Catalog

Christopher O'Riley's THE WELL-TEMPERED CLAVIER BOOK I delves into the subtle intricacies of Bach's famous masterwork, revealing the composer's nuanced craftsmanship through an exploration of the spaces between notes. Inspired by Bach's profound lyricism and informed by historical insights, O'Riley's interpretation transcends conventional keyboard traditions. Embracing the expressive potential of articulation and texture, he illuminates counterpoint with dynamic contrast, unveiling hidden dialogues within Bach's compositions. Through meticulous attention to intonation and rhythmic flexibility, O'Riley uncovers layers of meaning, echoing the Japanese concept of “Ma” — the significance of space and silence. This album invites listeners to immerse themselves in Bach's universe, where every pause resonates with depth and possibility.

What happens when two world class performers unite in their efforts to carry on the traditions and collaborative spirit of classical music? Cellist Ovidiu Marinescu and pianist Noreen Cassidy-Polera share a shining example on RESURGENCE. Featuring the works of several contemporary composers, this Navona Records release offers reflections on emergence and transformation, the throes of long distance love, the great artists of our past and present, the fusion of several musical influences, and more. Leveraging refined elegance in sound and raw virtuosity in approach, RESURGENCE is a thoughtful exploration into the expressive capabilities of the cello and the piano both as individual entities and a cohesive voice.

ESFAHÂN features eight cross-cultural compositions by Reza Vali. Blending Persian and Western classical traditions, the album is the first commercial recording of these works. Highlights include Hajiani, for Karnâ and electronics, as well as Sornâ (Folk Songs, Set No. 17) for Persian wind instruments and ensemble, featuring traditional Persian wind instruments. Highlights also include Four Persian Mystic Poems for mezzo-soprano and ensemble, and Esfahân for string quartet. Vali’s music is both highly innovative and deeply rooted in tradition; the unique modal system he uses borrows from the ancient Persian Dastgâh-Maqâm system, which was rediscovered through his extensive study of Iranian folk music. Despite eschewing Western approaches to counterpoint and musical form, Vali’s music is polyphonic and highly structured. The result is a compelling marriage of East and West, old and new.

Recently named Musical America's 2024 Ensemble of the Year, Donald Nally's chamber choir The Crossing stuns with their latest studio album, WAYS YOU WENT. Vibrant, exhilarating, and uplifting, this new release features original compositions by composers Martin Bresnick and Mason Bates. WAYS YOU WENT is a yin and yang of interconnected opposites. Bresnick's song cycle Self-Portraits 1964 exclusively deals with the life and personality of a single man: young and intellectual, working as a trash collector to put himself through college, and escaping into literature at night. Bates' trilogy Mass Transmission takes a telegraph conversation between mother and daughter in the 1920s and sets it to music, contrasting the warmth of human communication and a mechanistic medium. Both of these cycles, one introspective, the other socially oriented, are snapshots of a time gone by. The Crossing brings both to life with perfect mastery.

Music can possess the power to take hold of our emotions, guiding us along an imagined journey that stirs our inner being, a concurrently unique and familiar experience. Critically-acclaimed composer Rain Worthington writes music to captivate the listener, creating textural and lyrical worlds that are inhabited by various colors and tones. In this live performance of her piece Dream Vapors Suite from the Armenian State Symphony Orchestra, the composer presents intense dreams, intangible perceptions, and musically evocative elaborations.

One might be tempted to think that there is no crossover in music that hasn't been done yet; and thankfully, one would be mistaken. DEEP RIVER presents a vibrant selection of 21 African American spirituals, interpreted by countertenor Michael Walker II and early music consort Alchymy Viols. A curious collaboration? Not at all, according to director Philip Spray. The viol consort's historical purpose was to arrange popular tunes of its day; so it appeared only logical to try this setup on America's first folk songs. It worked. Additional harmonies are provided by a distinctly anachronistic grand harp, and accompaniment by a small field pump organ. The effect is stunning: a music so utterly, distinctly American, one wonders why this hasn't been done before.

Lyrebird Brass presents the world premieres of five new contemporary brass quintets in BOOK OF BRASS, an album shaking up the scene with an assortment of boundary-pushing works by highly lauded and awarded composers. Opening with three time GRAMMY® award winner Jennifer Higdon’s Book of Brass, this titular composition can be played and listened to in any order one pleases. From the intense energy of “Ramp Up” to the puzzling, slowly unfolding maze of “Acrostic,” Higdon certainly knows how to sell a story. Alice Humphries is no stranger to puzzlings in Uncertain Meditations, which considers ideas in isolation, reflecting on their vast possibilities. Reflection is at the core of Grace-Evangeline Mason’s poetic As Bronze, too, and found even in Kate Neal’s Fanfare, which, composed during the 2020 lockdown period, challenges what a fanfare represents. Alan Holley rounds out the recording with The Goodchild Canzonas, a four movement work exploring atriums, cathedrals, and the heavens above, but perhaps most appropriately: the Lyrebird. BOOK OF BRASS is a winning installment in Lyrebird Brass's already impressive oeuvre, pulling out all the stops with spirited fanfares and contemplative odes.

