Period: 21st Century

Composer Richard E Brown and Navona Records present THE GIFT OF THE MAGI, a chamber opera in one act that tells the beloved story — first published by O. Henry in 1905 — of a young married couple who, despite being very poor, sacrifice their most cherished possessions to demonstrate their love for one another. This chamber opera adds even greater breadth to the composer’s output, which has also included works for concert band and orchestra, instrumental solos and ensembles, church music, piano solos, and scores for ballet, opera, and musical theater. The virtuosic performances heard on THE GIFT OF THE MAGI lend a moving emotional dimension to this heartbreaking yet ultimately uplifting story of love and sacrifice.

Navona Records presents SUSTAIN VOL. 3, an exploration of the capabilities of piano and organ highlighting the varied compositional approaches of today's composers. Influenced by the classical canon and moving in new directions, the latest edition in the SUSTAIN series pays homage to the classical composers of yesterday, while thoughtfully expressing modern personalities and ideals in a dynamic presentation of new piano repertoire. From the suspenseful passages of Sydney Hodkinson’s Organmusic, to the turbulent times reflected in Bruce Babcock’s Alternative Facts, and Hayg Boyadjian’s delicate variations on Bach, SUSTAIN once again gives it all, and everything in between.

A champion of repertoire and lauded by the New York Times as a virtuoso, double bassist Richard Fredrickson brings his instrument to the forefront on ALL AMERICAN BASS, an album of works composed specifically for him. Joining the Slovak Radio Symphony Orchestra and conductor Kirk Trevor, Fredrickson flawlessly navigates the works by Vittorio Giannini, John Carbon, and William Thomas McKinley. From Giannini’s darkly profound and agitated Psalm 130 to Carbon’s Endangered Species, which portrays the double bass as a wild and powerful beast that gracefully reins itself in, to McKinley’s modern, somber-then-lively Passacaglia, Fredrickson’s command of tone and melody creates an unforgettable recording and serves as an encapsulation of the instrument’s potential.

Following their Navona Records debut in 2019, Duo Sequenza returns with YES… IT’S STILL A THING!, a new program geared towards building new audiences for today’s classical music and promoting the work of living composers. Comprised of flutist Debra Silvert and classical guitarist Paul Bowman, Duo Sequenza brings an enchanting and harmonious quality that showcase the complementary capabilities of their respective instruments. From emotive and introspective works to scenic vistas painted in sound, the duo once again proves their musical chops and adaptability across a wide array of compositional styles.

Navona Records presents VOICES OF EARTH AND AIR VOL IV, a choral celebration of the human commonality we find within music. Featuring the works of six seasoned composers, each piece tells a sentimental story unique to each composer, fitting together like puzzle pieces and demonstrating the connective qualities of the human voice. Brought to life by Prague’s Kühn Choir, these choral works are sure to entrance and entice listeners with flowing tonality and artful text settings that demonstrate the powerful storytelling capabilities that vocal music wields.

THE LEADER from Canadian-American composer Karim Al-Zand is at once timeless and also deeply relevant for the age we live in. A commentary on the rise of fascist tyranny, its titular piece tells the story of a buffoonish charlatan who is adored despite his ridiculous behavior, echoing concerns of the modern day in this chamber opera based on Eugene Ionesco's 1953 satire Le Maître. Another vocal work, Songs from the Post Truth Era similarly comments on the political realities (or unrealities) of our time. The album features several other chamber works by Al-Zand including his Six Bagatelles, with music inspired by the art of Robert Motherwell (1915–1991).

Navona Records and trombonist Andy Malloy present BEST OF FRIENDS, a collection of personalized pieces for trombone and piano. Featuring works that Malloy commissioned from his colleagues over the years, the album is truly an ode to the relationships formed through musical collaboration. Each piece on the album pushes the musical boundaries to which the trombone is often held through creative uses of tonality and soaring melodies. Rhythmically energetic passages, jazz harmonies, and more speak throughout the album, highlighting the musicianship of Malloy and the compositional dexterity of his colleagues, a musical testament to the power of collaboration.

On SOURCE GROUND, Hans Bakker’s second full-length release on Navona Records, the composer once again probes music’s ability to, as Leonard Bernstein said, “name the unnameable and communicate the unknowable.” Rhythmically rigorous pieces for solo piano, organ works that fill every nook and cranny of the aural spectrum, powerful orchestral works, and pieces for the rare and haunting lame-sonore draw listeners towards a sense of infinite oneness connected by music.

CHAMBER WORKS OF ÉRIC TANGUY from Navona Records and composer Eric Tanguy delivers three world premiere recordings and a curated selection of the composer’s chamber pieces that demonstrates his illustrative style of punctuated modality. Brought to life by talented artists Ambroise Aubrun (violin), Cécilia Tsan (cello), Steven Vanhauwaert (piano), Martin Chalifour (violin), and Elissa Johnston (soprano), these seven pieces reflect many years of past collaboration amongst the performers resulting in a connection that is translated through thoughtful yet intense musical stylings. Tanguy’s ear-catching melodies and personalized compositions foster a sound quality that showcases the strengths and dexterity of the performers, all the while providing a stimulating and intimate listening experience.

Contemporary music needn’t sacrifice order and aesthetic appeal, even when it deals with complex issues. A glowing example of this is BORN: THE MUSIC OF EDIE HILL AND MICHAEL GILBERTSON, with conductor Donald Nally leading GRAMMY-winning professional chamber choir The Crossing on a breathtakingly beautiful expedition into themes of extinctions, relationships and their complexities, loss, and love.

