Period: Romantic

Tchaikovsky's works burst with well-loved, well-known melodies – which is precisely what renders them a challenge for any young musician. How does one perform a cherished classic without resorting to cliché or to musical blasphemy? Talented violinist and arranger Sarah Coyl has found her personal answer to this dilemma on PAS DE DEUX: by re-setting the Russian composer's works for unprecedented setups – in this case, the violin-guitar duo and the violin-guitar-piano trio. This audacious endeavor is strengthened not only by Coyl's undeniable talent as a multi-genre arranger, but also by her two skillful colleagues, the keen-minded, quick-fingered guitarist Max Case and emotive, empathetic pianist Angelo Monroy. The result is an album that is still very reverently Tchaikovsky – but seen from a fresher, more youthful angle.

Following his 2019 Navona Records release BRAHMSIANA, pianist Steven Masi returns with a full program of piano works by composer Franz Schubert on SCHUBERT LATE WORKS. Lauded by critics for his masterful touch and dynamic style, Masi capitalizes on the unrivaled emotive power of solo piano throughout this album, drawing out a voice from the instrument that is profoundly human. Follow him on this journey through Schubert’s works to experience a well-balanced blend of virtuosic artistry and a razor-sharp precision.

Armenian pianist Kariné Poghosyan dazzles with a riveting selection of vibrantly passionate piano music based on folk motifs of five different cultures on FOLK THEMES. Never before has there been a juxtaposition of the works of Samuel Coleridge-Taylor (half British, half Sierra-Leonese), Edvard Grieg (Norwegian), Komitas (Armenian) and Franz Liszt (largely Hungarian), and upon listening to FOLK MUSIC, one can't help but wonder why. Despite the composers' respective idiosyncrasies, all pieces share the same inherent tenderness, fire, and zest for life: and Poghosyan isn't shy to show it, both in the profundity of fragile sentiment and in fireworks of exuberant virtuosity.

Every pianist makes a piece their own, adding flourishes and signature accents, but Marta Brankovich takes artistic interpretation to a new level. Leveraging her passion and irreplicable touch on the piano, the black swan of piano conjures an unforgettable storm on MARTA, THE TEMPEST. This long-awaited exploratory deep-dive into the classical canon delivers fresh interpretations of works by Rachmaninoff, Chopin, Kaufman, Jirásek, and Webber, complete with a solo piano composition by Brankovich herself that offers an inside look into her artistic emergence. Weaving themes of adversity, opposing forces, and oneness with a profoundly emotive approach, Brankovich delivers a powerful program in this Navona Records release.

Navona Records presents SHOSTAKOVICH / RACHMANINOFF: SONATAS FOR CELLO AND PIANO, an album that highlights the musical expression and virtuosity of these renowned works. Acclaimed award-winning soloist Carmine Miranda and GRAMMY-nominated Nashville Symphony pianist Robert Marler combine their virtuosity with the legendary three-time GRAMMY-nominated producer Alan Shacklock and celebrated mastering engineer Tommy Dorsey (Berlin Philharmonic – Deutsche Grammophon) to deliver the highest quality performances of these works. Deeply expressive with interplay and virtuosic passages, these two sonatas are held to high regard by pianists and cellists alike. Once turning points in the lives of Shostakovich and Rachmaninoff, these works have stood the test of time, rewarded with commanding performances by cellist Carmine Miranda and pianist Robert Marler.

Few instruments are as viscerally associated with the idea of grace and beauty as the harp, and few are as apt to express a sense of yearning as the oboe. So what could possibly capture the feeling of love better than a duo composed of these two instruments? Possibly nothing, as harpist Rita Costanzi and oboist Alex Klein rivetingly demonstrate on AMOROSO, an archetypally romantic album of intimate chamber music. Well-known classics by Debussy, Fauré, Massenet, Rachmaninoff, Piazzolla, and Rodrigo shine in a new light, and two new, fittingly romantic pieces by contemporary composers Michael Cohen and Michael Amorosi perfectly complete this wonderful picture.

Globally recognized for its unique radio programming, innovative collaborations, and community outreach, All Classical Portland presents AMPLIFY, a response to the industry’s inequities in classical music recordings. The works of five contemporary composers are brought to light in this album, each infused with recollections of stories, cities, and movements that have made an impact along the artists’ journey. As the 1,000th album brought to life by parent organization PARMA Recordings, this important Navona Records release marks a monumental achievement in highlighting voices in classical music, and is a step in helping to change America’s playlist.

What do Beethoven, Bartók and Bulgaria's national composer Vladigerov have in common? This is the question posed by Bulgarian pianist Alexander Tchobanov on his new album ECLECTIC SOUNDS - and what appears to be a harmless question soon turns into a mighty quest.

TEXTURES IN CLASSICS from renowned pianist and music scholar Sang-Hie Lee explores the rich musical possibilities offered by the piano. To do so, Lee performs works from some of the seminal composers in Western music including Mozart, Beethoven, and Brahms. The album captures Lee’s unique pianism at the height of her maturity as an artist. While contemporary performers often place an outsized emphasis on virtuosic technical skill, Lee’s performances examine the notion of texture in piano music; this ranges from the clean, crisp soundscape of Mozart’s early pianoforte to Beethoven’s exacting technique and lush harmonies. There is little doubt that TEXTURES IN CLASSICS will cement Lee’s legacy as a scholarly-artistic pianist.

