Artists

Since 1989, Jan Jirásek’s works have been presented on numerous stages and festivals worldwide. Jirásek composes music for major music houses and interpreters. Examples include his Bread and Circuses composition for six players on percussion instruments (Munich Biennale, 1992), a postmodern arrangement of J.S. Bach’s St. Luke Passion (Munich Biennale, 1996, Minneapolis MN, 2000), Dance with the Universe concert for the organ and orchestra (Portland Chamber Orchestra, 2012), Missa propria choral composition (Prague, Spring 1994 and 2014, Carnegie Hall, New York, Lincoln Center, New York, Avignon Festival, France etc.), Fragile Balance/Letter to Heaven (Vega String Quartet, Atlanta GA, 2012), King Lávra (micro-opera, Khorikos New York NY, 2013), and other works.

Omar Carmenates is currently the Associate Professor of Percussion at Furman University in Greenville SC. He holds a Doctor of Music degree from Florida State University, a Master of Music Degree in Percussion Performance from the University of North Texas, and a Bachelor’s degree in Music Education from the University of Central Florida.

The works of Greek New Zealand composer John Psathas emerge from a truly dazzling 21st century backdrop, where dynamic collaboration with creative masters from all corners of the physical and artistic globe result in outcomes that are visionary, moving, and inspired.

Pianist, composer, and accordionist Hakan A. Toker is from Mersin Turkey. He studied classical music in Turkey and the United States, graduating from Indiana University School of Music (BM), where he double majored in piano and composition. Besides his formal education, he is mostly self-taught in the fields of improvisation, jazz, and world music.

Stas Namin is a cult figure in Russia: he is a musician, composer, and producer; an artist and photographer; and a director and producer of theatrical stage productions and films. Namin is one of the founders of Russian rock music: he fronted legendary band The Flowers and was creator and producer of rock band Gorky Park. He organized the country’s first independent producing company and was behind its first private musical enterprises: a record label, a radio station, a television network, a concert agency, and a design studio. Namin launched the country’s first music festivals and started Russia’s first non-governmental symphony orchestra and contemporary musical theater. His song We Wish You Happiness has been a national hymn to happiness for more than 30 years.

Growing up on a farm outside of Spartanburg SC, Dr. Phillip Chase Hawkins serves as Principal Trumpet with the Knoxville Symphony Orchestra, a position he has held since 2013. He is also a member of the cornet section in Fountain City Brass Band and is an active performer on historical instruments as a member of Kentucky Baroque Trumpets and Saxton’s Cornet Band. Hawkins can also be heard as a performing and recording artist for the Nashville Music Scoring Studio and Sound Lair Studio.

Connecticut native Scott Perkins enjoys a multifaceted career as an international prize-winning composer, a versatile performer, an award-winning scholar, and a music professor at California State University, Sacramento. Praised by critics from publications including the Washington Post (“dramatic,” “colorful”) and the Washington Times (“perfectly orchestrated,” “haunting,” “a remarkable and welcome musical surprise”), his work has been commissioned by organizations ranging from the Washington National Opera to the American Guild of Organists and has been performed throughout North America and Europe.

Les Délices, which includes Baroque oboist Debra Nagy, Mélisande Corriveau on viola da gamba, and Eric Milnes on harpsichord, explores the dramatic potential and emotional resonance of long-forgotten music. Founded by Nagy in 2009, Les Délices has established a reputation for their unique programs that are “thematically concise, richly expressive, and featuring composers few people have heard of.” The New York Times added, “Concerts and recordings by Les Délices are journeys of discovery.”

The Phoenix Ensemble is a mixed instrument chamber music group based in New York City. It was founded in 1991 with goals to inspire a new and diverse audience for classical music through live performances, recordings, and innovative community residencies. Through supporters such as the National Endowment for the Arts, it has been in residence at a wide range of venues, including NYC’s Greenwich House, the Aaron Copland School of Music, and the 92nd Street Y. The group also encourages the creation of new works, and sheds light on important unexplored music of our time.

Mark Lieb, clarinetist, is the Founder and Artistic Director of the Phoenix Ensemble. He is a graduate of Northwestern University and The Juilliard School, where he studied clarinet performance with Robert Marcellus, former Principal clarinet with the Cleveland Orchestra, and David Shifrin, clarinet soloist and former Artistic Director of the Chamber Music Society of Lincoln Center. He has been an active professional freelance musician since 1991, performing with many orchestras, opera companies, chamber ensembles, and new music groups in New York City.

