Catalog

The long-awaited release from the chamber ensemble Duo Sequenza, YES…IT’S A THING!, includes works by five critically acclaimed contemporary composers. David Noon is one of the most prolific composers in the U.S.; Jerry Owen’s numerous achievements include two Pulitzer Prize nominations; Jorge Muñiz has had his music performed by chamber ensembles, chorales and orchestras throughout the world; Marc Mellits is one of the leading American composers of his generation and one of the most performed and recorded living composers in the United States; and Amin Sharifi’s recent works have been performed in the United States, Europe, and his native Iran.

Composed almost entirely in 2018 and performed by composer Giovanni Piacentini, the music on BETWEEN WORLDS serves as a brand-new snapshot of a musician's prowess at the height of his creative capabilities. In an age where the musician-composer is a dying breed in the realm of so-called "serious" music, Piacentini brings a breath of fresh air in a multitude of ways. There is no doubt that his astounding technical skill as a guitarist deeply informs his compositions, and the effect is nothing short of breathtaking. Strikingly, even when employing modern elements – such as adding electronics – Piacentini resolutely resists the temptation of putting trendy, cheap showmanship over the soul of the music. The guitar, the mainspring of musical expression, remains paramount and prominent, always. And, thanks to the composer's talent for lyricism, structure, and depth, this pays off. Immensely.

Characterized by a unique style of instrumentation and experimentation with formality, VIRTUOSITY is the colorful expression of composer John Robertson's symphonic creativity. VIRTUOSITY combines a clarinet and a trumpet concerto, a symphony, and an orchestral fantasy based on a Maori love story – all on one album.

Composer Michael G. Cunningham introduces the beauty of sacred choral compositions with the unique energy of the live recording. “Ecumenical” is defined as the promotion of unity among different Christian churches across the world, and ECUMENICAL SPIRIT celebrates the unifying powers of music as it transcends the borders of all differences.

VOICES OF EARTH AND AIR VOL II presents the best that modern choral compositions have to offer. Settings of traditional prayers are mingled with ethereal stories and otherworldly visions, and each of the eight compositions both stand unique and work together harmoniously to create a collection that nods to the future of choral music.

Composer Mark Dal Porto's award-winning, neo-Romantic Song of Eternity for Orchestra starts off THE MUSIC OF MARK DAL PORTO in epic fashion. If Mahler and Prokofiev had collaborated on a composition, it would probably have sounded a lot like this: pensive, evocative, and nostalgic. Song of Eternity describes the eternal renewal of nature with cinematic impact. It is inspired by an ancient Chinese poem, as is the next piece, I Seek Rest for My Lonely Heart for A-Cappella Choir. This work continues the subject of nature, albeit in a more individualized fashion, capturing the sentiment of a distressed soul in search of peace in a pastoral setting.

It is tempting to compare Matej Meštrović's compositional style to his great predecessors in the late-Romantic tradition. After all, much of the Croatian composer's style and techniques would be right at home in Rachmaninoff’s concertos, Tchaikovsky's works, or Prokofiev's neoclassicism; and the name of the album's first work, Danube Rhapsody, naturally evokes associations with Smetana's similarly river-themed Vltava. Add to all of this that Meštrović, like most of his great musical ancestors, is a talented virtuoso pianist, and it's easy to see why 3 RHAPSODIES is bound to meet with enthusiasm.

Sergio Cervetti, born in Uruguay, immigrated to the United States in 1962 to study contemporary composition, and his work contains a certain cosmopolitan quality reflective of his past and present. Although essentially a minimalist since 1970, he has branched out to embrace and incorporate diverse elements from a variety of aesthetics. The versatile creator understands how to pull the virtually unimaginable from its metaphysical realm into the here and now, a sudden manifestation of spirituality transcending dissonance. Ever-present is the nexus of nature and science, of the mundane and the miraculous.

PARMA Recordings, together with the esteemed Croatian Chamber Orchestra, is proud to release BENEATH THE TIDE, a reflection on human emotion and experience through a collection of five concertos. As the title suggests, BENEATH THE TIDE looks under the surface, examining underlying human realities that rise to the surface with the arrival of life’s changes.

