Black is Beautiful
Eugene Concert Choir & Orchestra | Dr. Diane Retallack Artistic Director & Conductor
EXIGENCE: A Sphinx Vocal Ensemble | Dr. Eugene Rogers Artistic Director & Conductor
Undine Smith Moore composer
Joel Thompson composer
BLACK IS BEAUTIFUL from Dr. Diane Retallack and The Eugene Concert Choir is an ode to hope in the face of injustice. This Navona Records release showcases music by Black composers that shed light on the Black experience including two choral masterworks: Seven Last Words of the Unarmed by Joel Thompson and the world premiere recording of Dr. Undine Smith Moore’s oratorio Scenes from the Life of a Martyr.
Thompson’s composition is modeled after Haydn’s The Seven Last Words of Christ; in this work, Joel Thompson quotes the last words of seven unarmed African American men killed by police or authority figures. Moore’s oratorio depicts the life of Martin Luther King, Jr, from birth to carefree childhood, young love, a calling to amplify the voice of his people, the hatred he experienced for his commitment, the grief of his untimely death, and the power of his message.
These works are joined by the world premiere of The Hymn! by Stacey V. Gibbs and an arrangement of Glory from the film Selma by Dr. Eugene Rogers.
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Track Listing & Credits
# | Title | Composer | Performer | |
---|---|---|---|---|
01 | The Hymn! | Stacey V. Gibbs | EXIGENCE | Eugene Rogers, conductor; Olman Piedra, snare drum | 6:44 |
02 | Seven Last Words of the Unarmed: I. Kenneth Chamberlain Sr., 68 “Officers, why do you have your guns out?” | Joel Thompson | EXIGENCE | Eugene Rogers, artistic director; Eugene Concert Choir and Eugene Concert Orchestra | Diane Retallack, artistic director; Eugene Rogers, conductor | 2:14 |
03 | Seven Last Words of the Unarmed: II. Trayvon Martin, 17 “What are you following me for?” | Joel Thompson | EXIGENCE | Eugene Rogers, artistic director; Eugene Concert Choir and Eugene Concert Orchestra | Diane Retallack, artistic director; Eugene Rogers, conductor | 1:27 |
04 | Seven Last Words of the Unarmed: III. Amadou Diallo, 23 “Mom, I’m going to college." | Joel Thompson | EXIGENCE | Eugene Rogers, artistic director; Eugene Concert Choir and Eugene Concert Orchestra | Diane Retallack, artistic director; Tyrese Byrd, soloist; Eugene Rogers, conductor | 3:15 |
05 | Seven Last Words of the Unarmed: IV. Michael Brown Jr., 18 “I don’t have a gun! Stop shooting!” | Joel Thompson | EXIGENCE | Eugene Rogers, artistic director; Eugene Concert Choir and Eugene Concert Orchestra | Diane Retallack, artistic director; Eugene Rogers, conductor | 0:54 |
06 | Seven Last Words of the Unarmed: V. Oscar Grant III, 22 “You shot me!” | Joel Thompson | EXIGENCE | Eugene Rogers, artistic director & conductor | 1:23 |
07 | Seven Last Words of the Unarmed: VI. John Crawford III, 22 “It’s not real.” | Joel Thompson | EXIGENCE | Eugene Rogers, artistic director; Eugene Concert Choir and Eugene Concert Orchestra | Diane Retallack, artistic director; Eugene Rogers, conductor | 2:15 |
08 | Seven Last Words of the Unarmed: VII. Eric Garner, 43 “I can’t breathe." | Joel Thompson | EXIGENCE | Eugene Rogers, artistic director; Eugene Concert Choir and Eugene Concert Orchestra | Diane Retallack, artistic director; Eugene Rogers, conductor | 3:23 |
