Instrumentaion: Orchestra

Pianist Fanya Lin's RHAPSODIC is a masterful exploration of two of the most iconic pieces in piano repertoire. With her deft touch and nuanced interpretation, Lin lends an entirely new dimension to George Gershwin's Rhapsody in Blue and Rachmaninoff's Paganini Variations. From the opening notes of Gershwin's masterpiece, Lin's playing proves both powerful and sensitive, capturing the complex emotions of the iconic American composer with great vividness. Some musicians might be hard-pressed to switch seamlessly into the mind and heart of the great Russian, but Lin's virtuosity is on full display as she navigates the intricate variations with vigor and precision, effortlessly enticing the listener into their bittersweet, heady romance.

Light the fireplace, don your coziest sweater, and let the festive sounds of DASHING VOL. 4 from Navona Records whisk you away on a joyful journey through holiday music both new and familiar. Featuring a fresh line-up of contemporary composers, this edition of the series fuses the magic and warmth of holiday tones with the modern flair of today’s classical music, making for a neatly-packaged gift that's sure to spark the spirit of the season. From new choral and orchestral expressions to cherished melodies and bluesy interpretations of classic tunes, DASHING VOL. 4 spares no expense in merriment and good cheer.

Composer Sophie Dupuis presents dazzling, profoundly eclectic compositions inspired by visual art on COMME BON LUI SEMBLE. Dupuis' musical language is measured, almost minimalist, but the colors she weaves into bright tapestries of sound certainly aren't. Pop culture or high culture, she draws inspiration from numerous sources — leading to compositions that are at once highly abstract, yet highly descriptive. It's a tightrope to walk, and at dizzying heights, but thankfully, Dupuis is not susceptible to musical vertigo.

Transmutation: “to change or alter in form, appearance, or nature, especially to a higher form.” Joanna Estelle embodies this definition in her deeply personal and profound compositions on TRANSMUTATION, a communal effort featuring various talented performers coming together to transmute their message to you. With music as vulnerable and exposed as the stories it tells, TRANSMUTATION is a reflection on the patterns of life through periods of both rain and shine, and the constants that keep us grounded through the changes that they bring. Estelle’s message is clear: to allow for change is to allow for healing.

Navona Records is proud to present SUBLIMITAS, a symphonic album bringing to life the posthumous works of composer Michael G. Cunningham. Performed by the Janáček Philharmonic Orchestra, Cunningham’s 5th and 6th Symphonies soar with spirited flair and clarity. These works are thoughtfully paired with his Mountain Poem, a jubilant and moving piece composed with musical peaks and valleys that simulate a thrilling adventure. As a composer whose works span 11 previous Navona Records releases, the works presented on SUBLIMITAS make for a delightful final parting gift from an artist who showed an unwavering dedication to sharing his music with the world.

Hot on the heels of its preceding installments, DIMENSIONS VOL. 5 from Navona Records highlights the works of seven celebrated composers. These orchestral pieces showcase a broad range of innovative compositional styles featuring traditional and modern influences, drawing inspiration from an opera about a mystical wolf, moments of uncertainty and reflection in life, the music of Handel, and traditional Latvian folk music, just to name a few. Leveraging musical passion and orchestral ferocity, DIMENSIONS VOL. 5 offers listeners a broad example of some of the most exciting work in contemporary orchestral music.

WALTON & BARBER from famed British violinist Thomas Bowes celebrates the works of two early 20th century composers, William Walton and Samuel Barber. The album includes Walton’s Concerto for Violin and Orchestra and Two Pieces for Strings from Henry V, as well as Barber’s Concerto for Violin and Orchestra op. 14 and the touchstone Adagio for Strings op. 11. Throughout the album, Bowes’ breathtaking virtuosity is on full display. His playing, which has been characterized by Gramophone Magazine as “deeply human” and “unusually communicative,” teases out subtleties and rises to the challenge of the most technically-demanding passages. With the violin at centerstage, WALTON & BARBER brings the full power of the orchestra to bear.

