Instrumentaion: Choir

With its innumerable recordings by the greatest pianists in history, one would think the book has been written on Johann Sebastian Bach's timeless pianistic masterpiece, The Well-Tempered Clavier. Renowned Swedish-Ukrainian pianist Natalya Pasichnyk now adds her name and interpretation to this illustrious list with RETHINKING THE WELL-TEMPERED CLAVIER. Her intellectual yet spiritual take on the matter is likely to be exactly what the composer envisioned. Guided by Bach's assertion that music's ultimate purpose is to glorify God and rejuvenate the spirit, Pasichnyk explores the intersection between divine inspiration and human existence. The result is a veritable tour de force of strength and sensitivity; of rational perspicuity, yet with the most tender sentiment; of surging vigor and might, but also of nonchalant lightness. A triumph.

The Newberry Consort and EnsAmble Ad-Hoc present A MEXICAN CHRISTMAS, an album of 17th century traditional music for worship and celebration. The collection features pieces commonly heard in both liturgical service and in the streets, and evoke the solemnity and fanfare heard in Mexico City’s convents and plazas, with jubilant vocals and lively strings, guitars, and percussion. Organ, harp, bassoon, and a variety of Mexican traditional instruments bring this exuberant and diverse music to life.

Chicago's best-known early music ensemble The Newberry Consort exhilarates with VESPERS, a collection of dazzlingly original music for women’s voices. The composer? A mysterious early-17th-century Mexican named Juan de Lienas, whose style energetically oscillates between Renaissance and Baroque elements.

Navona records presents LAUDATO SI: IN THE SPIRIT OF ST. FRANCIS OF ASSISI, a tribute to the 13th century Italian friar and preacher. Beloved over the world for his charity, devotion to poverty, and delight in Creation, St. Francis portrays his love for the beautiful in his poetic writings. In this exquisitely crafted vocal-organ program soprano Charlene Canty, countertenor Andrey Nemzer, and organist Nicholas Will present a fresh musical take on the Franciscan poetic tradition with world premiere recordings of three contemporary settings of texts by (or attributed to) St. Francis written by the composer Eli Tamar. These works are complemented by a series of solos and duets from various settings of Stabat Mater from the Baroque period to the mid-twentieth century.