Catalog

AMERICAN SCENES, from composer Samuel A. Livingston is, as its title suggests, a painterly tribute to America. The album’s title piece, Three American Scenes, is a three-movement suite that expresses the grandeur of the American west, the serenity of a mountain lake at dawn, and the bustle of a busy day in a large city. The album opens with Celebrating the Fourth, which depicts an American Fourth of July celebration. The final two selections feature works for concert band with a solo instrument – the flute, in Silvertube Variations, and the clarinet, in Balkan Dance. In that last selection, Livingston turns his attention beyond our shores, to the harmonies and rhythms of the folk music of the Balkan countries, especially Bulgaria and North Macedonia. Altogether, AMERICAN SCENES is thoughtfully-crafted and unabashedly jubilant, expressing appreciation for America and the world beyond with refreshing sincerity.

The cello-piano duo is justly hailed for its tremendous expressiveness. Cellist Juliana Soltis and pianist Ruoting Li remarkably demonstrate this setup's emotive power on AMERICAN WOMAN while championing a noble cause — highlighting underrepresented women composers. Featuring works by Mary Howe, Amy Beach, Margaret Bonds, Helen Crane, Dorothy Rudd Moore, and Florence Price, AMERICAN WOMAN sheds light on a treasure trove of rarely heard gems of cello-piano literature. The general tone is sweeping, romantic, expressive, at times fierce and energetic, then again tender and delicate. Soltis and Li show extraordinary ability not only in bringing out the unique style of each composer, but also in uniting them all in a great artistic effort.

Few instruments are as viscerally associated with the idea of grace and beauty as the harp, and few are as apt to express a sense of yearning as the oboe. So what could possibly capture the feeling of love better than a duo composed of these two instruments? Possibly nothing, as harpist Rita Costanzi and oboist Alex Klein rivetingly demonstrate on AMOROSO, an archetypally romantic album of intimate chamber music. Well-known classics by Debussy, Fauré, Massenet, Rachmaninoff, Piazzolla, and Rodrigo shine in a new light, and two new, fittingly romantic pieces by contemporary composers Michael Cohen and Michael Amorosi perfectly complete this wonderful picture.

Globally recognized for its unique radio programming, innovative collaborations, and community outreach, All Classical Portland presents AMPLIFY, a response to the industry’s inequities in classical music recordings. The works of five contemporary composers are brought to light in this album, each infused with recollections of stories, cities, and movements that have made an impact along the artists’ journey. As the 1,000th album brought to life by parent organization PARMA Recordings, this important Navona Records release marks a monumental achievement in highlighting voices in classical music, and is a step in helping to change America’s playlist.

As the title of this album suggests, AN ARC OF QUARTETS gives listeners unique access to a continuum of composer Michael G. Cunningham’s intricate and inviting string music. Five international string ensembles present the album’s seven compositions, including Sirius Quartet from New York; The Moravian Quartet from the Czech Republic; the Millennium Quartet from Florida; and The Pedroia Quartet and New England String Quartet, both from Massachusetts.

A composer equally accustomed to writing for orchestra, opera, film, theater, chorus, and chamber ensembles, Brian Wilbur Grundstrom’s voice includes a strong affinity for long melodic lines, distinctive tonal harmonic vocabulary, engaging rhythms, skillfully executed counterpoint, and dramatic imagery, all of which are reflected in the five orchestral works which span fourteen years on his debut release with Navona Records, AN ORCHESTRAL JOURNEY, to create a visionary and lyrical expedition that is quite accessible and easily travelled for the listener.

Navona Records presents ANCESTRAL VOICES, the Apollo Chamber Players’ next installment in their 20x2020 project. 20x2020 is an initiative to commission 20 new folk music-inspired and multicultural works by the end of the decade. This fiery release comprises four 20x2020 works from composers Gilad Cohen, Arthur Gottschalk, Malek Jandali, and Javier Farias.

Simon Andrews has earned a reputation as a creator of eloquent concert music that blends harmonic complexity and lyricism, introversion and broad gestures, and delicate timbres and bold statements. Here, on his recording debut, AND THE MOMENT WHEN THE BIRD SINGS, he offers up 10 compositions performed in a variety of configurations, from duos to trios and quintets, all of which emphasize his proficiency in both vocal and instrumental music.

New from Navona Records comes AND THE SNOW DID LIE, composed by Hilary Tann and performed by Sirius Quartet. Tann, a Welsh-born composer living in the foothills of the Adirondack Mountains was inspired to write this commissioned work by a series of illustrations from the classic French-Canadian novel, Le Survenant. These images are included with the release of this digital single.

The Spanish tradition of flamenco music, by way of Paco Peña and Paco de Lucia, has significantly influenced the classical music world. Now composer and pianist Lionel Sainsbury explores the fiery passion and harmonic tension of flamenco on his latest Navona Records release ANDALUSIAN FANTASY.

In a modern age crowded with distractions, one quickly learns to appreciate the little oases of peace. Andrew Anderson's 2022 Navona Records release, CHAMBER WORKS, might just be such an oasis – written with replenishing qualities, great clarity, and a sense of purpose. Throughout the album, Anderson skillfully demonstrates his ability to draw on the styles of the great compositional masters while creating a musical language that is truly unique and spoken through a variety of thoughtful orchestrations. Comprehensive in its content and imbued with tranquility, ANDREW ANDERSON: CHAMBER WORKS offers a variegated glimpse into Anderson’s distinct compositional style.

