Ask of Me What the Birds Sang
Garth Baxter composer
Katie Procell soprano
Jeremy Lyons guitar
Christine Thomas mezzo-soprano
Karen Johnson flute
Jennifer Tscheulin clarinet
Bonghee Lee, Valerie Hsu, Andrew Stewart, Wei-Der Huang, Mariko Hiller piano
The Patagonia Winds | Melissa Lindon flute, Audrey Yu oboe, Emily Robinson clarinet, Tia Wortham bassoon, Jay Chadwick french horn
Kühn Choir of Prague | Lenka Navrátilová conductor, Linda Sitková organist
Modern traditionalist composer Garth Baxter’s album ASK OF ME WHAT THE BIRDS SANG presents a wide variety of instrumental works as well as vocal music; each of these unique pieces has a special connection with a song. When Lights Begin to Show, for example, includes a musical quote from “Afternoon on a Hill,” which is the first song in Three Poems from Edna St. Vincent Millay. The songs referenced sometimes come from earlier works by Baxter or borrow from folk music. An unabashedly lyrical composer, Baxter combines the traditions of form and clear melodic writing with contemporary approaches to harmony and other elements.
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A very diverse take on contemporary chamber sounds, each song resonates with a distinct take on melody, and the unparalleled talent on hand sure do execute flawlessly in Baxter’s inimitable vision.
"...a musical treasure hunt with the composer using melodies and fragments from his own work to create new pieces."
Baxter might not be a household name in the same way that certain celebrity figures are, but in giving to the world exceptional music of the kind on Ask of Me What the Birds Sang, he most definitely qualifies as “someone grand.”
Track Listing & Credits
# | Title | Composer | Performer | |
---|---|---|---|---|
01 | Spanish Johnny | Garth Baxter; Willa Cather, text | Katie Procell, soprano; Jeremy Lyons, guitar | 4:37 |
02 | When Lights Begin to Show | Garth Baxter | Karen Johnson, flute; Jennifer Tscheulin, clarinet; Jeremy Lyons, guitar | 4:59 |
03 | A Jagged Path | Garth Baxter | The Patagonia Winds | Melissa Lindon, flute; Audrey Yu, oboe; Emily Robinson, clarinet; Tia Wortham, bassoon; Jay Chadwick, french horn; Wei-Der Huang, piano | 7:40 |
04 | The Long Hill | Garth Baxter; Sara Teasdale, text | Katie Procell, soprano; Valerie Hsu, piano | 3:02 |
05 | Wrapped in the Wind and the Sun: 1st Movement | Garth Baxter | Jennifer Tscheulin, clarinet; Andrew Stewart, piano | 3:33 |
06 | Wrapped in the Wind and the Sun: 2nd Movement | Garth Baxter | Jennifer Tscheulin, clarinet; Andrew Stewart, piano | 3:46 |
07 | November 1994 | Garth Baxter; Cathal Ó Searchaîgh, text | Christine Thomas, mezzo soprano; Andrew Stewart, piano | 2:32 |
08 | Tattoo | Garth Baxter; Nuala O’Connor, text | Christine Thomas, mezzo soprano; Andrew Stewart, piano | 2:24 |
09 | Flirt | Garth Baxter; Nuala O’Connor, text | Katie Procell, soprano; Valerie Hsu, piano | 2:07 |
10 | Songs Without Words in Miniature: Beneath the Hawthorn Tree | Garth Baxter | Bonghee Lee, piano | 1:54 |
11 | Songs Without Words in Miniature: Hearts as One | Garth Baxter | Bonghee Lee, piano | 2:15 |
12 | Songs Without Words in Miniature: We Sat Snug and Warm | Garth Baxter | Bonghee Lee, piano | 1:41 |
13 | Songs Without Words in Miniature: Starry Wondrous Nights | Garth Baxter | Bonghee Lee, piano | 2:27 |
14 | Songs Without Words in Miniature: The Night Grew Cold Without | Garth Baxter | Bonghee Lee, piano | 2:37 |
15 | Songs Without Words in Miniature: The Little Flirt | Garth Baxter | Bonghee Lee, piano | 1:07 |
16 | A Parting Glass | Garth Baxter | The Patagonia Winds | Melissa Lindon, flute; Audrey Yu, oboe; Emily Robinson, clarinet; Tia Wortham, bassoon; Jay Chadwick, french horn | 6:49 |
17 | The Darkness Between Us: Â lalo lalo lalo | Garth Baxter | Karen Johnson, flute; Mariko Hiller, piano | 4:08 |
18 | The Darkness Between Us: Jwandune's Song | Garth Baxter | Karen Johnson, flute; Mariko Hiller, piano | 7:35 |
19 | Still Falls the Rain | Garth Baxter; Edith Sitwell, text | Kühn Choir of Prague | Lenka Navrátilová, conductor; Linda Sitková, organ | 9:20 |
Spanish Johnny
Text by Willa Cather
The Long Hill
Text by Sara Teasdale
November 1994
Text by Cathal Ó Searchaîgh
Translated by Nigel McLoughlin
Tattoo, Flirt
Text by Nuala O’Connor
Still Falls the Rain
Text by Edith Sitwell
Tracks 1-18
Recorded June 3-4, 6-7, 2022 at Carl J Murphy Fine Arts Center, Recital Hall, Morgan State University in Baltimore MD
Producer & Engineer Brad Michel
Editing Ethan Fields
Additional Editing & Mixing Lucas Paquette
Track 19
Recorded February 5, 2020 at The Chapel at Korunní in Prague, Czech Republic
Producer, Editing & Mixing Jan Košulič
Engineer Aleš Dvořák
Mastering Melanie Montgomery
Executive Producer Bob Lord
A&R Director Brandon MacNeil
A&R Chris Robinson
VP of Production Jan Košulič
Audio Director Lucas Paquette
Production Director Levi Brown
Production Assistant Martina Watzková
VP, Design & Marketing Brett Picknell
Art Director Ryan Harrison
Design Edward A. Fleming, Morgan Hauber
Publicity Patrick Niland, Aidan Curran
Artist Information
Garth Baxter
Composer Garth Baxter is noted for his modern traditionalist style of writing. He combines the traditions of form and clear melodic writing with contemporary approaches to harmony and other elements. He is recognized as one of the preeminent composers of art songs and has been described as an unabashed lyrical, tonal composer.
