Catalog

While speaking on Édouard Lalo’s Symphonie Espagnole, Op.21, Pyotr Tchaikovsky posited that his colleague “does not strive after profundity, but carefully avoids routine, seeks out new forms, and thinks about musical beauty more than observing established traditions.” Acclaimed violinist Moonkyung Lee endeavors to emulate this approach on her Navona debut TCHAIKOVSKY – WORKS FOR VIOLIN AND ORCHESTRA, in which she presents several performances of beloved Tchaikovsky alongside the London Symphony Orchestra under the baton of Miran Vaupotić.

Sound and space are two elements that emerge at the heart of Jane O’Leary’s THE PASSING SOUND OF FOREVER. The collection showcases O’Leary’s compositional gifts through a variety of her chamber compositions. O’Leary’s string writing soars in THE PASSING SOUND OF FOREVER, and demonstrates her remarkable sensitivity to the instruments’ sonic palette and expressive potential. Every color, from ethereal natural harmonics to frenetic bowing, is at O’Leary’s disposal, and is exploited beautifully to produce evocative and compelling soundscapes.

Violist Jutta Puchhammer’s album PIÈCES DE CONCOURS POUR is a treasure trove of late romantic French viola music. Originating as exam compositions for students enrolled at the Conservatoire Supérieur de Paris from 1896-1938, this album demonstrates Puchhammer’s peerless virtuosity as a performer, as well as the expressive range of her instrument, which was largely dismissed by the mainstream of eighteenth and nineteenth century composers.

EARLY MUSINGS presents a comprehensive collection of new works for solo violin composed by American and American-based composers, almost all of whom were born after 1990. Though young, these composers’ music speaks to the core strengths of solo violin repertoire, a genre that has represented a prominent pillar in the Western chamber music canon since the seventeenth century.

MI PALPITA IL COR: BAROQUE PASSIONS is a compelling journey into the rich corners of the mid- and late-Baroque period. Featuring an array of thrilling instrumental and vocal compositions, the album is driven by the performances of French-Canadian soprano Dominique Labelle and American early music ensemble Musica Pacifica, founded in 1990, based in San Francisco, and whose playing has been called “a small miracle of precision and musical electricity” by the Washington Post.

Yuriy Bekker, violinist on Navona Records release TWENTIETH CENTURY DUOS, is joined by renowned pianist Andrew Armstrong in some of the most beautiful and rarely-performed works of the twentieth century by Jewish composers Erich Korngold and Aaron Copland. Bekker says of the album, “The idea for this project finally came to fruition with the help of the rare 1686 Ex-Nachez Stradivarius violin.  This is the first sound recording of this violin and I believe these particular selections by Korngold and Copland highlight its most magical qualities.”

Composed almost 50 years apart, Dvořák’s Cello Concerto in B Minor (1895) and Schumann’s Cello Concerto (1850) are closely linked in the pantheon of Romantic concerto literature.  Cellists of many generations have long looked at both of these pieces as essential components in their artistic development, and each has been recorded many times over by the titans of the instrument to showcase their technical mastery.

IN TIMES OF TORMENT, from the late composer Yves Ramette (1921-2012), displays major themes from almost every single musical era. Composed from 1941-1944 in Paris during the Nazi occupation, the album presents a unique perspective from Ramette, breaking away from the virtuosic piano works found in his previous albums to showcase varying chamber ensembles. Although his sonatas were written for the virtuosic violin and cello, the piano continues to be highlighted throughout his pieces, making it more than an accompaniment, but rather a featured instrument.

In 2005, violinist and composer Piotr Szewczyk developed the Violin Futura Project, a collection of commissioned miniatures for solo violin that highlights over thirty international contemporary composers and how they are re-imagining the solo violin. “The purpose of the Violin Futura Project,” says Szewczyk, “is to sample the creative environment of our times by showcasing the wide variety of styles present in the 21st century, and to create a body of new solo violin repertoire.” Navona Records presents the album release of Szewczyk’s project, VIOLIN FUTURA.

