Catalog

LUMINESCENCE brings to light six works for small and large orchestra, showcasing the inspired directions and composers of contemporary orchestral music. Marvin Schluger's Manhattan Suite for full orchestra is being released 14 years after its recording. New York, 2013 by Raymond Bokhour is another piece alluding to the Big Apple, as experienced by the composer that year. 

Throughout an individual's life, certain experiences, places, and people remain fundamental to his or her identity. As in a memoir, composer and conductor Paul John Stanbery depicts some of the experiences that have substantially influenced his character in SYMPHONY NO. 2, FOUNDATIONS, his digital-only release on Navona Records.

AT THE PRECIPICE, the third release on Navona Records featuring the music of the late composer Yves Ramette (1921-2012), showcases four world premiere recordings of the composer's works. Recorded with the St. Petersburg Symphony Orchestra in the summer of 2013 after his passing, these four orchestral pieces follow on the heels of Ramette's albums CASCADING INTO REVERIE for piano and orchestra and WITH PASSION for solo piano, and offer interesting insight into not only the composer himself but also the times in which he worked.

10 concerts, 7 venues, 3 days. The inaugural PARMA Music Festival in 2013 featured more than 100 composers and performers in works for orchestra, chamber ensembles, solo instruments, and jazz groups, as well as improvised collaborations between indie rockers and classical instrumentalists. This release collects some of the finest performances from the Festival, as recorded by the PARMA Recordings production team.

Navona Records' new installment of the FINE MUSIC series presents a deep cross-sectionof the label's wide-ranging and provocative 2013/2014 release slate, featuring performances by the Grammy-nominated New York Polyphony, Ensemble Dal Niente, cellist Chris Wild, Grammy-winning clarinetist Richard Stoltzman, the Apollo Chamber Players, and many more in works by Hindemith, DeGaetano, Hodkinson, Ramette, Stevens, Williams, Bakker, Rotolo, Vines, Sternfeld-Dunn, Brown, Tarlow, and others.

This 2014 reissue of Michael Cunningham's SONIC FLIGHT showcases six works for orchestra that effectively illustrate the composer's adeptness at creating compelling large-scale compositions and presenting them through adroit, inspired orchestration techniques. The Violin Concerto is a vigorous, energetic exploration of the instrument's capabilities, pitting the soloist against an orchestra that seeks to both support and contrast in its accompaniment.

THE KEY OF C-SPAN, Vol. 1 is the premiere release of the digital music collections featuring works from PARMA Recordings' audio catalog which have been used in C-SPAN's programming. PARMA and C-SPAN's collaborative relationship stems back to January 2013, when the two companies teamed up on C-SPAN series First Ladies: Influence & Image, for which PARMA produced a customized theme song. In May 2013, PARMA signed on as C-SPAN's music provider, placing content from its audio catalog across the network's original programming, promotions, and Senate quorum calls.

POLARITIES, an album of new presentations in classical music, expresses the emotions, feelings, and scenes associated with opposites. The works on the album, by four composers, range from a piece for wind ensemble and the Chinese gaohu, to a piano sonata, a chamber work, and works for orchestra.

The music of Irish composer Gráinne Mulvey explores the juxtaposition of polar opposites, pitting the real against the synthetic in finely crafted and thought-provoking works. AKANOS, an all-Mulvey album on Navona Records, includes seven of her works.

Excerpts from the Bible, text from the Middle Ages, and traditional instrumentation (organ, orchestral, and choral) form the basis of six composers' inspired works on FOUNDATIONS to create stirring, new contemporary classical music. By connecting to the roots of historical texts and musical conventions - in some cases the foundations of our collective cultures - these pieces present a modern spin on traditional materials, sounds, and forms.

Journeys after..., the debut release on Navona Records by Welsh composer Brian Noyes, features two orchestral works that reference the life and works of John Clare-a Northamptonshire peasant-poet from the early 19th Century. Inspired by Clare's Journey Out of Essex - a poignant account of his escape from a mental asylum and his 80-mile walk home looking for his imaginary love, Noyes has sought to reflect the poet's real and illusionary worlds as depicted in his evocative text.

RESOLVE, the latest release on Navona Records from two-time Grammy® Award-winning clarinetist Richard Stoltzman, showcases three Paul Hindemith clarinet-focused works, two of which are premiere recordings for Stoltzman.

THE PARMA SESSIONS: KAROLINA ROJAHN presents a series of recordings featuring longtime PARMA collaborator and pianist Karolina Rojahn. Showcasing the artist's skill, adaptability, and dedication, this digital compilation features Rojahn performing works by a diverse set of composers with myriad influences and styles.

Hailed as "convincing, emotional, passionate and vivid" (The Musical Review) and "destined to enter the ranks of the standard classical repertoire" (New York Times), Fredrick Kaufman resonates with worldwide audiences through impassioned and prolific compositions that go beyond mere interpretation. He thoroughly digests inspiration, internalizing and individualizing his ideas to create moving and impactful works that do more than simply relay a message. Kaufman's music captures feeling and emotion, reaching the listener with convincing sincerity.

A protégé of Rogers, Carter, Sessions, Britten, and Finney, Sydney Hodkinson emerged as a highly regarded composer and professional in his own right early on, serving as artist-in-residence, director, and educator across the United States and Canada, including at the Eastman School of Music where he catapulted the renowned Musica Nova into the public spotlight through innovative artistic direction and programming.

Belgian-native Jan Van der Roost leads a prolific career as a composer, writing works that span a variety of genres and styles, from oratorios and symphonies to lieder cycles and wind band chamber pieces. Van der Roost's unique style has ushered international renown, with his works recorded and performed worldwide, in addition to his guest professorships across four continents.

FINE MUSIC, VOL. 4 is the fourth compilation of the Navona Records Fine Music digital series. This installment features the works of David Nisbet Stewart, Brian Noyes, Jonathan Little, Daniel Perttu, Curt Cacioppo, Santiago Billoni, Alejejandro Rutty, Joanne Carey, Ludwig van Beethoven, Joseph Summer, Roger Bourland, Kjell Magne Andersen, and Jan Van der Roost.

TORRID NATURE SCENES, an album of chamber works from Australian composer Nicholas Vines, presents a series of musical landscapes that instill both anxiety and ebullience in the listener. Through his innovative use of woodwinds, voice, and chamber ensemble, Vines - a composer lauded for his "crackling style" (NewMusicBox) and called "compellingly original" (Boston Phoenix) and "both humorous and unsettling" (WGBH) - asks us to consider representations of nature fueled not by a passing glance of a wondrous vista, but by a series of creative engines wracked with self-burning energy, profound fury, and breath-filled life.

Erik Lotichius, a composer unafraid of melody and accessibility, combines the sounds of traditional classics with those that took the 20th-century audiences by storm - in the composer's own words, his work presents "Bach, the Blues and the Beatles" in a spectacular, enthralling combination of genre and style.

From mythic origin stories, to the Elizabethan stage, to the modern cinema, the human experience is bound in storytelling that has the power to captivate minds and inspire creativity. Like a good story, the composers featured on SPELLBOUND transport the listener across landscapes only limited by the imagination. These new works for orchestra behave as narrative arches, allowing tension and emotion to build and release to a euphoric conclusion or a haunting realization.