Artists

The music of Canadian-American composer Karim Al-Zand (b.1970) has been called “strong and startlingly lovely” (Boston Globe). His compositions are wide-ranging in influence and inspiration, encompassing solo, chamber, vocal, and orchestral works. From scores for dance, to compositions for young people, to multidisciplinary and collaborative works, Al-Zand’s music is diverse in both its subject matter and its audience. It explores connections between music and other arts, and draws inspiration from varied sources such as graphic art, myths and fables, folk music of the world, film, spoken word, jazz, and his own Middle Eastern heritage.

Flutist Julie Scolnik’s tonal enchantment and communicative gifts have captivated audiences in America and France. The Boston Globe writes that “she plays with an urgency full of fire that melts into disarming delicacy,” and a French critic from La Provence praises “her vast palette of sultry colors and magical phrasing.” Scolnik has enjoyed a diverse musical career as a soloist, chamber musician, and orchestral flutist. As a guest flutist at festivals across the United States and France, Scolnik has collaborated with countless world-class artists and chamber groups that include the Brentano, Arabella, and Borromeo String Quartets. She is active as a soloist and for many years presented an annual fall recital at the Salle Cortot in Paris. She currently offers concerts each summer in Provence.

Pianist Sophie Scolnik-Brower’s innate grace and musical sensitivity have moved audiences across the United States and abroad. Her playing has been called “soulful artistry that underlines gorgeous harmonic change.” She has performed extensively at the Perlman Music Program, La Jolla Music Festival, Aspen Music Festival, the American Conservatory at Fontainebleau, and the Pablo Casals Festival. She is a member artist of Mistral Music and a frequent guest on WCRB Radio in Boston.

Duo Sequenza’s passion is to build new audiences for today’s classical music and promote the work of living composers. The duo has toured extensively, premiering American new music throughout the United States, Asia, and Europe. Lauded as "… brilliant, gossamer, and completely engaging…a delight to hear..." by Arts Indiana Magazine, they have been honored with invitational performances at the 21st Century Guitar Conference, Flute New Music Consortium Festival, Mid-Atlantic Flute Festival, National Flute Association Convention, and others. Award-winning adjunct projects, composer collaborations, and residencies augment their impact on today’s classical music, as have more than 20 new works written for them.

GRAMMY-nominated composer Hayg Boyadjian was born in 1938 in Paris, France. At an early age he immigrated with his family to Buenos Aires, Argentina, where he started his musical studies at the Liszt Conservatory. In 1958 he immigrated to the United States, and presently lives in Lexington MA. He continued his musical studies as a special student first at the New England Conservatory and later at Brandeis University. Among his teachers were Beatriz Balzi (student of Alberto Ginastera, with whom Boyadjian had several consulting meetings), Seymour Shifrin, Alvin Lucier, and Edward Cohen.

Hailing from the island of Guernsey, Lydia Jane Pugh is an award-winning composer specialising in choral and chamber music, with much of her work being inspired by the islands’ history, culture, and beautiful landscapes. Her music’s universal appeal has led to performances around the world by several professional groups, including the Ebor Singers in the United Kingdom, and the Empire City Men’s Chorus in the United States.

A composer of over 80 works for traditional Japanese instruments, Marty Regan is a Professor and Head of the Department of Performance Studies at Texas A&M University. Widely regarded as the authoritative source on the subject, his translation of Minoru Miki’s Composing for Japanese Instruments was published by the University of Rochester Press in 2008. His music has been broadcast on American Public Media’s Performance Today and NHK’s Hōgaku no hito toki/A Moment for Traditional Japanese Music. His chamber opera, titled The Memory Stone, was commissioned by the Houston Grand Opera as part of the HGOco's Songs of Houston: East + West initiative and was premiered in 2013 at the Asia Society Texas Center.

Sheila Bristow is a composer, church musician, and collaborative keyboardist living in Tacoma WA. Her approach to composition is informed by her performance experience in the worlds of opera, art song, and early music, by the study of world music and techniques of 20th-century composition, and by a lifelong immersion in sacred music. Bristow is particularly known for her skill in text setting, and her solo songs and choral works have been performed throughout the Pacific Northwest. Recent commissions include When Music Sounds, a work in three movements for chamber orchestra, chorus, and tenor solo for Seattle-based Harmonia Orchestra and Chorus, conducted by William C. White.

Born in Kensington PA, near Pittsburgh, William Thomas McKinley (December 9, 1938 - February 3, 2015) began playing piano at local jazz clubs when he was a boy, and, at the age of 12, undoubtedly became the youngest member of the American Federation of Musicians. He went on to perform, record, and compose for some of the great jazz artists such as Dexter Gordon, Stan Getz, Eddie Gomez, Gary Burton, Rufus Reed, Dave Holland, and Billy Hart, among others. On the classical side, McKinley has earned numerous awards from such institutions as the American Academy and Institute of Arts and Letters, the Koussevitzky Foundation, a Guggenheim Fellowship, and eight NEA grants, along with commissions from The London Symphony, The Lincoln Center Chamber Music Society, the Fromm Foundation, and the Naumburg Foundation. He has composed over 300 works.

Hailed as a “virtuoso” by Donal Henahan of the New York Times, “an extraordinary musician” by The Washington Post, “stupefying” by L’Est Vaudois (Switzerland) and “one of America’s outstanding virtuoso double bass players,” with “eloquent playing, reinforced by his marked beauty of tone” by The Strad (magazine), Richard Fredrickson made his Carnegie Recital Hall debut at the age of 24 after winning the Concert Artists Guild award. This marked the first time the award had ever been presented to a double bassist.

