Deep-Sky Objects/Stars - album cover

Deep-Sky Objects/Stars

Sebastian Currier composer
Trevor Weston composer

Karol Bennett soprano

Musiqa
Anthony Brandt artistic director
Laura Bleakley piano
Lisa Burrell violin
Amanda Galick flute
Jackson Guillen violin
James Dunham viola
Lachezar Kostov cello
Maureen Nelson violin
Maiko Sasaki clarinet
Tali Morgulis piano
Mayara Velasquez cello

Release Date: April 4, 2025
Catalog #: NV6722
Format: Digital
21st Century
Chamber
Vocal Music
Clarinet
Flute
Strings
Voice

Experience the humanity and splendor of outer space with DEEP-SKY OBJECTS/STARS, an album of two works for soprano and ensemble by Musiqa. Sebastian Currier’s Deep-Sky Objects, with lyrics from Sarah Manguso’s poetry, reimagines the great Romantic song cycles with electronic sounds and a tale of intergalactic longing. Trevor Weston’s Stars, with lyrics from Robert Hayden’s poetry, ponders the night sky and its profound impact on thought through the ages.

Each piece was commissioned by Musiqa, a cutting-edge chamber ensemble at the forefront of contemporary music. The Houston-based group provides a melting pot for artistic collaboration, with a focus on community-oriented productions that highlight our shared experiences as humans.

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Track Listing & Credits

# Title Composer Performer
01 Deep-Sky Objects: I. Satellite Sebastian Currier Sarah Manguso, lyrics; Karol Bennett, soprano; Musiqa | Maureen Nelson, Lisa Burrell - violin; James Dunham, viola; Lachezar Kostov, cello; Tali Morgulis, piano 2:27
02 Deep-Sky Objects: II. Clouds Sebastian Currier Sarah Manguso, lyrics; Karol Bennett, soprano; Musiqa | Maureen Nelson, Lisa Burrell - violin; James Dunham, viola; Lachezar Kostov, cello; Tali Morgulis, piano 3:26
03 Deep-Sky Objects: III. Storm Sebastian Currier Sarah Manguso, lyrics; Karol Bennett, soprano; Musiqa | Maureen Nelson, Lisa Burrell - violin; James Dunham, viola; Lachezar Kostov, cello; Tali Morgulis, piano 1:37
04 Deep-Sky Objects: IV. Star Sebastian Currier Sarah Manguso, lyrics; Karol Bennett, soprano; Musiqa | Maureen Nelson, Lisa Burrell - violin; James Dunham, viola; Lachezar Kostov, cello; Tali Morgulis, piano 1:12
05 Deep-Sky Objects: V. Time Sebastian Currier Sarah Manguso, lyrics; Karol Bennett, soprano; Musiqa | Maureen Nelson, Lisa Burrell - violin; James Dunham, viola; Lachezar Kostov, cello; Tali Morgulis, piano 2:11
06 Deep-Sky Objects: VI. Space Sebastian Currier Sarah Manguso, lyrics; Karol Bennett, soprano; Musiqa | Maureen Nelson, Lisa Burrell - violin; James Dunham, viola; Lachezar Kostov, cello; Tali Morgulis, piano 2:53
07 Deep-Sky Objects: VII. Light Sebastian Currier Sarah Manguso, lyrics; Karol Bennett, soprano; Musiqa | Maureen Nelson, Lisa Burrell - violin; James Dunham, viola; Lachezar Kostov, cello; Tali Morgulis, piano 2:27
08 Deep-Sky Objects: VIII. Want Sebastian Currier Sarah Manguso, lyrics; Karol Bennett, soprano; Musiqa | Maureen Nelson, Lisa Burrell - violin; James Dunham, viola; Lachezar Kostov, cello; Tali Morgulis, piano 1:53
09 Deep-Sky Objects: IX. Belief Sebastian Currier Sarah Manguso, lyrics; Karol Bennett, soprano; Musiqa | Maureen Nelson, Lisa Burrell - violin; James Dunham, viola; Lachezar Kostov, cello; Tali Morgulis, piano 3:19
10 Deep-Sky Objects: X. Duet Sebastian Currier Sarah Manguso, lyrics; Karol Bennett, soprano; Musiqa | Maureen Nelson, Lisa Burrell - violin; James Dunham, viola; Lachezar Kostov, cello; Tali Morgulis, piano 4:28
11 Stars: I Trevor Weston Robert Hayden, lyrics; Karol Bennett, soprano; Musiqa | Amanda Galick, flute; Maiko Sasaki, clarinet; Laura Bleakley, piano; Jackson Guillen, violin; Mayara Velasquez, cello 3:18
12 Stars: II Trevor Weston Robert Hayden, lyrics; Karol Bennett, soprano; Musiqa | Amanda Galick, flute; Maiko Sasaki, clarinet; Laura Bleakley, piano; Jackson Guillen, violin; Mayara Velasquez, cello 3:31
13 Stars: III (Sojourner Truth) Trevor Weston Robert Hayden, lyrics; Karol Bennett, soprano; Musiqa | Amanda Galick, flute; Maiko Sasaki, clarinet; Laura Bleakley, piano; Jackson Guillen, violin; Mayara Velasquez, cello 3:04
14 Stars: IV Trevor Weston Robert Hayden, lyrics; Karol Bennett, soprano; Musiqa | Amanda Galick, flute; Maiko Sasaki, clarinet; Laura Bleakley, piano; Jackson Guillen, violin; Mayara Velasquez, cello 2:13
15 Stars: V Trevor Weston Robert Hayden, lyrics; Karol Bennett, soprano; Musiqa | Amanda Galick, flute; Maiko Sasaki, clarinet; Laura Bleakley, piano; Jackson Guillen, violin; Mayara Velasquez, cello 2:22