Strong convictions make for strong emotion, and in Michael J. Evans' case, emotion transforms into operatic scenes. A FINE AGITATION is an eight-part stage work based on Susan B. Anthony's letters during her infamous voting trial, which sheds light on the beloved social reformer from a personal, intimate, and profoundly charming angle. Both biographies and political subjects are notoriously difficult to set to music without becoming either dry tragedies or kitschy pastiches, but Evans circumvents this pitfall with a compositional style that is subtly, tastefully shaded, and at times almost light-footed. It shows Anthony, an American social justice icon, from a perspective that might have been disregarded for the better part of a century – the perspective of being human.

The aptly-titled HEAVY PEDAL VOL. 2 from Navona Records is the second installment of an organ-centric series of albums. Featuring the music of composers Christopher Hoh, Deon Price, Richard E Brown, and John Rommereim, the collection lives up to its name; these organ works are some of the most powerful that classical music has to offer. From Hoh’s Concertino Corona, inspired by the hardships and seeds of hope from COVID-19, to Brown’s Six Chorale Preludes on Favorite Hymn Tunes, which were composed using Brown’s encyclopedic understanding of historical hymns, HEAVY PEDAL VOL. 2 brings the organ down from the choir loft to allow all listeners a greater appreciation of this incredibly dynamic instrument.

DANCING IN THE PALM OF GOD'S HAND from J.A. Kawarsky and Navona Records isn't at all a typical worship album; rather, it's a cross section through Kawarsky's oeuvre that encompasses minimalist solo pieces, intimate chamber music, and grand orchestral works. The themes on this album are vast and sweeping, at once lavish and carefully measured, reflecting the great and the minute, like an interplay between human and God. It's an almost philosophical experience, and one needn't be religious to enjoy its uplifting qualities.

The accordion surely is an evocative instrument, its mere timbre conjuring mellow images of the Italian Riviera or cobbled Parisian streets. One would expect it to be quite out of place in the relatively formal environment of the classical concert hall – and be sorely mistaken, as far as Richard Galliano is concerned. The versatile French composer and accordion virtuoso sets out to elegantly shatter expectations – and his new album MADREPERLA proves him right. MADREPERLA's brilliance stems not only from the sheer audacity of juxtaposing the accordion with a full orchestra, nor from the fact that it succeeds spectacularly in doing so. What's most intoxicating is Galliano's fusion of symphonic writing with eclectic styles of dance – the pavane, the mazurka, the milonga, the forró, the waltz – whose particular zest, allure and élan pour forth torrentially from these compositions. A triumph.

SYMPHONIC CHRONICLES VOL I from Navona Records features the works of celebrated living composers from a wide variety of backgrounds and influences. Performed by the London Symphony Orchestra and Royal Scottish National Orchestra, the music touches on topics ranging from jazz to the COVID pandemic, racial injustice, and more. Steve Law’s melodic and rhythmic Piano Concerto draws inspiration from Gershwin, Rachmaninoff, and Prokofiev while assimilating the influences of jazz, pop, and minimalism. In Barbara Jazwinski’s Fantasy on Jazz, the composer meditates on the complex and ever-evolving music of New Orleans. Simon Andrews’ Interlude No. 3 from “The Scars On His Back” recounts the story of legendary Native American freedom fighter Po’pay, and the revolt against the Spanish colonists he helped inspire. These examples are just a taste of the evocative works found on SYMPHONIC CHRONICLES VOL I.

Daniel Burwasser’s music has been praised as accessible, communicative, and imaginative, descriptors encapsulated in the recordings of FLIGHTS OF IMAGINATION, a comprehensive release including some of Burwasser’s most beloved works. Burwasser provides no shortage of musical variety; the childlike wonder of Catching Fireflies is paired with the rhythmic, jubilant, and occasionally mystical qualities of Whirlwind, Flux, and Puck’s Game, while A Well-Traveled Road is a tumultuous and lively musical journey through lush, overflowing fields of orchestration. There is undoubtedly something for every musical ear in the works of Daniel Burwasser, and in FLIGHTS OF IMAGINATION, listeners will be well-met in finding it.

