Catalog

Sergio Cervetti returns with an exciting collection of works on his sixth Navona Records release, SUNSET AT NOON. A diverse composer, his works range from instrumental and vocal music to electronic compositions, often reflecting his South American, French and Italian heritage. His vocabulary draws from an early interest in twelve-tone and minimalism, and his current approach is flexible and free of constraint. With SUNSET AT NOON, Cervetti focuses on keyboard-based compositions for half of the album, with a foray into chamber music on the other half.

PARMA Recordings artists Peter Greve and Hans Bakker have come together to give us LINES TO INFINITY, a stunning album that revolves around emotive and dramatic scores for primarily piano and flute. The two composers hail from the Netherlands and share a knack for creating thoughtful contemporary chamber works that appeal to the listener’s imagination.

Sound and space are two elements that emerge at the heart of Jane O’Leary’s THE PASSING SOUND OF FOREVER. The collection showcases O’Leary’s compositional gifts through a variety of her chamber compositions. O’Leary’s string writing soars in THE PASSING SOUND OF FOREVER, and demonstrates her remarkable sensitivity to the instruments’ sonic palette and expressive potential. Every color, from ethereal natural harmonics to frenetic bowing, is at O’Leary’s disposal, and is exploited beautifully to produce evocative and compelling soundscapes.

Violist Jutta Puchhammer’s album PIÈCES DE CONCOURS POUR is a treasure trove of late romantic French viola music. Originating as exam compositions for students enrolled at the Conservatoire Supérieur de Paris from 1896-1938, this album demonstrates Puchhammer’s peerless virtuosity as a performer, as well as the expressive range of her instrument, which was largely dismissed by the mainstream of eighteenth and nineteenth century composers.

American composer Marty Regan specializes in composing music for traditional Japanese instruments, a fascination he has developed since 2000. Regan describes his Japanese-style compositions as, “hybrid musical soundscapes that reflect the age in which we live, an era based not necessarily on globalization, but of partnership based on global cultural interaction.” In contrast, SPLASH OF INDIGO features a complementary side of Regan’s output, containing only works for Western orchestral instruments and voice.

With his new album SURSUM, composer Michael Slayton presents six compelling compositions, each performed by a different ensemble or solo performer. Despite the album’s varied & esteemed assemblage of performers, there lies a common thread throughout in both the form of Slayton’s distinguished composing style – dreamy but focused, and equal parts smooth and dissonant – as well as the imagery that the music conjures.

CADENCE, the new vocal music compilation from Navona Records, offers a set of inspired, emotive premiere recordings by composers Christopher J. Hoh, David Kirtley, Joanne D. Carey, and Timothy Kramer in works juxtaposing the ethereal and the earthy, the diaphanous and the muscular, and the serene and the agile.

MI PALPITA IL COR: BAROQUE PASSIONS is a compelling journey into the rich corners of the mid- and late-Baroque period. Featuring an array of thrilling instrumental and vocal compositions, the album is driven by the performances of French-Canadian soprano Dominique Labelle and American early music ensemble Musica Pacifica, founded in 1990, based in San Francisco, and whose playing has been called “a small miracle of precision and musical electricity” by the Washington Post.

Composer Lawrence Ball has long been fascinated by the intersection of subjective human emotion and algorithmic mathematical objectivity.  In his 2012 Navona Records release METHOD MUSIC, produced by Pete Townshend of The Who and PARMA Recordings CEO Bob Lord, he took Townshend’s long-gestating concept of automatic musical portraiture first explored in LIFEHOUSE and WHO’S NEXT and turned it into reality, creating a system which could translate personal information and experiences into sound.

Navona’s latest compilation release, BETWEEN THE ECHOES, showcases selected recent chamber works, expressing the common theme of recollections and interpretations of past experiences. Moving across the spectrums of moods and dramatics, each piece brings a harmonic resolution to its soulful journey. This album joins multiple personalities in a collection of propulsive musical expression.

Throughout history, musicians and activists have enlisted the power of music to connect us to the pressing issues of our times. The brainchild of physicist Robert Davies, THE CROSSROADS PROJECT comprises two performances, Rising Tide and Emergence, performed by the Fry Street Quartet in multi-disciplinary collaboration.

Composer Ferdinando DeSena presents a selection of chamber works offering a mixture of musical elements. DeSena’s distinct musical style draws on all his diverse musical influences including jazz, popular, and classical avant garde. The popular and jazz fingerprints on his music are subtle, but can be found in his instrumentation and instrumental writing; on this album his combinations include the flute, guitar, sax and even harp and electronics to express unique sounds.

Navona Records proudly presents MODES, the 30th edition of the celebrated Society of Composers, Inc. CD Series and the sixth SCI release on the label. The album features a diverse array of compositions, with influences from around the world and experiences that are new and thrillingly avant-garde

Composer Jeffrey Stadelman presents three string quartets on Navona Records, each offering distinct perspectives on his career and versatile style of composition. Performed by the New England String Quartet, these works illustrate the composer’s intense, lyrical, and sensuous modes of expression.

Yuriy Bekker, violinist on Navona Records release TWENTIETH CENTURY DUOS, is joined by renowned pianist Andrew Armstrong in some of the most beautiful and rarely-performed works of the twentieth century by Jewish composers Erich Korngold and Aaron Copland. Bekker says of the album, “The idea for this project finally came to fruition with the help of the rare 1686 Ex-Nachez Stradivarius violin.  This is the first sound recording of this violin and I believe these particular selections by Korngold and Copland highlight its most magical qualities.”

Composer, author, and educator Fred Broer presents his String Quartet No. 8, as well as four colorful piano works, on his Navona release FRED BROER: MUSIC FOR STRING QUARTET AND PIANO SOLO. Broer’s adventurous String Quartet No. 8 is performed masterfully by the New England String Quartet  and is dedicated to the memory of his good friend Hilda Ayer.

JOURNEYMEN’S SONGS from Navona Records showcases the versatility of the trumpet on works performed by Daniel Zehringer. Accompanied by various instruments, including percussion, string bass, and cello, selected compositions by Steven Winteregg are themed around time and place.

On his Navona release INFINITE LANDSCAPES, composer Elliott Miles McKinley presents Three Portraits and his String Quartet No. 7 – two adventurous works commissioned by renowned chamber ensembles.

Apollo Chamber Players’ present their latest Navona release BLURRED BOUNDARIES, featuring commissions from veteran composers Libby Larsen and Marty Regan, as well as from the winner of Apollo’s inaugural International Commissioning Contest, Erberk Eryılmaz. These three commissions mark the beginning of 20x2020, Apollo’s initiative to commission 20 new folk music-inspired works by the end of the decade. Each of these composers explores culturally-specific musical traditions and presents folk material in ways that are engaging, unique, and revelatory.

IN TIMES OF TORMENT, from the late composer Yves Ramette (1921-2012), displays major themes from almost every single musical era. Composed from 1941-1944 in Paris during the Nazi occupation, the album presents a unique perspective from Ramette, breaking away from the virtuosic piano works found in his previous albums to showcase varying chamber ensembles. Although his sonatas were written for the virtuosic violin and cello, the piano continues to be highlighted throughout his pieces, making it more than an accompaniment, but rather a featured instrument.