Dawn, Almost Dawn - album cover

Dawn, Almost Dawn

Toivo Tulev composer

Release Date: March 21, 2025
Catalog #: NV6711
Format: Digital
21st Century
Chamber
Orchestral
Vocal Music
Ensemble
Orchestra
Voice

Estonian composer Toivo Tulev is an idiosyncratic visionary in contemporary composition, and this Navona Records disc, DAWN, ALMOST DAWN, delves into themes of imagination and transcendence. The album could be considered an immersive journey through Tulev’s oeuvre, one not least afforded by its heterodox instrumentation, including solo violin with scordatura, ney, kaval, a symphonic orchestra, and the bare human voice.

The strings featured in this album lend an ethereal dissonance to the program, while the breathy tones of the ney and kaval add a strange, almost mythical warmth. Both the orchestra and the human voice seem paradoxically otherworldly in comparison. The elusive light of consciousness unfolds, wavers, then disappears; when the music stops, one is left with the feeling that nothing is as it was.

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Track Listing & Credits

# Title Composer Performer
01 And I Loved You Like a Branch Breaking Under the Snow (2021) Toivo Tulev Mari Targo, violin solo; YXUS Ensemble 15:13
02 Dawn, Almost Dawn (2021) Toivo Tulev Ayça Arın, mansur ney 9:17
03 Black Mirror (2016) Toivo Tulev Hoca Nasreddin Trio | Nick Hobbs, voice; Serkan Sener, kaval; Robert Reigle, baritone saxophone; Estonian National Symphony Orchestra | Michael Wendeberg, conductor 18:30
04 Fana (2023) Toivo Tulev Iris Oja, mezzo-soprano; Kristjan Kannuke, viola 6:13

And I Loved You Like a Branch Breaking Under the Snow, Black Mirror
Session Engineer & Editing Siim Mäesalu

Dawn, Almost Dawn
Session Engineer Oğuz Oz
Editing Malle Maltis, Siim Mäesalu

Fana
Session Engineer Nikita Šiškov
Editing Siim Mäesalu

Mastering Siim Mäesalu

Cover photo by Toivo Tulev

Liner Notes by Toivo Tulev

The recording of Fana and And I Loved You Like a Branch Breaking Under the Snow as well as the creation of the master for all tracks of the album was made possible by the generous support from the Cultural Endowment of Estonia.
Cultural Endowment of Estonia

Executive Producer Bob Lord

VP of A&R Brandon MacNeil
A&R Chris Robinson

VP of Production Jan Košulič
Audio Director Lucas Paquette

VP, Design & Marketing Brett Picknell
Art Director Ryan Harrison
Design Edward A. Fleming
Publicity Aidan Curran
Digital Marketing Manager Brett Iannucci

Artist Information

Toivo Tulev

Composer

Estonian composer Toivo Tulev is a visionary voice in contemporary classical music, known for his multi-layered and intricate compositions that balance complexity with emotional depth. Tulev’s works are marked by rich polyphony, innovative harmonic language, and new means of expression on instruments that transcend geographical boundaries. His music invites listeners into contemplative soundscapes, where the distinctions between the familiar and the unfamiliar, as well as the temporal and the eternal, beautifully blur and dissolve.

Mari Targo

violin

Violinist Mari Targo (b. 1986) is a longtime member of the Tallinn Chamber Orchestra. Her interest in chamber music has led her to participating in various ensembles, regardless of the style or era of the music played. “More and more, I’m curious about the personal ideas of the composer. I try not only to give the music my face, but also imagine how to identify with the author. Toivo Tulev’s And I Loved You contains a unique microsphere — being at times lonely, tenderly fragile, yet bursting with powerful waves which resonate through the ensemble as a whole.”

photo: Mait Visnapuu

YXUS Ensemble

Ensemble

Mari Targo, violin; Olga Voronova, violin; Laur Eensalu, viola; Leho Karin, cello; Age Juurikas, piano
Inspired by musical experiments and a completely new approach, YXUS Ensemble sets its goal to accost the audience and involve them into music in a surprising and special way. YXUS Ensemble is not just a group of musicians — it’s like a laboratory for ideas, where musicians, composers, video artists and directors willing to experiment are involved.

