Catalog

Navona Records presents VOICES OF EARTH AND AIR VOL V, a dynamic album showcasing the human voice and the powerful storytelling capabilities that vocal music wields. Six contemporary composers from around the world offer breathtaking works that stir the senses in this release, from hauntingly beautiful ballads to uplifting choral arrangements and climactic moments of triumph. With intimate settings of the human voice with instrumental accompaniment, full-fledged choir works, and everything in between, the composers and performers on VOICES OF EARTH AND AIR VOL V deliver unique and impactful moments that are sure to strike a chord.

Diane Maltester and Nancy Bachmann take listeners on a mesmerizing musical journey with WILD SWANS. Contemporary composer Nancy Bachmann’s exquisite music entices listeners with an artist’s pallet of expressive and progressive sounds. Released under Navona Records, this extraordinary album showcases Bachmann’s compositions for the superbly talented clarinetist, Diane Maltester. WILD SWANS takes flight through compositions for voice, woodwind quintet, trios, duos, and unaccompanied clarinet. The wings of Bachmann’s imaginative energy and Maltester’s interpretive virtuosity transport the listener to beautiful and exotic destinations. As one explores the transcendent compositions on WILD SWANS Bachmann’s brilliance and versatility shine through on every track, illuminated by the extraordinary artistry of Maltester and all her collaborators. A captivating mix of wildness and grace!

Tenor Brian Smith Walters is a force to be reckoned with — endowed with a dark, thundering timbre and magnificent, towering style, he is the embodiment of a Heldentenor. His first Navona Records release is a challenging cross-section of chansons and Lieder spanning five centuries, and Walters navigates them with stunning bravado. It doesn't matter whether he sings Purcell or Copland, Schubert or Saint Saens, Tchaikovsky or Barber, Wagner or Szymanowski – the energetic grip Walters has on every single piece is awe-inducing, every rendition buzzing with vibrance and profundity. Accompanied here by only the piano, there is only one word to describe the tenor and A PHOENIX RISING: intense.

DILLINGER: AN AMERICAN ORATORIO from composer Matthew Heap in collaboration with librettist Darren Canady dramatizes the life of notorious Great Depression-era bank robber John Dillinger. Seen alternately as both an enemy of the state and a folk hero, Dillinger’s story is a fitting backdrop to Heap’s nuanced exploration of class warfare and the American Dream. The oratorio focuses on Dillinger’s final days and is presented in a quasi-oratorio setting, much like the opera-oratorio form that Stravinsky used in Oedipus Rex. Despite its historical source material, the music is more relevant than ever, bringing to life the struggles of Americans feeling caught between social strictures and larger economic forces.

CHAMBER WORKS FOR VIOLA from composer David Jaeger gathers together some of Jaeger’s most defiantly creative compositions and demonstrates the vast possibilities of the viola and the chamber music genre as a whole. The album includes pieces like Diptych for viola and piano, lamenting at one moment and brazen the next. Six Miniatures on poems by David Cameron, for solo viola brings to life the poetic works of David Cameron, winner of the 2014 Hennessy Literary Award for Poetry. The album features the tasteful virtuosity of violist Carol Gimbel and pianist Cullan Bryant. Jaeger’s music will surely remind listeners—and perhaps even some other composers—of the rich tonal palate the viola offers.

Few things have informed and inspired as much music as humanity's search for God. Acclaimed baritone, arranger, and conductor Courtney Carey explores the relation between the worldly and the divine on I WANNA BE READY, a set of 12 spirituals arranged for different instrumentations — and each piece packs a punch. Six of them are songs for a solo voice (soprano or baritone) and piano, and Carey, being a trained vocalist himself, deploys this setup to its fullest effect, allowing for powerful brilliance. The other half are choral pieces, which are furnished with extra layers of depth and vigor by the splendidly expressive Concert Chorale ensemble. Even individually, these spirituals would be remarkable; together, they are a tour de force.