Tracks 1-10
Recorded February 2013 at Tierra Studios in Houston TX
Recording Session Producer Brad Sayles
Recording Session Engineer Glenn Wheeler
Editing & Mixing Brad Sayles

Tracks 11-15
Recorded October 2022 at MATCH in Houston TX
Recording Session Producer & Engineer Francis X. Schmidt
Editing & Mixing Francis X. Schmidt

Mastering Melanie Montgomery

Deep-Sky Objects and Stars were commissioned by Musiqa with the support of commissioning grants from Chamber Music America.

Cover photo by NASA

Executive Producer Bob Lord

VP of A&R Brandon MacNeil
A&R Danielle Sullivan

VP of Production Jan Košulič
Audio Director Lucas Paquette

VP, Design & Marketing Brett Picknell
Art Director Ryan Harrison
Design Morgan Hauber
Publicity Kacie Brown
Digital Marketing Manager Brett Iannucci

Artist Information

Musiqa

Ensemble

Musiqa's performances are unique, multisensory artistic experiences highlighting fresh, modern music by living composers. Founded in 2002 and led by four award-winning composers, Musiqa's mission is to enrich and inspire our community through programs that integrate contemporary music with other modern art-forms. Through innovative collaborations and educational programming, Musiqa strives to make modern repertoire accessible and vital to audiences of all ages and musical backgrounds.

Sebastian Currier

composer

Heralded as “music with a distinctive voice” by the New York Times and as “lyrical, colorful, firmly rooted in tradition, but absolutely new” by the Washington Post, Sebastian Currier’s music has been presented at major venues worldwide by acclaimed artists and orchestras.

With works spanning across solo, chamber and orchestral genres, Currier’s works have been performed by the Berlin Philharmonic, the New York Philharmonic, the Boston Symphony Orchestra, the Kronos Quartet, and numerous other ensembles. Currier’s music has been enthusiastically embraced by violinist Anne-Sophie Mutter who has commissioned, premiered, and recorded several of Currier’s pieces, including his “rapturously beautiful” (New York Times) violin concerto Time Machines, which was commissioned by Mutter and premiered by the New York Philharmonic in June 2011 with a recording of the performance released by Deutsche Grammophon the following September.

Currier has received many prestigious awards including the Grawemeyer Award (for the chamber piece Static), Berlin Prize, Rome Prize, a Guggenheim Fellowship, a fellowship from the National Endowment for the Arts, and an Academy Award from the American Academy of Arts and Letters, and has held residencies at the Institute for Advanced Studies, as well as the MacDowell and Yaddo colonies.