The predecessor of YXUS Ensemble can be considered the NYYD Ensemble, which was formed in 1993 to perform at international contemporary music festival NYYD. Under the name of YXUS Ensemble the group performed for the first time in 2013. The size of the ensemble varies according to the needs of the programme to be performed but the core of it is a string quartet that dates back to the days of NYYD Ensemble.

Ayça Arın

mansur ney

Ayça Arın, Istanbul, is a student of masters Salih Bilgin and Niyazi Sayın. Since 2015, Arın has been working as a ney artist in the Samsun State Classical Turkish Music Choir of the Ministry of Culture and Tourism. She has been dedicated to the performance of contemporary works written for solo ney since 2014.

Hoca Nasreddin Trio

Ensemble

Based in Istanbul, Hoca Nasreddin is composed of three musicians from three countries. The group focuses on timbre and the complexity of sound. Fluidly working with timbre is essential to their notion of contemporary musicality. They free-improvise and also work with notions of spontaneous composition. They collaborate with composers, other musicians and dancers.

Nikolai Galen
Vocalist, writer, and actor Nikolai Galen is an experimental singer, working with free-improvised voice and fractured words. He also works with sprechstimme and electronically treated voice (with words or wordlessly) where the focus is on timbre as prima materia and sonic flux.

Robert Reigle
Tenor saxophonist and ethnomusicologist Robert Reigle is steeped equally in avant-garde jazz, modern composition, and the ritual sounds of native peoples. His focus is on the sonic and dynamic extremes of his instrument, both when playing composed music and in free improvisation.

Serkan Şener
Kaval player and academician Serkan Şener is equally at home playing Anatolian traditional music as improvising and playing with a wide range of techniques that are not all part of the tradition. He is perhaps the only kaval player to wholeheartedly embrace experimentation.

The Estonian National Symphony Orchestra

Orchestra

The Estonian National Symphony Orchestra (Eesti Riiklik Sümfooniaorkester, ERSO) is a vivid and versatile orchestra who’s always striving towards excellence. Celebrating its 100th anniversary in 2026, ERSO has become the most prominent orchestral ambassador of Estonia abroad, powerfully increasing its international scope particularly in recent decades. ERSO’s releases demonstrate a quality that has been recognised by several renowned music magazines and the orchestra has won several prizes, including a GRAMMY® award for the recording of cantatas by Sibelius. ERSO’s concerts have been broadcasted by Mezzo, medici.tv and they have also reached many radio listeners via the EBU. In 2020, the orchestra launched its own channel — erso.tv. Since the 2020/21 season, the Chief Conductor and Artistic Director of the orchestra is Olari Elts. Neeme Järvi, the longest-serving chief conductor of the ERSO, continues to cooperate with the orchestra as an Honorary Artistic Director for Life and the Artistic Adviser of the orchestra is Paavo Järvi.

Michael Wendeberg

conductor

Michael Wendeberg, conductor and pianist, is one of the most demanded musicians both in the field of modern and classical music. Wendeberg has conducted among others Staatskapelle Berlin, Mahler Chamber Orchestra, SWR Symphony Orchestra, WDR Symphony Orchestra, Radio Symphony Orchestra Berlin, Slovenian Philharmonic Orchestra Ljubljana, Klangforum Wien, Ensemble Modern, Remix Ensemble Porto, Ensemble intercontemporain, and Estonian National Symphony Orchestra. Wendeberg served as Music Director of the Ensemble Contrechamps in Geneva from 2011 to 2018.

photo: Magdalena Höfner

Iris Oja

mezzo-soprano

Iris Oja is an Estonian freelance singer and choir master with a Master’s degree in Opera Singing. For a long time, she has worked together with Paul Hillier both as singer and choirmaster in his various choirs and ensembles (Theatre of Voices, Coro Casa da Musica, Ars Nova, Irish Chamber Choir).

