Shanghaied Paisano
Peter Paulsen composer
TurksHeadKnot ensemble
Dalí Quartet ensemble
Composer and double bassist Peter Paulsen presents SHANGHAIED PAISANO, featuring the contemporary music ensemble TurksHeadKnot joined by The Dali Quartet. TurksHeadKnot, which includes Paulsen on double bass and as director, Chris Hanning on percussion, and Chris Bacas on saxophones, incorporates the discipline and precision of modern classical composition with the expressive flow of jazz improvisation. The ensemble is accompanied on this album by The Dali Quartet, a string ensemble known for mixing Latin American, Classical, and Romantic repertoire. SHANGHAIED PAISANO features Paulsen’s Shanghaied Paisano, a four-movement work inspired by Lawrence Ferlinghetti’s Americus IV, as well as Paulsen’s arrangement of Chega De Saudade by Antonio Carlos Jobim.
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Track Listing & Credits
# | Title | Composer | Performer | |
---|---|---|---|---|
01 | Shanghaied Paisano: I. “And then went...” | Peter Paulsen | TurksHeadKnot | Peter Paulsen director, double bass; Chris Bacas, soprano saxophone; Chris Hanning, percussion; DalÍ Quartet | Ari Isaacman-Beck, first violin; Carlos Rubio, second violin; Adriana Linares, viola; Jesus Morales, cello | 8:26 |
02 | Shanghaied Paisano: II. “Passagio al Occidente” | Peter Paulsen | TurksHeadKnot | Peter Paulsen director, double bass; Chris Bacas, soprano saxophone; Chris Hanning, percussion; DalÍ Quartet | Ari Isaacman-Beck, first violin; Carlos Rubio, second violin; Adriana Linares, viola; Jesus Morales, cello | 7:43 |
03 | Shanghaied Paisano: III. “And Cortez came...” | Peter Paulsen | TurksHeadKnot | Peter Paulsen director, double bass; Chris Bacas, soprano saxophone; Chris Hanning, percussion; DalÍ Quartet | Ari Isaacman-Beck, first violin; Carlos Rubio, second violin; Adriana Linares, viola; Jesus Morales, cello | 7:00 |
04 | Shanghaied Paisano: IV. “Americus...” | Peter Paulsen | TurksHeadKnot | Peter Paulsen director, double bass; Chris Bacas, soprano saxophone; Chris Hanning, percussion; DalÍ Quartet | Ari Isaacman-Beck, first violin; Carlos Rubio, second violin; Adriana Linares, viola; Jesus Morales, cello | 12:19 |
05 | Chega De Saudade | Antonio Carlos Jobim arr. Peter Paulsen | TurksHeadKnot | Peter Paulsen director, double bass; Chris Bacas, soprano saxophone; Chris Hanning, percussion; DalÍ Quartet | Ari Isaacman-Beck, first violin; Carlos Rubio, second violin; Adriana Linares, viola; Jesus Morales, cello | 9:35 |
Recorded January 12-14, 2023 at Madeleine Wing Adler Theatre, Wells School of Music, West Chester University in West Chester PA
Session Producer & Engineer Brad Michel
Session Assistant Engineer Lucas Paquette
Editing, Mixing, Mastering Brad Michel
Artwork by Logan Hanning
Executive Producer Bob Lord
A&R Director Brandon MacNeil
A&R Chris Robinson
VP of Production Jan Košulič
Audio Director Lucas Paquette
Production Manager Martina Watzková
VP, Design & Marketing Brett Picknell
Art Director Ryan Harrison
Design Edward A. Fleming, Morgan Hauber
Publicity Patrick Niland
Artist Information
Peter Paulsen
Peter Paulsen is an active performer on the Philadelphia jazz scene as well as Assistant Principal Bass of the Harrisburg Symphony Orchestra and Principal Bass of the Allentown Symphony Orchestra. He has received three PA Council on the Arts composition grants and was recognized with a PEW Fellowship in Composition. Paulsen has released five critically acclaimed CDs of his compositions: Three-Stranded Cord by Peter Paulsen Quintet; Tri-Cycle by Peter Paulsen Trio; Peter Paulsen Change of Scenery Sextet; Goes Without Saying by Peter Paulsen Quintet; and A Few Thoughts by Peter Paulsen Trio.
TurksHeadKnot
The Contemporary Music Ensemble, TurksHeadKnot, incorporates the discipline and precision of modern classical composition with the expressive flow of jazz improvisation in forging a sound quite unique and their own. Newly commissioned works as well as compelling arrangements drawn from a wide range of material are staple elements of the ensemble’s repertoire.
Dalí Quartet
The Dalí Quartet brings its signature mix of Latin American, Classical, and Romantic repertoire to stages and audiences of all kinds. The quartet’s passionate energy is poured into everything they do, generating critical and audience acclaim for their Classical Roots and Latin Soul. Its tours include appearances for distinguished chamber music and cultural center series in the United States, Canada, and South America. Recent engagements include concerts in New York and Philadelphia, on to Portland, Puerto Rico, San Jose, and from Tulsa to Toronto and beyond. The Dalí Quartet’s engaging style reaches across the footlights for an experience which “leaves the audience almost dancing in the aisles.” (Peninsula Reviews)