Instrumentaion: Violin

THE GORGEOUS NOTHINGS is composer Ingrid Stölzel’s first full album on Navona Records, although she has also been featured on three compilation albums released by the label. Haunting and lyrical throughout, the album explores themes of beauty, being, journey and transformation. The album’s eleven tracks, some inspired by the poetry of Emily Dickinson and Walt Whitman and some created by Stölzel’s own native curiosity, engage the listener intellectually, emotionally and spiritually.

Simon Andrews has earned a reputation as a creator of eloquent concert music that blends harmonic complexity and lyricism, introversion and broad gestures, and delicate timbres and bold statements. Here, on his recording debut, AND THE MOMENT WHEN THE BIRD SINGS, he offers up 10 compositions performed in a variety of configurations, from duos to trios and quintets, all of which emphasize his proficiency in both vocal and instrumental music.

On PARTS TO PLAY, critically acclaimed violinist Moonkyung Lee turns from the symphonic environment of the critically lauded label debut, TCHAIKOVSKY, on which she performed with the London Symphony Orchestra, to a more intimate setting, with only pianist Martha Locker as her partner on a selection of works that include both stunning solo performances and intricate yet simple duets.

John A. Carollo’s fourth PARMA release, and follow up to 2017’s THE TRANSFIGURATION of GIOVANNI BAUDINO, is a wondrous musical journey through the world of desire. With MUSIC FROM THE ETHEREAL SIDE OF PARADISE, Carollo makes an impassioned plea for the power of romance.

Michael Kurek’s PARMA Recordings debut, THE SEA KNOWS, is a charming collection of works written with an emphasis on that which is beautiful and emotive. Composing in a tonal idiom reminiscent of the great melodists of the early 20th century, Kurek creates music that tugs at the heartstrings without ever pandering, that is rich in emotive content without feeling sugary. The works on THE SEA KNOWS plumb the depths of musical sensitivity and will appeal to anyone who listens to music seeking intimacy and an emotionally-grounded experience.

Global guitarist and composer Giovanni Piacentini’s talents as a dual-threat musician are on full display on CHIAROSCURO, his debut album. He wrote all these works themed around his instrument of choice, and his playing appears on two pieces – Miniatures, for guitar and chamber ensemble, and a solo guitar performance on the title track. Yet, even on the tracks where he does not perform, the composer’s voice remains ever-present, namely in each work’s reverberant use of space.

Navona Records proudly presents renowned composer Ruth Lomon’s SHADOWING, her debut album on the label. The release showcases her remarkable skill in writing for the piano, pushing the instrument’s timbre and color to its limits to create animated sound worlds such as those of the title work, Shadowing. Lomon writes of the colors in the piece: “’Shadowing’ means to have such a light touch, such a light tread, that one can move freely through the forest, observing without being observed… It is the equivalent of manifesting and then becoming like smoke, and then manifesting again…”

Sound and space are two elements that emerge at the heart of Jane O’Leary’s THE PASSING SOUND OF FOREVER. The collection showcases O’Leary’s compositional gifts through a variety of her chamber compositions. O’Leary’s string writing soars in THE PASSING SOUND OF FOREVER, and demonstrates her remarkable sensitivity to the instruments’ sonic palette and expressive potential. Every color, from ethereal natural harmonics to frenetic bowing, is at O’Leary’s disposal, and is exploited beautifully to produce evocative and compelling soundscapes.

EARLY MUSINGS presents a comprehensive collection of new works for solo violin composed by American and American-based composers, almost all of whom were born after 1990. Though young, these composers’ music speaks to the core strengths of solo violin repertoire, a genre that has represented a prominent pillar in the Western chamber music canon since the seventeenth century.

IN TIMES OF TORMENT, from the late composer Yves Ramette (1921-2012), displays major themes from almost every single musical era. Composed from 1941-1944 in Paris during the Nazi occupation, the album presents a unique perspective from Ramette, breaking away from the virtuosic piano works found in his previous albums to showcase varying chamber ensembles. Although his sonatas were written for the virtuosic violin and cello, the piano continues to be highlighted throughout his pieces, making it more than an accompaniment, but rather a featured instrument.

In 2005, violinist and composer Piotr Szewczyk developed the Violin Futura Project, a collection of commissioned miniatures for solo violin that highlights over thirty international contemporary composers and how they are re-imagining the solo violin. “The purpose of the Violin Futura Project,” says Szewczyk, “is to sample the creative environment of our times by showcasing the wide variety of styles present in the 21st century, and to create a body of new solo violin repertoire.” Navona Records presents the album release of Szewczyk’s project, VIOLIN FUTURA.

Navona Records presents FIGMENTS, a compilation of eclectic contemporary works for chamber ensemble that highlight the dramatic, the mysterious, and the inventive through diverse instrument combinations and use of extended techniques. The album features music by composers Mark Dal Porto, Richard Campanelli, David Nisbet Stewart, Paula Diehl, Jason R. Lovelace, and Mel Mobley.

The modern romanticism of composer Craig Morris is one simultaneously deeply personal and broadly meaningful. His albums DREAMS (2011) and CIRCLE OF LOVE (2015), both on the Ravello Records label, in large part deal directly with musical representations of universal emotional states and concepts.

Common threads between art forms are woven into the creative process of exploring and expressing our shared experiences, emotions, and uncertainties. On her debut Navona Records release, BENEATH WINTER LIGHT, composer Heidi Jacob finds inspiration in film and poetry, as well as in music from past centuries, illustrating her faculty of expanding on timeless themes within modern compositional settings.

On his debut solo Navona Records release, THE REAL BEELER, composer Alan Beeler presents his refined and distinguishable orchestral voice, exploring various harmonic and melodic forms and structures as well as the serial techniques of the Second Viennese School. In Symphony No. 1 and No. 4, the composer creates intricate atmospheres and moving textural soundscapes, generally derived from the composer's preset tone rows.

With a distinctly contemporary compositional signature that draws on minimalism and popular music of the late 20th century, and also recalls the 19th-century Romantic tradition, composer and pianist Scott Pender explores the expressive natures of four instruments - piano, violin, viola, and cello - on his debut solo release on Navona Records, 88+12.

Continuing the mission of the original Capstone Records series by the Connecticut Composers, Inc., this debut Navona Records release of the same name, SPECTRA, highlights six contemporary composers from northeastern United States, who reflect the diversity and progression of today's music.

The 28th edition of the Society of Composers, Inc. release series and the 4th on Navona Records, PENDULUM extrapolates and elaborates on several themes relating to variation, transformation, repetition, and more.

Wall Street. Salvador Dali. Gustav Mahler. Some of the sources of inspiration for composer Sergio Cervetti on his fourth solo Navona release, UNBRIDLED. Spanning over forty years of his career, the works represent Cervetti's continued aesthetic of combining traditional and postmodern techniques and instrumentation.

DEDICATION, a compilation of newly recorded works by composer Howard Quilling, features two sonatas for violin and piano, a suite for saxophone and wind orchestra, and a trio for violin, cello, and piano.