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Fine Music, Vol. 2
Ovidiu Marinescu composer
Stephen Barber composer
Michael Evans composer
José Elizondo composer
Judith Lang Zaimont composer
Ron Nagorcka composer
Hendrik Hofmeyr composer
Osias Wilenski composer
Ingrid Stölzel composer
Hans Bakker composer
Nicholas Sackman composer
Ovidiu Marinescu cello; Karolina Rojahn piano
Moravian Philharmonic Orchestra | Vit Micka conductor
Lee Mahoney violin; Tracy Seeger violin; Ames Asbell viola
Sara Nelson cello; Melissa White violin; Paul Wianeko cello
Awadagin Pratt piano; Melissa Manseau soprano; Jennifer Yeaton-Paris flute
Beth Pearson cello; Paul Dykstra piano; Jose Guna flute and piccolo; Salvador Frances clarinet and bass clarinet; Ferran Armengol percussion; Yana Tsanowa violin; Marina Comas cello; Osias Wilenski piano; Anne-Marie Brown violin; Lawrence Figg cello; Robert Pherigo piano; Ondrej Lebr violin
FINE MUSIC, VOL. II is the second compilation of the Navona Records Fine Music digital series. This installment features the works of Marinescu, Barber, Evans, Elizondo, Zaimont, Nagorcka, Hofmeyr, Wilenski, Stölzel, Bakker and Sackman. This collection both highlights some of Navona’s choicest tracks and offers a preview of things to come.
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Artist Information
Ovidiu Marinescu
Ovidiu Marinescu is internationally recognized as a cellist, composer, conductor, and educator. He has performed at Carnegie Hall, Weill Hall, Merkin Hall (New York), the Great Hall of the Moscow Conservatory, Holywell Room in Oxford, Oriental Art Center in Shanghai, and has appeared as soloist with the London Symphony, New York Chamber Symphony, the National Radio Orchestra of Romania, Moscow Chamber Orchestra, Helena, Great Falls, Portsmouth, and Newark Symphonies, Southeastern Pennsylvania Symphony Orchestra, Cleveland Philharmonic, Limeira Symphony in Brazil, Orquesta de Extremadura in Spain, and most of the professional orchestras in his native Romania. The album LONDON CELLO CONNECTION features Marinescu and London Symphony Orchestra in eight newly commissioned cello concertos by North American composers.
Stephen Barber
Stephen Barber is an influential American voice with over 30 years of professional experience as a composer of concert and film music and an arranger, performer and producer for jazz, classical, popular and world music. From early beginnings in Abilene, Texas, his musical contributions encompass a varied list of the world's leading musicians and ensembles, including Joe Zawinul, Joe Henry, Keith Richards, Meridian Arts Ensemble, Ornette Coleman, T. Bone Burnett, Trakia (Bulgaria) folk ensemble, London Symphony Orchestra, Chamber players from the New York and Los Angeles Philharmonic, American Boys Choir and Czech Radio Orchestra, to name a few.
Michael J. Evans
Michael J. Evans is an American composer based in Washington DC. He has recorded with pianist Karolin Rojahn, Sirius String Quartet, Janaček Philharmonic, Moravian Philharmonic. St Petersburg State Symphony Orchestra, and Kiev Philharmonic. Living in DC has had a profound influence on his music. Many of his works explore, or are inspired by LGBTQ, environmental, and social justice issues. His recent projects are focused on multimedia: combining music, literature, and video.
José Elizondo
Mexican composer José Elizondo received degrees in Humanities, Electrical Engineering and Computer Science from the Massachusetts Institute of Technology (MIT). At Harvard University, he studied musical analysis, orchestration and conducting. As an engineer, Elizondo’s work focuses on speech-recognition technology, which combines his interests in computer science, linguistics, natural language processing and artificial intelligence.
Judith Lang Zaimont
Judith Lang Zaimont's music is often cited for its immediacy, emotion and drama. Her distinctive style-strongly expressive, sensitive to musical color and rhythmically vital-is evident in even her early music. The New York Times described it as "exquisitely crafted, vividly characterized and wholly appealing," and perhaps for these reasons her music has consistently drawn performers from around the globe and several of her works have achieved repertoire status.