Kühn Choir of Prague
The Kühn Choir of Prague is one of the largest Czech choirs and has been part of the musical world for over 60 years. It devotes itself to the choral repertoire of all periods, and its activities include significant performances of contemporary music, performances of large vocal-instrumental works in collaboration with leading Czech orchestras and, last but not least, projects for the performance and recording of film music.
Lenka Navrátilová
Lenka Navrátilová studied piano and harpsichord at the Teplice Conservatory and choral conducting (sacred music) under the guidance of Jiří Kolář and Marek Štryncl at the Faculty of Education of Charles University in Prague. She is second chorus master of the Kühn Choir of Prague, professor of opera coaching at the Prague Conservatory, and répétiteur of the Prague Philharmonic Choir. As the assistant to the chorus master of the Prague Philharmonic Choir, she has participated in its appearances in Doha, Berlin, and at the Sankt Gallen opera festival.
Patagonia Winds
Patagonia Winds is a professional wind quintet known to Washington DC, Maryland, and Virginia audiences since 2010 for its dynamic programming that the whole family can enjoy. Currently Woodwind Ensemble-in-Residence at Washington Adventist University, the group has performed concerts and children’s educational programs throughout the region, and appeared in recital at the Mid-Atlantic Flute Convention and National Flute Association Convention. Committed to promoting chamber music by living composers, the group has commissioned works by Alexandra Molnar-Suhajda and Andrew John Kosinski, and was featured in concert by the Baltimore Composers Forum.
Katie Procell
Soprano Katie Procell has been praised throughout the Baltimore area for her “golden tone and arresting stage presence” (Peter Dayton). Her musical curiosity includes the avant-garde: Pierrot Lunaire, Ginastera’s String Quartet No. 3, Harawi, Berio Sequenza III, and even Kurtàg’s Attila Fragments. Procell’s opera credits include various roles in two-woman collections of operas: Elevator (ENAEnsemble); Susanna (Le nozze di Figaro, Peabody); Krysia (Out of Darkness, Peabody); Rosina (Il barbiere di Siviglia, JMU); Phyllis (Iolanthe, Luray Opera Theater); Despina (Così fan tutte, Luray). She studied at Peabody Conservatory (M.M., 2018) and James Madison University (B.M. 2016) and trained as an apprentice artist at Opera Roanoke. This summer she will be filming the video premiere of Garth Baxter’s opera Lily and sing the title role.
Jeremy Lyons
Guitarist Jeremy Lyons has been performing, teaching, and living in Baltimore for more than 10 years. He is a founding member of the ensemble Pique Collective and the music organization Mind on Fire. In an effort to present both contemporary and period works of art, he regularly collaborates with artists who work in many disciplines. As a composer, Lyons works on projects that combine music and other artistic media such as poetry, theater, and sculpture. He currently teaches at the Baltimore School for the Arts and privately from his home.
Christine Thomas
Mezzo-soprano Christine Thomas has performed everything from the motets of J.S. Bach to the melodies of Irving Berlin to the minimalism of Philip Glass. The Milwaukee Journal-Sentinel called her voice “an amazing instrument.” The Washington Post said, “her voice is lovely and her stage presence is natural and full of vitality.” Backstage Baltimore called her “a vocal powerhouse.”
Karen Johnson
Karen Johnson, Principal of the Chesapeake Orchestra, and formerly Principal Flutist of the Washington Bach Consort, combines instrumental mastery, great beauty of sound, and a poetic sensibility in her distinctive and memorable performances. The Washington Post has described her playing as “exquisite” and “mesmerizing”; and in another review the Post said “… flutist Karen Johnson wrought unforgettable magic.”
