Joys Abiding
Dana Zenobi soprano
Oliver Worthington baritone
Chuck Dillard piano
Navona Records presents JOYS ABIDING, an album of vocal duets by female composers including previously unpublished duets by British-American composer Rebecca Clarke, the text of which inspired the album title. The extensive track list of duets from the Baroque, Classical, and Romantic periods is performed by Dana Zenobi, soprano, Oliver Worthington, baritone, Chuck Dillard, piano/harpsichord, and David Murray, double bass. JOYS ABIDING aims to elevate the important work of female composers who have historically been excluded from the male-dominated classical duet canon.
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Track Listing & Credits
# | Title | Composer | Performer | |
---|---|---|---|---|
01 | Sleep* | Rebecca Clarke | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano | 2:55 |
02 | Nacht für Nacht* | Rebecca Clarke | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano | 2:36 |
03 | Hymn to Pan* | Rebecca Clarke | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano | 2:58 |
04 | Die Geisterinsel | Johanna Kinkel-Mockel Mathieux | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano | 3:10 |
05 | Les langueurs: Nocturne à deux voix | Sophie Gail | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano | 3:31 |
06 | Die Mitternacht war kalt und stumm | Fanny Hensel | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano | 1:08 |
07 | Ich stand gelehnet an den Mast (Wasserfahrt) | Fanny Hensel | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano | 1:29 |
08 | À Travers Bois: Duetto pour voix inégales | Cécile Chaminade | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano | 4:22 |
09 | Io mi distruggo: Madrigale a due voci | Francesca Caccini | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano; David Murray, double bass | 5:19 |
10 | The Purple Moor | Augusta Mary Rachel Dobson | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano | 3:59 |
11 | À Lydie (Horace: Ode IX, Livre III) | Augusta Holmès | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano | 4:56 |
12 | Horazische Ode: Wechselgesang für Sopran, Bariton, und Klavier | Ella Adaïewsky | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano | 6:28 |
13 | Morso e bacio dati in un tempo (Op 2.19) | Barbara Strozzi | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano; David Murray, double bass | 4:49 |
14 | A Canadian Boat-Song | Amy Beach | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano | 3:45 |
15 | La Jota - Sérénade des étudiants - duo espagnol | Pauline Viardot-García | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano | 3:42 |
16 | Habañera | Pauline Viardot-García | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano | 5:54 |
17 | Hör’ es klagt die Flöte: Duettino aus dem Singspiel Die Musikanten | Louise Reichardt | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano | 1:40 |
18 | Belle, viens à moi: Nocturne | Maria Malibran | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano | 3:57 |
19 | Il ritrovo: Barcarola | Maria Malibran | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano | 2:49 |
20 | O That We Two Were Maying | Alice Mary Smith | Dana Zenobi, soprano; Oliver Worthington, baritone; Chuck Dillard, piano | 3:32 |
*Copyright © 2003, Christopher Johnson. All rights reserved. rebeccaclarkecomposer.com
Recorded August 14-17, 2021 in The Eidson Duckwall Recital Hall, Butler University in Indianapolis IN
Session Engineer Frank Felice (Mad Italian Brothers Ink)
Mixing by Frank Felice at the Night Annex Studio. Produced by Sheridan Stormes
Mastering by Melanie Montgomery
Executive Producer Bob Lord
Executive A&R Sam Renshaw
A&R Director Brandon MacNeil
A&R Danielle Lewis
VP of Production Jan Košulič
Audio Director Lucas Paquette
VP, Design & Marketing Brett Picknell
Art Director Ryan Harrison
Design Edward A. Fleming
Publicity Patrick Niland, Aidan Curran
Content Manager Sara Warner
Artist Information
Dana Zenobi
Dana Zenobi has earned national recognition as an interpreter of Art Song by women. She has also garnered operatic success in roles ranging from Mozart and Verdi to Mark Adamo and Philip Glass, appearing with Austin Opera, Lyric Opera Cleveland, The Living Opera, Opera in the Heights, line upon line percussion ensemble, and the Austin Civic Orchestra. Both her performing and her studio teaching have received accolades from The American Prize.
Oliver Worthington
Baritone Oliver Worthington has received international and regional acclaim for performances as an opera singer, oratorio soloist, and recitalist with organizations like Indianapolis Opera, Indianapolis Symphonic Choir, San Antonio Opera, San Antonio Symphony, Hill Country Lyric, Austin Opera, and Lone Star Lyric in roles ranging from Eisenstein to The Duke of Plaza Toro. A champion of living composers, he frequently premieres new works. Worthington is the Vocal Area Coordinator and the Producing Director of Butler Opera Theater at Butler University in Indianapolis.
Chuck Dillard
Pianist Chuck Dillard is a multi-faceted and sought-after performer, educator, conductor, lecturer, producer, and arranger. Highlights from his 2020-2021 season include performing with Met Opera baritone Damien Geter, producing a virtual production of Menotti’s “The Old Maid and the Thief,” presenting a lecture — “Beyond the Pants Role” — for the College Music Society, and speaking at a Symposium on Transgender and Non-Binary Voice Pedagogy.
Notes
JOYS ABIDING shines a light on vocal duets by female composers in Italian, French, German, and English from the Baroque, Classical, and Romantic periods of the Western Classical tradition. We hope to expand the traditionally all-male canon to include some of these important works by female composers. We are particularly pleased to be offering recordings of three duets by Rebecca Clarke, a British-American composer and virtuoso violist. The name of our album, JOYS ABIDING, comes from the last line of her duet Sleep. Look for the companion to this recording, our annotated score anthology with Classical Vocal Reprints, which features first publications of all three of the Clarke pieces.
In addition to introducing you to some beautiful music, we hope that this project becomes an additional resource for voice instructors and music directors programming vocal chamber concerts pairing soprano and baritone — or soprano and mezzo — voices. Currently available resources include the anthologized canon of sacred and secular duets (exclusively works by European male composers), a wealth of English-language Art Song vocal duet literature by 20th-century and living composers (including some women and composers from other marginalized communities), and operatic duet literature (almost exclusively by white male composers). We hope this recording will inspire listeners to further explore vocal works by each composer, as this project is only a sampling of the rich body of duet repertoire created by these women.
Our project is a collaborative effort between faculty at Butler University and Portland State University. We would like to acknowledge the support from both schools, in particular a Faculty Research Grant from the Butler Awards Committee. Special thanks also to our Butler administrators Dr. Lisa Brooks, Dean of the Jordan College of the Arts and Professor David Murray, the Director of the School of Music. We would also like to acknowledge the tireless work of our piano technician Mathew Dickerson. Special thanks to Sheridan Stormes, our producer, and to Frank Felice, our engineer and mixer. We would also like to acknowledge the support and assistance of Wayne Wentzel and Eric Peabody during the rehearsal and recording process. Further thanks to the Butler Arts and Events Center staff, especially Aaron Hurd, Kelsey Dunn, and Joey Wever for support and access to the Eidson Duckwall Recital Hall. Finally, our most heartfelt thanks to Christopher Johnson for permission to record and publish Rebecca Clarke’s beautiful duets. Thank you for listening to our recording.
— The artists