Artists

Composer Alejandro Rutty is best-known for his distinctive mix of South American styles, lyrical melodies, meticulous rhythmic detail, and textures suggested by modern recording processing techniques.

Dr. David Dickau is a choral conductor and composer residing in Mankato, Minnesota where he is Director of Choral Activities at Minnesota State University, Mankato. As a part of his duties, Dr. Dickau conducts the Concert Choir and teaches conducting and composition. Dr. Dickau holds advanced degrees in Choral Music from Northwestern University (Evanston IL) and the University of Southern California (Los Angeles CA) where he studied with Morten Lauridsen and Rodney Eichenberger. He has taught choral music on both the high school and college levels and has conducted community and church choirs.

Lionel Sainsbury began to play the piano at an early age and soon started to compose his own music. Born in Wiltshire, England, in 1958, he studied composition with Patric Standford at the Guildhall School of Music and Drama in London. At the age of 21 he was awarded a Mendelssohn Scholarship, which brought him into contact with composers as diverse as Edmund Rubbra, John McCabe and Henri Dutilleux.

Patricia Julien writes extensively for theatrical productions, including composing the score for O, Caligula! A Mvsical. In the last ten years, she has composed the music for productions of India Song, Ostentatious Poverty, Eurydice, The Clean House, Peter Pan, The Arabian Nights, The Witches, Anna’s Journal, Winnie The Pooh, Marat/Sade, and Coracles, Castanets, Cadaques.

Composer Mark Volker is Associate Professor of Music at the Belmont University School of Music, where he is Coordinator of Composition Studies and directs the New Music Ensemble. He received degrees from the University of Chicago (Ph.D), the University of Cincinnati (M.M.), and Ithaca College (B.M.).

Dr. Nancy Zipay DeSalvo performs extensively as a soloist, a professional accompanying pianist (specializing in saxophone and string repertoire), and a chamber music collaborator. She has been a guest soloist with the Hong Kong Philharmonic Orchestra and has performed with various orchestras throughout the United States. She is an Associate Professor at Westminster College in New Wilmington, Pennsylvania where she is Head of the Piano Area.

Described as “harmonically lush and lyrically soaring” by the New York Times, and as having “abstract elegance, structural coherence, and tender feeling” by the Wall Street Journal, music by Daniel Crozier has been performed or recorded by the Fort Worth Opera, the Boston Symphony Chamber Players, the Seattle Symphony Orchestra, the New York City Opera, the Jacksonville Symphony Orchestra, the Bach Festival Society of Winter Park, Songfest 2004, Winsor Music, saxophonist Branford Marsalis, oboist Peggy Pearson, and pianists Heidi Louise Williams and Vivian Choi.

Michelle Batty Stanley is Associate Professor of Music at Colorado State University where she teaches flute and chamber music. Michelle is a regular performer in solo, chamber and orchestral settings. From early music to new music, Michelle is a passionate performer and strong advocate of the musical arts. She is a regular international artist and has enjoyed giving masterclasses from China to the U.S..

Mona Lyn Reese concentrates on opera, orchestra, and choral music. Her work is melodic and accessible with an emphasis on driving or complex rhythms, movement, and contrasting textures. Her music communicates and expresses emotions traditionally or experimentally without allowing a prevailing fashion to dictate style, form, or harmony.

Considered by the international press as one of the most active and recognized composers of the musical scene, Felipe Perez Santiago has received several prizes and recognitions in Europe, United States and Latin America. His compositions have been played and commissioned in more than 40 countries by internationally renowned orchestras and ensembles and has been invited as resident composer to conservatories, universities and institutions all over the world.

Scott Pender (b. 1959) has called the phonograph his first music teacher. He cites his parents’ “extensive, eclectic record collection” as a primary early influence. As a child, he began making up tunes at the piano and taught himself to read music. Formal study in piano and theory as a teenager led to his enrollment at Peabody Conservatory, where he began composition studies with Jean Ivey. He holds degrees in philosophy from Georgetown University and music composition from Peabody Conservatory.

