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ACT I, Scene 1

 

INTERIOR: DR. RAYMOND’s laboratory.

 

CLARKE is standing in DR. RAYMOND’s surgical room, anxiously looking out the window. DR. RAYMOND walks into the lab to greet CLARKE. He is excited to see CLARKE, and to tell him exciting news.

 

DR. RAYMOND

Very glad you came, my lad! Very glad, indeed!

I was not sure if you could spare the time.

 

CLARKE

A pleasure, my dear Dr. Raymond! Things are not as hectic as they’ve been,

so I made arrangements for several days’ time,...

 

DR. RAYMOND & CLARKE

...for several days’ time.

 

DR. RAYMOND

That would be quite the wise decision, since you may just need that time

to wrap your mind around what I’m about to show you.

 

CLARKE

Have you done it? Is it absolutely safe?

 

DR. RAYMOND

Is it safe?! Of course it’s safe! I have never been so absolutely

certain of this simple operation.

 

CLARKE

And no danger whatsoever?

 

DR. RAYMOND

Absolutely none!

You were always such a wallflower, Clarke.

Such curiosity, but no conviction.

But I, I know devotion.

For the last twenty years, I gave my life to transcendental medicine.

My payment? All the jeers and sneers and snares that one could throw:

Impostor, charlatan, fraud and quack!

All of it has fueled the fire, and its consumption shall finally conclude tonight.

 

CLARKE

I would love to believe it all, but Doctor,

what’s to prove to me your theory’s not a phantasmagoria?

 

DR. RAYMOND

Look beyond you, Clarke:

Mountain on mountain, hill follow hill, wave on wave, and wood for wood,

meadows reaching reed beds by the river.

See me standing here beside you?

Hear the sureness in my voice?

*From the stars out in the azure to the ground beneath our feet,

they are merely glamoured shadows, measly lies.

Chases in Arras, dreams in a career,

the real world lies beyond that umbral veil.

You may think it strange, you may think it nonsense,

but the ancients knew how to lift the veil.

The ancients knew how to lift the veil!

It’s called “seeing the Great God Pan”!

 

CLARKE

The Great God Pan?

If this is true, then we are on the brink of a strange new...

 

DR. RAYMOND

Ha! Not so new!

 

CLARKE

...old world.

I suppose the knife is needed?

 

DR. RAYMOND

Yes, a slight laceration...

 

CLARKE

...a microscopical alteration...

 

DR. RAYMOND

...a cellular rearrangement in the brain.

Digby?

 

CLARKE

Browne Faber?

 

DR. RAYMOND

Ha! What did they know?

After the toil and trembling, and groping in the dark,

after the cold, a sudden burst of joy had reached my soul.

The truth came upon me, the stretch dimmed before,

and beyond the chasm stood a bridge of light between the worlds

of matter and spirit.

With a touch, I will bring them into play.

With the knife, I will effect the wall of sense.

 

CLARKE

And who will be...?

 

DR. RAYMOND

Mary...

 

CLARKE

Mary?! Surely you can’t!

 

DR. RAYMOND

Mary will see the Great God Pan!

 

CLARKE

If you fail, surely you would be miserable!

You would never forgive yourself!

 

DR. RAYMOND

On the contrary. As you know, I had rescued Mary from the gutter.

Such a simple child, such a simple, simple child.

Yes, her life is mine to use as I see fit.

(pause)

I shall fetch Mary. Make yourself comfortable.

 

DR. RAYMOND leaves as CLARKE sits down and falls asleep to dream about the other world.

 

HELEN (offstage)

Come to the wood! Give us the sacrifice of your body!

Let us go hence!

 

CLARKE wakes up suddenly as DR. RAYMOND enters the room with MARY in tow.

 

DR. RAYMOND

Are you sleeping, Clarke?

 

CLARKE

(Shaken) Seems so. What strange, disturbing fancies!

 

DR. RAYMOND prepares for the procedure as CLARKE wakes from his groggy sleep. CLARKE sees that MARY has arrived, and greets her with a kiss to her hand.

 

CLARKE

Mademoiselle.

 

MARY

Monsieur. Pleased to meet your acquaintance.

 

DR. RAYMOND shows a bit of jealousy towards CALRKE’s introduction. He hurries his preparations and leads MARY over to the surgical chair.

 

DR. RAYMOND

Mary, my love, the time has come.

Will you entirely put your trust in me?

 

MARY

Yes, my dear. Just a kiss before we begin.

 

DR. RAYMOND kisses MARY very coldly. It is obvious that he feels little toward MARY in the romantic sense. He takes her hands in his.

 

DR. RAYMOND

Close your eyes.

 

MARY

Close my eyes.

 

DR. RAYMOND

You’re a vision dressed in white, my surgeon’s bride.

 

MARY

A surgeon’s bride!

 

DR. RAYMOND

Maybe after this is over.

Shall we go through what I taught you? Visualize.

 

MARY

Visualize.

 

As DR. RAYMOND leads MARY through the exercise, he proceeds to grab a cloth to pour ether on as an anesthetic.

 

DR. RAYMOND/MARY

The sun upon your/my face, the warmest scent of summer,

the odor of the woods and the mingled scent of flowers.

The depths of green drawn out by the summer heat,

the scent of earth, strong and overpowering.

A holy silence falls over every living thing.

 

MARY’s note is cut short by DR. RAYMOND as he slips the ether-soaked cloth over her mouth and nose. He lowers MARY down onto the surgical chair.

 

DR. RAYMOND

Go to sleep, fast and deep, so you may go on your journey.

Don’t forget a thing, my virgin Mary.

 

DR. RAYMOND goes to his cart and checks his instruments. He grabs the scalpel and walks over to MARY. And before he cuts, he looks to CLARKE and says...

 

DR. RAYMOND

In every grain of wheat, there lies hidden the soul of a star.

 

DR. RAYMOND begins to cut. CLARKE was not as prepared for this as he thought. He begins to get queasy and sits down before he passes out, CLARKE again begins to dream about the other world. He wakes in a panic.

 

CLARKE

Doctor Raymond! How is Mary? Is she well?

 

MARY is sitting up in her chair, staring into space. She is chanting endlessly in a strange tongue.

 

MARY

Silet per diem universus, nec sine horrore secretus est;

lucet nocturnis ignibus, chorus AEgipanum undique personatur;

audiuntur et cantus tibiarum, cymbalorum per oram maritimam.

(The universe is silent throughout the day, and not without dread

has it been sundered; it shines with nightly fires,

and resounds on all sides from the choruses of the Aegripans:

both the playing of reed-pipes and the ringing of cymbals

are heard throughout the ocean shore.)

 

 

DR. RAYMOND

(With indifference) ‘Tis a pity. She has become nothing but a hopeless idiot.

(Excitedly, without concern for Mary.) She has seen the Great God Pan!

 

MARY sees something that no one else can see. In a fit of absolute terror, she panics and starts to scream as the lights go down.

 

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