Period: 21st Century

A collection of works by Curt Cacioppo celebrating and lamenting the history of the Native American peoples. Composed and performed with impeccable attention to detail and historical accuracy, these vibrant and emotional tone poems urge the listener to consider the vibrancy and plight of Native American culture as they guide us through musical narratives of the past.

IN PARADISUM is the second Navona release from Coro Allegro, Boston's chorus for members and friends of the LGBT community. This album features two works from acclaimed composer Patricia Van Ness: Requiem, a personal, intimate ritual of consolation reinforcing the presence of divine love; and The Voice of the Tenth Muse, a large, dramatic work based on the texts of Sappho.

In April 2003, the earliest stringed instrument ever found, the Gold Lyre of Ur, was damaged by looters at the Iraq Museum in Baghdad. In 2004, British harpist Andrew Lowings constructed an authentic and playable replica, and enlisted the help of composer Michael Mauldin to promote the project. Moved by the instrument's legacy and the narrative possibilities of the project, Mauldin composed The Last Musician of Ur for orchestra and harp, crafting a flowing narrative following the last musician to play the historic instrument as she is torn between inescapable destruction and the hope of timeless, international peace.

Mexican composer Juan Sebastián Lach Lau's music presents an amalgam of technology and sound without self-prescribed historical justification. With subtle influences ranging from Stockhausen, Cage and the New York avantgarde of the 50s, up to Satie, dub music and Thelonious Monk, Lach Lau's music blends programming and algorithmic generation with traditional instruments, creating diverse, unique works that define their own aesthetic.

Throughout time, humankind has sought to provide explanation and justification for the pains, joys, and passions of life. With DIMENSIONS, Navona presents a collection of string orchestra works from seven composers (Gregory Hutter, Louis Babin, Reynard Burns, Andrew March, Claude Debussy, Rudy Kronfuss, Daniel Burwasser), whose music captures the fluidity of time and emotion and illustrates the impact of past experiences on the present and future.

DIVERGENCE is a collection of violin concerti written by three living composers. These works by Nicholas Sackman, Scott Michal, and William Thomas McKinley follow the traditional frameworks of the concerto with the individual stylings and influences of each composer worked into each piece; Sackman’s Concertino for Violin and Orchestra features delicate melodies surrounded by punchy rhythms, Michal’s Encomiums pays homage to three great masters of counterpoint, and McKinley’s Concert Variations takes a Mozart-like theme and gives it a 20th century fantasy variation treatment.

EMERGE is a two-disc album featuring the works of Boston-based composer Keith Kramer. Kramer's constant search for new modes of expression through music nestles itself into his music, and each piece represents another discovery in his search. His exploratory journey has helped him create a prolific catalog of music, ranging from the subtle and restrained to the ferocious and demanding.

Meditative yet propulsive. Structured yet sprawling. Gossamer yet muscular. Inspired yet meticulously constructed. METHOD MUSIC by Lawrence Ball is all of these and more, a double album of highly adventurous electronic music by a master innovator of algorithmic composition.

SOUND SPECTRUM features works for piano, soprano, and orchestra by composer Allen Bonde. Bonde draws from his personal experiences and feelings to craft beautiful pieces with a wide range of styles: Fantasia for Piano and Orchestra, a cohesive work cast in traditional harmony; Three Elizabethan Songs and Three Elizabethan Songs Revisited, a set of works blending simplicity and sophistication; Symphony No. 1, a kaleidoscopic orchestral piece with astounding instrumental color; Rose Window, a musical representation of the breathtaking Rose Window at Mount Holyoke Chapel; Sonus I, a 12-tonebased and freely composed piece in variation form; Four Shakespeare Songs, a fresh take on the Bard's work stylistically reflective of the 1920s; You Were The One, based on the sensitive poetry of Mary Jo Salter; and Encore Blues, a one-take improvised celebration of the recording sessions. Often performing the works himself as pianist, and in collaboration with the "Bonde Family," his oeuvres provide warmth, intimacy and compositional diversity with each piece.

DIURNAL THOUGHTS is a collection of four previously unreleased works for orchestra by composer Francis Fairman. Fairman, who was born into a prolifically musical family and began his studies at a very young age, is able to translate his vivid imagination and vision directly into his music. His compositional style and musical experience allow him to craft pieces that reflect their visual inspirations, as we hear in The Fox, Diurnal Thoughts, and New York Taxi.

