Period: 21st Century

Don't mistake the inference in the title of Emmy Award-winning composer Bruce Babcock's multi-faceted new Navona Records album TIME, STILL - the music is serious and contemplative at points to be sure, but the effervescence of Babcock's metrically shifting style and sound percolates to the surface throughout.

The Spanish tradition of flamenco music, by way of Paco Peña and Paco de Lucia, has significantly influenced the classical music world. Now composer and pianist Lionel Sainsbury explores the fiery passion and harmonic tension of flamenco on his latest Navona Records release ANDALUSIAN FANTASY.

On his debut Navona Records release VOYAGE, composer Pierre Schroeder presents a captivating sonic journey that takes listeners on winding highways, through arid and spacious deserts, along the shores of crashing waves, into desolate and snow-covered lands, through episodes of adventures, mishaps, discoveries, and losses.

THE GOLDEN GALAXY, Navona Record's fourth release of works by the late French composer Yves Ramette (1921-2012), presents works for organ, an instrument which Ramette found to be expressive, dynamic, and warm in color, especially after his position as organist at Église Saint Ferdinand de Ternes in Paris, where he played the church's now replaced Cavaillé-Coll organ. This album is particularly significant in the catalog of this prolific composer since it is the first to feature Ramette both as the composer and the performer.

GODDESSES is the third offering in Navona Records' The Shakespeare Concerts Series, which presents several works by composer Joseph Summer from his collection of settings of Shakespearean scenes, sonnets, and soliloquies, Oxford Songs.

Occasionally, moments of happiness and comfort can rise from experiences of anxiety and doubt, during which we learn about ourselves and our limits. Composer and pianist Jeffrey Jacob depicts the experiences of struggle and pain, and of triumph and joy on his debut Navona Records release DARKNESS TO LIGHT.

As composer and pianist Mitch Hampton admits, HARD LISTENING, his debut solo album on Navona Records, "aims to dissolve all boundaries of style or taste," while providing an earnest yet sometimes humorous reflection on the questions of society and musical aesthetics.

On his debut solo Navona Records release, THE REAL BEELER, composer Alan Beeler presents his refined and distinguishable orchestral voice, exploring various harmonic and melodic forms and structures as well as the serial techniques of the Second Viennese School. In Symphony No. 1 and No. 4, the composer creates intricate atmospheres and moving textural soundscapes, generally derived from the composer's preset tone rows.

From the serenity of the Smoky Mountains to the abstraction and boldness of Kandinsky's paintings, composer Paul Osterfield's debut solo Navona Records album SOUND AND FURY pulls inspiration from several experiences which the composer translates into refined, stimulating, and expressive chamber pieces.

The clarinet is an essential voice in many genres, from classical and jazz to klezmer and world music, and composer Gerald Cohen calls it one of his favorite instruments: "I love the clarinet for its wide variety of character and dynamics, and its ability to either blend beautifully with other instruments or to stand out in a crowd." Through this affinity, the composer offers new compositions featuring the clarinet in various trio settings on his debut Navona Records release, SEA OF REEDS.

On his debut Navona Records release, LETTERS TO A YOUNG POET, composer Mark Zanter presents recently commissioned chamber works for strings. The inspiration for the title track comes from Rainer Maria Rilke's letters to Franz Xaver Kappus, a correspondence in which his encouragement to a young poet becomes a vehicle for expressing his thoughts on the creative process and the transcendent qualities of art.

On his latest Navona Records release, PARAGONIA, composer Michael G. Cunningham explores ways in which the orchestra can interact with itself on several levels. Counter Currents presents contrary phrases and themes simultaneously stated while TransActions portrays dimensions of density, emphasizing orchestral blur and presenting gestures and passages that prompt interplay between the sections of the orchestra.

A stroll along the Seine - Notre Dame reflected in the waters below - the Eiffel Tower illuminated in evening skies - bistro conversations echoing in the streets of the Left Bank. Parisian scenes such as these come to mind when listening to the nuances of pianist Kathryn Goodson's debut Navona Records release, BELLE NUIT, a collection of works from the La Belle Époque and beyond, with arrangements for piano and wind instruments.

10 concerts, 7 venues, 3 days. The inaugural PARMA Music Festival in 2013 featured more than 100 composers and performers in works for orchestra, chamber ensembles, solo instruments, and jazz groups, as well as improvised collaborations between indie rockers and classical instrumentalists. This release collects some of the finest performances from the Festival, as recorded by the PARMA Recordings production team.

SUNLIGHT AND STORMS, composer and pianist Lionel Sainsbury's debut solo release on Navona Records, illustrates emotions from the peaceful to the tempestuous, and many more besides. A retrospective of the composer's piano music, spanning almost 20 years of his career, the album ranges from tangos to toccatas, character pieces to ostinatos.

On her second release on Navona Records, BRASS RAIL BLUES, Canadian composer and oboist Patricia Morehead showcases her ability to incorporate varying instrumentation into her compositions, from mezzo-soprano and chamber ensemble; to flute and piano; to mandolin, cello, and clarinet. Because of this variety, the composer creates a world of imagery, setting poems by such writers as Margaret Atwood, Anne Sexton, and Cathy Ann Elias in several of her pieces.

On his debut release on Navona Records, INNER MUSIC, composer Ruud van Eeten presents three works that highlight the refinement and control evident in his compositional style. Throughout the four movements of Piano Quintet No. 1, the composer adds no excess; every note has a role. Yet the piece exudes emotion, particularly the second movement which develops a deep sense of longing.

The Navona Records debut from chamber-jazz group Douglas Detrick's AnyWhen Ensemble features composer and trumpeter Douglas Detrick's ten-movement suite, The Bright and Rushing World, commissioned by Chamber Music America. This work, which George Grella called "impressively clear, inventive and compelling," (Big City Blog, 2.4.14) is not a pastiche of styles, but a thoughtfully-constructed hybrid of music with a unique and personal sensibility inspired by sources as diverse as Duke Ellington, Gil Evans, Benjamin Britten and Igor Stravinsky.

 On RITORNELLO composer and pianist Curt Cacioppo revisits the beloved country of Italy, recalling places, friends, Italian tales, Don Giovanni, and more to create a detailed sonic story about his experiences and Italian heritage. 

Throughout an individual's life, certain experiences, places, and people remain fundamental to his or her identity. As in a memoir, composer and conductor Paul John Stanbery depicts some of the experiences that have substantially influenced his character in SYMPHONY NO. 2, FOUNDATIONS, his digital-only release on Navona Records.