A Breath of Air - album cover

A Breath of Air

American Art Song

Monica Houghton composer

Andrew White baritone
Andrea Chenoweth Wells soprano
Albert Rudolph Lee tenor
John Etsell piano
Eric Charnofsky piano
John Benjamin piano

Release Date: March 15, 2024
Catalog #: NV6607
Format: Digital
21st Century
Vocal Music
Piano
Voice

A love of poetry lies at the core of Monica Houghton’s A BREATH OF AIR from Navona Records. She has set to music not only lyrical giants such as Whitman, Dickinson, and Hughes, but also some contemporary poets with their own magnificent lyrical gifts. These soul-touching works are performed to the highest possible standard by select world-class singers and accompanists. A perfect symbiosis on all fronts.

Listen

Hear the full album on YouTube

Track Listing & Credits

# Title Composer Performer
01 Five Songs on Poems of James Wright (2009): A Breath of Air Monica Houghton Andrew White, baritone; Eric Charnofsky, piano 2:20
02 Five Songs on Poems of James Wright (2009): The Trouble with You Monica Houghton Andrew White, baritone; Eric Charnofsky, piano 1:51
03 Five Songs on Poems of James Wright (2009): Neruda Monica Houghton Andrew White, baritone; Eric Charnofsky, piano 2:59
04 Five Songs on Poems of James Wright (2009): To a Saguaro Cactus Tree in the Desert Rain Monica Houghton Andrew White, baritone; Eric Charnofsky, piano 3:52
05 Five Songs on Poems of James Wright (2009): To a Troubled Friend Monica Houghton Andrew White, baritone; Eric Charnofsky, piano 3:23
06 Whalefall (2006) Monica Houghton Andrea Chenoweth Wells, soprano; Eric Charnofsky, piano 7:06
07 Six Songs on Poems of Langston Hughes (2016): I, Too Monica Houghton Albert Rudolph Lee, tenor; John Etsell, piano 2:07
08 Six Songs on Poems of Langston Hughes (2016): Passing Love Monica Houghton Albert Rudolph Lee, tenor; John Etsell, piano 1:13
09 Six Songs on Poems of Langston Hughes (2016): Ballad of the Gypsy Monica Houghton Albert Rudolph Lee, tenor; John Etsell, piano 1:53
10 Six Songs on Poems of Langston Hughes (2016): Birth Monica Houghton Albert Rudolph Lee, tenor; John Etsell, piano 1:54
11 Six Songs on Poems of Langston Hughes (2016): If-ing Monica Houghton Albert Rudolph Lee, tenor; John Etsell, piano 1:18
12 Six Songs on Poems of Langston Hughes (2016): Abe Lincoln Monica Houghton Albert Rudolph Lee, tenor; John Etsell, piano 2:31
13 In Singing Weather (1996): 1. Andantino Monica Houghton Andrea Chenoweth Wells, soprano; Eric Charnofsky, piano 3:45
14 In Singing Weather (1996): 2. Scherzando Monica Houghton Andrea Chenoweth Wells, soprano; Eric Charnofsky, piano 2:04
15 In Singing Weather (1996): 3. Sehr Markiert Monica Houghton Andrea Chenoweth Wells, soprano; Eric Charnofsky, piano 4:05
16 In Singing Weather (1996): 4. Leisurely Monica Houghton Andrea Chenoweth Wells, soprano; Eric Charnofsky, piano 3:20
17 In Singing Weather (1996): 5. Calypso Monica Houghton Andrea Chenoweth Wells, soprano; Eric Charnofsky, piano 4:29
18 In Singing Weather (1996): 6. Lento Monica Houghton Andrea Chenoweth Wells, soprano; Eric Charnofsky, piano 4:29
19 In Singing Weather (1996): 7. Andantino Monica Houghton Andrea Chenoweth Wells, soprano; Eric Charnofsky, piano 5:26
20 Three Songs on Poems of Walt Whitman (2002/2010): Oh You whom I often and silently come Monica Houghton Albert Rudolph Lee, tenor; John Etsell, piano 2:20
21 Three Songs on Poems of Walt Whitman (2002/2010): Not heat flames up Monica Houghton Albert Rudolph Lee, tenor; John Etsell, piano 3:12
22 Three Songs on Poems of Walt Whitman (2002/2010): I dream'd in a dream Monica Houghton Albert Rudolph Lee, tenor; John Etsell, piano 2:30
23 Three Gems from Emily Dickinson (2011/2022): Reverse cannot befall Monica Houghton Andrea Chenoweth Wells, soprano; John Benjamin, piano 2:23
24 Three Gems from Emily Dickinson (2011/2022): We play at paste Monica Houghton Andrea Chenoweth Wells, soprano; John Benjamin, piano 1:39
25 Three Gems from Emily Dickinson (2011/2022): I held a jewel in my fingers Monica Houghton Andrea Chenoweth Wells, soprano; John Benjamin, piano 2:09