Jennifer Tscheulin
Jennifer Tscheulin is a vibrant clarinetist and bass clarinetist who regularly performs throughout the Eastern seaboard. She teaches clarinet, Music History, and World of Music at Morgan State University, as well as clarinet at the Peabody Preparatory, both located in Baltimore MD.
Bonghee Lee
Pianist Dr. Bonghee Lee is an avid soloist and chamber musician. Her interviews, performances, and recordings have been broadcast across Croatia, South Korea, and throughout the United States. Having participated in numerous international festivals and concert series, Lee has established her excellent virtuosity and musicality. She has performed and presented masterclasses in numerous venues including Lincoln Center, Yamaha Hall, Columbia University, Strathmore Mansion, Baltimore War Memorial, Shriver Hall, Horowitz Visual and Performing Arts Center, Friedberg Concert Hall, Falvey Hall, and numerous acclaimed venues in France, Canada, China, and South Korea.
Valerie Hsu
Valerie Hsu is a collaborative pianist based in Baltimore. A Fischoff National Chamber Music Competition semifinalist, Valerie studied at Vanderbilt University with Craig Nies and Melissa Rose, where she was the inaugural recipient of the Gall/Martin Collaborative Arts Award. Ensemble highlights include a MinEvent performance of the music of John Cage on prepared piano with dancers from the Merce Cunningham Dance Company, the Southeastern United States premiere of George Antheil’s fully-realized Ballet Mècanique, and a 10-day orchestral tour of China. By day, she serves as Executive Director of the Unitarian Universalist Congregation of Columbia in Columbia MD.
Andrew Stewart
Hailed as a “singer’s dream” by Gramophone Magazine, pianist Andrew Stewart has given thousands of performances across a wide spectrum of musical genres. Currently on the music faculty at Goucher College, he has played at venues including the Lyric Performing Arts Center, An Die Musik, the Engineers Club, and the War Memorial (Baltimore); Sidney Harman Hall and American University’s Greenberg Theatre (Washington, D.C.); Maryland Hall for Creative Arts and the Maryland State House (Annapolis); Opera America (New York City); Cal Poly Performing Arts Center and the Berkeley Piano Club (California); and Sala San Gregorio, Sala San Paolo, and La Sala della Conciliazione in Assisi, Italy. He has also performed with the San Luis Obispo County Symphony, the St. Louis Parish Orchestra, Howard County Concert Orchestra, and the Annapolis Chamber Orchestra, and performed on Maryland Public Television, WBAL News Radio, and jWASH.net. He is a longstanding accompanist for both the Maryland Opera Company and Baltimore Musicales.
Wei-Der Huang
Pianist Dr. Wei-Der Huang is a founder of the Octtava Piano Duo; Howard Community College music faculty member, Piano Coordinator, and Concert Series Coordinator; and Music Director and Organist at Greenbelt (MD) Community Church. He received his D.M.A. from the University of Maryland at College Park and his M.Mus. and Professional Performer Diploma from the Manhattan School of Music.
Mariko Hiller
A native of Japan, Mariko Hiller began studying piano at the age of five. Immigrating to the United States, she continued her classical piano study with distinguished pianists, including Nicholas Zumbro (University of Arizona) and Peter Takács (Oberlin Conservatory of Music). She has been an active chamber musician in the Metropolitan Washington area for over 30 years. Hiller has also studied organ, jazz piano, and music education. She has been Music Director at St. Patrick’s Episcopal Church since 1998. Hiller is the founder and the director of the Odeon Chamber Music Series since 2000. She taught general music for 22 years in the Fairfax County Public Schools. She enjoys performing both classical and jazz, and sharing her love for music with everyone. She also writes arrangements of hymns for church services using both classical and jazz renditions. In addition to music, Hiller enjoys playing tennis, skiing, and swing dancing.
Notes
Ask Of Me What The Birds Sang is a mixture of instrumental music and vocal works. Over the years, I have written many vocal pieces. Each time I compose an art song, I strive to ensure the words and rhythm fit with the pattern of the speaking voice for the poem. That is rather a specialty of mine, and, in fact, I have been recognized for my gift of blending words and music. In developing my art songs, I find I often have musical themes and harmonies I would like to explore further, as well as rhythms I would like to contemplate, that just won’t work with the vocal piece. Therefore, I have taken this opportunity to draw on themes from vocal pieces and interpret them more fully musically with instrumental combinations alone. I like the result. I hope you will too.
Every piece in this album has a connection to a song. In addition to the five art songs and the choral work included in this album, the seven instrumental pieces also have references to songs. Some use themes from my art songs or quotes from my opera Lily, while others quote a folk song. All the pieces on this album were written in the last seven years with the exception of Spanish Johnny, The Long Hill, and Still Falls the Rain, which were written earlier.
The pieces are grouped together on this album by a sort of inspiration: The first five are based upon American related themes while the next five are Irish based.