Currier is published by Boosey & Hawkes.

sebastiancurrier.com

Trevor Weston

composer

Trevor Weston’s music has been called a “gently syncopated marriage of intellect and feeling.” (Detroit Free Press). Weston’s honors include the George Ladd Prix de Paris from the University of California, Berkeley, an Arts and Letters Award in Music and a Goddard Lieberson Fellowship from the American Academy of Arts and Letters, and residencies from the Virginia Center for the Creative Arts and MacDowell.

As winner of the first Emerging Black Composers Project, Weston’s Push was premiered by The San Francisco Symphony under the direction of Esa-Pekka Salonen. Other ensembles he has collaborated with include The Bang on a Can All-Stars, New York Philharmonic, Chanticleer, Roomful of Teeth, Boston Landmarks Orchestra, American Composers Orchestra, Washington Bach Consort, Harvard Choirs, The Providence Singers, The Boston Children’s Chorus, St. Thomas Church Fifth Avenue Choir, Harvard University Choruses, Yale Choral Artists, Seraphic Fire, and Sacred and Profane.

Recordings of Weston’s music include performances by the JACK Quartet, Ensemble Pi, and violinist Dan Flanagan. Weston and Olly Wilson co-authored a chapter in the Cambridge Companion to Duke Ellington.

Weston is Professor of Music, Chair of the Music Department at Drew University in Madison NJ, and an instructor for the MAP and Pre-College programs at the Juilliard School.

trevorweston.com

Karol Bennett

soprano

Soprano Karol Bennett has been heard worldwide in lieder, oratorio, opera, and new music. Her honors include the Pro Musicis International Award, a fellowship from the Bunting Institute of Radcliffe College, an Artistic Ambassadorship, and a Duo Recitalists Grant from the National Endowment for the Arts. Bennett has appeared as soloist with numerous ensembles, including the Houston Symphony, St. Paul Chamber Orchestra, San Francisco Contemporary Music Players, Sinfonia Cracovia, Da Camera of Houston, the New York New Music Ensemble, the Quarteto Latino-Americano, and the Borromeo, Cassatt, Chiara, Boston Composers, Del Sol, Enso, Flux, Maia, and Mendelssohn String Quartets.

She has performed recitals throughout Europe, Asia, and the United States, and been a participant at the Round Top, Bowdoin, San Luis Obispo, and Marlboro Festivals. A champion of living composers, her extensive repertoire includes some of the most vocally challenging works of the past century.

Her recording of music by Earl Kim was chosen for the “Critics’ Choices” by the New York Times. Bennett has recorded for the Albany, Archetypes, Arsis, Bridge, New World, Navona, and Newport Classics labels.

karolbennett.com

Laura Bleakley

piano

Hawaii born Korean-American pianist Laura Bleakley is currently a Butler Studio Artist at Houston Grand Opera. She recently just finished her tenure as a resident artist at Utah Opera. She received her Masters in Collaborative Piano at the University of Houston, where she’s currently a Doctoral Candidate. She received her Bachelors of Organ and Piano performance from the University of Puget Sound.

Bleakley has won competitions in both organ and piano including the MTNA State Piano Solo Competition, the MTNA Chamber Music Competition regionals, and the American Guild of Organists Competition. She has performed on National Public Radio’s From the Top, was featured in Houston Public Media’s Skyline Sessions, and recorded an album of rare Russian art songs for KNS Classical.

She just finished her second summer with The Glimmerglass Festival as a young artist, while also serving as the Assistant Youth Chorus Director and as Principal Coach/Performance Pianist on the world premiere of Rumplestiltskin and the Unlovable Children. She has also been a Gerdine Young Artist with Opera Theatre of Saint Louis, Resident Artist with Opera in the Heights, and a Festival Artist with Opera Saratoga.

laurableakleypianist.com

Lisa Burrell

violin

Dr. Lisa Burrell is on the music faculty of Lone Star College in Houston TX. She is a violinist, violist, string clinician, and a Guild Certified Feldenkrais Practitioner. She teaches classes in the Feldenkrais Method® at Rice University, she is on the governing committee for the International Society for Music Education’s Musicians’ Health and Wellness SIG, and she is an active member of the Performing Arts Medicine Association. She teaches privately online and in the Houston area, working with both young musicians, professional musicians dealing with injury, and music educators. She is a regular clinician in the Houston public schools, college and university music programs, and teacher in-services, emphasizing pedagogy that promotes healthy playing through movement-based learning.