Tonality is slowly but steadily making its way into the toolbox of contemporary music again. Accomplished orchestral horn player Andrew Lewinter, who returned to composing in 2016 after a long hiatus, thankfully discovered that very toolbox, and the result can be heard on CHAMBER WORKS. Two quintets and one trio in classical instrumentation, and the neo-Romantic tonal language to match: it’s a difficult feat to pull off. Lewinter, however, diversifies with minimalist elements and, drawing from his considerable experience as an orchestral performer, imbues his chamber works with symphonic richness. It’s the secret ingredient, and it works.

Following their 2023 United Kingdom Remembrance tour, The Syracuse University Wind Ensemble returns to the airwaves with two world premiere recordings on ANGELS RISING: MUSIC OF REMEMBRANCE AND LIGHT. The ensemble has commissioned dozens of new works for their genre, the two most recent being Frank Ticheli’s Angels Rising and Energy and Light by Syracuse’s own Natalie Draper, both of which commemorate the 35 Syracuse University students lost in the 1988 Lockerbie bombings. Draper and Ticheli’s tributes to the 270 total lives lost in the attack on Pan Am Flight 103 are bookended by performances of George Gershwin’s An American in Paris and Rhapsody in Blue in this Navona Records release, and are all available to experience in both stereo and Dolby Atmos immersive audio formats.

Navona Records presents ANTHELION, showcasing favorite works from composer Adrienne Elisha (1958-2017). The works that comprise the album are technically demanding and rich in philosophical significance. Anthelion, for one, is a sonic contemplation of a natural phenomenon in which the sun’s light is projected across the sky, reflecting itself on the opposite horizon. The two-movement work, scored for flute, clarinet, violin, violoncello, percussion, and piano, expresses moments of “sonic abstraction” and continuous reverberation by way of unique instrumental timbres. In TranscenDance, on the other hand, Elisha makes a humanistic statement about the Syrian civil war, borrowing joyful melodies from Arab music and reimagining them in an orchestral setting. In this way, the music of ANTHELION is at once abstract and deeply contextual, challenging yet ultimately transcendent.

Blending vocal and orchestral elements across several movements, cantatas are notoriously difficult to compose. Benjamin Perry Wenzelberg has accepted the challenge with ANY OF THOSE DECEMBERS, setting poems by Jeanne Minahan to music. The result is intimate, aesthetic, and wistful — a tender embrace of lyrics and sound.  Scored for four solo singers with varying accompaniments, ANY OF THOSE DECEMBERS impresses on multiple fronts. But it isn't due to the excellent source material alone: the master performers in Lyric Fest bring both the lyrics and the composition to life. A wonderful collaboration, in which the whole is even greater than the sum of its parts, Wenzelberg’s work is “a cantata to make memories sing.”

Composed by Pulitzer Prize-winner Lewis Spratlan with librettist and electroacoustic composers Jenny Kallick and John Downey, ARCHITECT is an exploration of the relationship between the aural and visual, how they interact, intertwine, and define each other. Based on the life and work of renowned twentieth-century architect Louis I. Kahn, the opera portrays the powerful emotions that inspire his creative journey as he seeks to discover the principles that will guide his life's work, namely, the relationships between sound and space, connections between the past and present, and the incorporation of a material's innate characteristics into a larger whole.

Véronique Mathieu’s ARGOT is a spectacular demonstration of her abilities as a violinist, as well as the dramatic range of her instrument. The recording embodies the definition of its title – ‘argot’, which means the language of a particular group – in two meaningful ways. First, Mathieu has selected a unique array of violin-centric works that illuminate the creative strengths of twentieth century modernist composers. Second, as a result of the album’s daring program and Mathieu’s incredible talents, listeners enjoy the opportunity to hear every nuance of the violin’s expressive vocabulary executed at the highest possible level.

Composer Michael Cohen delivers an enticing follow up to his 2022 Navona Records release with ARIA, his second full album of original chamber works. Featuring a mix of studio and live recordings captured from various points in his diverse and expansive career, Cohen’s music emanates a thorough line of vitality and fervor. While strikingly rooted in tonal principles, these works embrace an elegant, confident, and ebullient character, permeated by a magnificent, effervescent spontaneity throughout.

Non-standard setups in classical music may be interesting, but they are commonly faced with the problem of limited repertoire. The ARK Trio, formed by soprano Allison Charney, cellist Kajsa William-Olsson, and pianist Reiko Uchida, has found a way of circumventing this challenge by commissioning works from contemporary composers as well as re-arranging classics, and the result can be heard on their debut release, ARK RESOUNDING. The pieces presented here may be an eclectic mix of American history, Bachian and Schubertian influences, and timeless poetry, but they are all united by one common denominator: the bittersweet trials and tribulations of love.

It doesn’t happen often that the talents of art and science unite in one person. Lawrence Ball, creator of experimental electronic music and accomplished tutor of mathematics, reconciles both disciplines on his new release, ARP CITY. The result is a truly timeless blend of synthesizers, layered soundscapes, and whimsical human creativity. While the acoustic topography of ARP CITY is undeniably cerebral, it is also captivating to the ear. The instruments employed evoke the groundbreaking era between the 1960s and 1980s, when even the highbrow figures of popular music didn't take themselves too seriously. Yet, there is an ethereal quality to Ball's work that seems to draw its force not from the past; rather, it seems to be a transcendental exploration of a mysterious future.