09 | Glory from the film Selma | John Stevens, Lonnie Lynn, Che Smith arr. Eugene Rogers, orch. Joel Thompson | EXIGENCE | Eugene Rogers, artistic director; Eugene Concert Choir and Eugene Concert Orchestra | Diane Retallack, artistic director; LaVonté Heard, soloist; Monique Holmes-Spells, soloist; Ruben Reyes, piano; Andre Dowell, drums; Nick Burton, electric bass; Eugene Rogers, conductor | 6:37 |
10 | Scenes from the Life of a Martyr: Prologue 1, 2, 3 | Undine Smith Moore, orch. Donald Rauscher | Marques Jerrell Ruff, narrator | 1:31 |
11 | Scenes from the Life of a Martyr: I. Whenever a People is Oppressed They Wait in Hope | Undine Smith Moore, orch. Donald Rauscher | Eugene Concert Choir and Eugene Concert Orchestra | Diane Retallack, artistic director; EXIGENCE | Eugene Rogers, artistic director; Elaine Alvarez, soprano; Marques Jerrell Ruff, bass; Diane Retallack, conductor | 2:28 |
12 | Scenes from the Life of a Martyr: II. His Mother Rocked Him Gently with Love and Freedom on Her Mind | Undine Smith Moore, orch. Donald Rauscher | Eugene Concert Orchestra | Diane Retallack, conductor | 0:45 |
13 | Scenes from the Life of a Martyr: III. Songs at the Cradle, No. 1 | Undine Smith Moore, orch. Donald Rauscher | Rehanna Thelwell, mezzo-soprano; Eugene Concert Orchestra | Diane Retallack, conductor | 2:08 |
14 | Scenes from the Life of a Martyr: IV. Songs at the Cradle, No. 2 | Undine Smith Moore, orch. Donald Rauscher | Rehanna Thelwell, mezzo-soprano; Eugene Concert Orchestra | Diane Retallack, conductor | 0:47 |
15 | Scenes from the Life of a Martyr: V. Songs at the Cradle, No. 3 | Undine Smith Moore, orch. Donald Rauscher | Rehanna Thelwell, mezzo-soprano; Eugene Concert Orchestra | Diane Retallack, conductor | 1:30 |
16 | Scenes from the Life of a Martyr: VI. Ring Game | Undine Smith Moore, orch. Donald Rauscher | Marques Jerrell Ruff, narrator; Eugene Concert Orchestra | Diane Retallack, conductor | 2:32 |
17 | Scenes from the Life of a Martyr: Narration - Young Manhood | Undine Smith Moore, orch. Donald Rauscher | Marques Jerrell Ruff, narrator | 0:24 |
18 | Scenes from the Life of a Martyr: VII. The Voice of My Beloved | Undine Smith Moore, orch. Donald Rauscher | Marques Jerrell Ruff, narrator; Elaine Alvarez, soprano; Eugene Concert Orchestra | Diane Retallack, conductor | 1:57 |
19 | Scenes from the Life of a Martyr: VIII. Arise My Love, My Fair One | Undine Smith Moore, orch. Donald Rauscher | Demetrious Sampson, Jr., tenor; Eugene Concert Orchestra | Diane Retallack, conductor | 1:48 |
20 | Scenes from the Life of a Martyr: IX. Set Me as a Seal on Thy Heart | Undine Smith Moore, orch. Donald Rauscher | Elaine Alvarez, soprano; Demetrious Sampson, Jr., tenor; Eugene Concert Orchestra | Diane Retallack, conductor | 1:49 |
21 | Scenes from the Life of a Martyr: X. He Hath Anointed Me to Preach the Gospel | Undine Smith Moore, orch. Donald Rauscher | Marques Jerrell Ruff, narrator; Demetrious Sampson, Jr., tenor; Eugene Concert Choir | Diane Retallack, artistic director; EXIGENCE | Eugene Rogers, artistic director; Eugene Concert Orchestra | Diane Retallack, conductor | 2:30 |
