Genre: Solo Instrumental

An exploration of the unique timbral characteristics and technical extensions of wind instruments, Gregory Wanamaker’s LIGHT AND SHADOWS, WAVES AND TIME is comprised of eight compositions that collectively illustrate the composer’s ability to integrate various genre influences into a distinctive whole. His music has been lauded as “pure gold, shot through with tenderness and grace” by the San Francisco Chronicle and “achingly beautiful” by the Palm Beach Daily News.

Composer Mark John McEncroe's latest album MUSICAL IMAGES FOR PIANO presents a theater of the mind, performed with a delicacy that is both melancholic and nostalgic. Rather than attempting to shatter musical boundaries, McEncroe focuses on the introspective, letting the listener’s stories and memories give the music its own unique life.

SMALL STONES showcases Dr. Nancy Zipay Desalvo’s exploration into both minute and immense concepts. Recorded on solo piano, DeSalvo performs the compositions translating the compressed beauty of Jason Tad Howard and the expansive universe of Daniel Perttu.

Inspired by poetry and prose, composer Mark Volker’s latest release YOUNG PROMETHEUS is about reactions. From the philosophical reaction to the “Three Quotations" to the physical reactions in “Echoes of Yesterday," Volker creates an atmosphere that both conveys the optimistic and ominous.

Shocking, gripping, and thought-provoking, Mara Gibson's new album SKY-BORN conjures a flurry of emotions through its moody music. In one moment, the busy strings create a fury of anxious, energetic sounds; the next, the strike of a lone piano chord paints a brooding soundscape.

Michael Kurek’s PARMA Recordings debut, THE SEA KNOWS, is a charming collection of works written with an emphasis on that which is beautiful and emotive. Composing in a tonal idiom reminiscent of the great melodists of the early 20th century, Kurek creates music that tugs at the heartstrings without ever pandering, that is rich in emotive content without feeling sugary. The works on THE SEA KNOWS plumb the depths of musical sensitivity and will appeal to anyone who listens to music seeking intimacy and an emotionally-grounded experience.

ASCEND, the latest collaboration between PARMA Recordings and the Society of Composes, Inc., is an enthralling showcase of leading composers and performers from around the world. Featuring fantastic ensembles, and with works that reference far-flung locations and historical events, this album journeys fascinatingly through time and space as it compiles a competitively selected sample of today’s best compositions.

From Navona Records comes an exciting new CD bundle of five previous releases featuring the piano at its most prepared and extended. WHAT ARE THEY DOING TO THAT PIANO? features composers and artists dedicated to finding the most adventurous and compelling sounds that the piano has to offer. Opening with SONATAS AND INTERLUDES IN A LANDSCAPE, composed by John Cage, the virtual godfather of prepared piano, and performed by the virtuosic Kate Boyd, this CD bundle contains one of the most eclectic collections of solo piano music a listener will ever encounter.

Global guitarist and composer Giovanni Piacentini’s talents as a dual-threat musician are on full display on CHIAROSCURO, his debut album. He wrote all these works themed around his instrument of choice, and his playing appears on two pieces – Miniatures, for guitar and chamber ensemble, and a solo guitar performance on the title track. Yet, even on the tracks where he does not perform, the composer’s voice remains ever-present, namely in each work’s reverberant use of space.

This triple re-release contains a collection of works for small ensembles comprised of a diverse selection of instruments. Along with two albums from Allen Brings, this reissue includes a compilation titled CONTRA-PUNCTUS (1994).

Navona Records proudly presents renowned composer Ruth Lomon’s SHADOWING, her debut album on the label. The release showcases her remarkable skill in writing for the piano, pushing the instrument’s timbre and color to its limits to create animated sound worlds such as those of the title work, Shadowing. Lomon writes of the colors in the piece: “’Shadowing’ means to have such a light touch, such a light tread, that one can move freely through the forest, observing without being observed… It is the equivalent of manifesting and then becoming like smoke, and then manifesting again…”

A persistent goal of Mark John McEncroe is to create compositions that elicit an emotional response, as is echoed in the titles of his works. This is particularly true of the Australian composer’s Navona debut DARK CLOUDS OF LIFE, a conceptual release focused on overcoming addiction and depression, challenges McEncroe has personally struggled with. His sessions in Ostrava, Czech Republic with the Janáček Philharmonic Orchestra and pianist Helen Kennedy produced a cornerstone suite and three addendums that capture the essence of the record’s stated purpose.

FOREVER BEELER represents a sampling of composer Alan Beeler’s prolific output throughout his musical career, which is generally defined by his commitment to compositional craft and structural clarity. The works featured on this album also reveal a playfulness lying just under the surface of Beeler’s compositional perspective. This quality of Beeler’s music is most notable in the seven sonatas for piano, often accompanied by another instrument, included in FOREVER BEELER.

PARMA Recordings artists Peter Greve and Hans Bakker have come together to give us LINES TO INFINITY, a stunning album that revolves around emotive and dramatic scores for primarily piano and flute. The two composers hail from the Netherlands and share a knack for creating thoughtful contemporary chamber works that appeal to the listener’s imagination.

In his second project with PARMA Recordings, Swiss composer Georges Raillard gifts us with 12 solo classical guitar compositions on BUTTERFLIES IN THE LABYRINTH OF SILENCE, all performed by renowned guitarist David William Ross.

The album follows the Sinking Islands suite, Raillard’s first project with PARMA Recordings, which appeared on BETWEEN THE ECHOES, a Navona Records compilation album featuring chamber works.

In 2008, PARMA Recordings acquired Capstone Records, the highly respected New York-based classical label founded by composer Richard Brooks in 1986, with the intent of shepherding the company and its music into the digital era. This album was originally released on Capstone and is being re-released by PARMA Recording's Navona Records.

Sound and space are two elements that emerge at the heart of Jane O’Leary’s THE PASSING SOUND OF FOREVER. The collection showcases O’Leary’s compositional gifts through a variety of her chamber compositions. O’Leary’s string writing soars in THE PASSING SOUND OF FOREVER, and demonstrates her remarkable sensitivity to the instruments’ sonic palette and expressive potential. Every color, from ethereal natural harmonics to frenetic bowing, is at O’Leary’s disposal, and is exploited beautifully to produce evocative and compelling soundscapes.

American composer Marty Regan specializes in composing music for traditional Japanese instruments, a fascination he has developed since 2000. Regan describes his Japanese-style compositions as, “hybrid musical soundscapes that reflect the age in which we live, an era based not necessarily on globalization, but of partnership based on global cultural interaction.” In contrast, SPLASH OF INDIGO features a complementary side of Regan’s output, containing only works for Western orchestral instruments and voice.

With his new album SURSUM, composer Michael Slayton presents six compelling compositions, each performed by a different ensemble or solo performer. Despite the album’s varied & esteemed assemblage of performers, there lies a common thread throughout in both the form of Slayton’s distinguished composing style – dreamy but focused, and equal parts smooth and dissonant – as well as the imagery that the music conjures.

EARLY MUSINGS presents a comprehensive collection of new works for solo violin composed by American and American-based composers, almost all of whom were born after 1990. Though young, these composers’ music speaks to the core strengths of solo violin repertoire, a genre that has represented a prominent pillar in the Western chamber music canon since the seventeenth century.