ROYAL CORONATION OVERTURE by Dr. Patrick Brill is a contemporary take on the program overture model of the 19th Century, a genre most commonly heard in concert hall performances, as well as church services and royal coronation ceremonies. Dr. Brill, an expert in Medieval and Renaissance music, capitalized on his extensive background in classical music and experience crafting large-scale orchestral pieces to compose this opulent overture. This studio recording of the piece is also available in a Dolby Atmos immersive audio format, placing listeners directly into the lavish fanfare by which this music is historically accompanied. Carrying on the 200-year tradition of the program overture, this work is a majestic delight for the modern ear.

Pianist Kristín Jónína Taylor dives deep into the lyrical, evocative, and hauntingly beautiful works of three leading composers and educators from the Midwest United States on MIDWEST PIANO SONATAS. A blend of neo-classical and neo-romantic styles are presented in this Navona Records release, exploring compositional concepts ranging from bitonality to mixed meters, and life’s inscrutable emotions, particularly, anguish and bereavement. These profound spectrums of musicality and feeling are conveyed with stunning clarity by Taylor, an award-winning pianist lauded for her mesmerizing performances of nuance and depth.

Kevin Lee Sun delivers an electrifying call to action in THE PEOPLE UNITED, a monumental set of 36 variations by the late American composer Frederic Rzewski. Derived from a global lineage of inspiration, the theme originated in Chile when the composer Sergio Ortega heard the soul-stirring chant of a street singer in Santiago, months before the 1973 Chilean coup d’etat. Inspired in turn by Ortega’s music and Chile’s upheavals, Rzewski combined the chant with revolutionary songs from various cultures to deliver a clear message of solidarity in his 1975 hour-long masterpiece, eponymously named The People United Will Never Be Defeated! Recorded in 2023, fifty years after Chile’s coup d’etat, Sun’s interpretation reckons with the historical weight of Rzewski’s variations. His strikingly dynamic and empathetic playing seeks to re-center the suffering and heroism of the Chilean people at the core of the musical narrative. Rather than pooling the lived experiences of the Chilean people into a blanket revolutionary statement, Sun invokes the voices of the chanting street singers, the people at the very start of it all.

Eric Schultz’s masterful clarinet playing speaks in new and known tongues on POLYGLOT, a concept album celebrating music as a language of cultural identity and the self. A strong advocate of living composers, Schultz opens with an engrossing performance of Iván Enrique Rodríguez’s Sonata Santera, exploring the development and evolution of three Caribbean Santeria rituals. Schultz captures the enchanting, mystical nature of the rituals between the rhythmic, driving movements, occasionally accompanied by percussive elements.  Schultz follows with Críptico no. 9: DAVЯTHAN, an interpretive piece that centralizes language and text-setting at the core of its composition. Shortly followed is Johnny Navarro’s romantic Danzón, a nostalgic work punctuated by fleeting moments of sensuality. The same intimacy is carried into Chiayu Hsu’s Summer Night in a Deep Valley, showcasing meditative episodes on the natural beauty expressed in Guo Xi’s Chinese landscape paintings. Likewise, Gabriel Bouche Caro’s Escenas explores a meditation on self-identity and its existence as a product of culture, the clarinet never languishing in melancholic passages, but always remaining reflective and curious. POLYGLOT culminates with the Brahms Trio, Op. 114, a composition inspired by the clarinet playing of friend Richard Mühlfeld, an inspiration so strong it served to pull the composer from retirement. To Schultz, a quarterfinalist for the 2025 GRAMMY® Music Educator of the Year, music is a hallmark of metamorphosis that drives cultural change across history, the performer and composer working in tandem to create something inspired and new — speaking each other’s language, you might say.

“Masterful music invites performers to accept and rise to all challenges,” says flutist Lindsey Goodman, who along with pianist Clare Longendyke brings an exhilarating cross section of contemporary chamber works to life on IN THE COMPANY OF MUSIC. From evocative miniatures to pensive, multi-movement works, this Navona Records release showcases the breadth of compositional styles in which the flute can shine, exploring traditional expressions, the avant garde, and everywhere in between. These pieces are remarkably diverse, and so are the inspirations behind them — from major events in human history to pure musical curiosity and more.