Kansas composer Dwight Beckham, Sr. did his undergraduate and graduate work at Wichita University. He has studied composition with Homer Keller, Adrian Pouliot, Harold Moyer, Joshua Missal, and Robert Marek. He has played trumpet with the Wichita Symphony Orchestra, the Newton Mid-Kansas Symphony Orchestra, and the Wichita Wind Ensemble.

Robert Hugill is a London based composer, journalist, blogger and lecturer. Robert runs the highly regarded classical music blog, Planet Hugill. Robert’s setting of the Advent Prose was premiered by Alistair Dixon and Chapelle du Roi at St John’s Smith Square in December 2014, and they premiered Robert’s setting of Ruth Padel’s Learning to Make an Oud in Nazareth in 2015. London Concord Singers, conductor Jessica Norton, premiere Robert's motet Dominus illuminatio mea in December 2016 as part of the choir’s 50th anniversary celebrations.

Christopher Nichols is a versatile clarinetist with performances as a soloist and in ensembles across the United States and abroad. Dr. Nichols regularly performs with orchestras in the Mid-Atlantic such as the Pennsylvania Philharmonic, the Kennett Symphony and the Allentown Symphony Orchestra. He is a member of Christiana Winds and has recently collaborated with the acclaimed Serafi n String Quartet, the Taggart-Grycky Duo, and members of the Philadelphia Orchestra and Baltimore Symphony Orchestra.

Born in Baku, Azerbaijan in 1989 and immigrating to Israel at a young age, Israeli violinist and recording artist Boris Abramov has established himself as a virtuosic soloist and chamber musician, performing across the world with several chamber ensembles and orchestras. Boris is the recipient of several awards and prizes; including the National Winner of the 2008 MTNA (Music Teachers National Association) Competition for strings in Denver CO and was awarded a special prize at the 2009 Pablo de Sarasate International Competition in Pamplona, Spain.

Joyce Wai-chung Tang’s works have been described by Ablaze Records as “incisive and brilliant…terrific and fresh compositional voice,” and have been premiered and performed worldwide. Her works span orchestral, chamber, solo, vocal, choral, electro-acoustic, and theatrical genres, many of which have been jury-selected for performances in major festivals and conferences.

David Maki is a composer and pianist based in the Chicago area. Maki’s compositions have been performed widely at regional, national and international venues by many diverse ensembles and musicians. His music has been described as “fresh and unusual” by All Music Guide, “vivid, languid, introspective” by American Record Guide and “meditative and beautiful” by Fanfare Magazine. Recordings of his music can be found on the Albany Records and Avid Sound Recordings labels.

World-renowned for its highly polished performances as the pied-pipers of Early Music, Piffaro, The Renaissance Band has delighted audiences throughout the United States, Europe, Canada and South America. The ensemble, founded in 1980, recreates the elegant sounds of the official, professional wind bands of the late Medieval and Renaissance periods, as well as the rustic music of the peasantry. Piffaro's ever-expanding collection of shawms, sackbuts, dulcians, recorders, krumhorns, bagpipes, lutes, guitars, harps, and a variety of percussion, are careful reconstructions of instruments from the period.

The Bowed Piano Ensemble, founded by composer Stephen Scott at Colorado College in 1977, has evolved into a small experimental-music orchestra whose ten players conjure, from one open grand piano, long, singing lines, sustained drones, chugging accordion-like figures, crisp staccato tones reminiscent of clarinets, deep drum tones and more, often simultaneously, to create a rich, contrapuntal new-chamber-music tapestry.

Dr. Amir Zaheri (b. 1979) is the musical director and conductor of the University of Alabama Contemporary Ensemble, which is committed to performing music of the 20th and 21st centuries, including masterworks by established composers, music by emerging composers, and the music of University of Alabama student and faculty composers. He also serves as full time instructor of composition and theory, maintaining a full studio of student composers. Immediately prior to his appointment, Zaheri held the distinguished Narramore Fellowship at the University of Alabama, in Tuscaloosa, where he received the Doctor of Musical Arts degree in Music Composition in 2013. At UA, Zaheri studied under the primary tutelage of C.P. First and received additional instruction from Peter Westergaard.