Mark John McEncroe, who started his musical training in his late 30's, had always exhibited a varied, profound interest in music – one that led him to work as a major music label manager over the course of two decades. No doubt that it was partially this section of his professional career which formed the basis of his personal compositional language. Unimpeded by the constrictions of a musical academic career, he developed a style which is unapologetically concrete and evocative.

Although Arnold Schoenberg is often seen as a composer strictly concerned with pitch, his interests in timbre and sonority are ever-present in all five of his completed piano works. On SCHOENBERG PIANO MUSIC AND HIS 17 FRAGMENTS, pianist Yoko Hirota performs three of Schoenberg’s completed works along with the 17 fragments that he never brought to completion. Hirota, praised as being “precise and keenly projective” and demonstrating the “highest level of proficiency,” is one of the leading interpreters of contemporary piano repertory, and she brings Schoenberg’s compositions to life with conviction.

Beginning with just the spark to write three trios, composer Carl Vollrath created an intense yet reflective collection of works in SOULS IN TRANSITIONS. This Navona Records release moves through waves of contemplation on life, history, and the evolution of spirituality through the performances of violin, cello, and piano by acclaimed pianist Karolina Rojahn.

Soprano Shudong Braamse blends vocal artistry with technical skill in her recording of SUEÑOS DE ESPAÑA. This treasury of Spanish art song relates stories of passionate love, broken promises, and heartfelt prayers. Braamse's performance demonstrates both an understanding of the rich Spanish culture and its 19th-century romantic poetry.

Despite the frequent crescendos to the sonic peaks of each composition, RENMEN LAMENTS is an exploration into the valleys of the soul. For most, creating art in the realm of somber moods poses challenges. For the Renaissance Men, the melancholic nature of their musical exploration is not only achieved individually but shared amongst the talents of the vocalists.

Composer Richard Thompson’s three-act opera presents the life behind the name of Paul Laurence Dunbar, one of the most prominent African American poets of the early 20th Century. This dramatic performance, inspired by the hundreds of letters exchanged between Dunbar and his wife, Alice Ruth Moore, removes the masks of fame and social identity to investigate the psychological realities of the people underneath.

Composer David Carpenter’s PARMA debut, FROM THE VALLEY OF BACA, features three works that illustrate the expansive scope of his compositional style. From the lyrical Trio, to the powerfully poetic title work for baritone and piano, to the romantically-inclined Sonata, FROM THE VALLEY OF BACA demonstrates the composer’s ability to express his artistic vision in a wide variety of musical genres.

Within their varied appearances and sounds, the piano, vibraphone, and marimba make up a unique family. Nonetheless, key similarities bind them together, and SUSTAIN explores just that. The latest multi-composer release by Navona Records, SUSTAIN presents works for various keyboards that explore not only the abilities of each instrument, but the varied approaches from five different composers.

Composer Garth Baxter calls his commitment to form and aesthetic "modern traditionalism." And indeed, his new album RESISTANCE may just offer the best of both worlds in one captivating experience. Each piece has certain features in common: they are immediately, intuitively accessible to the listening ear, and all of them draw upon Baxter's ability to evoke sincere emotions with every note.

The Bonifantes Boys Choir showcases the best of the best of the Czech boy singers and composer Jan Jirásek over the past 20 years. WHEN THE SOUL SPEAKS demonstrates the abilities of both the ensemble and its leaders through the performance of Latin Christian masses, Buddhist mantras and Quran excerpts, and traditional Czech hymns -- together presenting the idea that different religions and cultural customs can stand together side by side.

The idea for THE JOHN PSATHAS PERCUSSION PROJECT: VOLUME ONE began in 2013 with John Psathas’ piano and gamelan piece Waiting: Still which Omar Carmenates arranged for percussion trio. While unknown at the time, this arrangement launched a five-year-long relationship that culminates in Carmenates’ debut for PARMA Recordings. For THE JOHN PSATHAS PERCUSSION PROJECT: VOLUME ONE, Carmenates acts as arranger, director, and performer, and is joined by a roster of talented musicians including pianist Daniel Koppelman and drum set soloist Justin Alexander.