The Music of Melissa C. Shiflett - album cover

The Music of Melissa C. Shiflett

Featuring The Rose Saga & The Horses’ Quintet

Melissa C. Shiflett composer

Release Date: June 14, 2024
Catalog #: NV6621
Format: Digital
21st Century
Chamber
Piano
Voice

THE MUSIC OF MELISSA C. SHIFLETT is an impressive showcase of the lyricism that contemporary American serious music has to offer. As she reflects upon natural beauty, Melissa C. Shiflett nonchalantly intertwines the musical with the poetic in this release.

The Horses’ Quintet is a captivating and physically riveting quintet for English horn, violin, cello, piano, and percussion, an homage to the expansive Indiana plains, five spirited horses, and the equestrian artistry displayed by their nimble trainer. The second piece, a three-part song cycle titled The Rose Saga, showcases three lyric sopranos and pianist. Slightly more urban, this piece chronicles the fate of a rosebush in a Manhattan garden over several years. Using simple but incredibly deft strokes, Shiflett creates a musical environment for her private outdoor worlds that is highly theatrical. She has endowed these fleeting, triumphant scenes with an artistic sense of permanence.

Listen

Hear the full album on YouTube

Track Listing & Credits

# Title Composer Performer
01 The Horses' Quintet: I. Horses on Parade Melissa C. Shiflett di.vi.sion | John Frisch, English horn; Kurt Briggs, violin; Matt Goeke, cello; Renée Cometa Briggs, piano; Rex Benincasa, percussion 6:13
02 The Horses' Quintet: II. A Windy Day Melissa C. Shiflett di.vi.sion | John Frisch, English horn; Kurt Briggs, violin; Matt Goeke, cello; Renée Cometa Briggs, piano; Rex Benincasa, percussion 5:18
03 The Horses' Quintet: III. Horses in the Field Melissa C. Shiflett di.vi.sion | John Frisch, English horn; Kurt Briggs, violin; Matt Goeke, cello; Renée Cometa Briggs, piano; Rex Benincasa, percussion 4:47
04 The Horses' Quintet: IV. A Ride Through the Prairie Melissa C. Shiflett di.vi.sion | John Frisch, English horn; Kurt Briggs, violin; Matt Goeke, cello; Renée Cometa Briggs, piano; Rex Benincasa, percussion 5:30
05 The Rose Saga I: Pink Rose Melissa C. Shiflett Michelle Seipel, soprano; Elizabeth Rodgers, piano 1:51
06 The Rose Saga I: Pink Rose Continued Melissa C. Shiflett Michelle Seipel, soprano; Elizabeth Rodgers, piano 3:02
07 The Rose Saga I: The Roses, Part III Melissa C. Shiflett Michelle Seipel, soprano; Elizabeth Rodgers, piano 3:08
08 The Rose Saga I: Evening Roses, Part IV Melissa C. Shiflett Michelle Seipel, soprano; Elizabeth Rodgers, piano 1:27
09 The Rose Saga I: Cousins of my Roses Melissa C. Shiflett Michelle Seipel, soprano; Elizabeth Rodgers, piano 3:33
10 The Rose Saga I: The Preparation of the Roses Melissa C. Shiflett Michelle Seipel, soprano; Elizabeth Rodgers, piano 2:39
11 The Rose Saga I: The Gardener's Plan Melissa C. Shiflett Michelle Seipel, soprano; Elizabeth Rodgers, piano 2:50
12 The Rose Saga II: Mischief Afoot Melissa C. Shiflett Rachel Arky, mezzo-soprano; Elizabeth Rodgers, piano 2:03
13 The Rose Saga II: A Darker Shade of Pink Melissa C. Shiflett Rachel Arky, mezzo-soprano; Elizabeth Rodgers, piano 1:38
14 The Rose Saga II: The Pinks are Winning Melissa C. Shiflett Rachel Arky, mezzo-soprano; Elizabeth Rodgers, piano 2:04
15 The Rose Saga II: Nobody Speaks of It Melissa C. Shiflett Rachel Arky, mezzo-soprano; Elizabeth Rodgers, piano 2:03
16 The Rose Saga II: Like Puffs of Smoke Melissa C. Shiflett Rachel Arky, mezzo-soprano; Elizabeth Rodgers, piano 2:00
17 The Rose Saga II: Alone Melissa C. Shiflett Rachel Arky, mezzo-soprano; Elizabeth Rodgers, piano 2:04
18 The Rose Saga II: A Grand Experiment Melissa C. Shiflett Rachel Arky, mezzo-soprano; Elizabeth Rodgers, piano 2:53
19 The Rose Saga III: We're Moving Melissa C. Shiflett Lianne Gennaco, soprano; Elizabeth Rodgers, piano 1:08
20 The Rose Saga III: When it Comes to Roses Melissa C. Shiflett Lianne Gennaco, soprano; Elizabeth Rodgers, piano 2:43
21 The Rose Saga III: The Speckled Birds in my Park Melissa C. Shiflett Lianne Gennaco, soprano; Elizabeth Rodgers, piano 3:55
22 The Rose Saga III: A Casual Farewell Melissa C. Shiflett Lianne Gennaco, soprano; Elizabeth Rodgers, piano 2:22

