Instrumentaion: Orchestra

From mythic origin stories, to the Elizabethan stage, to the modern cinema, the human experience is bound in storytelling that has the power to captivate minds and inspire creativity. Like a good story, the composers featured on SPELLBOUND transport the listener across landscapes only limited by the imagination. These new works for orchestra behave as narrative arches, allowing tension and emotion to build and release to a euphoric conclusion or a haunting realization.

Erik Lotichius, a composer unafraid of melody and accessibility, combines the sounds of traditional classics with those that took the 20th-century audiences by storm - in the composer's own words, his work presents "Bach, the Blues and the Beatles" in a spectacular, enthralling combination of genre and style.

TORRID NATURE SCENES, an album of chamber works from Australian composer Nicholas Vines, presents a series of musical landscapes that instill both anxiety and ebullience in the listener. Through his innovative use of woodwinds, voice, and chamber ensemble, Vines - a composer lauded for his "crackling style" (NewMusicBox) and called "compellingly original" (Boston Phoenix) and "both humorous and unsettling" (WGBH) - asks us to consider representations of nature fueled not by a passing glance of a wondrous vista, but by a series of creative engines wracked with self-burning energy, profound fury, and breath-filled life.

FINE MUSIC, VOL. 4 is the fourth compilation of the Navona Records Fine Music digital series. This installment features the works of David Nisbet Stewart, Brian Noyes, Jonathan Little, Daniel Perttu, Curt Cacioppo, Santiago Billoni, Alejejandro Rutty, Joanne Carey, Ludwig van Beethoven, Joseph Summer, Roger Bourland, Kjell Magne Andersen, and Jan Van der Roost.

PARADIGMS explores the notion that music of varied influences, backgrounds, and techniques can be strung together to represent modern classical as a whole. With orchestral works that dive into the dramatic and expressive, ponder the impressionistic through textured and rhythmic motifs, and compare the bright with the chaotic, this album posits that music of all studies and methods of creation are pieces of a larger puzzle that shape the American contemporary soundscape.

With OF BIRDS AND LEMONS, Navona Records presents the diverse orchestral works of two composers united by their affinity for energetic, stylistic, and rhythmic composition. José Elizondo and David Tanner, whose respective works simultaneously complement and challenge those of the other, share their varied backgrounds and experiences to create a glorious whole with international appeal.

In April 2003, the earliest stringed instrument ever found, the Gold Lyre of Ur, was damaged by looters at the Iraq Museum in Baghdad. In 2004, British harpist Andrew Lowings constructed an authentic and playable replica, and enlisted the help of composer Michael Mauldin to promote the project. Moved by the instrument's legacy and the narrative possibilities of the project, Mauldin composed The Last Musician of Ur for orchestra and harp, crafting a flowing narrative following the last musician to play the historic instrument as she is torn between inescapable destruction and the hope of timeless, international peace.

Observing the landscape of contemporary classical, one might assume that the art music community has shifted its focus away from the melodic, harmonious, and accessible. CONVERGENCE, an album of works by David Nisbet Stewart and George Gershwin, presents just the opposite: imaginative, expressive works that appeal to performers and audiences alike.

GALLERY is a collection of works by composer Michael G. Cunningham, containing three of his narrative ballets and the Gastein Masterwork. The ballets Nyadina, based on a Balanchine film ballet; She, based on the 1887 Haggard novel; and Chrysalis at Mardi Gras, based on the Saint Joseph story resembling Cinderella contain a narrative, choreographic flow with emotional and fable-like undertones.

DIVERGENCE is a collection of violin concerti written by three living composers. These works by Nicholas Sackman, Scott Michal, and William Thomas McKinley follow the traditional frameworks of the concerto with the individual stylings and influences of each composer worked into each piece; Sackman’s Concertino for Violin and Orchestra features delicate melodies surrounded by punchy rhythms, Michal’s Encomiums pays homage to three great masters of counterpoint, and McKinley’s Concert Variations takes a Mozart-like theme and gives it a 20th century fantasy variation treatment.