Following their 2023 United Kingdom Remembrance tour, The Syracuse University Wind Ensemble returns to the airwaves with two world premiere recordings on ANGELS RISING: MUSIC OF REMEMBRANCE AND LIGHT. The ensemble has commissioned dozens of new works for their genre, the two most recent being Frank Ticheli’s Angels Rising and Energy and Light by Syracuse’s own Natalie Draper, both of which commemorate the 35 Syracuse University students lost in the 1988 Lockerbie bombings. Draper and Ticheli’s tributes to the 270 total lives lost in the attack on Pan Am Flight 103 are bookended by performances of George Gershwin’s An American in Paris and Rhapsody in Blue in this Navona Records release, and are all available to experience in both stereo and Dolby Atmos immersive audio formats.

Navona Records is pleased to present Mirórs, the first single from composer Michael Slayton’s forthcoming album SAGE BRUSHES. Mirórs seeks to honor the visionary work of Spanish painter and sculptor Joan Miró (1893–1983). Each movement highlights the flute, violin, and clarinet, respectively, attempting to aurally render the thematic heartbeat of Miró’s work.

Composer Michael K. Slayton continues his quest of lending a musical voice to the paintings of 20th century artists with KLEEMATION, the second single from his upcoming Navona Records album, SAGE BRUSHES. Commissioned by oboist Jared Hauser, this piece features responses to the highly imaginative and evocative work of the Swiss-German Expressionist/Cubist/Surrealist artist Paul Klee (1879–1940). The twinkle-in-the-eye of “Senecio,” the stark, cubed contrasts of “Ancient Harmony,” and the optical expressive energy of “Kettledrummer” served as catalysts.

The cello-piano duo is justly hailed for its tremendous expressiveness. Cellist Juliana Soltis and pianist Ruoting Li remarkably demonstrate this setup's emotive power on AMERICAN WOMAN while championing a noble cause — highlighting underrepresented women composers. Featuring works by Mary Howe, Amy Beach, Margaret Bonds, Helen Crane, Dorothy Rudd Moore, and Florence Price, AMERICAN WOMAN sheds light on a treasure trove of rarely heard gems of cello-piano literature. The general tone is sweeping, romantic, expressive, at times fierce and energetic, then again tender and delicate. Soltis and Li show extraordinary ability not only in bringing out the unique style of each composer, but also in uniting them all in a great artistic effort.

Anthony Brandt’s LIVEWIRE and MEETING OF MINDS features two innovative dance scores created for collaborations with NobleMotion Dance and the University of Houston IUCRC BRAIN Center that were part performance and part scientific experiment. In order to better understand how brains interact, several dancers wore mobile brain-body imaging devices, with live visualizations of the neural synchrony between their brains displayed in real time. Brandt’s music offers “sonic brain scans” that explore our mental lives and how we engage with others, from our most automated behavior to our most flexible and dynamic. These string quartets celebrate the human mind and the way it shapes our reality.

VOICES FROM THE OTHER SIDE is a collection of evocative chamber works performed by cello octet — several with soprano soloist Gabrielle Haigh. Included are Arvo Pärt’s tintinnabuli-style Fratres as well as his L’abbé Agathon, inspired by the remains of a 12th-century leper hospital near Beauvais, France; as well as the beloved Bachianas Brasileiras No. 5 by Heitor Villa-Lobos. Two works by American composer Margi Griebling-Haigh are featured: the title piece is a setting of three otherworldly poems by Edna St. Vincent Millay, and a single-movement work called Cantilena allows the cellists to shine individually as well as together. Griebling-Haigh’s music has been praised for memorable melodies and strong rhythms; her colorful scoring and harmonic language have been compared to Barber, Ravel, and Poulenc.

At this point, it would only be fair to call Dutch composer and conductor Johan de Meij “the Dutch King of program music.” Widely known to audiences for his 1988 Symphony No. 1 The Lord of the Rings, De Meij now presents CASANOVA, the complete recording of his compositions and transcriptions for cello and wind orchestra. Like the majority of De Meij’s oeuvre, the works on CASANOVA are committed to a late Romantic aesthetic: frequently citing Rachmaninoff, Debussy, or Puccini, and intended to conjure specific imagery. The resulting music is soothing, colorful, and pleasing to the ear.

Lauded by Gramophone Magazine for the “well-drilled performances” delivered in their first installment, the Malta Philharmonic Orchestra returns with CONTEMPORARY COLOURS VOL 2, the long-awaited follow up to their 2020 Navona Records release. A keen promoter of Maltese composers, the orchestra brings to life works that explore themes of Greek tragedy, religious symbolism, existential philosophy, struggles that shape the human experience, and more. Conductor Miran Vautopić leads the celebrated ensemble through this exhilarating display of Maltese virtuosity.