Recorded August 7th, 2020, March 15th, 2022, April 27 & September 11, 2023 in New York City NY
Producer & Engineer Kurt Briggs

Mastering Melanie Montgomery

Executive Producer Bob Lord

VP of A&R Brandon MacNeil
A&R Jeff LeRoy

VP of Production Jan Košulič
Audio Director Lucas Paquette

VP, Design & Marketing Brett Picknell
Art Director Ryan Harrison
Design Edward A. Fleming
Publicity Kacie Brown

Artist Information

Melissa C. Shiflett

Composer

Melissa Shiflett’s career began as resident composer for the experimental Dream Theatre in Chicago. She is a composer, librettist, and pianist whose operas have been produced by the American Chamber Opera Company, Peabody Chamber Opera Theatre, New York City Opera’s Vox Festival, Nautilus Music-Theater, New Dramatists, and the Pennsylvania Opera Theater. 

John Frisch

English Horn

Based in New York City, John Frisch has played for such Broadway productions as Les Misérables, Man of La Mancha, and Fiddler on the Roof and for many area orchestras, including the Albany Symphony Orchestra, Alvin Ailey Dance Company, American Ballet Theater, Jupiter Symphony, Long Island Philharmonic, Mostly Mozart Festival, New York City Opera, New York Pops, and for the Lincoln Center Festival. He performs frequently as a chamber musician with several ensembles, including the St. Cecilia Chamber Players and the Manhattan Contemporary Chamber Ensemble. As a member of the New York Kammermusiker, a double-reed consort, he has toured extensively and recorded for Dorian Records. He holds a D.M.A. from the CUNY Graduate Center, an M.M. from the Yale School of Music, where he studied with Ronald Roseman, and a B.A. in Philosophy from Columbia University.

Kurt Briggs

violin

Violinist Kurt Briggs has appeared with many orchestras including Brooklyn Philharmonic, Harrisburg Symphony, New Jersey Symphony, Tulsa Symphony, and New York Gilbert and Sullivan Players. His chamber music projects have ranged from performances of Webern and Hindemith with di.vi.sion to a series of concerts on original instruments with Capital Artists in Vermont and New York. His Broadway credentials include numerous shows including Les Miserables and Sunset Boulevard, where he appeared on stage with Glenn Close, Betty Buckley, and Elaine Paige. His on-stage performances in Kuni-Leml and Sunset Boulevard are archived in the Richard Rogers Video Archive at Lincoln Center. Briggs has recorded for Sony, BMG, Koch, Newport Classics, Iota, Amphonic, and Hallmark Records; and has been heard on WBAI, WNYC, WQXR, and the BBC in London.