Tracks 1-5
Recorded live on April 3, 2011 at West Park United Church of Christ in Cleveland OH
Recording Session Engineer Svetlak Sound Labs

Track 6
Recorded live on September 23, 2007 at Drinko Hall, Cleveland State University in Cleveland OH

Tracks 7-12, 20-22
Recorded on July 20 and 21, 2023, Harlan O. and Barbara R. Hall Recital Hall, University of Nevada in Reno NV
Recording Session Engineer James Cavanaugh

Tracks 13-19
Recorded live on April 6, 2008 at Mixon Hall, Cleveland Institute of Music in Cleveland OH

Tracks 23-25
Recorded on November 14, 2023 at Sears Recital Hall, University of Dayton in Dayton OH
Recording Session Engineer Daniel Behnke

Mastering Melanie Montgomery

Executive Producer Bob Lord

VP of A&R Brandon MacNeil
A&R Chris Robinson

VP of Production Jan Košulič
Audio Director Lucas Paquette

VP, Design & Marketing Brett Picknell
Art Director Ryan Harrison
Design Edward A. Fleming
Publicity Chelsea Kornago

Artist Information

Monica Houghton

Composer

Monica (Niki) Houghton was born in Vermont and raised in northern Nevada. She holds A.B. and A.M. degrees from Harvard University in Chinese Language and Literature and East Asian Studies. She earned an M.M. in Composition from the Cleveland Institute of Music in 2003 and served as Instructor for their Joint Music Program with Case Western Reserve University for nine years before moving back to Nevada in 2011.

Andrew White

baritone

Andrew R. White, B.M., M.M., A.D., D.M.A., teaches private voice as well as classes in diction and vocal literature at the University of Nebraska, Kearney at the rank of Professor. Previous faculty positions include Indiana University of Pennsylvania, University of Akron, Hiram College, Baldwin-Wallace Conservatory of Music, and Ashland University. Operatic appearances include Guglielmo in Cosi fan tutte, Endymion in Calisto, and Claudio in Beatrice and Benedict. Gilbert and Sullivan roles include Pirate King in The Pirates of Penzance, Pooh-bah in The Mikado, and Lord Chancellor in Iolanthe. Roles in musicals include Harold Hill in The Music Man, Billy Bigalow in Carousel, and Emile de Becque in South Pacific. He won first prize in the VARN and Richardson competitions; other prizes include the NATSAA District Competition, the Alpha Corinne Mayfield Opera Award, and the Darius Milhaud Award.

An advocate of contemporary music, he has performed new works in Boston, Cleveland, New York, Chicago, San Francisco, San Antonio, Vancouver, and elsewhere. He made his New York debut in Carnegie Hall’s Weill Recital Hall in a program of songs by composer Frederick Koch. One reviewer hailed him as “…a formidable interpreter… Every song composer should be so lucky with collaborators.” He has a level III certification in Somatic Voiceworktm, the LoVetri Method. He has published articles in Voice and Speech Review, Classical Singer, and American Music Teacher. He has given presentations as well as performances at regional and national conferences of The College Music Society, The National Opera Association, and The National Association of Teachers of Singing, as well as the Society for Composers, Inc., and National Association of Composers USA.