The modern romanticism of composer Craig Morris is one simultaneously deeply personal and broadly meaningful. His albums DREAMS (2011) and CIRCLE OF LOVE (2015), both on the Ravello Records label, in large part deal directly with musical representations of universal emotional states and concepts.

The regions of Austria and Hungary have a rich history of music, art, and culture, where composers such as Beethoven, Artur Schnabel, and Emanuel Moór, among many others, developed their craft and influenced the traditions of European art music. On his debut release on Navona Records, CELLO MUSIC FROM AUSTRIA-HUNGARY, cellist Sam Magill presents works by Beethoven, Schnabel, and Moór that not only expand the cello repertoire and illustrate the cellist’s virtuosity, technical aplomb, conviction, and expressiveness, but enrich our understanding of these composers, their music, and their heritage.

Navona Records presents FIGMENTS, a compilation of eclectic contemporary works for chamber ensemble that highlight the dramatic, the mysterious, and the inventive through diverse instrument combinations and use of extended techniques. The album features music by composers Mark Dal Porto, Richard Campanelli, David Nisbet Stewart, Paula Diehl, Jason R. Lovelace, and Mel Mobley.

Trailblazer.  Advocate.  Innovator.  All of these descriptors apply to Grammy Award-winner Libby Larsen, but at the core is the most important title of all:  Artist.  As the first woman to serve as a resident composer with a major orchestra and one of the most performed and prolific composers of our time (she has over 500 works in her catalog, including 15 operas), Larsen has established a permanent place in the annals of American concert music.

Capturing the viola's rich and haunting quality, composer Peter Vukmirovic Stevens' second release on Navona Records, FERAL ICONS, is a suite of six works for solo viola performed by the extraordinary violist Mara Gearman of Seattle Symphony. The album embodies the raw and expressive energy of Stevens' impassioned compositional style, inviting the listener on an emotional narrative.

On their debut Navona Records release, KOSTOV-VALKOV DUO: TRANSCRIPTIONS AND PARAPHRASES FOR CELLO AND PIANO, the Kostov-Valkov Duo - cellist Lachezar Kostov and pianist Viktor Valkov - present a powerful and invigorating program, showcasing their virtuosity and superior technique with commanding performances of works by Franz Liszt, Buxton Orr, Bohuslav Martinů, and Mario Castelnuovo-Tedesco.

Praised for his "bold and expressive" playing (Gramophone Magazine), cellist Ovidiu Marinescu and Navona Records present MOTO CONTINUO, a collection of six contemporary solo cello and piano trio works - from the intense, dark, and expressive to the calm, light, and austere - performed by Marinescu and his colleagues from Trio Casals, violinist Sylvia Ahramjian and pianist Anna Kislitsyna.

14 concerts, 12 venues, 4 days. The 2014 PARMA Music Festival featured a diverse range of events, from concert performances of orchestra, chamber ensembles, solo instruments, and jazz groups, to an outdoor presentation of Prokofiev's Peter and the Wolf and panel discussions about music licensing and multimedia composition, as well as improvised collaborations between indie rockers and classical instrumentalists.

Common threads between art forms are woven into the creative process of exploring and expressing our shared experiences, emotions, and uncertainties. On her debut Navona Records release, BENEATH WINTER LIGHT, composer Heidi Jacob finds inspiration in film and poetry, as well as in music from past centuries, illustrating her faculty of expanding on timeless themes within modern compositional settings.

The clarinet is an essential voice in many genres, from classical and jazz to klezmer and world music, and composer Gerald Cohen calls it one of his favorite instruments: "I love the clarinet for its wide variety of character and dynamics, and its ability to either blend beautifully with other instruments or to stand out in a crowd." Through this affinity, the composer offers new compositions featuring the clarinet in various trio settings on his debut Navona Records release, SEA OF REEDS.

On his debut solo Navona Records release, THE REAL BEELER, composer Alan Beeler presents his refined and distinguishable orchestral voice, exploring various harmonic and melodic forms and structures as well as the serial techniques of the Second Viennese School. In Symphony No. 1 and No. 4, the composer creates intricate atmospheres and moving textural soundscapes, generally derived from the composer's preset tone rows.