Catalog

Edwin Barker’s playing is described as “timeless,” “vibrant,” and “compelling,” three descriptors that could not be better suited for his recording of J.S. Bach’s Suite No. 5 in C minor, BWV 1011 and Mieczyslaw Weinberg’s Sonata Op. 108 for solo double bass. Elegantly capturing Bach’s suite in his arrangement for double bass, Barker navigates the challenging and unwieldy passages of the Prelude’s fugue with the same measured and tolerant musicality innate to the immortal tenderness of the Sarabande. Despite a grand leap in time and place, he inspires equal personality — and often spouts of well-placed capriciousness — in Weinberg’s Sonata, honoring the high technical demands of the work while carving out a unique appreciation for Weinberg’s stylistic traditions. BASSO PROFUNDO is a prime example of a master at work, a recording that will surely inspire another extensive list of descriptors risen in Barker’s praise.

BEE-SHARP HONEYBEE from composer Rae Howell is an immersive journey through the secret life of bees, performed here by the Sunwrae String Orchestra, intertwined with the hum of a live honeybee hive. It is the foundation of a large-scale multimedia work, featuring live animated projections synchronized with the music, and a real-time stream of honeybees, filmed, amplified, and intermittently fed through the live performance. Developed from extensive research into bee (buzz) rhythm, pitch, and "waggle dance" patterns (the sophisticated system of communication between bees, detailing the distance and direction of nectar in the environment), BEE-SHARP HONEYBEE magnifies the subtle intricacies of the beehive, highlighting these distinct patterns, identified through field recordings made during the initial research and development of the project.

In this stunning tour through the concerti of Beethoven’s early and middle periods, pianist Eliane Rodrigues captivates her listeners with graceful keyboard virtuosity, accompanied by the renowned St. Petersburg State Orchestra, Maestro Walter Proost at the podium. The technicality is so precise, the performance so true to period, that one might think the composer himself was at the piano.

Navona Live and pianist Antoinette Perry are proud to present BEETHOVEN BOOKENDS. The album takes listeners from Opus 7—Beethoven’s personal favorite of his early sonatas—through the Bagatelles of Opus 119, and culminates with the composer’s final sonata, Opus 111. BEETHOVEN BOOKENDS is rich with the passion and dynamic range for which Beethoven is renowned; Perry applies what Le Dauphine Libéré has called her “irreproachable technique” to these legendary compositions.

Lauded cellist Emily Mantone is accompanied by Umi Garrett on BEETHOVEN: THE COMPLETE CELLO SONATAS, working in tandem to bring a new and distinctive tone to the five sonatas weaving through the lifetime of the great composer.

A stroll along the Seine - Notre Dame reflected in the waters below - the Eiffel Tower illuminated in evening skies - bistro conversations echoing in the streets of the Left Bank. Parisian scenes such as these come to mind when listening to the nuances of pianist Kathryn Goodson's debut Navona Records release, BELLE NUIT, a collection of works from the La Belle Époque and beyond, with arrangements for piano and wind instruments.

PARMA Recordings, together with the esteemed Croatian Chamber Orchestra, is proud to release BENEATH THE TIDE, a reflection on human emotion and experience through a collection of five concertos. As the title suggests, BENEATH THE TIDE looks under the surface, examining underlying human realities that rise to the surface with the arrival of life’s changes.

Common threads between art forms are woven into the creative process of exploring and expressing our shared experiences, emotions, and uncertainties. On her debut Navona Records release, BENEATH WINTER LIGHT, composer Heidi Jacob finds inspiration in film and poetry, as well as in music from past centuries, illustrating her faculty of expanding on timeless themes within modern compositional settings.

Navona Records is proud to present MUSIC FOR STRING QUARTET, the world premiere recording of renowned composer Leonard Bernstein's long-lost work. Composed by an 18-year-old Bernstein during his studies at Harvard, the piece has been steadfastly shepherded from its re-discovery to this historic release by former Boston Symphony Orchestra Librarian John Perkel, and is performed here by Lucia Lin, Natalie Rose Kress, Danny Kim, and Ronald Feldman. “Movement I” and the newly-discovered “Movement II,” which was found within the U.S Library of Congress, are accompanied here by the seldom-recorded duo piece Elegies for Violin and Viola by composer Aaron Copland, a musical mentor, collaborator, and dear friend of Bernstein’s.

Navona Records and trombonist Andy Malloy present BEST OF FRIENDS, a collection of personalized pieces for trombone and piano. Featuring works that Malloy commissioned from his colleagues over the years, the album is truly an ode to the relationships formed through musical collaboration. Each piece on the album pushes the musical boundaries to which the trombone is often held through creative uses of tonality and soaring melodies. Rhythmically energetic passages, jazz harmonies, and more speak throughout the album, highlighting the musicianship of Malloy and the compositional dexterity of his colleagues, a musical testament to the power of collaboration.