As an active writer and blogger, Burrell is interested in sharing her teaching experience and research with the wider community of educators, musicians, and practitioners working with musicians and injury. She has recently published in the Journal for the Feldenkrais Guild of North America (2015), and is a featured author in two books The Feldenkrais Method in Creative Practice: Dance, Theatre, and Music, Bloomsbury Press, London 2021, and The Feldenkrais Method: Learning Through the Nervous System, Handspring Press, 2021.

lisaburrellviolin.com

Amanda Galick

flute

Amanda Galick is a flutist and educator in the Washington DC area. She is the former second flute and piccolo of the Sarasota Opera Orchestra. A past Young Artist with DACAMERA of Houston, she has performed in many concert venues around the globe, including Carnegie Hall, Disney Hall, Shanghai Grand Theatre and Beijing’s National Centre for the Performing Arts, as well as more unconventional settings such as the Houston Museum of Fine Arts, Menil Collection and independent school districts across the Houston area.

As an active orchestral musician, Galick has performed as guest principal flutist with the Fort Worth Symphony and has appeared with the orchestras of Houston Grand and Florida Grand Operas, Houston Symphony Orchestra, River Oaks Chamber Orchestra, San Antonio Symphony, Palm Beach Symphony, The Louisiana Philharmonic, and The New World Symphony. Galick currently serves as second flute of the Artosphere Festival Orchestra during the summer.

A passionate outreach advocate and educator, Galick has been a frequent guest teacher for Musiqa Houston and AFA Texas. She has held summer faculty positions with Sinfónica Azteca, Sitka Fine Arts Camp, and Belvoir Terrace Summer Fine Arts Camp. In 2020, she co-founded Trillium Flute Collective, where she and her co-founders provided multiple virtual flute workshops and commissioned new music for solo flute. In 2016, Galick completed a certificate with the Youth Orchestra of the Americas, which sent her on teaching missions to Guanajuato, Mexico and St. Croix, of the U.S. Virgin Islands.

Originally from Pennsylvania, Galick is currently pursuing a doctoral degree at the University of Maryland, and completed her master’s degree at Rice University’s Shepherd School of Music. She holds a Bachelor’s degree in both Music Education and Performance from the University of Michigan. Her principal teachers include Leone Buyse, Sarah Frisof, and Amy Porter.

amandagalickflute.com

Jackson Guillen

violin

Honduran violinist and violist Jackson Guillen has performed in venues in the United States, Mexico, Honduras, Colombia, and Chile, and has toured across Latin-America with the Orchestra of the Americas. He has served as Principal Second Violin of the Gulf Coast Symphony, Lubbock Symphony, and the Symphony of Southeast Texas, and as regular guest concertmaster of the Shreveport Symphony. An avid chamber musician, Guillen completed a two-year Fellowship with Da Camera of Houston and was recently selected to be a part of the Future of Music Faculty Fellowship with the Cleveland Institute of Music and as a Mentor for the University of Houston’s Real-world Artists Mentorship Program. He also performs regularly with several organizations in Houston. Guillen also plays an important role in the organization of the Encuentro de Cuerdas, a string-focused festival in Honduras.

Guillen was also a member of the first generation of the OA’s Global Leaders participating in missions in Honduras, El Salvador, and Chicago. Guillen has also been in the faculty of the International Music Festival in Medellin, Colombia, The International Music Festival in Naolinco, Mexico, and as regular guest artist of the Victoria-Bach Festival. Guillen currently serves as Director of the CODA Music Program and Conductor of the Debut String Orchestra of the Houston Youth Symphony. Additionally, Guillen has a position as Orchestra Director of Lone Star College’s Creekside Civic Chamber Orchestra.

James Dunham

viola

James Dunham’s rich background includes winning a GRAMMY® award as violist of the Cleveland Quartet and also the Naumburg Chamber Music Award as founding violist of the Sequoia String Quartet. An Historically Informed musician, he is violist of the Axelrod String Quartet at the Smithsonian Institute in Washington DC and appears regularly with the Bach Society Houston and Ars Lyrica Houston. In addition, his collaborations on contemporary and standard repertoire with the American, Jupiter, Pacifica, Takács, and New Zealand String Quartets have taken him around the world.