SOUND SPECTRUM features works for piano, soprano, and orchestra by composer Allen Bonde. Bonde draws from his personal experiences and feelings to craft beautiful pieces with a wide range of styles: Fantasia for Piano and Orchestra, a cohesive work cast in traditional harmony; Three Elizabethan Songs and Three Elizabethan Songs Revisited, a set of works blending simplicity and sophistication; Symphony No. 1, a kaleidoscopic orchestral piece with astounding instrumental color; Rose Window, a musical representation of the breathtaking Rose Window at Mount Holyoke Chapel; Sonus I, a 12-tonebased and freely composed piece in variation form; Four Shakespeare Songs, a fresh take on the Bard's work stylistically reflective of the 1920s; You Were The One, based on the sensitive poetry of Mary Jo Salter; and Encore Blues, a one-take improvised celebration of the recording sessions. Often performing the works himself as pianist, and in collaboration with the "Bonde Family," his oeuvres provide warmth, intimacy and compositional diversity with each piece.

DIURNAL THOUGHTS is a collection of four previously unreleased works for orchestra by composer Francis Fairman. Fairman, who was born into a prolifically musical family and began his studies at a very young age, is able to translate his vivid imagination and vision directly into his music. His compositional style and musical experience allow him to craft pieces that reflect their visual inspirations, as we hear in The Fox, Diurnal Thoughts, and New York Taxi.

With works described as "an inspired creation" (Music & Vision), "original and quite brilliant" (Fanfare), and "immensely poetic" (Tempo), Jonathan Little has planted himself as a luminary contemporary composer. On POLYHYMNIA, his first release on Navona Records, Little is able to transform traditional influences into rich, intense, and finely structured music that lives up to his reputation.

FINE MUSIC, VOL. III is the third compilation of the Navona Records Fine Music digital series. This installment features the works of Lawrence Siegel, Sergio Cervetti, Tony Piccolo, Adrienne Albert, Daniel Perttu, Gerhard Stabler, Jane O'Leary, Jim Scully, Meira Warshauer, Piffaro, John Carollo, William Vollinger, Peter Van Zandt Lane, Lawrence Ball, and Benjamin Yusupov. This collection both highlights some of Navona's choicest tracks and offers a preview of things to come.

Through his Argentinean tango-infused classical works, composer Alejandro Rutty has carved an original, unique niche in classical music, blending tango, electronic, and classical elements into a cohesive whole. On the multifarious THE CONSCIOUS SLEEPWALKER, his first album on Navona Records, Rutty presents works for saxophone quartet and orchestra that explore concepts ranging from explorations of tango within pop culture of the future to half-dreams versus fictional reality.

With FIRE & TIME, Navona presents a compilation by six American composers of orchestral works united by an expansive and sublime musical vision. With programmatic influences ranging from Jungian philosophy to musings on ancient Korean art to descriptions of contrasting mountain vistas, each piece on this album asks us to not only reflect on our collective past but our communal future as well.

Composer Sergio Cervetti has cemented himself into the contemporary classical scene, earning notoriety for his ability to present orchestral, opera, chamber, vocal, and electronic under a single classical umbrella that is distinctly individualistic. With works lauded as "truly novel and genuinely intriguing" (Washington Post), "noteworthy in the sea of fluff that passes for electronic music" (Option Magazine), and "a listener's joy" (New York Times), Cervetti has proven himself a worthy contender in the world of contemporary classical.

Lawrence Siegel’s Kaddish is an evening-length cycle of fifteen original songs for chorus, soloists, and chamber ensemble that serves to find a common ground with those who survived the Holocaust. The choral masterpiece’s libretto is drawn from interviews with Holocaust survivors and incorporates elements of folk songs and traditional Klezmer music. As a whole, Kaddish brings us on a journey through the cultural identities of pre-Holocaust central Europe, reflections of the atrocities that occurred during those years, and the victims’ desire for ordinariness.

John A. Carollo’s newest release, THE TRANSFIGURATION OF GIOVANNI BAUDINO is a fascinating mixture of music written for different orchestral instrumentations and with wildly varying intended emotional responses. The composer himself may best define the intangible aspect of his music’s emotive intentions, writing, “I have always preferred to let music speak for itself. We each derive our own unique personal meanings from our listening experiences and most of it is felt viscerally.”

CONTINUUM features the modern orchestral works of Stephen "Lucky" Mosko, Tim Sullivan, Dan Crozier, and Michael G. Cunningham. From Mosko is the premier recording of Transliminal Music, one of only three of the composer's orchestral works. From Sullivan is Polychrome, a piece based in instrumental colors that finds the perfect balance between experimentalism and accessibility. From Crozier is Fairy Tale, an "opera scene without words" that explores the narrative power of music. From Cunningham is TransActions, which is driven by actions, gestures, and lines on one orchestra level bringing about reactions on other levels.