Poetry and music have often been described as "beautiful sisters" in the European tradition, and American composer Benjamin C. S. Boyle sets out to prove just how harmonious this kinship can be. Owing to pianist and art song expert Laura Ward as well as to a selection of top-class singers, these elaborate yet easily accessible vocal compositions are resplendently brought to life on SPIRITS IN BONDAGE.

AMERICAN SCENES, from composer Samuel A. Livingston is, as its title suggests, a painterly tribute to America. The album’s title piece, Three American Scenes, is a three-movement suite that expresses the grandeur of the American west, the serenity of a mountain lake at dawn, and the bustle of a busy day in a large city. The album opens with Celebrating the Fourth, which depicts an American Fourth of July celebration. The final two selections feature works for concert band with a solo instrument – the flute, in Silvertube Variations, and the clarinet, in Balkan Dance. In that last selection, Livingston turns his attention beyond our shores, to the harmonies and rhythms of the folk music of the Balkan countries, especially Bulgaria and North Macedonia. Altogether, AMERICAN SCENES is thoughtfully-crafted and unabashedly jubilant, expressing appreciation for America and the world beyond with refreshing sincerity.

Navona Records and Australian composer Lee Bradshaw present THE TIES THAT BIND, a collection of chamber music for strings that reveal an explicit and emotionally-charged truth. Brought to life by Baiba Skide (violin), Ivan Vukčević (viola), and Harriet Krijgh (violoncello), the album features works that redefine the expressive possibilities of contemporary string playing; and in which the performers are compelled to delve deeply into their own artistry. Bradshaw’s sensuous and yet muscular compositional style displays a profound intimacy for his craft, which ultimately renders music of a rare and arresting beauty.

The term "symphony" automatically evokes grandiosity in all aspects – a large-scale orchestra, great compositional complexity and considerable playing time. Orlando Cela and his Lowell Chamber Orchestra turn this idea on its head with MINIATURE SYMPHONIES, an enticing selection of short and snappy sinfoniettas for chamber orchestra.

Hot on the heels of its first edition, INVITING WORLDS VOL 2 follows in the footsteps of its predecessor with the rhythmic dexterity and textural nuance of today’s orchestras paired with a new roster of composers. New sounds and expressions burst with emotion and uplift us through dark days, navigating uncertainty and delivering us to tranquil resolution. From the frenetic energy and hair raising harmony of Chasse Noir to the soothing solemnity of When Quiet Comes, INVITING WORLDS VOL 2 delivers a colorful palette of orchestral virtuosity sure to please any listener who lends an ear.

2020 VISIONS from the Fischer Duo celebrates the piano-cello group’s 50 years of performances together. The Duo is known for performing music from the likes of Beethoven alongside the works of emerging composers. The pair celebrated the anniversary of their formation in 1971 during the height of the pandemic; though the performance was given virtually, the resulting recording is a declaration of love and resilience. This album features three works commissioned for the Duo including Pulitzer Prize and GRAMMY Award-winning composer William Bolcom's Second Sonata, as well as three recent compositions from promising new composers. Expressing the pain of loss as well as the hope for a better tomorrow, 2020 VISIONS showcases this duo’s versatility and musicianship.

Peter Drew’s SYMPHONY NO. 1 "REMINISCENCE" is a pastiche of sorts; it gathers up the musical moments that have touched the composer throughout his life. These musical reminiscences recall his excitement as a very young boy, listening to the works of the great western composers through the speaker of a portable radio, and musically encapsulate his discovery of jazz and popular music. The symphony eventually carries listeners well beyond the shores of America to Africa, Australia, Brazil, throughout Europe, India, and Mongolia. Those who follow Drew along this symphonic journey are sure to reap the rewards of the composer’s lifelong dedication to music in all its forms.

Miguel Zenón composer and alto saxophone José A. Zayas Cabán soprano saxophone Ryan Smith tenor saxophone Casey Rafn piano EL PAÍS INVISIBLE “happened by accident,” says composer Miguel Zenón, like it was “almost meant to be.” Serendipitously, the project developed when Zenón was wrestling with critical questions about [...]

On FANTASY FOR VIOLIN AND PIANO, composer Benjamin Shorstein examines the age-old rules and conventions of musical form and structure and transforms them into inspirational foundations on which to build narratives. The improvisational Fantasy for Violin and Piano begins Shorstein’s story with an exploration of emotion and character, as each instrument formlessly weaves and wanders between themes—a sentiment that continues with Sonata for Piano, which extends the album’s musical worldbuilding, expanding upon an original theme that remains warm and sensitive as it gains intensity. The dance-based partita is also interpreted anew by Shorstein, as he uses the violin to explore the coexistence of melody and dissonance within self-expression.

From the mysterious magic of our darkest corners to the exuberant atmosphere of Carnaval, infinite possibilities lay within INVITING WORLDS from Navona Records. The musical dimensions of several composers are explored by the Janáček Philharmonic Ostrava, Zagreb Festival Orchestra, and the National Moravian-Silesian Theater Choir in this dynamic journey, offering insight into new realms through imaginative approaches to composition. Even in far away lands, close-to-home concepts are explored in thought-provoking soundscapes, showcasing the rhythmic dexterity and textural nuance of today’s orchestras across a wide breadth of compositional styles.