Commercially he has played and recorded for such well-known popular and jazz artists as Harry Connick Jr., Celine Dion, Dominic Duval, Grand Funk Railroad, Barry Harris, Incognito, Alicia Keys, Karen Mack, David Murray, Regis Philbin, Smokey Robinson, and Frank Sinatra Jr. Briggs’ recording of Constance Cooper’s Concerto for Soprano Violin can be heard on Coming From Us on Quixotic Records. Recently he has appeared with his chamber music group di.vi.sion, for whom he is music director. Di.vi.sion has premiered over thirty new works, many of which can be found on Albany, Ben-Yar, and PARMA Recordings. He has also released six video performances of new works by Tom Griffin, Stanley Grill, Jim Lahti, Melissa Shiflett, and Frank E. Warren which are available on the di.vi.sion website (division-artsandeducation.org), Vimeo, Facebook, and YouTube.

Matt Goeke

cello

Matt Goeke, cellist, performs as soloist, chamber musician, and orchestra player in a broad range of musical styles. His experience with contemporary music includes the SEM Ensemble, Cross Town Ensemble, North/South Consonance, the Kitchen House Blend and Glass Farm Ensemble. In addition to the di.vi.sion piano trio, Goeke is a member of Eight Strings & a Whistle, an award winning flute, viola, cello trio, and is an active free-lance musician throughout the New York metropolitan area. He has recorded with North/South Recordings and 4Tay, Inc., Opus One Records, Polygram, Elektra, Tzadik, and Koch International Classics labels.

Goeke holds B.M. (1986) and M.M. (1988) degrees from the Manhattan School of Music. He coaches with the New York Youth Symphony’s Chamber Music Program, and is an Adjunct Lecturer at the Borough of Manhattan Community College, part of the City of University of New York, in addition to an active private studio. His own teachers were Jerome Carrington, Marion Feldman, Robert Gardner, and Aldo Parisot.

division-artsandeducation.org

Renée Cometa Briggs

piano

Based in New York City, Briggs is a soloist and chamber musician with a distinctive blend of dexterity and artistry at the keyboard. Her solo repertoire ranges from Mozart on fortepiano to music of our time. Her interpretation of works by Debussy garnered multiple prizes from the French Piano Institute, which presented Briggs in a solo recital of French repertoire at La Schola Cantorum in Paris. She has also performed at Fondation Pierre Gianadda, Martigny, Switzerland.

“Pianist Renée Cometa Briggs is a driving and reliable force throughout every work.” Times Union March 2018

Deeply dedicated to new music, Briggs advocates the creation and commissioning of works by living composers. She appears frequently with di.vi.sion premiering works in their concert series in the Bronx. These collaborations with composers can also be heard on Albany Records, Ravello Records, and BenYar Productions. She has participated in American Composers Alliance Festival, Cutting Edge New Music Festival, River to River Festival, and Staten Island Composers Project.

Support for her work has been granted numerous awards from City University of New York where she is currently an Associate Professor of Music at CUNY, Bronx Community College. A member of the International Alliance for Women in Music (IAWM), Briggs holds degrees from SUNY Stony Brook, Mannes College of Music, and North Carolina School of the Arts.