Strong convictions make for strong emotion, and in Michael J. Evans' case, emotion transforms into operatic scenes. A FINE AGITATION is an eight-part stage work based on Susan B. Anthony's letters during her infamous voting trial, which sheds light on the beloved social reformer from a personal, intimate, and profoundly charming angle. Both biographies and political subjects are notoriously difficult to set to music without becoming either dry tragedies or kitschy pastiches, but Evans circumvents this pitfall with a compositional style that is subtly, tastefully shaded, and at times almost light-footed. It shows Anthony, an American social justice icon, from a perspective that might have been disregarded for the better part of a century – the perspective of being human.

DANCING IN THE PALM OF GOD'S HAND from J.A. Kawarsky and Navona Records isn't at all a typical worship album; rather, it's a cross section through Kawarsky's oeuvre that encompasses minimalist solo pieces, intimate chamber music, and grand orchestral works. The themes on this album are vast and sweeping, at once lavish and carefully measured, reflecting the great and the minute, like an interplay between human and God. It's an almost philosophical experience, and one needn't be religious to enjoy its uplifting qualities.

What do you get when you tailor both music and lyrics to a tenor of brilliant clarity? A profound, cerebral, sensuous and at times even mystical experience, as demonstrated by vocalist Timothy Stoddard on his riveting new album TAROT. Born out of a year-long, close-knit collaboration between Stoddard, pianist Ellen Fast, and a diverse assortment of composers and librettists, TAROT proves the Aristotelian assertion that the whole is even more than the sum of its parts. These scintillating new vocal compositions all touch upon the vast mysteries of the great unknown wherever it overlaps with the human condition – be it in love, in death or in the occult. TAROT conjures an enchanting, dizzying, dreamlike universe – and Stoddard’s crystal-clear tenor is the effervescent guide.

I GIVE YOU MY HOME is a site-specific chamber opera inspired by Rose Standish Nichols and the Nichols House Museum in Boston MA that premiered June 3, 2022. This elegant new opera paints a portrait of Rose, a professional Bostonian woman, and highlights her professional work as a landscape architect as well as her efforts to affect change through activism in the Women’s Peace Movement and Women’s Suffrage. Soprano Aliana de la Guardia portrays Rose in this opera, and is joined by saxophonist Philipp A. Stäudlin and percussionist Mike Williams.

Following his 2022 release, STORIES OUT OF CHERRY STEMS, this latest collection of vocal music by Baltimore-based composer Peter Dayton reinforces his establishment as a mature and formidable talent in the world of art song. ALL IN THE SOUND captures the heart of the genre: duet between voice and accompaniment. Characteristically and integrally, Dayton’s songs exhibit internal compositional logics of pervasive rhythmic patterns and intervallic relationships that create music that still viscerally satisfies. The album takes listeners on a captivating journey through physical, emotional, and abstract imagery. Triumphantly, Dayton’s music realizes the poignancies possible in the duet that is art song.

Non-standard setups in classical music may be interesting, but they are commonly faced with the problem of limited repertoire. The ARK Trio, formed by soprano Allison Charney, cellist Kajsa William-Olsson, and pianist Reiko Uchida, has found a way of circumventing this challenge by commissioning works from contemporary composers as well as re-arranging classics, and the result can be heard on their debut release, ARK RESOUNDING. The pieces presented here may be an eclectic mix of American history, Bachian and Schubertian influences, and timeless poetry, but they are all united by one common denominator: the bittersweet trials and tribulations of love.

Frank Felice, an eclectic composer celebrated for his postmodern mischievousness, explores his own brand of “consonant adiatonicism” in THE BEAUTY OF INNUENDOS. Throughout the album, Felice sets a variety of texts to music, ranging from the antiphons of 9th century Christian mystic Hildegard of Bingen to the modernist poetry of Wallace Stevens. Felice’s compositions explore the given text while also demonstrating the virtuosic skill of the singer and the pianist; the latter, far from a mere accompaniment, joins with the voices equally to lend even great profundity to the poetic text. Featured in these recordings is mezzo-soprano Mitzi Westra, who commissioned two of the works. Above all, THE BEAUTY OF INNUENDOS solidifies Felice’s reputation as a dauntless and innovative composer.