Dunham is an impassioned advocate of new music and is a frequent presence in national and international master classes and chamber music competition juries. Formerly on the faculties of the Eastman School of Music and the New England Conservatory (where he chaired the string department and received the Louis & Adrienne Krasner Teaching Excellence Award), Dunham is Professor of Viola and Chamber Music at Rice University’s Shepherd School of Music where he co-directs its Master of Music in String Quartet program and serves as Co-Chair of the String Department.

jamesdunham.com

Lachezar Kostov

cello

Formerly associate principal cellist of the Baltimore Symphony Orchestra, Lachezar Kostov has performed as a soloist at Carnegie Hall, the Kennedy Center for the Performing Arts, Leipzig Gewandhaus, and Oji Hall in Tokyo. Kostov studied cello at the National Conservatory in Sofia, Bulgaria and furthered his education at the University of North Carolina School of the Arts and at Yale and Rice universities. Lachezar has released two critically-acclaimed CDs by Naxos (The Complete Cello Works by Nikolai Roslavets), and Navona Records (PARAPHRASES AND TRANSCRIPTIONS). During the summer he is a frequent guest artist at festivals such as the Orcas Island Chamber Music Festival, the Texas Music Festival, the Lakes Area Music Festival, and the Cactus Pear Festival in San Antonio. A Larsen Strings Artist, Kostov exclusively uses the company’s new Il Cannone cello strings. Since 2024, Kostov is the Associate Principal cellist of the Cincinnati Symphony Orchestra.

Maureen Nelson

violin

Violinist Maureen Nelson joined the Saint Paul Chamber Orchestra after leading the GRAMMY®-nominated Ensō String Quartet for over a decade, captivating audiences from major concert stages of the world, regularly concertizing throughout North America and abroad.

A native of Pennsylvania, Nelson was enrolled in Temple University’s Center for Gifted Young Musicians at the age of 12, and began attending the Curtis Institute of Music shortly thereafter. While studying in Germany, she was concertmaster of the Detmolder Kammerochester. Currently, Nelson is a member of the Houston-based orchestra ROCO and New York’s Festival Orchestra of Lincoln Center.

Maiko Sasaki

clarinet

Dr. Maiko Sasaki is a distinguished clarinetist known for her dynamic performances as a soloist, chamber musician, and orchestral player. She has collaborated with prominent ensembles, including Musiqa, ROCO, Opera in the Heights, the Sarasota Orchestra, and the Gilbert & Sullivan Society of Houston. Sasaki has also been featured in prestigious chamber music concerts such as the Kennedy Center Conservatory Project and ROCO’s Connections series. Her artistry has earned her the prestigious Presser Music Award, recognizing her excellence and outstanding promise in the field of music. Originally from Japan, Sasaki is admired for her kind and reserved demeanor off-stage, which contrasts with the vivid emotion and expressiveness she brings to her performances. Houston critic Sydney Boyd praised her clarinet solo in Act Two of La Traviata as “exquisite and full of overwhelming emotion.” In addition to her performing career, Sasaki serves as Artist Liaison for ROCO. She holds a Doctor of Musical Arts from Rice University and enjoys sewing as a creative hobby outside of music.

Tali Morgulis

piano

Israeli-American pianist Tali Morgulis is a passionate performer and a dedicated pedagogue. Prize winner of several international competitions, Morgulis continues to present critically acclaimed solo, chamber music, and orchestral performances worldwide. Morgulis’ recordings can be found on Delos, Albany, and Navona Records labels.

Morgulis’ students come from many different countries and backgrounds. They describe her as a great motivator and an inspiring mentor. Morgulis has been a member of the Moores School of Music faculty since 2008.

Morgulis started her music education in her native Ukraine at age 4. She holds degrees in piano performance from Tel Aviv Academy of Music (B.M. and M.M.), and the New England Conservatory in Boston MA (D.M.A.). Her primary teachers were Mikhail Boguslavsky and Wha Kyung Byun.

Please visit talimorgulis.com for more information.

Mayara Velasquez

cello

Venezuelan cellist Mayara Velasquez started her musical studies at The Carabobo Conservatory and continued her education as part of “El Sistema” nucleo Valencia. She received her Bachelor of Music degree from the Louisiana State University and a Master’s in Music from the University of Houston Moores School of Music.