Ron Nagorcka
Ron Nagorcka (born 1948) composes in his hand-built solar-powered studio in a remote forest in Tasmania (the island state off Australia's south coast) where the natural world provides him with much of his inspiration. He has been exploring both music and nature since his childhood on an Australian sheep farm and studied music - including pipe organ, harpsichord, and composition - at the University of Melbourne and the University of California, San Diego. In the 1970s he was a prominent and influential figure in Melbourne as an innovative composer, teacher, keyboard performer and improviser with electronics. He was also one of the first non-indigenous musicians to master the didjeridu and pioneered its use in classical composition.
Hendrik Hofmeyr
Hendrik Hofmeyr, who has been described as South Africa’s most performed composer of Classical music, was born in Cape Town in 1957. He achieved his first major success as a composer in 1988 with the performance at the State Theatre of The Fall of the House of Usher, which won the South African Opera Competition and the Nederburg Opera Prize. In the same year, Hofmeyr, who was furthering his studies in Italy during ten years of self-imposed political exile, obtained first prize in an international competition in Trent with music for a short film by Wim Wenders. In 1992 he was appointed lecturer at the University of Stellenbosch, and in 1997 won two further international competitions, the Queen Elisabeth Competition of Belgium (with Raptus for violin and orchestra) and the Dimitri Mitropoulos Competition in Athens (with Byzantium for high voice and orchestra).
Osias Wilenski
Osias Wilenski was born in Buenos Aires, Argentina. From an early age he studied piano with Professor Vicente Scaramuzza and harmony, counterpoint and composition with Dr. Erwin Leuchter, who had been a pupil of Alban Berg. From Leuchter comes his early interest in 12-tone music, a system that Wilenski has abandoned since. During the 1950s and through the suggestion of pianist Arturo Rubinstein, Wilenski won a scholarship to study at the Juilliard School of Music in New York, where he resided for several years. There he studied composition with William Bergsma, William Schuman and Vincent Persichetti. He also had private piano lessons from virtuoso Simon Barere, of which he was the only pupil. He started a solo pianist career and played concerts in New York in Hunter College and Town Hall.
Ingrid Stölzel
IngridStölzel (b.1971) has been hailed “as a composer of considerable gifts” who is “musically confident and bold” by National Public Radio’s classical music critic. Her music has been described as “tender and beautiful” (American Record Guide) and as creating a “haunting feeling of lyrical reflection and suspension in time and memory” (Classical-Modern Review). At the heart of her compositions is a belief that music can create a profound emotional connection with the listener.
Hans Bakker
After he finished his studies piano, church organ, and choral conducting at the Dutch Institute for Church Music in Utrecht, Hans Bakker (b. 1945) worked as a teacher at two music schools in the Netherlands. He also conducted two choirs and was active in the improvisational music scene. His career in music was followed by the study of Sanskrit. After obtaining his master's degree at the University of Amsterdam, he returned to music, becoming completely occupied by teaching at Globe Center for Art and Culture in the city of Hilversum.
Nicholas Sackman
London-born Nicholas Sackman (b. 1950) studied music at Nottingham University and then at Leeds University with Alexander Goehr. He spent fifteen years teaching music in schools before returning to the Music Department at Nottingham as a Lecturer in Composition.
Karolina Rojahn
Karolina Rojahn is a Los Angeles based pianist who has dedicated the last decade of her career to premiering and recording contemporary music repertoire. She has premiered over a hundred new works and collaborated with various classical music labels, most notably Naxos, having released over 43 recordings of chamber and solo piano music, including 5 piano concertos written specifically for her.
Moravian Philharmonic Orchestra
The Moravian Philharmonic Orchestra is one of the foremost and oldest symphony orchestras in the Czech Republic. It is based in the historical capital of Moravia, the city of Olomouc, and has been a leader of music activities in the region for the past 70 years. Its artistic development was directly influenced by distinguished figures from the Czech and international music scene.