QUADRANTS VOL. 4 comes as the fourth installment of Navona's acclaimed series of string quartet recordings by contemporary composers. This time, a variety of ensembles perform a selection of pieces by Daniel Gil, Jacob E. Goodman, John Summers, Sami Seif, and Judith Lang Zaimont. Like its predecessors, QUADRANTS VOL. 4 presents musical creations that are highly structured, thoroughly conceptualized and profoundly cerebral, drawing upon subject matters as diverse as Kabbalistic philosophy, English urban poetry, and Arabic cultural identity, among others. Often the result of years-long toil, these compositions are by no means easy to perform – but each ensemble masterfully succeeds with virtuosic panache.

Modern traditionalist composer Garth Baxter’s album ASK OF ME WHAT THE BIRDS SANG presents a wide variety of instrumental works as well as vocal music; each of these unique pieces has a special connection with a song. When Lights Begin to Show, for example, includes a musical quote from “Afternoon on a Hill,” which is the first song in Three Poems from Edna St. Vincent Millay. The songs referenced sometimes come from earlier works by Baxter or borrow from folk music. An unabashedly lyrical composer, Baxter combines the traditions of form and clear melodic writing with contemporary approaches to harmony and other elements.

Composer Carl Vollrath and Navona Records presents OLD & NEW POETRY VOL II, a compelling musical-literary experience featuring the works of seminal poet William Blake and contemporary writer John Gracen Brown. An enticing follow-up to his 2021 release of the same title, Vollrath employs piano and clarinet with various vocal ranges in this recording, each an intimate setting reflecting his close relationship with the text itself. Deeply in tune to nature and captured from the lens of the human experience, Vollrath’s musical response to this poetic language shows his dedication to and passion for these works.

Navona Records presents DASHING VOL. 3, a festive assortment of new works inspired by the signature sounds and staples of the holiday season. Comprising stories, nods to classic holiday tunes, and an underlying current of wistful nostalgia, this installment of the DASHING series keeps the spirit of holiday music alive with new compositions and arrangements of well-known favorites. Brought to life by a number of orchestras, chamber ensembles, and choirs, the works of new and returning composers to the series are sure to ignite the charm and congeniality of the holiday season, highlighting the many facets that the bright break of winter can bring.

Composer Richard E Brown and Navona Records present THE GIFT OF THE MAGI, a chamber opera in one act that tells the beloved story — first published by O. Henry in 1905 — of a young married couple who, despite being very poor, sacrifice their most cherished possessions to demonstrate their love for one another. This chamber opera adds even greater breadth to the composer’s output, which has also included works for concert band and orchestra, instrumental solos and ensembles, church music, piano solos, and scores for ballet, opera, and musical theater. The virtuosic performances heard on THE GIFT OF THE MAGI lend a moving emotional dimension to this heartbreaking yet ultimately uplifting story of love and sacrifice.

THE LEADER from Canadian-American composer Karim Al-Zand is at once timeless and also deeply relevant for the age we live in. A commentary on the rise of fascist tyranny, its titular piece tells the story of a buffoonish charlatan who is adored despite his ridiculous behavior, echoing concerns of the modern day in this chamber opera based on Eugene Ionesco's 1953 satire Le Maître. Another vocal work, Songs from the Post Truth Era similarly comments on the political realities (or unrealities) of our time. The album features several other chamber works by Al-Zand including his Six Bagatelles, with music inspired by the art of Robert Motherwell (1915–1991).

CHAMBER WORKS OF ÉRIC TANGUY from Navona Records and composer Eric Tanguy delivers three world premiere recordings and a curated selection of the composer’s chamber pieces that demonstrates his illustrative style of punctuated modality. Brought to life by talented artists Ambroise Aubrun (violin), Cécilia Tsan (cello), Steven Vanhauwaert (piano), Martin Chalifour (violin), and Elissa Johnston (soprano), these seven pieces reflect many years of past collaboration amongst the performers resulting in a connection that is translated through thoughtful yet intense musical stylings. Tanguy’s ear-catching melodies and personalized compositions foster a sound quality that showcases the strengths and dexterity of the performers, all the while providing a stimulating and intimate listening experience.