Hayes Biggs was born in Huntsville, Alabama and raised in Helena, Arkansas. He holds the Doctor of Musical Arts degree in composition from Columbia University. His teachers include Don Freund, Mario Davidovsky, Jack Beeson, Fred Lerdahl and Donald Erb. Biggs has been a fellow in composition at the Composers Conference and Chamber Music Center at Wellesley, at the Tanglewood Music Center, at Yaddo, the Virginia Center for the Creative Arts, the Millay Colony for the Arts and the MacDowell Colony. Among his honors are a John Simon Guggenheim Memorial Fellowship and an Aaron Copland Award, which afforded him the opportunity to live and compose at Copland House in upstate New York for several weeks. Since 1992 he has been on the faculty of the Manhattan School of Music, teaching courses in the theory and composition departments.

Dana Muller and Gary Steigerwalt have performed as duo pianists for more than three decades, creating programs that encompass the historical and stylistic gamut of the piano four-hand genre. As recitalists, they have performed extensively in the United States, South America and Scotland. Festival appearances range from presenting Beethoven’s complete four-hand works at the Beethoven Festival, Oyster Bay, Long Island, to performances at Bethlehem Musikfest (Pennsylvania), Music at Penn Alps (Maryland), and Sevenars Festival and Musicorda Festival (Massachusetts).

Lewis Spratlan was awarded the Pulitzer Prize in Music in 2000. He has received fellowships from the Guggenheim and Massachusetts Artists Foundations, the NEA, the Tanglewood Festival, and the MacDowell Colony. Recent commissions include Earthrise, for the San Francisco Opera; Streaming for the Centennial Celebration of the Ravinia Festival; Wonderer for pianist Jonathan Biss; Shadow for cellist Matt Haimovitz; a concerto for a consortium of 30 saxophonists; A Summer's Day for BMOP (Boston Modern Orchestra Project), and Process/Bulge for Wet Ink. His opera Life is a Dream received its world premiere at Sante Fe Opera in July 2010. Apollo and Daphne Variations, Concerto for Saxophone and Orchestra, and A Summer's Day are currently in preparation for a BMOP CD, as is his Trio for Clarinet, Violin, and Piano for Albany Records.

Nancy Tucker is a gifted musician who “inhabits an offbeat alternative universe that inspires music to tumble into riotous abandon” says the Los Angeles Times. She approaches the guitar as if it were a miniature playground, exploring every sound from the strings to the wood to the pegs to the strap. Whether she is playing her heart-felt melodic finger-style compositions or her inventive percussion-isms, her engaging approach to acoustic guitar shines with personality. In addition, she is a lyricist, humorist and performer.

Composer and tenor saxophonist Frank Vasi graduated from the Mannes College of Music in New York City. His compositions straddle the classical and jazz worlds of music incorporating their various techniques in his pieces. A member of ASCAP, he has written compositions for saxophone quartet, choral cantatas, chamber and orchestra works and is the founder and arranger for The Thimble Islands Saxophone Quartet.

Born in Wheeling, West Virginia, John Alan Rose has been performing as pianist and composer since the age of 14. Acclaimed European pianist Andreas Haefliger once played from John’s sketchbook and was so taken with his music that he predicted his future as a composer/performer. In November of 2015, John performed his piano concerto with the Moravian Philharmonic in Olomouc, The Czech Republic, followed by a collaboration with the same orchestra and the talents of cellist JungWon Choi, violinist Simeon Simeonov, soprano Sing Rose, narrator Tyler Bunch, and conductor Miran Vaupotic on a major recording project of his four concerti (cello, piano, violin and voice) for release on the Navona Label.

Ryan Jesperson is a composer whose music is steeped in the modern practice of blurring genres and skewing expectations. Ryan holds degrees from Washington State University and The Hartt School and earned his doctorate from the University of Missouri-Kansas City, where he was a Chancellor’s Doctoral Fellow and recipient of the 2011 Outstanding Dissertation Award.

American art song composer Juliana Hall (b. 1958) is a prolific and highly-regarded composer of vocal music whose songs have been described as "brilliant" (Washington Post), "beguiling" (Times of London), and "the most genuinely moving music of the afternoon" (Boston Globe). Among her more than 50 song cycles and works of vocal chamber music are pieces for renowned countertenor Brian Asawa and star soprano Dawn Upshaw.

Shirley Mier is a Twin Cities-based composer, music director and music educator. She writes music of all kinds, in the theatre, educational and concert world. Orchestra works include the suite Of Lakes and Legends: Scenes from White Bear Lake (written for the Century Chamber Orchestra), and Visages, a song cycle for soprano and orchestra.

With an intense and beautiful blend of freshness and experience, the Pedroia String Quartet is bursting onto the Boston scene. To the unified and persuasive core of Peter Sulski and Rohan Gregory’s ten years of quartet playing together, add the power and fire of first violinist Jae Cosmos Lee, and the consummate beauty and flexibility of cellist Jaques Lee Wood, and you have the Pedroia Quartet.