Instrumentaion: Orchestra

Navona Records presents HEDGEHOG'S HOME, a classic tale centered on the importance of caring for our natural habitat. Based on the original children’s story by Bosnian Serb author Branko Ćopić, this adaptation for the Zagreb Philharmonic Orchestra was originally premiered in September 2019 at Zagreb’s Vatroslav Lisinski Hall under the baton of then maestro David Danzmayr. A time-tested narrative in an all new form, this presentation of Hedgehog’s Home serves as a gentle and artistically driven reminder not to take our respective abodes for granted.

Dynamic pianistic playfulness and impressive orchestral sonority shine in PLETER from Croatian pianist and composer Matej Meštrović. The composer’s personal signature can be heard throughout the piece, equal parts majestic and jubilant with subtly suspenseful moments that cascade into grandiose beauty. An eclectic and versatile composer, Meštrović joins the acclaimed London Symphony Orchestra on this recording, unearthing immeasurable melodic, harmonic, and rhythmic opulence as both the composer and the featured pianist.

The essence of Tonči Huljić’s music is eclecticism, his Western melodic style fused with the rich instrumentalism of the Mediterranean and the world resulting in a completely new spirit. This MEDITERRANEAN POP MASS, recorded in Split, Croatia, thoughtfully blends traditional orchestral and modern sounds in exciting ways, infusing iconic classical works with groove, reignited passion, and an appreciation of the conventions of today’s musical idioms. Featuring an orchestra, choir, modern rhythm section, and soloists Hana Huljic, Lorena Bucan, Karlo Vudric, Huljic conjures an atmosphere like no other in his compositions, a satisfying listening experience for anyone who appreciates where music has been, and where it is going.

Navona Records presents DASHING VOL. 3, a festive assortment of new works inspired by the signature sounds and staples of the holiday season. Comprising stories, nods to classic holiday tunes, and an underlying current of wistful nostalgia, this installment of the DASHING series keeps the spirit of holiday music alive with new compositions and arrangements of well-known favorites. Brought to life by a number of orchestras, chamber ensembles, and choirs, the works of new and returning composers to the series are sure to ignite the charm and congeniality of the holiday season, highlighting the many facets that the bright break of winter can bring.

Navona Records presents SPARKS: THE EYE OF LONDON, an assembly of original fanfares performed by the London Symphony Orchestra. Drawing from the compositional strengths of today’s composers, the orchestra navigates chaos and order, isolation, and ascension towards triumph through passionate orchestral writing reminiscent of the fire that burns within us. A collection spanning thought-provoking narratives, scenic synesthesia, soothing passages, and the whimsically abstract, the London Symphony Orchestra explores a vast musical landscape of emotions, tackling each with precision and verve.

On FIGHT FOR LIGHT, Dutch composer Jesse Passenier explores the peripheries of jazz and classical, marrying the two genres together through symphonic music. The music presents a struggle for strength, goodness, and clarity, in which moments for great energy and urgency give way to quiet purity. Containing three works by Passenier: Piano Concerto No. 1 "Levensdrift” (a Dutch word meaning “the primal urge to live”); Vibraphone & Marimba Concerto No. 1 "Becoming the Colour"; and Duo for Vibraphone & Piano “Unraveling Confusion,” these pieces taken together as a whole reveal Passenier’s breadth as a composer, offering a musical commentary on the realities we face in today’s society.

Navona Records presents Michael Kurek’s SYMPHONY NO. 2: TALES FROM THE REALM OF FAERIE, a rich musical tapestry intertwining the colors and characteristics of many fantastical worlds the composer has entered and loved. Performed by the European Recording Orchestra, a certain spirit of unspoiled beauty, innocence, nobility, hope, and heroic goodness stretches across four movements, each giving the listener creative control of the worlds they conjure. With a well-balanced lineage of traditional compositional techniques running throughout his symphony and other works for choir to follow, Kurek presents a dynamic assortment of work that keeps the spirit and heritage of classical music alive.

Composer Richard E Brown and Navona Records present THE GIFT OF THE MAGI, a chamber opera in one act that tells the beloved story — first published by O. Henry in 1905 — of a young married couple who, despite being very poor, sacrifice their most cherished possessions to demonstrate their love for one another. This chamber opera adds even greater breadth to the composer’s output, which has also included works for concert band and orchestra, instrumental solos and ensembles, church music, piano solos, and scores for ballet, opera, and musical theater. The virtuosic performances heard on THE GIFT OF THE MAGI lend a moving emotional dimension to this heartbreaking yet ultimately uplifting story of love and sacrifice.

A champion of repertoire and lauded by the New York Times as a virtuoso, double bassist Richard Fredrickson brings his instrument to the forefront on ALL AMERICAN BASS, an album of works composed specifically for him. Joining the Slovak Radio Symphony Orchestra and conductor Kirk Trevor, Fredrickson flawlessly navigates the works by Vittorio Giannini, John Carbon, and William Thomas McKinley. From Giannini’s darkly profound and agitated Psalm 130 to Carbon’s Endangered Species, which portrays the double bass as a wild and powerful beast that gracefully reins itself in, to McKinley’s modern, somber-then-lively Passacaglia, Fredrickson’s command of tone and melody creates an unforgettable recording and serves as an encapsulation of the instrument’s potential.

On SOURCE GROUND, Hans Bakker’s second full-length release on Navona Records, the composer once again probes music’s ability to, as Leonard Bernstein said, “name the unnameable and communicate the unknowable.” Rhythmically rigorous pieces for solo piano, organ works that fill every nook and cranny of the aural spectrum, powerful orchestral works, and pieces for the rare and haunting lame-sonore draw listeners towards a sense of infinite oneness connected by music.