Andrea Chenoweth Wells

soprano

Andrea Chenoweth Wells, D.M.A. and soprano, is a two-time regional finalist in the Metropolitan Opera National Council auditions. She has appeared with orchestras and opera companies throughout the United States, including regular appearances with the Cleveland Orchestra, the Dayton Philharmonic Orchestra, Cleveland Opera, and Dayton Opera. Career highlights include her Carnegie Hall debut singing Verdi’s Requiem and touring Japan with Maestro Neal Gittleman and the Telemann Chamber Orchestra. She has sung numerous operatic roles, including Fiordiligi in Mozart’s Così fan tutte, Atalanta in Handel’s Xerxes, the First Lady in Mozart’s Magic Flute, Kitty Hart in Heggie’s Dead Man Walking, and the Foreign Woman in Menotti’s The Consul.

Wells concertizes frequently. She is a frequent soloist at Boston’s The Shakespeare Concerts, and is featured on several recordings of works with text by Shakespeare from PARMA Recordings.

A proponent of new music, Wells has collaborated with many living composers including Libby Larsen, Joseph Summer, Jack Perla, Jonathon Sheffer, and Monica Houghton.

She earned her Doctorate in Music in Voice and Opera Directing at the University of Cincinnati’s College-Conservatory of Music, her Masters of Music degree in Voice from The Cleveland Institute of Music, and her Bachelor of Arts degree from the University of Dayton. Her teachers include Kenneth Shaw, Ruth Golden, George Vassos, Ellen Shade, and Linda Snyder. Previous directing credits include Benjamin Britten’s Albert Herring, Marc Antoine Charpentier’s La Fête de Ruel, Mozart’s The Magic Flute, and the musical Chicago.

Wells is a Lecturer at the University of Dayton where she teaches voice, opera, and a course of her own design, Music and Faith on Stage.

Albert Rudolph Lee

tenor

Albert R. Lee is Associate Professor of Music and Director of Equity, Belonging, and Student Life at the Yale School of Music. He has made a career as a classical vocalist in opera, oratorio, recital, and liturgical music having appeared with Opera Theater of Saint Louis, Palm Beach Opera, Opera Theater of Pittsburgh, Philadelphia Orchestra, Saint Luke’s Chamber Orchestra, the Collegiate Chorale of New York City, Caramoor International Music Festival, the Aspen Music Festival, and the London Symphony.

Lee is a featured soloist on a recording of works by composer George Walker on Albany Records singing musical settings of Walt Whitman’s When lilacs last in dooryard bloomed, a poem written as an elegy to Abraham Lincoln after his assassination. A sought-after guest lecturer, he has given the faculty keynote address for university cultural graduation celebrations and at convocations, as well as being featured speaker in the University of Nevada, Reno’s TEDx event with a TedTalk sharing his thoughts on the recent National Anthem titled When I Sing the Anthem. Having completed the Bachelor of Music in Vocal Performance at the University of Connecticut, the Master of Music at The Juilliard School, and the Doctor of Music degree at Florida State University, Lee draws inspiration from the literary works of Langston Hughes as well as his unique artistic, spiritual, and personal journey from childhood to his current life as a performer and scholar.

John Etsell

piano

Based in Southeastern Michigan, pianist John Etsell collaborates with musical artists from all around the world. He is currently Staff Pianist at Detroit Opera and an adjunct professor at Adrian College. He has been on faculty at the Brancaleoni International Music Festival in Piobbico, Italy, and The Institute for Young Dramatic Voices in Reno NV. Equally active in the instrumental realm, Estell is a member of the Lumino Trio (luminomusic.com), which has been described as “just the sort of high-execution, high-ambition ensemble that Detroit’s chamber music world so desperately needs” (Avant Music News). Estell holds degrees in Piano Performance from Oberlin Conservatory and the University of Nevada, Reno, and received a D.M.A. in Collaborative Piano at the University of Michigan. He espouses a creative, open-minded, and improvisatory approach to performance informed by scholarship, personal sensibility, and intuition.