Winner of the Munich ARD Competition and the Salzburg Mozart Competition, pianist Diane Walsh has performed concertos, solo recitals, and chamber music concerts throughout the United States and internationally. She has appeared at numerous summer festivals including Marlboro, Santa Fe, Bard, and Chesapeake, and was the artistic director of the Skaneateles Festival. She gave 113 performances of Beethoven’s Diabelli Variations on stage in the Broadway production of Moisés Kaufman’s play 33 Variations, starring Jane Fonda. A graduate of the Juilliard School and Mannes School of Music, and a Steinway Artist, Walsh has released 19 recordings of diverse repertoire from four centuries, and has taught piano and chamber music at Mannes, Vassar College, and Colby College.

Vincent Ho is a multi-award winning composer of orchestral, chamber, vocal, and theatre music. His works have been described as “brilliant and compelling” by The New York Times and hailed for their profound expressiveness and textural beauty, leaving audiences talking about them with great enthusiasm. His many awards and recognitions have included three Juno Award nominations, Harvard University’s Fromm Music Commission, The Canada Council for the Arts’ “Robert Fleming Prize,” ASCAP’s “Morton Gould Young Composer Award,” four SOCAN Young Composers Awards, and CBC Radio’s Audience Choice Award (2009 Young Composers’ Competition).

The Zagreb Philharmonic Orchestra boasts 150 years of tradition of first-class musicianship in Zagreb and across Croatia. It acts as a promoter of the art of music in Croatia and a cultural ambassador of Croatia in the world. It is a symbol of the city in which it operates and a musical institution that captures the urban image of Zagreb as a central European musical, art and cultural centre.

Alexander Tchobanov has gained international recognition as a concert pianist, recording artist, chamber musician, and music pedagogue. Following his 2013 Carnegie Hall solo debut, the New York Concert Review wrote, “Mr. Tchobanov's colors and voicing were superb, creating that ineffable aura of Russian sadness we love so much, there is a major virtuoso there.” He was invited to perform at major international venues and festivals such as Jordan Hall in Boston, Steinway Hall in New York, Los Angeles Music Center, Manila Piano Artist Series, Auersperg Palace in Vienna, Madinat Theater in Dubai, International Piano Festival “Krystian Tkaczewski’’ in Poland, and CME Concerto Fest among others. Tchobanov's recordings of works by Scriabin and Rachmaninoff are commercially available on the Ulysses Arts label. He was featured as a soloist with Vienna Residence Orchestra and Tarnow Chamber Orchestra.

Unifying principles of jazz and classical in his work, Dutch composer Jesse Passenier explores the peripheries of genres and the depth and possibilities of harmony. He is the winner of the Dutch Rogier van Otterloo Award 2017, acknowledging his success in bringing together musical genres, leading his own orchestra, and writing for orchestra. Passenier is co-founder and artistic director of Fluid Foundation. Having established himself as a composer, he musically developed in a broader sense as an arranger, conductor, drummer, pianist, and vibraphonist.

Tucker Biddlecombe (Ph.D.) is Director of Choral Activities at Vanderbilt University’s Blair School of Music. There he conducts the Vanderbilt Chorale, and Symphonic Choir, and teaches courses in Choral Conducting and Music Education. He also serves as Director of the Nashville Symphony Chorus, the offcial vocal arm of the Nashville Symphony Orchestra. Dr. Biddlecombe is a veteran teacher and a passionate advocate for music education. Ensembles under his direction have performed to acclaim at state and division conventions of ACDA, and he is active as a guest conductor. A native of Buffalo New York, Biddlecombe is a graduate of SUNY Pots dam and Florida State University, where he completed doctoral studies in choral conducting and music education with André Thomas. He resides in Nashville, TN with his wife Mary Biddlecombe, Artistic Director of the Blair Children’s Chorus.

American composer Michael Kurek’s music is receiving increasing acclaim for its lush, neo-traditional, melodic, and narrative style, reminiscent of the early 20th century symphonists. It has garnered performances by numerous symphony orchestras and chamber groups throughout the United States and in 15 countries on five continents, in addition to online streams in over 100 countries on six continents. His works have been heard nationwide on NPR and other countries’ national radio broadcasts, and have also been profiled in national print media and music journals.

Jâca is a clarinet and guitar duo that combines classical and world music to bring an adventurous, passionate, and completely original musical style to the stage. Jâca’s music reflects the versatility of their instruments, combining western classical training with their diverse musical and cultural heritage.

From Flamenco to Fado, Appalachia to Argentina, and guitar slides to clarinet smears, Jâca’s music is truly a unique fusion that fits into no single genre. The duo breathes new life into the traditional concert experience, ignoring convention and consistently leaving their audiences buzzing. “At a Jâca concert you’re not just a bystander – you feel a part of it.” (Humans of Chamber Music)

Bree Nichols is a young American soprano praised for her “rich vocal disposition” (KlasikaPlus) and compelling stage presence. A Fulbright grantee to the Czech Republic, Nichols is known for her sensitive interpretations of Czech vocal music as well as over a dozen operatic roles spanning a diverse repertoire. Her career has taken her to the stages of Symphony of the Mountains, Capitol City Opera, Opera Roanoke, Lewisville Lake Symphony, Opera on the James, Opera Experience Southeast, the Olomouc Baroque Festival, and more.

“Music has always been a kind of magic for me, a portal to other realms. When I was young, I was inspired by fantasy novels such as The Lord of the Rings, and I’m still drawn to myths and legends. I’ve written works on themes ranging from the sorcery of Merlin to the Callanish Stone Circle and the Torngat Mountains. My aim is to write music that invites audiences into other worlds, so they can re-discover their own sense of wonder." –Daniel Perttu