair that reflects her understanding of the voice and ensemble balance.

John Partridge has been performing in the San Francisco Bay Area since the 1970's. As a concert pianist and organist, he specializes in music by American composers. As a composer, he has written everything from film scores to church cantatas.  After graduating from Berkeley High School, John attended UC Santa Cruz where majored in composition and conducting. Returning to the Bay Area in 1976, Partridge served as music director of the Bay Psalmers (a chorus composed of businesspeople in downtown San Francisco), of Berkeley Harmonia Chorus and Orchestra, and at several local churches.

A two-time Michigan Emmy Award winner, a 2017 Sphinx Medal of Excellence recipient, and a 2015 Grammy® Award nominee, Eugene Rogers is recognized as a leading conductor and pedagogue throughout the United States and abroad. In addition to being the founding director of EXIGENCE and the director of choirs and an associate professor of conducting at the University of Michigan, Rogers is the artistic director of The Washington Chorus (Washington DC). 

Dr. Diane Retallack has been Artistic Director of the Eugene Concert Choir organization since 1985 and is the founding director of the chamber ensemble Eugene Vocal Arts and the Eugene Concert Orchestra. She earned a Doctor of Music in Choral Conducting from Indiana University where she studied conducting with Margaret Hillis, founding director of the Chicago Symphony Chorus, and score analysis with master choral scholar Julius Herford. She has also drawn experience and inspiration from workshops and festivals with Helmuth Rilling and Robert Shaw. 

The Eugene Concert Choir organization was formed in 1974 and has grown to include the masterworks chorus Eugene Concert Choir, Eugene Concert Orchestra, and chamber choir Eugene Vocal Arts. A Resident Company of the Hult Center for the Performing Arts in Eugene OR, they present an annual concert series of great choral masterworks and diverse artistic experiences, and feature a growing discography of recordings and videos on streaming platforms and their website eugeneconcertchoir.org

EXIGENCE is the professional vocal ensemble of the Sphinx organization, led by founding conductor Eugene Rogers and composed of vocal artists including solo performers, educators, conductors, and composers. The name EXIGENCE is inspired by the definition of the word — “an urgent need or demand.” Their mission is to promote excellence and diversity through choral music within Black and Latinx communities by creating a platform for soloists and composers of color while inspiring and challenging audiences around the country and world.

Richard Crosby was born in Ashland OH and raised in Largo FL. He holds a Bachelor of Music degree in Music Education (1979), a Master of Music degree in Piano and Wind Conducting (1981), and a Doctor of Musical Arts degree in Piano (1990) from the University of Cincinnati’s College-Conservatory of Music. His principal piano teachers at CCM were John Meretta and Richard Morris.

Angelique Poteat (b. 1986) is a native of the Pacific Northwest, and many of her works are inspired by the natural beauty of the region. Her music has been described as “engaging, restless” (New York Times), “serious and nicely crafted” (American Record Guide), and “extremely accomplished and vividly picturesque” (Seattle Times), receiving performances on four continents by ensembles including the Seattle Symphony Orchestra, arx Percussion Duo, Emerald City Music, CernaBella, and Trio Claviola. Poteat is the recipient of the 2015 American Prize in Orchestral Composition for her work Beyond Much Difference (2014), and has held Composer-in-Residence positions with the Seattle Symphony Orchestra and the New Music on the Rock Festival.