Genre: Chamber

Sonatas for brass and piano are a tricky thing to pull off; in consequence, they are few and far between. Andrew Lewinter, himself a long-time orchestral horn player and soloist, has decided to add to the repertoire on MUSIC FOR BRASS AND PIANO: crafting four different sonatas for piano and each instrument of the brass family, and concluding with a dazzling piano quartet. The tonal language of these sonatas — for piano and trumpet, horn, trombone and tuba, respectively — draws heavily upon the Romantic tradition, but it never copies; rather, it is a reinvention of what Romanticism might have been, had it unfurled in the 21st century. A vibrant arc of suspense gives life to each individual work and, culminating in a grand finale, to the album itself.

Reed Chamberlin’s AVE MARIS STELLA is a rare 21st-century recasting of beloved motets and secular works from the 14th and 16th centuries. Works by du Fay, Gabrieli, de Machaut, and more are reimagined through a double lens — the time-held tradition of setting renaissance work for wind bands, and, especially to the genre, the addition of post-production audio effects. AVE MARIS STELLA’s impressive variety of auditory experiences are recorded at such a high level of performance that it is nothing but a complete delight, from track to track and as a whole body of work.

COMPELLING PORTRAITS from lauded trombonist Kenneth Thompkins celebrates the music of contemporary Black composers. The album features five pieces, three of which are commissioned trombone chamber music works. These compositions take listeners on a journey from the contemplative to the triumphant, showcasing Thompkins’s range and sensitivity as a performer. The title track, composed by James Lee lll, is a musical ode to the paintings in Jacob Lawrence’s Migration Series and in particular his painting Confrontation at the Bridge (Selma, Alabama). Drawing upon the works of multiple contemporary artists, COMPELLING PORTRAITS reflects the contribution of contemporary Black composers to a rich musical legacy.

Navona Records and trombonist Andy Malloy present BEST OF FRIENDS, a collection of personalized pieces for trombone and piano. Featuring works that Malloy commissioned from his colleagues over the years, the album is truly an ode to the relationships formed through musical collaboration. Each piece on the album pushes the musical boundaries to which the trombone is often held through creative uses of tonality and soaring melodies. Rhythmically energetic passages, jazz harmonies, and more speak throughout the album, highlighting the musicianship of Malloy and the compositional dexterity of his colleagues, a musical testament to the power of collaboration.

BRASS TACKS from Navona Records offers far more than the fundamental idioms of classical music. While the works featured on this album pay homage to great classical and romantic composers, subtle contemporary flairs shine throughout this collection. Odd meters, blue notes, ferocious brass writing, and imaginative deviations from traditional song structures seamlessly push the envelope for brass repertoire. Delve into the rich sound of brass soloists and ensembles in this compelling multi-composer album.

Navona Live is proud to announce the release of INDIANA COLLECTANEA, which celebrates and preserves composer Michael G. Cunningham’s residency at Indiana University School of Music from 1969-1973. This live recording of Cunningham’s work comes on the heels of his acclaimed album ECUMENICAL SPIRIT from Navona Live earlier this year. This latest release captures a significant moment in time, when Cunningham’s work helped channel the talents of 30 burgeoning musicians.

Trombonist Deb Scott makes her PARMA debut with her new Navona release PLAYING FAVORITES, accompanied by pianist Ron Petti. She performs a variety of her favorite pieces that appeal to her background in jazz and to her considerable technical skill. She writes: “What I love about each one is its ability to engage a diverse audience making for enjoyable and exciting musical moments.”

For decades, John Rojak has been a staple in American brass music, performing with a number of chamber ensembles and orchestras such as American Brass Quintet, Cleveland Orchestra, the New York Philharmonic, and the Boston Symphony; in Broadway shows including Les Misérables and The Producers; in big bands of Mel Lewis, Bob Mintzer, and Gerry Mulligan; and contributing to the pedagogy of the bass trombone as a faculty member of several institutions, including The Juilliard School, The Hartt School, and Aspen Music Festival and School. Needless to say he has taken the bass trombone and its repertoire to new heights in the classical, contemporary, jazz, and commercial genres.

A stroll along the Seine - Notre Dame reflected in the waters below - the Eiffel Tower illuminated in evening skies - bistro conversations echoing in the streets of the Left Bank. Parisian scenes such as these come to mind when listening to the nuances of pianist Kathryn Goodson's debut Navona Records release, BELLE NUIT, a collection of works from the La Belle Époque and beyond, with arrangements for piano and wind instruments.

For too long the trombone has been ignored as a central instrument in contemporary music. On PAPER CLIPS, trombonist Andy Malloy proves the instrument's capabilities of being a driving force and, along with pianist Karolina Rojahn, its collaborative appeal. An unabashed champion for the trombone, Malloy commissioned each work on this album specifically to expand the often overlooked instrument's repertoire.

CAUSAL DUALISM, Keith Kramer's second full-length release on Navona, is a celebration of dichotomy and relationships between all things. Duality, for soprano, saxophone, bass trombone, and string quartet, explores the interaction and relationships of the ensemble; Causality represents the string orchestra's journey of expression and highlights the action and reaction that permeates through all events; Flame of Attention, for soprano saxophone, the beginning of a long-term collaboration between the composer and Gottfried Stoger.