Instrumentaion: Guitar

ESFAHÂN features eight cross-cultural compositions by Reza Vali. Blending Persian and Western classical traditions, the album is the first commercial recording of these works. Highlights include Hajiani, for Karnâ and electronics, as well as Sornâ (Folk Songs, Set No. 17) for Persian wind instruments and ensemble, featuring traditional Persian wind instruments. Highlights also include Four Persian Mystic Poems for mezzo-soprano and ensemble, and Esfahân for string quartet. Vali’s music is both highly innovative and deeply rooted in tradition; the unique modal system he uses borrows from the ancient Persian Dastgâh-Maqâm system, which was rediscovered through his extensive study of Iranian folk music. Despite eschewing Western approaches to counterpoint and musical form, Vali’s music is polyphonic and highly structured. The result is a compelling marriage of East and West, old and new.

Composer-performer Giovanni Piacentini’s ORÍGENES is an exploration of the spirit of the Americas through the guitar. Spanish colonizers introduced string instruments like guitars and vihuelas when they arrived in America, which in turn gave rise to a series of indigenous instruments across the continent such as the Colombian tiple, the Mexican jarana, and the Panamanian mejoranera, to name a few. This blending of American and European cultures is at the heart of ORÍGENES. Drawing on the contributions of legendary guitar composers like Manuel M. Ponce, Heitor Villa-Lobos, and Astor Piazzolla, Piacentini’s ORÍGENES contributes a fresh perspective to this musical legacy.

In FOLKSONGS from Duo Apollon, soprano Anastasia Malliaras and classical guitarist Aaron Haas conjure up portrayals of folksongs from around the world, traversing the Greek islands, Spain, England, and France. With this collection of popular songs, reimagined by 20th century composers, Duo Apollon invites us into the intimate, bare, and familiar sound of the guitar and voice duo. Join the duo on a musical journey into compositions by Ravel, de Falla, Britten, and Seiber, across cultures and languages, and into the heart of folklife.

THE DISTANT SHEPHERD from award-winning classical guitarist & composer Santiago Kodela explores the full timbral and emotive range of the instrument in a solo setting. His performance deftly employs iso-rhythms, metric modulation, and chord harmonization to breathtaking effect. Also known for his work in chamber and choral music, Kodela showcases the virtuosic prowess that won him the 1st Prize Gold Medal in the category of Senior Classical Guitar at the 125th edition of the Feis Ceoil, Ireland’s largest classical music competition. Through notes and chords, Kodela’s THE DISTANT SHEPHERD offers an evocative portrait of a lone shepherd tending to his flock.

Celebrated Montréal flutist Joanna Marsden explores the work of eighteenth century French composer Michel Pignolet de Montéclair on MONTÉCLAIR CONCERTS FOR BAROQUE FLUTE from Navona Records. The performances feature The Opus Project, a chamber music initiative founded by Marsden and Christophe Gauthier dedicated to revisiting early musical prints and manuscript sources in order to celebrate the unsung treasures of baroque chamber music. The “concerts” of Montéclair reconcile Italian virtuosity and complexity with French expressive language, exploring a variety of national styles to which he was exposed during his time working in Milan. Orchestrated with flute, viola da gamba, harpsichord, and theorbo, The Opus Project gives new life to these centuries-old compositions for modern audiences.

Tchaikovsky's works burst with well-loved, well-known melodies – which is precisely what renders them a challenge for any young musician. How does one perform a cherished classic without resorting to cliché or to musical blasphemy? Talented violinist and arranger Sarah Coyl has found her personal answer to this dilemma on PAS DE DEUX: by re-setting the Russian composer's works for unprecedented setups – in this case, the violin-guitar duo and the violin-guitar-piano trio. This audacious endeavor is strengthened not only by Coyl's undeniable talent as a multi-genre arranger, but also by her two skillful colleagues, the keen-minded, quick-fingered guitarist Max Case and emotive, empathetic pianist Angelo Monroy. The result is an album that is still very reverently Tchaikovsky – but seen from a fresher, more youthful angle.

Every pianist makes a piece their own, adding flourishes and signature accents, but Marta Brankovich takes artistic interpretation to a new level. Leveraging her passion and irreplicable touch on the piano, the black swan of piano conjures an unforgettable storm on MARTA, THE TEMPEST. This long-awaited exploratory deep-dive into the classical canon delivers fresh interpretations of works by Rachmaninoff, Chopin, Kaufman, Jirásek, and Webber, complete with a solo piano composition by Brankovich herself that offers an inside look into her artistic emergence. Weaving themes of adversity, opposing forces, and oneness with a profoundly emotive approach, Brankovich delivers a powerful program in this Navona Records release.

Modern traditionalist composer Garth Baxter’s album ASK OF ME WHAT THE BIRDS SANG presents a wide variety of instrumental works as well as vocal music; each of these unique pieces has a special connection with a song. When Lights Begin to Show, for example, includes a musical quote from “Afternoon on a Hill,” which is the first song in Three Poems from Edna St. Vincent Millay. The songs referenced sometimes come from earlier works by Baxter or borrow from folk music. An unabashedly lyrical composer, Baxter combines the traditions of form and clear melodic writing with contemporary approaches to harmony and other elements.