CLAVIATURES is a collection of new works for piano and chamber ensemble from contemporary composers. These works by Asherov-Kalus, Scully, Tribble, Fletcher, Nagorcka, and Stölzel explore the notions of being human and observing the world around us with reflection, curiosity, and appreciation. This recording contains eight original and inspired pieces performed with talent and panache by musicians from around the world: pianists Karolina Rojahn, Lukáš Klánský, and Robert Pherigo; violinists Ondrej Lébr and Ann Marie-Brown; violist Neil Casey; clarinetist Doug Graham; flutist Lisa Hennessey; and cellist Lawrence Figg.

NIGHT OF LIGHT is the latest CD from Cypriot composer Sophia Serghi featuring five of her works for orchestra and voice: Night of Light, a musical reaction to Easter in Manhattan and a document of the composer's spiritual growth; Serghi's earliest work for orchestra and voice, Cantus Integritatis, comprised of four introspective and meditative movements based on the composer's own Latin poetry; Full Moon Haiku, a collaboration with poet Nancy Schoenberger setting the mensal characteristics of the full moon to music; Ikon, inspired by an unusual Ikon in Paris; and Night of Light: Reprise.

With works described as "an inspired creation" (Music & Vision), "original and quite brilliant" (Fanfare), and "immensely poetic" (Tempo), Jonathan Little has planted himself as a luminary contemporary composer. On POLYHYMNIA, his first release on Navona Records, Little is able to transform traditional influences into rich, intense, and finely structured music that lives up to his reputation.

FINE MUSIC, VOL. III is the third compilation of the Navona Records Fine Music digital series. This installment features the works of Lawrence Siegel, Sergio Cervetti, Tony Piccolo, Adrienne Albert, Daniel Perttu, Gerhard Stabler, Jane O'Leary, Jim Scully, Meira Warshauer, Piffaro, John Carollo, William Vollinger, Peter Van Zandt Lane, Lawrence Ball, and Benjamin Yusupov. This collection both highlights some of Navona's choicest tracks and offers a preview of things to come.

Through his Argentinean tango-infused classical works, composer Alejandro Rutty has carved an original, unique niche in classical music, blending tango, electronic, and classical elements into a cohesive whole. On the multifarious THE CONSCIOUS SLEEPWALKER, his first album on Navona Records, Rutty presents works for saxophone quartet and orchestra that explore concepts ranging from explorations of tango within pop culture of the future to half-dreams versus fictional reality.

With FIRE & TIME, Navona presents a compilation by six American composers of orchestral works united by an expansive and sublime musical vision. With programmatic influences ranging from Jungian philosophy to musings on ancient Korean art to descriptions of contrasting mountain vistas, each piece on this album asks us to not only reflect on our collective past but our communal future as well.

Swiss composer Martin Schlumpf is a man of many talents. From his early practice of jazz bass and classical cello to academic writings on composition to formal education on clarinet, piano, conducting, theory, and composition-not to mention the decades of experience as a perform across a variety of genre - Schlumpf proves that the jack of all trades can be the master, as well. With SUMMER CIRCLE, Schlumpf combines his myriad influences to craft expressive, complex chamber pieces that marry the sophisticated intricacies of jazz with the studied nuance of modern classical.

Who says eclecticism isn't a wonderful thing? Certainly not us at Navona Records. SLICES is a carefully handpicked selection of new chamber works by contemporary composers designed to showcase the diversity of modern music-making, and these pieces by Sundin, Bakker, Sainsbury, Rusnak, Beeler, and Burns cut right through the oft-repeated misconception that classical music is dead on the vine.

MAGIC MIRROR, the second volume of composer Marty Regan's series of Selected Works for Japanese Instruments, presents a collection of works composed for traditional Japanese instrumentation with a Western-trained ear. Through the combination of his traditional classical education and intensive studies of Japanese music and culture, Regan explores the cross-cultural exchange between Eastern and Western traditions, blending the two into a dynamic sound that pushes the Japanese instruments to the very brink of their musical boundaries.

HEAVY PEDAL is an all-organ disc featuring the compositions of Tadd Russo, Curt Cacioppo, Ron Nagorcka, Wilhelm Middleschulte, and Michael Summers performed by organists Michael Kraft, Robert Gallagher, David Scott Hamnes, Brink Bush, and Karel Martinek. As the title implies, the pieces on this disc are on the heavier side of classical music, reaching climaxes with real stopping power.