division-artsandeducation.org

Rex Benincasa

Percussion

Rex Benincasa has been a freelancing drummer and percussionist in New York since 1978. Along with hundreds of television/radio soundtracks and commercial recordings, he has performed with American Ballet Theater, Concordia Chamber Players, Apollo’s Fire, Ensemble Caprice, Alba Consort, Flamenco Latino, Carlota Santana Spanish Dance, Andrea Delconte Danza Espana, Zorongo Flamenco Dance, Pilar Rioja, Amanecer Flamenco Progressivo, Sacramento Ballet, Ballet Austin, Washington Ballet, and the Merce Cunningham Dance Company. He has recorded CDs and/or movie soundtracks for Marty Balin, Philip Glass, Douglas Cuomo, Karen Mason, Andrea Marcovicci, Ann Kittredge, Celia Burke, Jamie deRoy, Stephanie Pope, Foday Musa Suso, Sesame Street, NFL Films, Sons of Sepharad, and the Ivory Consort to name but a few. Broadway shows include Fosse, Elaine Stritch, The Full Monty, Flower Drum Song, Man of LaMancha, Never Gonna Dance, Little Shop of Horrors, The Frogs, Dirty Rotten Scoundrels, Hairspray, The Drowsy Chaperone, Curtains, The Color Purple, How The Grinch Stole Christmas, Shrek, In The Heights, Billy Elliot, Peter And The Starcatcher, Motown the Musical, and Mrs. Doubtfire. Benincasa likes all kinds of music.

Michelle Seipel

soprano

Michelle Seipel enjoys collaborating with contemporary composers and is thrilled to be featured in The Rose Sagas. “An impressive soprano” of considerable vocal agility and style (Baltimore Sun), her credits include roles such as Lucia (Lucia di Lammermoor, Opera Vivente), Musetta (La bohème, St. Petersburg Opera), Susanna (Le nozze di Figaro, Geneva Light Opera), and Clorinda (La Cenerentola, New York City Opera). She regularly performs the role of Josephine (H.M.S. Pinafore) with the New York Gilbert and Sullivan Players, both in NYC and around the United States. Seipel’s Lincoln Center debut was with the New York Philharmonic in their Emmy-nominated Carousel. Her numerous awards include accolades from the Wisconsin District Metropolitan Opera Auditions and the Shreveport Opera Singer of the Year Competition. Originally from Wisconsin, this former actuary earned her masters degree at the Peabody Conservatory.

michelleseipel.com

Rachel Arky

mezzo-soprano

Praised for her “golden tone” and handling of “difficult music with a glorious ease” (Edge Media Network Miami), mezzo-soprano Rachel Arky is a singing actress noted for her dramatic and musical versatility. Most recently, Arky sang the role of Pino in the world premiere of Larry Lipkis’s Simonetta (American Chamber Opera Company), recorded Douglas Anderson’s Cassandra Songs, and performed Melissa Shiflett’s Rose Saga II song cycle. Previous engagements include Carmen (Amore Opera), Meg March in Little Women (Annapolis Opera), Maddalena in Rigoletto (Mississippi Opera), Madame Larina in Eugene Onegin (Chautauqua Opera), and Tamara (cover) in the world premiere of Ben Moore’s Enemies, A Love Story (Palm Beach Opera).

On the concert stage, Arky has appeared with the Helena Symphony Orchestra in Beethoven’s Ninth Symphony and Respighi’s Laud to the Nativity; Hunter College Orchestra and Choir in Mozart’s Requiem and Dvorak’s Stabat Mater; and DCINY at Lincoln Center in Mozart’s Coronation Mass (her Lincoln Center debut).

Arky completed her M.M. at Manhattan School of Music and her undergraduate studies at Barnard College, Columbia University, where she graduated summa cum laude and Phi Beta Kappa.

rachelarky.com

Lianne Gennaco

soprano

Soprano Lianne Gennaco most recently covered the role of Lucia in New York City Opera’s Bryant Park production of Lucia di Lammermoor. Previously with NYCO, Gennaco sang the role of Selena in a chamber adaptation of Tobias Picker’s Dolores Claiborne and covered the role of Cunegonde in the historic revival of Bernstein’s Candide under the direction of the late Hal Prince. Gennaco has originated many roles including the title role in the opera Simonetta by Larry Lipkis, Ann in the New York premiere of The Astronaut’s Tale at the Brooklyn Academy of Music, Girl in My Undying Love: An Amusement by Melissa Shiflett and Gerda in Dear Erich a Jazz Opera by Ted Rosenthal. Hailed by Opera News for her “bright and flexible soprano,” Gennaco continues to make a name for herself as a crossover artist specializing in new works in musical theater and opera. She is a proud graduate of the Indiana University Jacobs School of Music.

