Instrumentaion: Piano

Piano virtuoso Eliane Rodrigues returns with her latest Navona Records release — THE GERSHWIN & BERNSTEIN CONNECTION, a new look at timeless pieces by legendary American composers. Together with talented artists including her daughter, pianist Nina Smeets, Rodrigues thrills audiences once again with her moving and truly spellbinding performances.

It all began in 2011, when DuWors and Niekawa, then students at Eastman School of Music, were assigned to perform Mozart's last Sonata for Violin and Piano K. 526 together. The magnificence of the piece not only unlocked a profound musical rapport between the two young musicians, but also inspired their name as a collective.

Daniel Ott, who holds degrees in Composition from both the Curtis Institute of Music and the Juilliard School, and currently serves on the faculty of the latter, is not only expertly familiar with the piano duet as a genre, but also harbors a very personal link to it: The piano duo who performs the works on the album, Karen and Jeffrey Savage of 88^SQUARED , are close friends of Ott from university days.

It’s almost hard to believe that Andrew Anderson hails from Australia, given how deeply rooted he seems to be in the European High-Romantic tradition. The first quartet in particular is profoundly reminiscent of the virtuoso chamber works of Dussek and Hummel, with a dash of Dvořák for good measure. And yet, its sound is decidedly modern. Not only is the work stunningly well-proportioned, it effortlessly adheres to the classical sonata form – not in a rigid, miniaturized way of imitation, but completely naturally, as if it could only exist in this way and no other.

Hailed by the New York Times as "An interesting composer” and "attractive and tonal" with music described as "a passionate duet “ and "a sprightly songfest,” prolific contemporary composer Mira J. Spektor’s career spans decades, languages, and disciplines. With a compositional repertoire including chamber operas, musicals, film scores, art songs, and cabaret, Spektor has written English, French, and German songs and performed and recorded in the United States, Europe, and Israel. She is also a published poet and brings her wealth of knowledge, experience, and musical passion to her Navona Records debut SUMMER & WINTER SONGS.

It is tempting to compare Matej Meštrović's compositional style to his great predecessors in the late-Romantic tradition. After all, much of the Croatian composer's style and techniques would be right at home in Rachmaninoff’s concertos, Tchaikovsky's works, or Prokofiev's neoclassicism; and the name of the album's first work, Danube Rhapsody, naturally evokes associations with Smetana's similarly river-themed Vltava. Add to all of this that Meštrović, like most of his great musical ancestors, is a talented virtuoso pianist, and it's easy to see why 3 RHAPSODIES is bound to meet with enthusiasm.

Introducing the album is Lee Actor’s Duo for Violin and Cello. The track, which won the Eva Thompson Phillips Award for Composition in 1979, is a short, textured, and powerful piece. In ABA form, the energy of the stringed instruments swings like a parabola from the height of sharp, angular rhythms down into deep and gentle expressions and builds up to a sharp, explosive climax.

Soprano Shudong Braamse blends vocal artistry with technical skill in her recording of SUEÑOS DE ESPAÑA. This treasury of Spanish art song relates stories of passionate love, broken promises, and heartfelt prayers. Braamse's performance demonstrates both an understanding of the rich Spanish culture and its 19th-century romantic poetry.

Beginning with just the spark to write three trios, composer Carl Vollrath created an intense yet reflective collection of works in SOULS IN TRANSITIONS. This Navona Records release moves through waves of contemplation on life, history, and the evolution of spirituality through the performances of violin, cello, and piano by acclaimed pianist Karolina Rojahn.

Although Arnold Schoenberg is often seen as a composer strictly concerned with pitch, his interests in timbre and sonority are ever-present in all five of his completed piano works. On SCHOENBERG PIANO MUSIC AND HIS 17 FRAGMENTS, pianist Yoko Hirota performs three of Schoenberg’s completed works along with the 17 fragments that he never brought to completion. Hirota, praised as being “precise and keenly projective” and demonstrating the “highest level of proficiency,” is one of the leading interpreters of contemporary piano repertory, and she brings Schoenberg’s compositions to life with conviction.