The term "symphony" automatically evokes grandiosity in all aspects – a large-scale orchestra, great compositional complexity and considerable playing time. Orlando Cela and his Lowell Chamber Orchestra turn this idea on its head with MINIATURE SYMPHONIES, an enticing selection of short and snappy sinfoniettas for chamber orchestra.

Hot on the heels of its first edition, INVITING WORLDS VOL 2 follows in the footsteps of its predecessor with the rhythmic dexterity and textural nuance of today’s orchestras paired with a new roster of composers. New sounds and expressions burst with emotion and uplift us through dark days, navigating uncertainty and delivering us to tranquil resolution. From the frenetic energy and hair raising harmony of Chasse Noir to the soothing solemnity of When Quiet Comes, INVITING WORLDS VOL 2 delivers a colorful palette of orchestral virtuosity sure to please any listener who lends an ear.

Peter Drew’s SYMPHONY NO. 1 "REMINISCENCE" is a pastiche of sorts; it gathers up the musical moments that have touched the composer throughout his life. These musical reminiscences recall his excitement as a very young boy, listening to the works of the great western composers through the speaker of a portable radio, and musically encapsulate his discovery of jazz and popular music. The symphony eventually carries listeners well beyond the shores of America to Africa, Australia, Brazil, throughout Europe, India, and Mongolia. Those who follow Drew along this symphonic journey are sure to reap the rewards of the composer’s lifelong dedication to music in all its forms.

Australian composer Mark John McEncroe and Navona Records present SYMPHONIC SUITE NO. 3: THE FOREST AND THE MOUNTAINS featuring three orchestral movements that draw inspiration from the natural world—”Meandering in the Forest I,” “Running Mountain Streams II,” and “Wandering in the Mountain Wilderness III.” Brought to life by Zagreb Festival Orchestra, McEncroe’s unique voice and filmic quality flow throughout, with musical illustrations painted by striking crescendos and gentle string and woodwind melodies.

Composer Michael Murray’s album PASSAGES brings the words of iconic 19th and 20th century poets to life through stirring music for solo soprano and instruments. Murray has selected poetry from the likes of Robert Louis Stevenson, William Butler Yeats, William Wordsworth, John Keats, and Walt Whitman, with poems detailing childhood adventure, hope, and tragedy. Celebrated soprano Genevieve Fulks performs throughout; most of the music heard on the album was written specifically with her voice in mind. Murray’s music has been lauded for its meticulously crafted yet ultimately approachable style. Through familiar themes and time-honored poetry, Murray invites listeners to engage with, and even be challenged by, this collection of thoughtful compositions.

With VOICES OF NIGHT, composer Richard E Brown introduces a formidable set of works to American orchestral repertoire. His lush orchestration gives his works depth and texture, while individual instruments cut through to create musical narratives that whisk listeners through lyrical passages and dancelike rhythms. While his pieces thrive on the suspenseful and dramatic, they are by no means a pure emotional onslaught—for every build and crescendo, Brown returns to calmness and simplicity. His ability to wrest control of the orchestra from rafter-shaking crests to gentle melodies provides each piece with breathing room, making them all the more powerful.

Recognized as Malta’s foremost musical institution for half a century, the Malta Philharmonic Orchestra keeps the fire burning with an album featuring works from Alexander Borodin, Joseph Vella, and Paolino Vassallo. While all three pieces wield their own compositional characteristics, an underlying theme of pride and victory in the face of adversity is present throughout, with Vella’s Rebbieħa subtly referencing fragments of Malta’s national anthem, Vassallo’s Malta reflecting the patriotic ideals of Romantic period artists, and Borodin’s Second Symphony depicting the imagery and celebration of war heroes. Enjoy the sonorous roar of the full philharmonic orchestra as they tell tales of triumph through music.

Navona Records presents HAMLET from Joseph Summer. In this installment of the Shakespeare Concert Series, composer Joseph Summer brings us along to Elsinore with The Bard’s classic play in an all new setting complete with the lyric integrity of Shakespeare’s words in a contemporary musical arrangement. Performed by Bulgaria’s State Opera Ruse orchestra, choir, and selected Bulgarian soloists with nine international soloists singing the lead roles, the celebrated revenge tragedy bursts with a new modern flair while keeping the spirit and riveting narrative of the original alive.

A primeval forest, unaltered by man and teeming with natural greens and ancient oaks, and its power struggle between chaos and order is unearthed in OERBOS from composer Peter Greve. His third volume of all original compositions, the composer offers a wide variety of works for solo, chamber, choral, and orchestral performers, along with a riveting narrative of forest life in the album's titular symphonic poem. Join the Janáček Philharmonic Ostrava as they guide you through a turbulent passage of music, beginning with a calm sunrise and ending with an ode to the unity of mankind and nature, a celebratory movement after a ravaging storm.

Spanning landscapes from Mexico to Canada, the Pacific Crest Trail covers thousands of miles of natural beauty, creating a transformative journey captured in FROM WILDERNESS from Navona Records. Choral Arts Initiative, conducted by Brandon Elliott and joined by cellist Kevin Mills, paints these landscapes from composer Jeffrey Derus with vibrant color, with vocal soloists giving identities to the spirit animals one may encounter on the trail. A concert-length work and meditation, the listener will hear a wash of sounds that allow for introspective reflection on the sacredness of nature, the profound text, and themselves.