Latin America is renowned for its many dances – the tango, salsa, bachata, merengue, samba, to name but a few – and it's thus not surprising that the same rhythmic intricacy and emotive depth dwells in its piano music. Hong-Kong-born pianist and musicologist Po Sim Head presents two Latin American composers, the Peruvian Francisco Pulgar-Vidal as well as Ecuadorian Blanca Layana Gómez, and performs their rich works with great verve and precision. The pieces selected for BETWEEN THE ANDES & THE AMAZON are imbued with their composers' respective cultural heritage and eclectic style: blending influences of Peruvian folk music with atonality, Latin polyrhythms with European counterpoint, and musical forms such as the sonata with elements of local dance and song.

Navona’s latest compilation release, BETWEEN THE ECHOES, showcases selected recent chamber works, expressing the common theme of recollections and interpretations of past experiences. Moving across the spectrums of moods and dramatics, each piece brings a harmonic resolution to its soulful journey. This album joins multiple personalities in a collection of propulsive musical expression.

Throughout her storied career, composer and music activist Mary Howe elevated the status of women composers and the Washington DC music scene and gained notoriety for her orchestral works. Many of her pieces for smaller ensembles, however, remain unpublished. On BETWEEN US, premiere recordings of Howe’s duos at last see the light of day and showcase her knack for drawing out the melodic qualities and dynamic timbres of the piano, voice, and stringed instruments. The pieces transcend time, simultaneously pulling from the sensibility and formal structures of romanticism and 20th-century idioms, spanning and bridging the gaps that typically pigeonhole music into a specific milieu.

Composed almost entirely in 2018 and performed by composer Giovanni Piacentini, the music on BETWEEN WORLDS serves as a brand-new snapshot of a musician's prowess at the height of his creative capabilities. In an age where the musician-composer is a dying breed in the realm of so-called "serious" music, Piacentini brings a breath of fresh air in a multitude of ways. There is no doubt that his astounding technical skill as a guitarist deeply informs his compositions, and the effect is nothing short of breathtaking. Strikingly, even when employing modern elements – such as adding electronics – Piacentini resolutely resists the temptation of putting trendy, cheap showmanship over the soul of the music. The guitar, the mainspring of musical expression, remains paramount and prominent, always. And, thanks to the composer's talent for lyricism, structure, and depth, this pays off. Immensely.

German philosopher Immanuel Kant defined the Sublime as "beauty accompanied by awe" – a thought which perfectly encapsulates the spirit of Cappella Clausura's second PARMA release, BIRDS OF THE PSALMS. Evocatively conducted by Amelia LeClair, the ensemble interprets a magnificent choral repertoire spanning six centuries.

BLACK IS BEAUTIFUL from Dr. Diane Retallack and The Eugene Concert Choir is an ode to hope in the face of injustice. This Navona Records release showcases music by Black composers that shed light on the Black experience including two choral masterworks: Seven Last Words of the Unarmed by Joel Thompson and the world premiere recording of Dr. Undine Smith Moore’s oratorio Scenes from the Life of a Martyr. Thompson’s composition is modeled after Haydn’s The Seven Last Words of Christ; in this work, Joel Thompson quotes the last words of seven unarmed African American men killed by police or authority figures. Moore’s oratorio depicts the life of Martin Luther King, Jr, from birth to carefree childhood, young love, a calling to amplify the voice of his people, the hatred he experienced for his commitment, the grief of his untimely death, and the power of his message. These works are joined by the world premiere of The Hymn! by Stacey V. Gibbs and an arrangement of Glory from the film Selma by Dr. Eugene Rogers.

Be transformed by the haunting intensity of Brankovich’s performance in BLACK SWAN OF PIANO. Extending from the melancholic forms of 19th century composer Eric Satie to the dark, moving compositions of the pianist herself, this album invites listeners into the realms of the past, the war-torn images of her homeland, and a look into the immense possibilities for the musical future.

When approaching his latest chamber album BLISS POINT, Polish-born violinist and composer Piotr Szewczyk turned to a unique lens of inspiration – food science. His interpretation of a “bliss point” in the culinary sense embodies the technique’s saturation of a flavor just before the point of diminished potency. Of course, he trades in the contents of his spice cabinet in favor of diverse instrumental pairings, and in doing so, the composer explores the “saturation limits in the full spectrum of emotions, textures, and characters.” In doing so, Szewczyk is confident that the resulting collection of chamber works “covers the entire expressive range of my vocabulary and artistic sensitivity.”

BLOODY JACK from composer Michael Matthews is a cycle of 14 songs based on selected poems from Dennis Cooley’s 1984 collection by the same name. These poems draw upon the chilling story of John Krafchenko, a Hungarian immigrant to Canada who became a notorious outlaw at the turn of the 20th century. The music was originally composed between 2015 and 2017, and revised in 2020. Matthews dedicates this work to pianist Laura Loewen and vocalist Dawn Bruch, both of whom bring this release and its haunting harmonies to life.

Michael J. Evans composer