22 | Scenes from the Life of a Martyr: XI. I Never Felt Such Love In My Soul Before | Undine Smith Moore, orch. Donald Rauscher | Eugene Concert Choir | Diane Retallack, artistic director; EXIGENCE | Eugene Rogers, artistic director; Diane Retallack, conductor | 2:49 |
23 | Scenes from the Life of a Martyr: Narration - The People Loved Him | Undine Smith Moore, orch. Donald Rauscher | Marques Jerrell Ruff, narrator | 0:44 |
24 | Scenes from the Life of a Martyr: XII. Martin’s Song | Undine Smith Moore, orch. Donald Rauscher | Demetrious Sampson, Jr., tenor; Eugene Concert Orchestra | Diane Retallack, conductor | 4:15 |
25 | Scenes from the Life of a Martyr: Narration - A Good Man | Undine Smith Moore, orch. Donald Rauscher | Marques Jerrell Ruff, narrator | 0:45 |
26 | Scenes from the Life of a Martyr: XIII. Martin’s Lament | Undine Smith Moore, orch. Donald Rauscher | Demetrious Sampson, Jr., tenor; Eugene Concert Orchestra | Diane Retallack, conductor | 2:02 |
27 | Scenes from the Life of a Martyr: XIV. Oh God, How Many are Them that Hate Me | Undine Smith Moore, orch. Donald Rauscher | Eugene Concert Choir and Eugene Concert Orchestra | Diane Retallack, artistic director; EXIGENCE | Eugene Rogers, artistic director; Marques Jerrell Ruff, narrator; Diane Retallack, conductor | 1:26 |
28 | Scenes from the Life of a Martyr: Poem - Words in the Mourning Time | Undine Smith Moore, orch. Donald Rauscher | Marques Jerrell Ruff, narrator | 1:07 |
29 | Scenes from the Life of a Martyr: XV. They Tell Me Martin is Dead | Undine Smith Moore, orch. Donald Rauscher | Eugene Concert Choir and Eugene Concert Orchestra | Diane Retallack, artistic director; EXIGENCE | Eugene Rogers, artistic director; Diane Retallack, conductor | 1:45 |
30 | Scenes from the Life of a Martyr: XVI. Tell All My Father’s People Don’t You Grieve for Me (Alleluia) | Undine Smith Moore, orch. Donald Rauscher | Eugene Concert Choir and Eugene Concert Orchestra | Diane Retallack, artistic director; EXIGENCE | Eugene Rogers, artistic director; Elaine Alvarez, soprano; Rehanna Thelwell, mezzo-soprano; Demetrious Sampson, Jr., tenor; Marques Jerrell Ruff, bass; Diane Retallack, conductor | 6:18 |
Andre Dowell Chief of Artist Engagement, Sphinx Organization
Aaron King Vaughan EXIGENCE Tour Manager
Lukáš Janata, Musical Transcription
Troy DeShazer ECC Director of Operations
Alyssa Morar ECC Director of Marketing & PR
Jill Switzer ECC Donor Relations & Records
Matt Yuknas Orchestra Personnel Manager
Peter Patricelli Cover Photo and Disc Tray Photo
Scenes from the Life of a Martyr
By Undine Smith Moore
Copyright © 1969 by Carl Fischer, Inc.
All rights assigned to Carl Fischer, LLC.
All rights reserved. Used by permission.
BLACK IS BEAUTIFUL is a live recording of the Black is Beautiful concert, presented by the Eugene Concert Choir on May 7, 2023 at the Hult Center for the Performing Arts, Silva Concert Hall in Eugene OR
Recording Session Producer Brian McWhorter
Recording Session Engineer Bill Barnett
Recording Session Engineer George Relles, Relles Sound, Inc.
Mixed by Bill Barnett at Gung-Ho Studio
Mastering Melanie Montgomery
This project was supported in part by the National Endowment for the Arts.
