Origins & Expansions
Kevin Bobo composer
Indiana University Wind Ensemble | Eric Smedley conductor
Liam Teague steelpan
Few things are as shrouded in mystery as the process behind the conception of an idea — partially because verbal explorations of cognition are seldom fruitful. But where words fail, music steps in to enlighten: and this is the aim of Kevin Bobo’s ORIGINS & EXPANSIONS, a philosophical reflection scored for wind ensemble and steelpan.
Bobo musically examines the turbulent process of creation, from uncertain beginnings to victorious transformations. ORIGINS & EXPANSIONS evokes the tentative emergence of an idea, winding through obstacles and moments of introspection, and eventually captures the fragile resilience of inspiration forming. It’s a cerebral, immersive exploration of existence itself; metaphysical, yes, but also richly narrative.
Track Listing & Credits
# | Title | Composer | Performer | |
---|---|---|---|---|
01 | Origins and Expansions for Steelpan and Wind Ensemble | Kevin Bobo | Indiana University Wind Ensemble | Eric Smedley, conductor; Liam Teague, steelpan soloist | 13:41 |
Recorded January 27, 2024 at Indiana University Musical Arts Center Addition/Joshi Studio in Bloomington IN
Producer Jacob Belser
Assistant Producers Kevin Bobo, Joe Galvin
Recording Engineer Alexis Reyes
Assistant Recording Engineer Tony Mastroberti
Executive Producer Bob Lord
VP of A&R Brandon MacNeil
VP of Production Jan Košulič
Audio Director Lucas Paquette
VP, Design & Marketing Brett Picknell
Art Director Ryan Harrison
Design Edward A. Fleming
Publicity Kacie Brown
Digital Marketing Manager Brett Iannucci
Artist Information
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Eric M Smedley
Eric M. Smedley is associate professor of music in bands at the Indiana University Jacobs School of Music. He is also director of IU athletic bands and co-director of the Marching Hundred. Additionally, he directs the Symphonic Band and teaches undergraduate and graduate instrumental conducting courses. Smedley earned a Doctor of Musical Arts degree from the University of Washington and Master of Music and Bachelor of Music Education degrees from the Jacobs School of Music. He previously served on the music faculties of Boise State University and Western Kentucky University, and as a public-school music educator in Cocoa Beach FL, Santa Monica CA, and Kenosha WI.
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Kevin Bobo
Kevin Bobo is currently serving as Professor of Music (Percussion) at the Indiana University Jacobs School of Music, a position he has held since 2007. Prior to his appointment at IU, he served as Assistant Professor of Percussion at the University of Kansas (2003–2007). He studied percussion with J.C. Combs and Gordon Stout and composition with Greg Woodward and Dana Wilson.
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Liam Teague
Liam Teague is Professor of Music and Head of Steelpan studies at Northern Illinois University (NIU), where he also directs the renowned NIU Steelband. Teague is the recipient of an NIU Board of Trustees Professorship Award (2022) and a Presidential Research, Scholarship and Artistry Professor Award (2018).
Indiana University Wind Ensemble
FLUTE
Jaein Kim
Jae Habich
OBOE
Quinn Sciara
Julia Bradley
BASSOON
Harley Slattengren
Corey Patton
Bb CLARINET
Jake Basil
Evgenii Mikheev
Tzu-Chi Chou
BASS CLARINET
Joe Burgos
SAXOPHONES
Phil Black, Alto 1
Brand Ford, Alto 2
Johann Koh, Tenor
Kevin Chiang, Baritone
HORN
Clarisse Finman
Gavin Stahly
River Lessig
Andi Rosin
Trevor Zavac
TRUMPET
Luke Hershman
Nicholas Woods
Ian Kiyokawa
TROMBONE
Patrick Grimes, Principal
Pat Anderson
BASS TROMBONE
Max Dewar
EUPHONIUM
Alex Nacchia
TUBA
Griffin Collins
TIMPANI
Evan Callow
PERCUSSION
Darius McCann
Lillian Dietrich
Kyra McComb
Armon Brooks
GRADUATE ASSISTANTS
Tess Jones
Tim Loman
Chris Nelson
Notes
ORIGINS AND EXPANSIONS stems from the struggles that any new creation, whether it be a person, place, thing, or idea, can encounter from its beginning. In some cases, these creations or ideas will cease to exist for a multitude of reasons before ever realizing their full potential. In other cases, they may manifest into greater creations or ideas (whether positive or negative), as they find their identities within the world.
The first half of the piece portrays an idea that is met with a number of different scenarios upon its creation. As it tries to find its identity, it is taken through a series of contrasting musical scenes. The second half is where the idea “catches on” and is mostly celebratory in nature. In the case of this piece, the idea proves triumphant in the end.
I have often provided the listener with specific imagery with many of my other compositions. In this case, the main “creation” or “idea” being studied is left up to the listener, with the hope that the experience will be unique and personal to each individual.
Special Thanks to Tim Loman, Chris Nelson, and Tess Jones for their help in the recording process.