“Music is a game we play… It is to be respected, but not to be taken too seriously. It belongs to all of us. It is ours to create and recreate, to mess around with, as long as we give credit.” In his own words, Toker expresses the freedom that can be found within the written page of every musical score. A whole world can be discovered, rediscovered, and recreated in a single piece, and TOKER MESSING AROUND seeks to do just that.

The idea for THE JOHN PSATHAS PERCUSSION PROJECT: VOLUME ONE began in 2013 with John Psathas’ piano and gamelan piece Waiting: Still which Omar Carmenates arranged for percussion trio. While unknown at the time, this arrangement launched a five-year-long relationship that culminates in Carmenates’ debut for PARMA Recordings. For THE JOHN PSATHAS PERCUSSION PROJECT: VOLUME ONE, Carmenates acts as arranger, director, and performer, and is joined by a roster of talented musicians including pianist Daniel Koppelman and drum set soloist Justin Alexander.

Composer Garth Baxter calls his commitment to form and aesthetic "modern traditionalism." And indeed, his new album RESISTANCE may just offer the best of both worlds in one captivating experience. Each piece has certain features in common: they are immediately, intuitively accessible to the listening ear, and all of them draw upon Baxter's ability to evoke sincere emotions with every note.

Within their varied appearances and sounds, the piano, vibraphone, and marimba make up a unique family. Nonetheless, key similarities bind them together, and SUSTAIN explores just that. The latest multi-composer release by Navona Records, SUSTAIN presents works for various keyboards that explore not only the abilities of each instrument, but the varied approaches from five different composers.

Composer David Carpenter’s PARMA debut, FROM THE VALLEY OF BACA, features three works that illustrate the expansive scope of his compositional style. From the lyrical Trio, to the powerfully poetic title work for baritone and piano, to the romantically-inclined Sonata, FROM THE VALLEY OF BACA demonstrates the composer’s ability to express his artistic vision in a wide variety of musical genres.

Composer Richard Thompson’s three-act opera presents the life behind the name of Paul Laurence Dunbar, one of the most prominent African American poets of the early 20th Century. This dramatic performance, inspired by the hundreds of letters exchanged between Dunbar and his wife, Alice Ruth Moore, removes the masks of fame and social identity to investigate the psychological realities of the people underneath.

Acclaimed piano four-hand duo Dana Muller and Gary Steigerwalt come together once more for IN YOUR HEAD, a collection featuring the work of six composers that highlights both fresh compositional talents and earlier successful works. Each piece demonstrates the unique synergy between the two performers. With twice the hands, twice the talent, and twice the interpretation, the piano is pushed to dynamic and sonoric extremes.

Minju Choi, a passionate performer with a love for contemporary compositions, unveils the works of three powerful composers in BOUNDLESS, her album for solo piano works. BOUNDLESS covers it all: love, the transcending of cultural boundaries, and music’s ability to communicate the abstract and indescribable.

BUTTERFLY EFFECTS AND OTHER WORKS contains four pieces of music, each with its own personality. Vercoe composed Butterfly Effects using evocative melodies reminiscent of a butterfly in flight. The mood of each of the seven movements, set by the interplay of harp and flute (piccolo, bass, alto, or concert flute), is at times somber and reflective, and at other times bluesy and brilliant. Vercoe experiments with various techniques, sometimes with soaring melodies and trills in the flute, and at other times with more primal, percussive sounds such as beat boxing and key slaps.

First up in this compelling collection is a selection of Walt Whitman's oeuvre, including the work that inspired the album's title, which Perkins' music hauntingly elucidates as the lament of a soul hovering on the brink between life and death. Intriguingly, the composer preserves the mood for the Holy Sonnets by John Donne, a Petrarch-style, English Renaissance collection of sonnets auguring the later Baroque period's preoccupation with the contrast between carnality and mortality.