Executive Producer Bob Lord
VP of A&R Brandon MacNeil
A&R Danielle Sullivan
VP of Production Jan Košulič
Audio Director Lucas Paquette
VP, Design & Marketing Brett Picknell
Art Director Ryan Harrison
Design Edward A. Fleming
Publicity Chelsea Kornago
Digital Marketing Manager Brett Iannucci
Artist Information
Eugene Concert Choir
The Eugene Concert Choir organization was formed in 1974 and has grown to include the masterworks chorus Eugene Concert Choir, Eugene Concert Orchestra, and chamber choir Eugene Vocal Arts. A Resident Company of the Hult Center for the Performing Arts in Eugene OR, they present an annual concert series of great choral masterworks and diverse artistic experiences, and feature a growing discography of recordings and videos on streaming platforms and their website eugeneconcertchoir.org
Diane Retallack
Dr. Diane Retallack has been Artistic Director of the Eugene Concert Choir organization since 1985 and is the founding director of the chamber ensemble Eugene Vocal Arts and the Eugene Concert Orchestra. She earned a Doctor of Music in Choral Conducting from Indiana University where she studied conducting with Margaret Hillis, founding director of the Chicago Symphony Chorus, and score analysis with master choral scholar Julius Herford. She has also drawn experience and inspiration from workshops and festivals with Helmuth Rilling and Robert Shaw.
EXIGENCE
EXIGENCE is the professional vocal ensemble of the Sphinx organization, led by founding conductor Eugene Rogers and composed of vocal artists including solo performers, educators, conductors, and composers. The name EXIGENCE is inspired by the definition of the word — “an urgent need or demand.” Their mission is to promote excellence and diversity through choral music within Black and Latinx communities by creating a platform for soloists and composers of color while inspiring and challenging audiences around the country and world.
Eugene Rogers
A two-time Michigan Emmy Award winner, a 2017 Sphinx Medal of Excellence recipient, and a 2015 Grammy® Award nominee, Eugene Rogers is recognized as a leading conductor and pedagogue throughout the United States and abroad. In addition to being the founding director of EXIGENCE and the director of choirs and an associate professor of conducting at the University of Michigan, Rogers is the artistic director of The Washington Chorus (Washington DC).
Joel Thompson
Joel Thompson, composer of Seven Last Words of the Unarmed, is an Emmy-winning artist and educator, committed to creating spaces for healing and community through music. Thompson has collaborated with numerous orchestras and opera companies across the nation. He is composer-in residence with Houston Grand Opera, which commissioned and premiered his opera The Snowy Day, based on the beloved children’s book by Ezra Jack Keats. Thompson was awarded the 2023 Sphinx Medal of Excellence and serves on the advisory board of the New Muses Project.
Undine Smith Moore
Undine Smith Moore (1904-1989) was a prolific composer and steadfast music educator. She has been called “The Dean of Black Women Composers,” and she described herself as “a teacher who composes, rather than a composer who teaches.” In her early years, Moore did not think herself capable of becoming a composer, commenting on one occasion that “one of the most evil effects of racism in my time was the limits it placed upon the aspirations of blacks, so that though I have been ‘making up’ and creating music all my life, in my childhood or even in college I would not have thought of calling myself a composer or aspiring to be one.” Moore composed Scenes from the Life of a Martyr, her self-described “most significant work,” between 1978 and 1981, earning her a Pulitzer Prize in Music.
Sphinx Organization
Sphinx Organization is a social justice organization dedicated to transforming lives through the power of diversity in the arts. Focused on increasing the representation of Black and Latinx artists in classical music and recognizing excellence, Sphinx programs serve beginner students to seasoned classical music professionals, cultural entrepreneurs, and administrators. Founded by poet, journalist, and social entrepreneur Aaron Dworkin and now led by President and Artistic Director Afa S Dworkin, Sphinx envisions a day where the classical music field looks like our communities: where every young person has the opportunity to express themselves and learn classical music; where audiences reflect the people we see on our streets; and where leadership—on stage and off—includes all deserving voices.
Afa Dworkin, President and Artistic Director
Andre Dowell, Chief of Artist Engagement
Soloists for Scenes from the Life of a Martyr
Elaine Alvarez
Soprano
Demetrious Sampson, Jr.