Velasquez is a registered Suzuki cello and Suzuki Early Childhood Education teacher. She is currently serving as the president of the Southeast Texas Suzuki Association. Velasquez is passionate about chamber music and education. She believes music can really change the world. She has performed with several organizations in the Houston area such as Musiqa, Mercury, ROCO, and Houston Latin Phil. She has served as clinician for the Mercury Education Program, Parker Elementary School, Escuela Nacional de Musica de Honduras, Southeast Texas Suzuki Association (STXSA), Musiqa, and AFA. She also serves as coach and teacher for the Houston Youth Symphony. She is the cello instructor at the Kinkaid School, St. Andrews School of Fine Arts and holds a private studio. She is a Suzuki mom, and she enjoys raising her kids in the Suzuki philosophy. For a full bio, visit her profile in the Suzuki Association of the Americas website.

Sarah Manguso

lyricist

Sarah Manguso is the author of ten books, most recently the novels Liars and Very Cold People. Her work has been translated into 15 languages. Her other books include a story collection, two poetry collections, and four acclaimed works of nonfiction: 300 Arguments, Ongoingness, The Guardians, and The Two Kinds of Decay. Her work has been recognized by an American Academy of Arts and Letters Literature Award, a Guggenheim Fellowship, a Hodder Fellowship, a Pushcart Prize, and the Rome Prize. She grew up in Massachusetts and now lives in Los Angeles.

sarahmanguso.com

Robert Hayden

lyricist

Robert Hayden (August 4, 1913–February 25, 1980) was an American poet, essayist, and educator. He served as Consultant in Poetry to the Library of Congress from 1976 to 1978, a role today known as U.S. Poet Laureate. He was the first African-American writer to hold the office.

Notes

Deep-Sky Objects is a cycle of love songs set in the distant future, exploring intergalactic longing and desire. It is scored for soprano, piano quintet, and pre-recorded electronic sounds. When the piano quintet was in its heyday, the subject that permeated so many of the great Romantic song cycles was that of longing and lost love. Deep-Sky Objects transfers this trope to the outer reaches of the universe. In the cycle a woman sings of her lover who is far away in a remote planet in some unspecified star system. At moments she remembers a time when they were together, but mostly she longs for him and stoically imagines that his presence, even so remote, gives her hope:

I can live in the world
With your love
because I know you exist
at the end of the black universe

The electronics part often references various “sounds from space,” from pulsars (which are routinely converted into audio signals by astronomers), the signals of made-made satellites, actual audio of the Huygens probe landing on Saturn’s moon, Titan, as well as many sounds suggestive of the eerie, remote, and unfathomable reaches of deep space. Each of the 10 songs is preceded by a short sample, or incipit, which creates micro-compositions based on the title of each song. The text is written specifically for Deep-Sky Objects, by Sarah Manguso.

— Sebastian Currier

Like many, I have been fascinated by stars my whole life. My childhood bedroom and graduate student apartment had stars pasted on their ceilings. Over the years, I have realized the human obsession with stars is connected to histories of Ancient Egypt, calendars, and music. In many ways, stars link all of my above mentioned interests together.

Robert Hayden’s poem “Stars,” organized in five sections, immediately struck me as a poem that addressed my fascination with stars. The first poem makes references to the constellation Orion, significant in the culture of the Ancient Egyptians who believed that when their pharaohs died, the pharaohs would ascend through the use of pyramids to the constellation to meet their relatives, deities living in Orion. The first movement launches the piece into the stars toward Orion.

Scientists have converted the light waves of stars into sound waves to create the “music” of stars. The second poem in the collections lists many stars that seem to be arranged by their luminosity; the cooler, giant red stars, have a lower frequency than the hotter blue stars. The music of this movement tracks the ascent of frequencies demonstrated by stars of different luminosities.

NASA launched the Voyager 1 Space Probe in 1977 with a golden record containing sounds of earth. The record includes a 1927 recording of Dark was the Night by Blind Willie Johnson, a Gospel Blues musician. The third poem celebrates the life of Sojourner Truth, the African American abolitionist and feminist who literally walked away from slavery as a leading star against injustice. The music in this movement honors her legacy with a more obvious African American musical reference of the Rural Blues heard in the Blind Willie Johnson recording.

The fourth movement imagines the beautiful colors and static shapes of pulsars as static harmonies. I consider this to be the Musica Mundana movement, music of the cosmos. For centuries, scholars believed that the movement of stars and planets created music. This movement was inspired by these mythical sounds. Stars transmit energy as light. The light we see and do not see affects us as energy or magnetic waves. 