Eric Charnofsky

piano

Eric Charnofsky enjoys a multi-faceted career as a pianist, composer, and lecturer. As a collaborative pianist, he has performed throughout North America, has concertized with members of major American orchestras, and has performed as an orchestral keyboardist with the Los Angeles Philharmonic and the Cleveland Orchestra, among others. A graduate of The Juilliard School where he majored in piano accompaniment, Charnofsky also holds degrees in solo piano performance and composition from California State University, Northridge. Originally from Los Angeles, Charnofsky has taught music history, music theory, and collaborative piano at the collegiate level in Cleveland. He has worked as a classical radio announcer, pre concert lecturer for the Cleveland Orchestra, Associate Faculty member at the Music Academy of the West, rehearsal pianist for Lyric Opera Cleveland, convention accompanist for the National Flute Association, and he appears on recordings on the Capstone, Albany, and Crystal labels. His compositions have been performed in several major U.S. cities, and he has received composition commissions from Pacific Serenades, the Chamber Music Society of Ohio, the Cleveland Chamber Collective, and others.

John Benjamin

piano

Pianist John Benjamin has spent a great deal of his musical life as a collaborative musician, chamber musician, coach/accompanist, and opera and choral accompanist. He also regularly assumes the roles of church organist, choral director, musical theater conductor, and cast member in opera and musical theater. Benjamin has been on the piano faculty at the University of Dayton since 2000. In addition to extensive performing, he teaches piano in private and group settings. Before coming to UD, he was on staff at the University of Akron and Butler University. He holds degrees from the University of Cincinnati’s College-Conservatory of Music and the University of Akron. Benjamin also serves as director of traditional worship at Epiphany Lutheran Church in Centerville.

Notes

It was my friend, baritone Patrick Mason, who first pointed me in the direction of the Ohio poet James Wright. The five poems I chose to set formed a kind of narrative in my mind, with their shared imagery of birds, trees, stars, snow, arms and shadows. Patrick premiered the songs in 2010 in the then-brand-new Grusin Hall at the University of Colorado, Boulder. Andrew White then performed them the following spring, describing the work as, “one of the best contemporary song cycles I have sung.”

— Monica Houghton

After hearing Elizabeth Bradfield read her poem Whalefall aboard the M.V. Sea Bird where she was serving as a naturalist in Southeast Alaska, I asked her for permission to set the text to music. “Whalefall” is the scientific term for a collection of whale bones that may be found on the sea bed, the natural consequence of a whale death at sea. I was drawn to both the introspective quality of the poem and its message of renewal.

— Monica Houghton

I composed these songs as a gift for Albert Rudolph Lee soon after he had directed the premiere of my opera The Big Bonanza, at the University of Nevada, Reno. The poems I selected present a range of contrasting sentiments, with each one seeming to cry out strongly for its own particular musical treatment. While they can be performed separately, the full set makes for an especially satisfying presentation.

— Monica Houghton

I met the poet Maggie Anderson through mutual friends in Kent, Ohio, where I was living at the time. This multi-part poem from her volume Cold Comfort struck me as ripe for an ambitious musical setting, and although it is an intensely personal poem for Anderson, she nevertheless gave me permission to proceed.

— Monica Houghton

These songs were written for baritone José Gotera, who stood directly behind me in the choir at St. Paul’s Episcopal Church, in Shaker Heights OH. The angelic quality of José’s voice was constantly in my ear, so naturally I was delighted when one day he asked me if I would compose some songs for him. He presented me with several poems of Walt Whitman from which I chose these three. Originally I had planned to set the poems with lute accompaniment, but the harmonic language I put forward proved daunting for that instrument, so I abandoned the idea. José premiered the songs in 2002 under the title Three Songs for Lyric Baritone. Subsequently, I published the set for tenor voice, changing the title, and shared them with my friend Albert Lee.

— Monica Houghton

The first poem in this set is one to which I have often turned for strength in challenging times. Following a visit to the Emily Dickinson Museum in Amherst MA, I discovered the other two poems which also feature precious objects as symbols for something more important (if less tangible) in life: a diamond for resilience; a pearl for skills; an amethyst for loss. I set the three poems to music for my friend, soprano Andrea Chenoweth Wells, and she has now recorded them especially for inclusion in this album.

— Monica Houghton

Texts

Five Songs on Poems of James Wright

Text by James Wright

Whalefall

Text by Elizabeth Bradfield

Six Songs on Poems of Langston Hughes

Text by Langston Hughes

In Singing Weather

Text by Maggie Anderson

Three Songs on Poems of Walt Whitman

Text by Walt Whitman

Three Gems from Emily Dickinson

Text by Emily Dickinson