Navona Records presents MOMENTS MUSICAUX, a unique program of solo piano repertoire performed by pianist Antoinette Perry. Captured live from USC Thornton’s Alfred Newman Auditorium, these pieces celebrate the works of German, Austrian, Russian, and American composers, intermingling cultures through various compositional styles. When it comes to Perry's artistic ability, Germaine Vadi of Les Affiches de Grenoble et du Dauphiné put it best: “One felt oneself to be in the presence of a great pianist — an absolute art of nuance, her subtle touch, and finally her perfect musical understanding, which permits her to assimilate the music of all cultures."

The story of Misha Galaganov’s CHARM, PASSION, AND ACROBATICS began when the artist uncovered a trove of forgotten, 19th century viola music in a private library. The music on this album from composers Pierre Kunc, Désiré-Émile Inghelbrecht, and Ernest Chausson has long gone unplayed; Kunc’s musical manuscripts, for example, were kept under lock and key by the Society of Authors, Composers and Publishers of Music until 2021. Featuring challenging virtuosic pieces alongside expressive, impressionistic masterworks, this album celebrates the boundless potential of the viola. The music transports the listener to a French salon of the Belle Époque, guided by Galaganov and Owings’ sensitive and technically-masterful performances.

Recognized as Malta’s foremost musical institution for half a century, the Malta Philharmonic Orchestra keeps the fire burning with an album featuring works from Alexander Borodin, Joseph Vella, and Paolino Vassallo. While all three pieces wield their own compositional characteristics, an underlying theme of pride and victory in the face of adversity is present throughout, with Vella’s Rebbieħa subtly referencing fragments of Malta’s national anthem, Vassallo’s Malta reflecting the patriotic ideals of Romantic period artists, and Borodin’s Second Symphony depicting the imagery and celebration of war heroes. Enjoy the sonorous roar of the full philharmonic orchestra as they tell tales of triumph through music.

(RE)CREATION from Navona Records and pianist Marko Stuparević is centered on the acts of creation and re-creation, observed through three piano sonatas of three Russian composers: all pianists, contemporaries, and representatives of some of the most notable works of 20th century Russian piano music. Performed by the award-winning pianist, each sonata is rich with advanced compositional techniques and the individual ideologies of their composers, crafted with cyclical forms representing the circle of life. The works of Sergei Rachmaninoff, Alexander Scriabin, and Nikolai Medtner are on full display, born and immortalized into the never-ending life cycle they mirror.

Navona Records presents JOYS ABIDING, an album of vocal duets by female composers including previously unpublished duets by British-American composer Rebecca Clarke, the text of which inspired the album title. The extensive track list of duets from the Baroque, Classical, and Romantic periods is performed by Dana Zenobi, soprano, Oliver Worthington, baritone, Chuck Dillard, piano/harpsichord, and David Murray, double bass. JOYS ABIDING aims to elevate the important work of female composers who have historically been excluded from the male-dominated classical duet canon.

Acclaimed pianist Elaine Greenfield dazzles with originality, virtuosity and exuberant tone richness on her album RAVEL COMPARED on Navona Records. The French composer's works are brilliantly analyzed and brought to novel clarity with Greenfield's ingenious idea of recording the same repertoire twice, on two very different pianos – and juxtaposing them on this two-disc album. The first disc presents Ravel's music on an 1893 Erard from Paris, the same make and model as the composer's personal piano, from which Greenfield coaxes a mellow, full-bodied tone with an almost liquid quality. This rendition is contrasted with a second on an American Ivers & Pond parlor concert grand from 1917, brightly highlighting Ravel's idiosyncratic harmonies with modern, almost contemporary exactitude. Put together, RAVEL COMPARED palpably illustrates the depth of both Greenfield's skill as a performer as well as Ravel's aptitude as a composer – as lively and vivid as perhaps never before.

In the nearly 200 years since its composition for voice and piano, many have tackled Schubert’s Winterreise. Steinway artist Hilary Demske, however, transforms the cycle into a series of works for solo piano on JOURNEY FOR ONE on Navona Records, focusing on the instrument’s poignant ability to represent the original composition’s lyricism and complexity. By freely experimenting with melodic fragments and manipulating the placement and length of gestures—along with translating the meaning of Müller’s poetry to music—Demske adds a fresh, unique perspective to classic repertoire.

Navona Records presents VIRTUOSO, a collection of works by Frederic Chopin performed by piano prodigy Dmitry Ishkhanov. Featured on this album are the pieces Ishkhanov cites as Chopin’s most meaningful: the four Mazurkas of Op. 17, the Nocturne in C sharp minor of Op. 27, and the Etudes of Op. 25, considered by many as one of the most challenging repertoires to master.

4 RHAPSODIES from critically-acclaimed pianist Kristina Marinova and Navona Records is a collection of vibrant, dynamic, and technically demanding works for solo piano. The album’s titular piece, Four Rhapsodies op. 11 by early 20th-Century composer Ernst von Dohnányi is rarely performed in concert given the level of musicianship it requires of pianists. Now, its combination of stark drama and dazzling virtuosic passages may be enjoyed by listeners everywhere.

The Janáček Philharmonic Ostrava stuns with a new recording of Richard Wagner's three-act opera TRISTAN AND ISOLDE. Skillfully conducted by German conductor Robert Reimer, this new, vibrant performance is likely to claim its place as one of the reference recordings of Wagner's innovative work.

New from Navona Records is saxophonist José Antonio Zayas Cabán’s CENTENNIAL, an album of cutting-edge solo and chamber music reflecting on the shortcomings of the 19th Amendment during its 100-year anniversary. Rather than celebrating, this album urges listeners to recognize the significant work that remains in achieving global equality.