Catalog

SPELLS, a new retrospective collection highlighting the music of poet and composer Juli Nunlist, marks a touching journey through the earnest, romantic, and dramatic sounds of the late artist’s compositional language. The album’s works demonstrate Nunlist’s appreciation for tradition and grandeur, and are driven by her remarkable gift for melody and clear fascination with instrumental texture.

When approaching his latest chamber album BLISS POINT, Polish-born violinist and composer Piotr Szewczyk turned to a unique lens of inspiration – food science. His interpretation of a “bliss point” in the culinary sense embodies the technique’s saturation of a flavor just before the point of diminished potency. Of course, he trades in the contents of his spice cabinet in favor of diverse instrumental pairings, and in doing so, the composer explores the “saturation limits in the full spectrum of emotions, textures, and characters.” In doing so, Szewczyk is confident that the resulting collection of chamber works “covers the entire expressive range of my vocabulary and artistic sensitivity.”

Navona Records proudly presents DRESS CODE, the debut release from Colorado-based string ensemble Altius Quartet. Comprised of violinists Joshua Ulrich and Andrew Giordano, violist Andrew Krimm, and cellist Zachary Reaves, the quartet’s core mission is to strive for universality in their music and communicate directly with their listeners.

As the title of this album suggests, AN ARC OF QUARTETS gives listeners unique access to a continuum of composer Michael G. Cunningham’s intricate and inviting string music. Five international string ensembles present the album’s seven compositions, including Sirius Quartet from New York; The Moravian Quartet from the Czech Republic; the Millennium Quartet from Florida; and The Pedroia Quartet and New England String Quartet, both from Massachusetts.

Composer Michael J. Evans’ THE MUSIC OF ERICH ZANN is a startling and surreal musical interpretation of H.P. Lovecraft’s 1922 tale of the eponymous violist – a mysterious old man who seemingly protects himself from dark, magical forces by playing the viol. Evans is a gifted melodist, and his other PARMA Recordings and Navona albums showcase his predilections for the rich textures and harmonic language of late European Romanticism.

Navona Records is proud to present PHOENIX ENSEMBLE: CHAMBER WORKS OF HENRI MARTEAU AND ALEXANDER ZEMLINSKY. The Phoenix Ensemble is a mixed instrument chamber music ensemble. Founded in 1991 by New York-based clarinetist Mark Lieb, the Phoenix Ensemble aims to “inspire a new and diverse audience for classical music.” They undertake this challenge by presenting two works by late romantic French composer Henri Marteau, who is relatively unknown in the music world, as well as presenting one work by Austrian composer Alexander Zemlinsky. Both composers were active at the turn of the 19th century.

Sound and space are two elements that emerge at the heart of Jane O’Leary’s THE PASSING SOUND OF FOREVER. The collection showcases O’Leary’s compositional gifts through a variety of her chamber compositions. O’Leary’s string writing soars in THE PASSING SOUND OF FOREVER, and demonstrates her remarkable sensitivity to the instruments’ sonic palette and expressive potential. Every color, from ethereal natural harmonics to frenetic bowing, is at O’Leary’s disposal, and is exploited beautifully to produce evocative and compelling soundscapes.

American composer Marty Regan specializes in composing music for traditional Japanese instruments, a fascination he has developed since 2000. Regan describes his Japanese-style compositions as, “hybrid musical soundscapes that reflect the age in which we live, an era based not necessarily on globalization, but of partnership based on global cultural interaction.” In contrast, SPLASH OF INDIGO features a complementary side of Regan’s output, containing only works for Western orchestral instruments and voice.

With his new album SURSUM, composer Michael Slayton presents six compelling compositions, each performed by a different ensemble or solo performer. Despite the album’s varied & esteemed assemblage of performers, there lies a common thread throughout in both the form of Slayton’s distinguished composing style – dreamy but focused, and equal parts smooth and dissonant – as well as the imagery that the music conjures.