The repertoire for clarinet and guitar has traditionally been very limited. Or at least it was, until creative clarinet-guitar duo Jâca entered the stage. Comprised of Canadian clarinetist Wesley Ferreira and American guitarist Jaxon Williams, this spirited duo explores and expands the vast potential of this rare combination of instruments on their aptly-named album BREAKTHROUGH.

Following their Navona Records debut in 2019, Duo Sequenza returns with YES… IT’S STILL A THING!, a new program geared towards building new audiences for today’s classical music and promoting the work of living composers. Comprised of flutist Debra Silvert and classical guitarist Paul Bowman, Duo Sequenza brings an enchanting and harmonious quality that showcase the complementary capabilities of their respective instruments. From emotive and introspective works to scenic vistas painted in sound, the duo once again proves their musical chops and adaptability across a wide array of compositional styles.

Composer Ferdinando DeSena is no stranger to variation; from his previous electro-acoustic concoctions to this dynamic blend of chamber orchestrations in TOCCATA MIAMI, a world of enticing conversation between tonal opposites begs to be uncovered in these expressive compositions. Oboe and piano dance in an ominous sonata soundscape, harps and flutes seek to sooth in Three Attitudes, and solo piano works shine with a latin flair in the album’s titular track.

On IMPRESSIONS OF SPAIN from Navona Records, the critically acclaimed guitar trio enchants and excites with their performance of Spanish-influenced works from master composers of the late 19th and early 20th centuries. Arranged and adapted for guitar trio by Gregg Nestor, the unexplored repertoire of five composers cascades across guitar frets in this recording, communicating themes of love, poetry and literature, spanish dance, and the spirit of Spain itself through music. Experience the works of Isaac Albéniz, Maurice Ravel, Enrique Granados, Joaquín Turina, and Manuel de Falla through a new and virtuosic voice.

On FADING SOUNDS, composer Georges Raillard turns a creative eye towards the simple wonders of the world with a deep appreciation for the fleetingness of each moment. The aptly titled album presents 10 works for solo guitar, each of which take full advantage of the instrument’s tone and timbre. As the pieces conjure images and memories of landscapes, experiences, and thoughts, every cheerful chord, harmonic passage, and lyrical progression inevitably ends with a haunting resonance that leaves the ear wanting more. The compositions are dexterously played by guitarist David William Ross, whose gentle confidence on the instrument lets Raillard’s musical ideas ring out with clarity and precision.

DEDICATIONS: NEW WORKS FOR THE LUTE from early music specialist and lutenist Laudon Schuett celebrates the history of the lute while contributing fresh music to the instrument’s centuries-old repertoire. In this album, Schuett, who has been praised for his “immaculate articulation and sensitive phrasing” (Fanfare), imagines himself a well-traveled and long-lived lutenist, composing and performing works that range in period and style; some pieces may sound Italian from the 1530s while others sound English from the 1590s. Schuett’s performances include contrapuntal fantasies, dances, and grounds, giving listeners the chance to more fully understand the instrument’s history and sheer versatility. In DEDICATIONS: NEW WORKS FOR THE LUTE, Schuett is both a performer and an educator, opening up the world of early music for connoisseurs and new fans alike.

A true melding of Eastern and Western cultures, Duo Chinoiserie’s CHINOISERIE combines the Chinese guzheng and European classical guitar to create an inspired new canon of classical repertoire. A bold and carefully handpicked selection of compositions—including new arrangements of Granados, de Falla, and Debussy alongside a transcription of Goss and new works by Assad, Duplessy, and Nakanishi—explores the instruments’ dialogue and complementary textures while uniting contrasting musical styles into a cohesive, well-defined whole. As the guzheng’s crisp, plucky clarity interplays with the guitar’s chords, even the most well-known classical pieces become fresh and energized, born anew with a unique and visionary sound.

Fusing European and American musical traditions, the album pairs the excitement of rock and jazz rhythms with classical orchestral and chamber music forms.

Navona Records presents PAINTED MUSIC from Quatra Duo. This album of works for flute and guitar by four heralded contemporary composers unlocks the imaginative, expressive power of these beloved instruments.

FIGMENTS 2, which follows the success of 2016’s FIGMENTS, is a compendium of chamber music that sparks the imagination. The album features the works of Yuan-Chen Li, Peter Dayton, Hans Bakker, Navid Bargrizan, and Charles Corey—innovative composers whose works draw inspiration from the world around them, be it the tribal dances of indigenous peoples, art history, 16th-century keyboard music, the science of acoustics, or the idiosyncrasies of language.

Composer Mira J. Spektor presents both sensitivity and passion in her new album DAYTIME & NIGHT SONGS. She combines masterful, original compositions with thought-provoking poetry written by a number of artists.

Beginning as a single spark of inspiration, the orchestral work blossoms into something transcendentally grand and organically rich. DIMENSIONS VOL 2, the second in Navona Records’ series for orchestra, presents five organically inspired compositions, with music that is as multidimensional and richly textured as the subject matter is multifaceted. Traverse through each unique work and witness what vast results can be drawn from the creative mind.