liannegennaco.com

Elizabeth Rodgers

piano

Collaborative pianist Elizabeth Rodgers holds degrees from Manhattan School of Music. She is in demand as a recitalist with both singers and instrumentalists, including the distinguished soprano Judith Raskin, and in chamber music, orchestral, choral, and operatic repertoire. She performs with Music Under Construction, American Chamber Opera, American Landmark Festivals, New York Gilbert and Sullivan Players, and the Moss Ensemble.

Teaching experience includes engagements at Manhattan School of Music, Bard, and William Paterson.

A strong advocate of performing works by living composers, she has premiered and performed works by Miriam Gideon, Robert Dennis, Wendy Griffiths, Joelle Wallach, Tom Addison, Carolyn Lord, Justine Chen, Melissa Shiflett, and Douglas Anderson.

She has recorded with PARMA Recordings, Opus 1, Grenadilla, CRI, Musical Heritage, New World, Albany, and Arabesque. Her solo album — Views From the Keyboard: piano music by Wendy Griffiths — is available on Apple Music and Spotify.

Notes

Dedicated to di.vi.sion

The Horses’ Quintet was inspired by a riding instructor named Wrangler Rich and his five beautiful and quirky horses, trained to perfection to give riders a western cowboy style ride through the prairies in Indiana.

Movement I (track #1): “Horses on Parade”
Five horses with riders, side by side, shoulders (of the horses) lined up, horses and riders perform quick turns in formation as a single unit. The horses know what they are doing.

Movement II (track #2): “A Windy Day”
Two student riders are instructed to guide their horses alone around a huge circular path in a field of tall grass. The wind is high, and a third horse, free to run wild on his own, excites the horses with riders. The lead rope of one horse gets loose and threatens to trip the horse. The rider must bend over very far to retrieve it while her horse continues to trot around the circle. Thrilling.

Movement III (track #3): “Horses in the Field”
The five horses are riderless in a fenced-in grassy field. They station themselves in each corner of the field, while the dominant horse stands in the middle between them. They graze, talking to each other, while the light slowly shifts from afternoon to evening.

Movement IV (track #4): “A Ride Through the Prairie”
Big sky, endless paths cut through the tall grasses, the horses with their amusing personalities sweeping through the prairie and then finally returning home, back to the stable, clippity-clop.

— Melissa C. Shiflett

The Rose Saga song-story is set in the Lincoln Tower building complex, with its several gardens, on the Upper West Side of Manhattan. These apartment buildings are built in a cement-block style of architecture, but the gardens are lovely and mostly unpopulated, so you can have them all to yourself.

The Rose Saga I: In the fall of 2009, there was one very pink rose that sat on the top of a 10-foot stalk in the front garden of the narrator’s building. This flower endured several months of drastic weather changes, and was the inspiration for The Rose Saga I. It begins in November of 2009 and ends in April of 2010. The narrator’s observations alternate between the front garden by her building’s entrance, and the west garden above the building’s parking lot.

The Rose Saga II: two years later. A long dry spell has just ended. The pink and purple roses are huge, almost frightening. There is a bug infestation. The narrator is forced to inhabit another green area on the premises; a large green lawn with a cluster of blossoming trees inhabited mostly by robins and fireflies. She calls this grassy knoll a park.

The Rose Saga III: two more years have passed. The narrator is moving. She takes a final look around at the front garden and the park. Her loyalties remain with the pink roses. She says her good-byes to the robins, the speckled birds and the lightning bugs.

— Melissa C. Shiflett

Texts

The Rose Saga

Melissa C. Shiflett