Eight exceptional composers, eight premiere recordings with a legendary orchestra, and one spectacular soloist: LONDON CELLO CONNECTION is a captivating compendium of contemporary compositions by celebrated cellist Ovidiu Marinescu and the London Symphony Orchestra with conductor Miran Vaupotić. Marinescu’s emotive, lush sound and superb technical command provides the continuous thread throughout the program, from the elegant “Sarabande” by Marvin Lamb to Arthur Gottschalk’s regal “Brunetti Meditations” to the shimmering, pulsing “Soul Dance” of Diane Jones, connecting and contrasting each of these works and others by John Robertson, Katherine Price, Joanna Estelle, L Peter Deutsch, and Keith Kramer. Recorded in June 2022 at the LSO’s St. Luke’s Church, the historic site on London’s Old Street which dates to 1733 and was restored to become home to the orchestra’s recording, community, and music education programs.

DIMENSIONS VOL. 4 gathers together a diverse collection of works for large ensemble by six lauded contemporary composers. These powerful yet intimate creations expand the boundaries of traditional chamber music while preserving the unique timbre of each individual instrument. The collection includes works like Shallow Streams by Ashlee T Busch, in which quick-moving wind, string, and percussion lines dance over the calm “riverbed” of the piano. A Distant Place by James Lentini employs eight instruments including harp and guitar to portray the driving spirit that compels us to chase our dreams. Meanwhile, Piccola Serenata from composer Liova Bueno is a 21st-century take on a style of music composed and performed in Europe during the 17th and 18th centuries, intended as light entertainment at social gatherings. These are just a few examples of the sheer breadth of DIMENSIONS VOL. 4.

Navona Records is proud to present LEGENDS AND LIGHT VOL. 3, an ambitious collection of new works for large ensemble performed by the Janáček Philharmonic Ostrava. Several modern composers assemble on this album to deliver new expressions in classical music, highlighting stark contrasts of darkness and light and the other-worldy experiences that charge our artistic spirit. Inspired by art, mystical experiences, and the wonders of our universe, this edition of the LEGENDS AND LIGHT series casts a serene spotlight on the compositional innovation and orchestral ferocity of today’s composers and performers, an exhilarating showcase of the current and exciting state of classical music.

Edward Hart’s UNDER AN INDIGO SKY features A Charleston Concerto and Under an Indigo Sky, two concertos that celebrate and reflect the history and culture of the Southeastern United States. A native of Charleston SC, Hart finds inspiration in the natural beauty and multicultural heritage of his homeland. A Charleston Concerto was written to commemorate the 350th Anniversary of the City of Charleston; it features a collaboration with the Charleston Symphony and the world-renowned Harlem Quartet. It takes an unflinching yet ultimately hopeful view of the city’s complex history over those three and a half centuries. Under an Indigo Sky for violin and orchestra is a musical love letter written to Hart’s geographical home. It explores both the physical splendor of the mountains and coast, but also the feel and “soul” of these breathtaking places.

Life can sometimes seem like an infinity mirror of colors reflecting off of themselves, each tint deeply distinct in its own right, yet profoundly beautiful when viewed as a whole. This sentiment is thoughtfully expressed in KALEIDOSCOPE from composer Craig Morris and Navona Records. Morris’s compositional strengths are far-reaching and dynamic, and aptly showcased here with orchestral and chamber works written in a variety of orchestrations. Sentiments of gentle reflections, care and acceptance, and love are echoed throughout this release, a cohesive collection of works written from powerful emotions that tie into the kaleidoscope that is the human experience.

Navona Records and the Portland Youth Philharmonic are proud to present TOMÁŠ SVOBODA: PREMIERE RECORDINGS, an album bringing four works from composer Tomáš Svoboda to life. Since 1924, the Portland Youth Philharmonic has provided young musicians in Portland OR with a challenging opportunity to explore their creativity while receiving the highest quality musical education. Through this album, the ensemble further upholds their mission statement with these dexterous works including two premiere recordings, Svoboda’s Folk Concertino for 7 instruments and Variations for Violin and String Orchestra.

Contemporary symphonic music tends to fall into either one of two categories: hopelessly cerebral concert hall material that is difficult (if not impossible) to understand – or background music for motion pictures. Neither classification would be much to the liking of New York native Anthony Iannaccone, who sets out to prove that one can have the best of both worlds on LOOKING BACK, MOVING ON. Both his third and fourth symphonies make a strong case: spirited, organically structured, and imaginative, they are formidable displays of American verve. The Concertante for Clarinet and Orchestra, more subtle but no less energetic, drives home the point.