Origins & Expansions - album cover

Origins & Expansions

Kevin Bobo composer

Indiana University Wind Ensemble | Eric Smedley conductor
Liam Teague steelpan

Release Date: March 21, 2025
Catalog #: NV6715
Format: Digital
21st Century
Orchestral
Percussion
Wind Ensemble

Few things are as shrouded in mystery as the process behind the conception of an idea — partially because verbal explorations of cognition are seldom fruitful. But where words fail, music steps in to enlighten: and this is the aim of Kevin Bobo’s ORIGINS & EXPANSIONS, a philosophical reflection scored for wind ensemble and steelpan.

Bobo musically examines the turbulent process of creation, from uncertain beginnings to victorious transformations. ORIGINS & EXPANSIONS evokes the tentative emergence of an idea, winding through obstacles and moments of introspection, and eventually captures the fragile resilience of inspiration forming. It’s a cerebral, immersive exploration of existence itself; metaphysical, yes, but also richly narrative.

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Track Listing & Credits

# Title Composer Performer
01 Origins and Expansions for Steelpan and Wind Ensemble Kevin Bobo Indiana University Wind Ensemble | Eric Smedley, conductor; Liam Teague, steelpan soloist 13:41

Recorded January 27, 2024 at Indiana University Musical Arts Center Addition/Joshi Studio in Bloomington IN
Producer Jacob Belser
Assistant Producers Kevin Bobo, Joe Galvin
Recording Engineer Alexis Reyes
Assistant Recording Engineer Tony Mastroberti

Executive Producer Bob Lord

VP of A&R Brandon MacNeil

VP of Production Jan Košulič
Audio Director Lucas Paquette

VP, Design & Marketing Brett Picknell
Art Director Ryan Harrison
Design Edward A. Fleming
Publicity Kacie Brown
Digital Marketing Manager Brett Iannucci

Artist Information

Eric M Smedley

Conductor

Eric M. Smedley is associate professor of music in bands at the Indiana University Jacobs School of Music. He is also director of IU athletic bands and co-director of the Marching Hundred. Additionally, he directs the Symphonic Band and teaches undergraduate and graduate instrumental conducting courses. Smedley earned a Doctor of Musical Arts degree from the University of Washington and Master of Music and Bachelor of Music Education degrees from the Jacobs School of Music. He previously served on the music faculties of Boise State University and Western Kentucky University, and as a public-school music educator in Cocoa Beach FL, Santa Monica CA, and Kenosha WI.

Kevin Bobo

Composer

Kevin Bobo is currently serving as Professor of Music (Percussion) at the Indiana University Jacobs School of Music, a position he has held since 2007. Prior to his appointment at IU, he served as Assistant Professor of Percussion at the University of Kansas (2003–2007). He studied percussion with J.C. Combs and Gordon Stout and composition with Greg Woodward and Dana Wilson.

Internationally respected as a solo marimba artist, Bobo has performed on five continents. His travels have taken him to Taiwan, Singapore, Argentina, Puerto Rico, Mexico, Australia, Spain, Latvia, Lithuania, France, Italy, the Czech Republic, and much of the United States.

As a composer, Bobo’s compositions are performed all over the world with his solo works frequently appearing on international competition repertoire lists. He has authored two method books and composed numerous pieces for a variety of instruments and ensembles.

music.indiana.edu/faculty/current/bobo-kevin

Liam Teague

steelpan

Liam Teague is Professor of Music and Head of Steelpan studies at Northern Illinois University (NIU), where he also directs the renowned NIU Steelband. Teague is the recipient of an NIU Board of Trustees Professorship Award (2022) and a Presidential Research, Scholarship and Artistry Professor Award (2018).

Hailed as the “Paganini of the Steelpan,” his commitment to demonstrating the great musical possibilities of the steelpan has taken him throughout the world, and he has received many awards from his homeland of Trinidad and Tobago, including the Humming Bird National Award (Silver) and the Ansa McAl Caribbean Award for Excellence. In 2022, The San Fernando City Council honored Teague with the Keys to the City of San Fernando, his hometown in Trinidad and Tobago. He is also the recipient of an Illinois Arts Council (IACA) 2023 Artist Fellowship Award.