The last movement combines all of the energy of the previous movement into a powerful rhythmic force. When we see stars we are technically seeing their past due the number of light years it takes for their image to reach us on earth. Playing with this idea, the Soprano is often in the “present” as the instruments are often in the past catching up to the voice part. This is the only movement where the voice leads the instruments.

— Trevor Weston

Texts

A satellite, fast-moving little star,
Sees everything about me.
It spins twenty thousand miles
From my mortal and desirous body. It
sings back everything about me
Except the fact
That I am not alone.

The clouds keep secret
The best part of the universe,
Made more beautiful
By its concealment,
Made easier to love
Than what I see—
I’m tired of what I see.

The fire the sky lets go of
Is my body,
Is my voice,
Is the storm the sky turns into,
Is the torrent my body turns into
At night when I feel your climbing heat
Behind the black wall.

Oh tremendous wall of numbers—
Oh 011110010110111101110101—
Oh fire that lasts forever
In the dark pocket of the universe
That outlasts us!

I reach into the dark garment Upon
which the stars are buttons, Cold
little diamonds
On a blue dress— On
a black dress— Let
me reach to you,
Bright moon,
The O of your mouth opening— My
arms in space
Hold you in time—
I know they do.

Everything has already happened.
Our voices together in the night garden Where
branches web the sky—
My face touching your face—
I remember it.
It was so real.
I know it was.

A song moves across the black world forever, Which
is how I love you.

My human lineage is mysterious—
I cannot understand my people
Who want the end of wanting.
They leap against each other
In the great fire—

They love the fire
Because they can extinguish it.

But longing for you,
Feeling this fire,
Is the real paradise.

I can live in the world
With your love
Because I know you exist
At the end of the black universe.
With your love,
I know you stand behind the sky I see now—
Alive,
Bright thing—
The incomprehensible impossible light—
I can see it now.

Wherever, you,
Whenever you are,
Imagine me
Wherever you are I
am
Whenever you are I am

by Robert Hayden

Stood there then among
Spears and kindled shields,
praising Orion

“Stars” Copyright © 1975 by Robert Hayden. From COLLECTED POEMS OF ROBERT HAYDEN edited by Frederick Glaysher. Used by permission of Liveright Publishing Corporation.

by Robert Hayden

Betelgeuse Aldebaran

Abstract as future yesterdays
The starlight
Crosses eons of meta-space
To us.

Algol Arcturus Almak

How shall the mind keep warm
Save at spectral
Fires-how thrive but by the light
Of paradox?

Altair Vega Polaris Maias

“Stars” Copyright © 1975 by Robert Hayden. From COLLECTED POEMS OF ROBERT HAYDEN edited by Frederick Glaysher. Used by permission of Liveright Publishing Corporation.

by Robert Hayden

comes walking barefoot
out of slavery

ancestress
childless mother

following the stars
her mind a star

“Stars” Copyright © 1975 by Robert Hayden. From COLLECTED POEMS OF ROBERT HAYDEN edited by Frederick Glaysher. Used by permission of Liveright Publishing Corporation.

by Robert Hayden

Pulsars, blue receding
Quasars—their vibrant
Radio waves.
Cosmic Ouija,
What is the
Mathematics of your message?

“Stars” Copyright © 1975 by Robert Hayden. From COLLECTED POEMS OF ROBERT HAYDEN edited by Frederick Glaysher. Used by permission of Liveright Publishing Corporation.

(The Nine-Pointed Star)
by Robert Hayden

Stable stars, variable stars-
Hydrogen-into-helium
Fusions, radiations, spectral fires.

And the Nine-Pointed Star,
Sun star in the constellation
Of the nuclear Will;

Fixed star whose radiance
Filtering down to us lights mind and
Spirit, signals future light.

“Stars” Copyright © 1975 by Robert Hayden. From COLLECTED POEMS OF ROBERT HAYDEN edited by Frederick Glaysher. Used by permission of Liveright Publishing Corporation.

Videos

Deep-Sky Objects: Movement 1 “Satellite” by Sebastian Currier

Deep-Sky Objects Movement 3 “Storm” by Sebastian Currier

Stars, Movement 1 by Trevor Weston