Catalog

Erik Lotichius, a composer unafraid of melody and accessibility, combines the sounds of traditional classics with those that took the 20th-century audiences by storm - in the composer's own words, his work presents "Bach, the Blues and the Beatles" in a spectacular, enthralling combination of genre and style.

From mythic origin stories, to the Elizabethan stage, to the modern cinema, the human experience is bound in storytelling that has the power to captivate minds and inspire creativity. Like a good story, the composers featured on SPELLBOUND transport the listener across landscapes only limited by the imagination. These new works for orchestra behave as narrative arches, allowing tension and emotion to build and release to a euphoric conclusion or a haunting realization.

French composer Yves Ramette's (1921-2012) music is marked by its ability to broadcast "messages of the heart," offering unflinching and distinguished representations of emotion and experience using traditional forms. A student of Honegger and contemporary of Boulez, among others, Ramette's works draw from the rhythmic and harmonic elements of mid-20th-century France.

DANCES OF ETERNITY presents a group of orchestral works by composers who explore music's potential to capture the more overlooked aspects of human experience. Ranging from representations of optimism and energy to the surging power of nostalgia, to lighthearted frolics and the eternality of life, DANCES OF ETERNITY asks the listener to ponder life, death, and everything in between.

New York-based Anthony Piccolo leads a vibrant and varied career as composer, choral director, pianist and conductor. Drawing on decades of performing and composing experience, he crafts clear and colorful scores in a variety of genres.

CROSS CONNECTION features the works of Henry Wolking and James Scott Balentine, two composers whose works perfectly complement each other through musical studies of crossed paths and human togetherness. Both composers works consider the meaning of life, love, and music, and the relationship between each: Gone Playin', a spirited musical riff on epitaphs and their connection of life and death; The Old Gypsy, a Hungarian-influenced piece for string quartet that reflects on the perpetuity of musical themes and influences; and Dun Eideann Blogh, a recollection of times past with friends and family.

AL COMBATE, the debut release from the Chicago Arts Orchestra (Javier José Mendoza, Artistic Director), highlights New Spain as a mecca of baroque and galant music through a handpicked selection of works from two of eighteenth-century colonial Mexico's most prolific and influential composers, whose music explores the period's transatlantic cultural flow from Europe to New Spain: Ignacio Jerusalem, a master of the galant style who brought modern European styles and techniques across the Atlantic; and Santiago Billoni, whose harmonic experimentation and erudite voice helped shape late baroque repertoire.

Santa Barbara-based composer Emma Lou Diemer (b. 1927) is a fixture in the Californian classical music community, having received commissions and performances from orchestras and ensembles throughout the state and worked throughout her career to advance the musical community.

About 100 years ago, classical music made a jagged turn away from the harmonic structures that had comprised its underpinnings for several centuries. This departure was early-on dubbed atonalism, and opposed the functional harmony that prevailed during the great musical flourishing of the 17th, 18th, and 19th centuries. Composer Sparky Davis, who takes a "modern, not modernistic" approach to writing his music, continues this forward movement, expanding the vocabulary of music to include non-traditional elements and adding to the functional uses of long-established note combinations.

Composer Jeffrey Stadelman's unusual, arresting, exacting musical voice has evolved over 25 years, amounting to a complex musical practice that suggests no obvious counterpart. MESSENGER, an all-Stadelman release on Navona, includes a variety of his orchestral, instrumental, and electroacoustic works.

Throughout time, humankind has sought to provide explanation and justification for the pains, joys, and passions of life. With DIMENSIONS, Navona presents a collection of string orchestra works from seven composers (Gregory Hutter, Louis Babin, Reynard Burns, Andrew March, Claude Debussy, Rudy Kronfuss, Daniel Burwasser), whose music captures the fluidity of time and emotion and illustrates the impact of past experiences on the present and future.

GALLERY is a collection of works by composer Michael G. Cunningham, containing three of his narrative ballets and the Gastein Masterwork. The ballets Nyadina, based on a Balanchine film ballet; She, based on the 1887 Haggard novel; and Chrysalis at Mardi Gras, based on the Saint Joseph story resembling Cinderella contain a narrative, choreographic flow with emotional and fable-like undertones.

Observing the landscape of contemporary classical, one might assume that the art music community has shifted its focus away from the melodic, harmonious, and accessible. CONVERGENCE, an album of works by David Nisbet Stewart and George Gershwin, presents just the opposite: imaginative, expressive works that appeal to performers and audiences alike.

In April 2003, the earliest stringed instrument ever found, the Gold Lyre of Ur, was damaged by looters at the Iraq Museum in Baghdad. In 2004, British harpist Andrew Lowings constructed an authentic and playable replica, and enlisted the help of composer Michael Mauldin to promote the project. Moved by the instrument's legacy and the narrative possibilities of the project, Mauldin composed The Last Musician of Ur for orchestra and harp, crafting a flowing narrative following the last musician to play the historic instrument as she is torn between inescapable destruction and the hope of timeless, international peace.

With OF BIRDS AND LEMONS, Navona Records presents the diverse orchestral works of two composers united by their affinity for energetic, stylistic, and rhythmic composition. José Elizondo and David Tanner, whose respective works simultaneously complement and challenge those of the other, share their varied backgrounds and experiences to create a glorious whole with international appeal.

CAUSAL DUALISM, Keith Kramer's second full-length release on Navona, is a celebration of dichotomy and relationships between all things. Duality, for soprano, saxophone, bass trombone, and string quartet, explores the interaction and relationships of the ensemble; Causality represents the string orchestra's journey of expression and highlights the action and reaction that permeates through all events; Flame of Attention, for soprano saxophone, the beginning of a long-term collaboration between the composer and Gottfried Stoger.

PARADIGMS explores the notion that music of varied influences, backgrounds, and techniques can be strung together to represent modern classical as a whole. With orchestral works that dive into the dramatic and expressive, ponder the impressionistic through textured and rhythmic motifs, and compare the bright with the chaotic, this album posits that music of all studies and methods of creation are pieces of a larger puzzle that shape the American contemporary soundscape.

NIGHT OF LIGHT is the latest CD from Cypriot composer Sophia Serghi featuring five of her works for orchestra and voice: Night of Light, a musical reaction to Easter in Manhattan and a document of the composer's spiritual growth; Serghi's earliest work for orchestra and voice, Cantus Integritatis, comprised of four introspective and meditative movements based on the composer's own Latin poetry; Full Moon Haiku, a collaboration with poet Nancy Schoenberger setting the mensal characteristics of the full moon to music; Ikon, inspired by an unusual Ikon in Paris; and Night of Light: Reprise.

Through his Argentinean tango-infused classical works, composer Alejandro Rutty has carved an original, unique niche in classical music, blending tango, electronic, and classical elements into a cohesive whole. On the multifarious THE CONSCIOUS SLEEPWALKER, his first album on Navona Records, Rutty presents works for saxophone quartet and orchestra that explore concepts ranging from explorations of tango within pop culture of the future to half-dreams versus fictional reality.

With works described as "an inspired creation" (Music & Vision), "original and quite brilliant" (Fanfare), and "immensely poetic" (Tempo), Jonathan Little has planted himself as a luminary contemporary composer. On POLYHYMNIA, his first release on Navona Records, Little is able to transform traditional influences into rich, intense, and finely structured music that lives up to his reputation.