Tenor
Marques Jerrell Ruff
Bass Soloist and Narrator
Rehanna Thelwell
Mezzo-soprano
Eugene Concert Orchestra Members
Dr. Diane Retallack, Artistic Director & Conductor
VIOLIN I
Wyatt True, concertmaster
Hannah Willard
Alwyn Wright
Allison Quade
Jay Sedloff
Lisa McWhorter
Marilyn Tyler
Julia Frantz
VIOLIN II
Jannie Wei, principal
Sophie Therrell
Ben Ehrmentraut
Christopher Stark
Andy Strietelmeier
Ben Gardener
Sofie Yang
Elin Schlichthing
VIOLA
Kim Uwate, principal
Shauna Keyes
Pamela Burovac
Adam Fishburn
Annissa Bolder
CELLO
Eric Alterman, principal
Alex Abrams
Elizabeth Donovan
Austin Bennett
Dale Bradley
BASS
Kevin Brown, principal
Forrest Moyer
Rhys Gates
FLUTE
Alexis Evers, principal
Elaine Martir
Robert Wakely, piccolo
OBOE
Cheryl Wefler, principal
Amanda Givens
Kris Klavik, English horn
CLARINET
Daniel Cathy, principal
Russell Sweet
Max Mabry, bass clarinet
BASSOON
Joseph Hartman, principal
Kelly Cunningham
Bronson York, contrabassoon
HORN
Jonathan Kuhns-Obana, principal
Claire Worsey
Lydia Van Dreel
Justin Stanley
TRUMPET
Logan Thane Brown, principal
Dave Bender
Stephen Dunn
TROMBONE
Henry Henniger, principal
Bailey Schmidt
James Kuzmic
TUBA
Troy DeShazer, principal
HARP
Jane Allen, principal
TIMPANI
Kathie Hsieh, principal
PERCUSSION
Timothy Cogswell, principal
Bob Brudvig
Will Irish
Eugene Concert Choir Members
Dr. Diane Retallack, Artistic Director & Conductor Brad Schultz, Accompanist
SOPRANO I
Bree Boesiger
Susan Edson
Amanda Hammond
Sara Mansfield
Robin Philips
Brittanie Sorensen
Cynthia Stenger Riplinger
Linda Stiegler
Karen Stingle
Nancy Toth
Sandra Weingarten
Kim Wollter
SOPRANO II
Jessica Bittner
Jolene Bradford
Nancy Brendle
Sarah Cooper
Lynn Frost
Teresa Lin
Jennifer Love
Angie Neustel
Carol Snider
Alayne Switzer
Jill Switzer
Alyssa Warnick-Hesse
ALTO I
Marian Brod
Debra Dean
Corlies Delf
Carey Garber
Kathy Heater
Jackie Kennedy
Jennifer McConochie
Patri McKinley
Susan Morrison
Megan Rae
Denita Strietelmeier
Amy Unfred
Daphne Weller
ALTO II
Nancy Evergreen
Kathleen Heinz
Kami Hendrix
Lisa Johnson
Stephanie Kramer
Marian Lill
Kajanda Love
Marilyn Nelson
Amy Newland
Tasha Proudfoot
Deborah Rissman
Hannah Schoen
Theresa Tonnesen-O’Brien
Kimberly Wick
Sandra Wignot
Elona Wong
BASS II
John Bredesen
Loren Crow
Jon Hofmeister
George Hutto
Matt Laubach
Curt Miller
Mike Snider
Jim Whipple
TENOR I
Rick Buck
Dan Close
Chris Dobson
Greg Heinz
Jack Jordan
Glenn Newland
Colin Redmond
Austin Walker
TENOR II
Wayne Amondson
Bruce Cooley
Justus Grose
Ron Heater
Curt McKinney
Harold Thompson
Eric Wick
BASS I
William Baugh
Mike Bricker
Yevgeny Genin
Lynn Kahle
Markus Melancon
Gary Millhollen
Nathan Philips
Bob Tozer
Doug Worley
EXIGENCE Members
Dr. Eugene Rogers, Artistic Director & Conductor
SOPRANO I
Rabihah Davis
Dunn Nicole Joseph *
Taylor Mackenzie Adams
SOPRANO II
Maia Aramburú
Lenora Green-Turner
Kaci Timmons
ALTO I
Lori Celeste Hicks
Lianna Wimberly Williams
ALTO II
Melissa Connor
Monique Holmes-Spells *
Betzabé Juárez
TENOR I
Tyrese Byrd
David Miranda
Matthew Valverde *
TENOR II
LaVonté L. Heard
Julio César Morales Pineda
BASS I
Branden Hood
Stephen Lancaster
BASS II
Steven Berlanga *
Marquess Jerrel Ruff
Joel Thompson
*Section Leaders
Instrumentalists for:
The Hymn!