She often also participates in productions of Yxus-ensemble, ensemble U:, jazz duo UMA (Estonia), and various other European groups. Oja sings music from all eras, but is mostly known for her contemporary music performances.

photo: Tarvo Tiivits/Pikstrik

Kristjan Kannukene

viola

Kristjan Kannukene is an Estonian performer-composer and improviser whose artistic focus is on uniting his voice and viola. He is keen on collaborating with composers and artists from various disciplines, as well as creating live-electronic and multimedia works himself. Driven by intermedial ideas, he has released his debut album, 333, in a blue-gold tetrahedron cover and created an interactive spherical sound sculpture, 9.

Notes

There are two versions of this work, one for solo kamancheh and a second for kamancheh, violin, viola, cello, and piano. In the latter version, the kamancheh may be replaced by a violin tuned one tone lower, as has been done for the present recording.

The composer’s first meeting with kamancheh took place through Iranian classical music around 30 years ago. “It was like falling in love at first sight,” he says. “There are encounters, which do not loosen their grip even years after.”

The work takes its name from an early poem by the Iranian poet Bijan Elahi (1945 – 2010) and was written in 2021.

This work was composed for Ayça Arın after a rather long period of cooperation on different occasions both in Turkey and Estonia resulting in three pieces, with Dawn, Almost Dawn being the last one.

Ney, with its different tunings and sizes, is a demanding instrument both from the player’s and composer’s perspective. That is probably the main reason why we hear it mostly in the context of traditional maqamic repertory.

Dawn, Almost Dawn explores the instrument from a different perspective and follows the basic instincts of the composer without following too much the technical limitations and traditional playing techniques of the instrument.

Dawn, Almost Dawn is dedicated to Ayça Arın.

— Toivo Tulev

The music of Black Mirror is composed for Hoca Nasreddin trio and symphony orchestra, the text of which comes from a longer poem Black Mirror by Nikolai Galen, the vocalist of the group.

Tulev says, “the excerpt of this at times apocalyptic and in many ways rather austere text is complemented with repetitions of single words and phrases, and in the very end with some lines from Götterdämmerung by Richard Wagner. In addition to these lines we hear a musical quotation from the opera (Sigfried’s Funeral March), followed by its free developments and reverberations.

Black Mirror is among other things a story about how we create gods in our own image, a story about how fundamental affirmation is becoming its own opposite, deeply violent, hysterical and inhuman negation.

This negation takes on a material form — he has form, and moods — likes not your face, he has will and a looming ability to destroy — be erased. Instead of longing for primordial bliss, we see in the mirror something deeply corrupt (a bad kind of bliss reflected in the black mirror…).”

“Is the light the light of the dawn?” ask the Norns weaving the threads of fate in the beginning of Wagner’s opera and in the finale of our story. “No, it is still night.”

“Welch Licht, Dämmert der Tag schon auf?

Noch ist’s Nacht, ist’s Nacht.”

Black Mirror
Text by Nikolai Galen, Richard Wagner

Back to zero
In sheep-state
Back to zero
Inflicters of shock
A bad kind of bliss
Reflected in the black mirror
Worthless souls
Be erased or exterminated in the name of mass-murdering
Lord, Lord of, Lord of the humans
And thus, and thus, thus very dangerous
I, I, I decide the day you die
And I decide the way
He cries
He has form and likes not your face
Likes not your face, face
And, and, and they like not your face
Back to, back to, zero
Back to zero
Be erased, be erased, be erased, razed, be erased
Or exterminated in the name of mass-murdering
Lord God
Lord of the humans
And thus, thus very, very, thus very dangerous.
I decide the day you die
I decide the way
He cries, cries. Needing no help
I decide the day you die
I decide the way
He cries, needing no help
I decide the day you die
I decide the way, the way, the way, the way, the way
Back to zero
Be erased
He cries, he cries, he cries, needing no help
Back to zero, back to zero, back to…
Welch Licht, Welch Licht leuchtet dort?
Welch Licht, Dämmert der Tag schon auf?
Noch ist’s Nacht, ist’s Nacht,
Nacht, Nacht, Nacht,
noch ist’s Nacht,
noch ist’s Nacht.

Fana
Text by Inayat Khan
Fana – a short reflection for voice and viola on a saying from Inayat Khan’s Ragas.
Every tear in Thy love, Beloved, exalts my being.