Teague has won several notable competitions such as the Trinidad and Tobago National Steelband Festival Solo Championship and the Saint Louis Symphony Volunteers Association Young Artist Competition. He has also performed with many diverse ensembles which include the National Symphony Orchestra, Taiwan National Symphony, Czech National Symphony, Saint Louis Symphony, Panama National Symphony, Chicago Sinfonietta, Vermeer String Quartet, Avalon String Quartet, Hannaford Street Silver Brass Ensemble, Nexus, Dartmouth Wind Ensemble, Indiana University Symphonic Band, University of Wisconsin-Madison Marching Band, Nutrien Silver Stars Steel Orchestra, and the BpTT Renegades Steel Orchestra.

Teague has appeared in concert with GRAMMY® award-winning musicians Paquito D’Rivera, Dave Samuels, Zakir Hussain, and Dame Evelyn Glennie, and has regularly collaborated with NIU colleagues Robert Chappell (multi-instrumentalist) and Faye Seeman (harp), with whom he co-founded the steelpan and harp duo Pangelic.

He has also presented and performed at several Percussive Arts Society International Conventions (PASIC) and educational institutions across the globe. Teague has served as an adjudicator for many events including the International Pan Ramajay Competition, Virginia Arts Festival, and PANorama Caribbean Music Festival.

Many of his compositions and arrangements are published with MaumauMusic, PanPress, RamajayMusic, Wendeln Music Works, and he has commissioned outstanding composers to write for the steelpan, including Michael Colgrass, Jan Bach, Libby Larsen, Andy Akiho, Deborah Fisher Teason, Joey Sellers, Ben Wahlund, Erik Ross, Kevin Bobo, David Gordon, Robert Chappell, Geof Bradfield, Casey Cangelosi, Gustavo Leone, Victor Provost, Etienne Charles, James Gourlay, and Reggie Thomas.

He served as steelband director at Birch Creek Music Performance Center in Door County, Wisconsin, and has also taught and performed at the California State University Summer Arts Camp and at the Interlochen Academy for the Performing Arts.
Teague is also the author of a steelpan method for beginners published by the Hal Leonard Corporation, the world’s largest publisher of print music.

Teague has created arrangements for Panorama, the most celebrated steelband competition in the world, for Nutrien Silver Stars Steel Orchestra, Harvard Harps Steel Orchestra, Starlift Steel orchestra, and Skiffle Steel Orchestra. He has many recordings to his credit, including Hands Like Lightning, For Lack of Better Words, Panoramic: Rhythm Through an Unobstructed View, and Open Window and Sorcerer.

liamteague.com

Indiana University Wind Ensemble

FLUTE
Jaein Kim
Jae Habich

OBOE
Quinn Sciara
Julia Bradley

BASSOON
Harley Slattengren
Corey Patton

Bb CLARINET
Jake Basil
Evgenii Mikheev
Tzu-Chi Chou

BASS CLARINET
Joe Burgos

SAXOPHONES
Phil Black, Alto 1
Brand Ford, Alto 2
Johann Koh, Tenor
Kevin Chiang, Baritone

HORN
Clarisse Finman
Gavin Stahly
River Lessig
Andi Rosin
Trevor Zavac

TRUMPET
Luke Hershman
Nicholas Woods
Ian Kiyokawa

TROMBONE
Patrick Grimes, Principal
Pat Anderson

BASS TROMBONE
Max Dewar

EUPHONIUM
Alex Nacchia

TUBA
Griffin Collins

TIMPANI
Evan Callow

PERCUSSION
Darius McCann
Lillian Dietrich
Kyra McComb
Armon Brooks

GRADUATE ASSISTANTS
Tess Jones
Tim Loman
Chris Nelson

Notes

ORIGINS AND EXPANSIONS stems from the struggles that any new creation, whether it be a person, place, thing, or idea, can encounter from its beginning. In some cases, these creations or ideas will cease to exist for a multitude of reasons before ever realizing their full potential. In other cases, they may manifest into greater creations or ideas (whether positive or negative), as they find their identities within the world.

The first half of the piece portrays an idea that is met with a number of different scenarios upon its creation. As it tries to find its identity, it is taken through a series of contrasting musical scenes. The second half is where the idea “catches on” and is mostly celebratory in nature. In the case of this piece, the idea proves triumphant in the end.

I have often provided the listener with specific imagery with many of my other compositions. In this case, the main “creation” or “idea” being studied is left up to the listener, with the hope that the experience will be unique and personal to each individual.

Special Thanks to Tim Loman, Chris Nelson, and Tess Jones for their help in the recording process.