Olman Piedra, snare drum
Glory
Ruben Reyes, piano, Andre Dowell, drums
Nick Burton, electric bass
Notes
The global choral community was stunned by the composition Seven Last Words of the Unarmed by Joel Thompson. Modeled after Haydn’s The Seven Last Words of Christ, each movement quotes the last words of seven unarmed African American men killed by police or authority figures. Premiered by the University of Michigan’s Men’s Glee Club under the direction of Dr. Eugene Rogers in 2015, this moving work won the American Prize for composition and is in demand across the nation. Thompson has since scored the work for SATB choir and orchestra.
As we stood still in the height of the global pandemic, the nation was riveted at the horror of the killing of George Floyd on May 25, 2020. I had to program Thompson’s moving work to grapple with my feelings. I have since learned that Thompson himself composed Seven Last Words of the Unarmed as a “musical diary” to cope with his reaction to the senseless death of Eric Garner and lack of accountability, never intending his private expression to become a published work. As the words of Garner in 2014, “I can’t breathe,” continued to resonate through George Floyd, Thompson’s extraordinary work has become overwhelmingly relevant.
The pandemic shutdown also gave me an extra year to research and prepare for the Eugene Concert Choir’s In Celebration of Women concert, performed in June of 2021 by our chamber choir Eugene Vocal Arts and released on our YouTube channel. Through that experience, I became aware of the vast repertoire of women composers, especially Black women composers, that has been overlooked or historically marginalized. Dr. Undine Smith Moore’s oratorio Scenes from the Life of a Martyr, which depicts the life of Martin Luther King Jr., was performed to acclaim at Carnegie Hall in 1982, but is largely unknown. At the start of the score, Dr. Moore writes:
“The lives of all martyrs have much in common. This work, written specifically in memory of Martin Luther King, Jr., is, therefore, intended to evoke memories of others who have been Valiant-for-Truth. Portions of the text not written by the composer are chosen from the Bible and a few other poets of different times, races, and places. The composer conceives the variety in text and variety in musical styles to be appropriate to the memory of a man of all the people; who had a dream for all men, of all times, everywhere.”
The oratorio presents “scenes” of the man, from birth, to carefree childhood, to young love, to his deep seated call to serve his people, the hatred he experienced for his commitment, the grief at his death, and the power of his message. At the funeral for Martin Luther King, Jr., bells were rung across the nation 39 times – once for every year of his inspirational life. The score indicates that the bells chime ad lib. It was my editorial decision to extend the ringing 39 times.
I set out to find a way to perform both of these choral masterworks in a concert I wanted to call “Black is Beautiful.” In our overwhelmingly white community which good-heartedly aspires to “celebrate diversity,” I wanted to join together with an authentic voice and mix the colors of our humanity together in performance. I contacted Rogers, who premiered Seven Last Words, and told him my vision. Our rapport was instantaneous, and we could not contain our mutual enthusiasm. Collaboration with Rogers’ professional vocal ensemble EXIGENCE and the Sphinx organization fulfilled this vision entirely.
In addition to these two extraordinary choral masterworks, we are honored to feature EXIGENCE in a world premiere composition by Stacey V. Gibbs, The Hymn!, and to join them on Rogers’ arrangement of the Academy Award winning song Glory from the film Selma. As Rogers and I agree, we do not want this program to be just a lament for those we have lost, but a call to action.
This is a program of beautiful classical music by beautiful Black composers about beautiful Black lives. I hope our entwined vibrations continue to bind us all closer together, on into the future.
— Dr. Diane Retallack