Catalog

Be transformed by the haunting intensity of Brankovich’s performance in BLACK SWAN OF PIANO. Extending from the melancholic forms of 19th century composer Eric Satie to the dark, moving compositions of the pianist herself, this album invites listeners into the realms of the past, the war-torn images of her homeland, and a look into the immense possibilities for the musical future.

With her Navona debut I CLOSE MY EYES IN ORDER TO SEE, accomplished Canadian flutist Sara Hahn demonstrates her exceptional sensitivity for emotional nuance coupled with great virtuosic capability, but most of all: the healing power of music itself. Hahn, currently the Principal Flutist for the Calgary Philharmonic Orchestra, is rightly known for her refined and beautiful tone, and I CLOSE MY EYES TO SEE indubitably attests to this. But extraordinarily, there is even more to Hahn's musicianship: An exquisite ability to get right into the heart of a composition.

Greg d'Alessio's VEIL offers a cross-section through all the facets encompassing modern classical composition as well as an impressive portrait of the composer's unique voice and development over two decades. VEIL's chronological track order allows the listener to follow the progression of both the music and the man behind it. Veil and Thread are D'Alessio's early chamber works, very much reflective of the conviction and clarity characteristic of the young composer, built on a thoughtful yet passionate blend of traditional structure and instrumentation with experimental effects.

Kamyar Mohajer’s PICTURES OF THE HIDDEN honors the composer’s “four Grand Masters:" Johann Sebastian Bach, Persian poet Hafez, and his parents. In this album, Mohajer shares his artistic upbringing by combining his roots in Persian modality with his love of Western classical music.

SEVERAL TIMES is an impressive collection spanning over four decades of the composer’s career. Though artistic development is present throughout the larger timeline of the album, each composition demonstrates innovative approaches to time and repetition. These innovations reflect a desire to not only learn and understand time, but master it.

It should be no secret that Miami-based composer Ferdinando De Sena is a tour de force amongst electroacoustic composers. Just listening to SECRETS FOR FREE is all the proof you need. The EP boasts adventurous yet accessible compositions that balance real instruments with computer-generated sound. SECRETS FOR FREE is a testament to fans of either subgenre that the two approaches to classical music do not have to be mutually exclusive.

Navona Records proudly presents Flare, recordings by members of the Society of Composers, Inc. Now in its 32nd installment, it offers a veritable cross-section of some of the most original voices in composition today. The album opens with 19-year-old Vaibhav Mohanty's Rhapsody No. 1 (2017), traveling through elements of Western classical composition, jazz, and Indian traditional music with such well-proportioned naturalness and ease, it bears all the telltale signs of an instant repertoire classic.

On WHISPERING FRAGRANCE, his first solo album with Navona Records, composer Stephen Yip merges serenity with agitation, earthiness with sophistication and the mundane with the sublime. The result is an original creation that is unapologetically post-modern, yet deeply rooted in Chinese traditionalism.

In many ways, Walter Steffens' TWO CELLS IN SEVILLA is a work of polar opposites. Quasi-tonal but modern, traditional but minimalist, the German composer has created an opera uniting two historical protagonists as multi-faceted as the music itself.

Nicholas Vines presents HIPSTER ZOMBIES FROM MARS, his third PARMA Recordings album. This collection of three major piano works by Dr. Vines was recorded on location at Cornell University with artist Ryan MacEvoy McCullough at the piano. For all of the flash one might expect from the album title, Vines bypasses gimmickry in order to capture something sophisticated.

Since composer, conductor and musicologist Alicia Terzian founded Grupos Encuentros in 1978, the six-person group has garnered international acclaim for its success at bringing the music of avant-garde Argentinian and Latin American composers to the world. On 40 YEARS OF CONTEMPORARY MUSIC, their debut recording for NAVONA RECORDS, the group combines compositions from such well-known Latin American composers as Heitor Villa-Lobos, Alberto Ginaslera, and Terzian herself with works by an international array of composers that ranges from Anton Webern (Germany) to Luciano Berio (Italy) to Franz Schreker (Austria) to Pierre Boulez (France).

THE GORGEOUS NOTHINGS is composer Ingrid Stölzel’s first full album on Navona Records, although she has also been featured on three compilation albums released by the label. Haunting and lyrical throughout, the album explores themes of beauty, being, journey and transformation. The album’s eleven tracks, some inspired by the poetry of Emily Dickinson and Walt Whitman and some created by Stölzel’s own native curiosity, engage the listener intellectually, emotionally and spiritually.

German philosopher Immanuel Kant defined the Sublime as "beauty accompanied by awe" – a thought which perfectly encapsulates the spirit of Cappella Clausura's second PARMA release, BIRDS OF THE PSALMS. Evocatively conducted by Amelia LeClair, the ensemble interprets a magnificent choral repertoire spanning six centuries.

Deeply committed to a beauteous aesthetic, composer John Robertson's second album SYMPHONY NO.1 once more delivers a neoclassical triumph with tremendous potential for repeated listening. This release flaunts an unapologetically exuberant elegance ever-present in the composer's oeuvre. The heart of the album is, of course, Robertson's Symphony No. 1, a three-movement epos which explores the vast realm of classical tonality.

REASON AND REVERENCE represents an aural exploration of our world’s complexities. By comparing and contrasting present triumphs with past regrets, the composers on this album develop a compelling, philosophical reflection of the world we live in. Conducted by Petr Vronský, the Moravian Philharmonic Orchestra delivers a master class in cohesiveness while tackling a wildly diverse, yet wholly complete set of compositions.

On PARTS TO PLAY, critically acclaimed violinist Moonkyung Lee turns from the symphonic environment of the critically lauded label debut, TCHAIKOVSKY, on which she performed with the London Symphony Orchestra, to a more intimate setting, with only pianist Martha Locker as her partner on a selection of works that include both stunning solo performances and intricate yet simple duets.

Simon Andrews has earned a reputation as a creator of eloquent concert music that blends harmonic complexity and lyricism, introversion and broad gestures, and delicate timbres and bold statements. Here, on his recording debut, AND THE MOMENT WHEN THE BIRD SINGS, he offers up 10 compositions performed in a variety of configurations, from duos to trios and quintets, all of which emphasize his proficiency in both vocal and instrumental music.

Composer Monica Houghton has a musical and academic resume that is made even more exceptional by her experiences as a true citizen of the world. Her travels around the globe have led her to incorporate non-Western instruments and musical practices into several of her compositions as well as to find inspiration trekking through Peru, or by exploring the remote and desolate areas of the American West. On CHAMBER WORKS, her debut on Navona Records, Houghton incorporates these influences along with many others to deliver eight stunning performances showcased in a variety of musical configurations.

Composer/arranger/lyricist Joanna Estelle presents EMERGENCE: a compilation of works produced under her personal philosophy that “quality music uplifts humankind.” The album includes a generous list of collaborators: John Gordon Armstrong (arranger), Laurence Ewashko (baritone), Morgan Strickland, Susan Elizabeth Brown and Laura Dziubaniuk (soprano), Brandon Wilkie and Roland Gjernes (cello), Frédéric Lacroix (piano), and two choral ensembles, Ewashko Singers and Capital Chamber Choir.

So many of us wonder about the big picture questions in life. Why are we here? What is the best I can do in my lifetime? COSMIC WHEEL OF THE ZODIAC, with lyrics by astrologer Benita Rainer, presents a cosmic rumination for meditation upon these great questions. These songs guide you through the labyrinth of the Cosmos, which, as perfectly attested to in “As above, so below,” is also the labyrinth of your mind; as what is without has its genesis in what is within.