Throughout history, musicians and activists have enlisted the power of music to connect us to the pressing issues of our times. The brainchild of physicist Robert Davies, THE CROSSROADS PROJECT comprises two performances, Rising Tide and Emergence, performed by the Fry Street Quartet in multi-disciplinary collaboration.

Composer Jeffrey Stadelman presents three string quartets on Navona Records, each offering distinct perspectives on his career and versatile style of composition. Performed by the New England String Quartet, these works illustrate the composer’s intense, lyrical, and sensuous modes of expression.

Composer, author, and educator Fred Broer presents his String Quartet No. 8, as well as four colorful piano works, on his Navona release FRED BROER: MUSIC FOR STRING QUARTET AND PIANO SOLO. Broer’s adventurous String Quartet No. 8 is performed masterfully by the New England String Quartet  and is dedicated to the memory of his good friend Hilda Ayer.

On his Navona release INFINITE LANDSCAPES, composer Elliott Miles McKinley presents Three Portraits and his String Quartet No. 7 – two adventurous works commissioned by renowned chamber ensembles.

Apollo Chamber Players’ present their latest Navona release BLURRED BOUNDARIES, featuring commissions from veteran composers Libby Larsen and Marty Regan, as well as from the winner of Apollo’s inaugural International Commissioning Contest, Erberk Eryılmaz. These three commissions mark the beginning of 20x2020, Apollo’s initiative to commission 20 new folk music-inspired works by the end of the decade. Each of these composers explores culturally-specific musical traditions and presents folk material in ways that are engaging, unique, and revelatory.

IN TIMES OF TORMENT, from the late composer Yves Ramette (1921-2012), displays major themes from almost every single musical era. Composed from 1941-1944 in Paris during the Nazi occupation, the album presents a unique perspective from Ramette, breaking away from the virtuosic piano works found in his previous albums to showcase varying chamber ensembles. Although his sonatas were written for the virtuosic violin and cello, the piano continues to be highlighted throughout his pieces, making it more than an accompaniment, but rather a featured instrument.

Follow three composers on a journey through early 20th-century Europe, reflecting on various experiences including the life of a student, the rush of bullfighting, and the folklore of Scandinavia on the debut Navona Records release by the Skyros Quartet, INTROSPECTIVE ODYSSEY. Consisting of Sarah Pizzichemi, violin; James Moat, violin; Justin Kurys, viola; and William Braun, cello; the quartet presents works by Benjamin Britten (1913-1976), Joaquín Turina (1882-1949), and Jean Sibelius (1865-1957).

The intersection of classical music and popular and folk music is where the journey begins for the Seattle-based Saint Helens String Quartet - consisting of Stephen Bryant, violin; Adrianna Hulscher, violin; Michael Lieberman, viola; and Paige Stockley, cello - exploring a sonic vision of American culture presented by four contemporary composers on their debut Navona Records release, AMERICAN DREAMS.

Common threads between art forms are woven into the creative process of exploring and expressing our shared experiences, emotions, and uncertainties. On her debut Navona Records release, BENEATH WINTER LIGHT, composer Heidi Jacob finds inspiration in film and poetry, as well as in music from past centuries, illustrating her faculty of expanding on timeless themes within modern compositional settings.

On his debut Navona Records release, LETTERS TO A YOUNG POET, composer Mark Zanter presents recently commissioned chamber works for strings. The inspiration for the title track comes from Rainer Maria Rilke's letters to Franz Xaver Kappus, a correspondence in which his encouragement to a young poet becomes a vehicle for expressing his thoughts on the creative process and the transcendent qualities of art.

Occasionally, moments of happiness and comfort can rise from experiences of anxiety and doubt, during which we learn about ourselves and our limits. Composer and pianist Jeffrey Jacob depicts the experiences of struggle and pain, and of triumph and joy on his debut Navona Records release DARKNESS TO LIGHT.