Genre: Chamber

Non-standard setups in classical music may be interesting, but they are commonly faced with the problem of limited repertoire. The ARK Trio, formed by soprano Allison Charney, cellist Kajsa William-Olsson, and pianist Reiko Uchida, has found a way of circumventing this challenge by commissioning works from contemporary composers as well as re-arranging classics, and the result can be heard on their debut release, ARK RESOUNDING. The pieces presented here may be an eclectic mix of American history, Bachian and Schubertian influences, and timeless poetry, but they are all united by one common denominator: the bittersweet trials and tribulations of love.

Edward Hart’s UNDER AN INDIGO SKY features A Charleston Concerto and Under an Indigo Sky, two concertos that celebrate and reflect the history and culture of the Southeastern United States. A native of Charleston SC, Hart finds inspiration in the natural beauty and multicultural heritage of his homeland. A Charleston Concerto was written to commemorate the 350th Anniversary of the City of Charleston; it features a collaboration with the Charleston Symphony and the world-renowned Harlem Quartet. It takes an unflinching yet ultimately hopeful view of the city’s complex history over those three and a half centuries. Under an Indigo Sky for violin and orchestra is a musical love letter written to Hart’s geographical home. It explores both the physical splendor of the mountains and coast, but also the feel and “soul” of these breathtaking places.

Life can sometimes seem like an infinity mirror of colors reflecting off of themselves, each tint deeply distinct in its own right, yet profoundly beautiful when viewed as a whole. This sentiment is thoughtfully expressed in KALEIDOSCOPE from composer Craig Morris and Navona Records. Morris’s compositional strengths are far-reaching and dynamic, and aptly showcased here with orchestral and chamber works written in a variety of orchestrations. Sentiments of gentle reflections, care and acceptance, and love are echoed throughout this release, a cohesive collection of works written from powerful emotions that tie into the kaleidoscope that is the human experience.

Throughout his lifetime, composer Sydney Hodkinson wrote over 250 works, covering a wide array of genres including educational literature, chamber arrangements, and large-scale orchestral pieces. SYDNEY HODKINSON: CHAMBER WORKS from Navona Records brings four live recordings of the late composer’s string quartets and a trio, Rogatio Gravis, to life with performances from the Benda Quartet and the Jupiter Quartet. With works written in dedication to family members, loved ones, and friends, this posthumous release serves as a perfect parting gift from Hodkinson — a musical display of his compositional prowess and kindness.

Every pianist makes a piece their own, adding flourishes and signature accents, but Marta Brankovich takes artistic interpretation to a new level. Leveraging her passion and irreplicable touch on the piano, the black swan of piano conjures an unforgettable storm on MARTA, THE TEMPEST. This long-awaited exploratory deep-dive into the classical canon delivers fresh interpretations of works by Rachmaninoff, Chopin, Kaufman, Jirásek, and Webber, complete with a solo piano composition by Brankovich herself that offers an inside look into her artistic emergence. Weaving themes of adversity, opposing forces, and oneness with a profoundly emotive approach, Brankovich delivers a powerful program in this Navona Records release.

Navona Records presents SHOSTAKOVICH / RACHMANINOFF: SONATAS FOR CELLO AND PIANO, an album that highlights the musical expression and virtuosity of these renowned works. Acclaimed award-winning soloist Carmine Miranda and GRAMMY-nominated Nashville Symphony pianist Robert Marler combine their virtuosity with the legendary three-time GRAMMY-nominated producer Alan Shacklock and celebrated mastering engineer Tommy Dorsey (Berlin Philharmonic – Deutsche Grammophon) to deliver the highest quality performances of these works. Deeply expressive with interplay and virtuosic passages, these two sonatas are held to high regard by pianists and cellists alike. Once turning points in the lives of Shostakovich and Rachmaninoff, these works have stood the test of time, rewarded with commanding performances by cellist Carmine Miranda and pianist Robert Marler.

Laurence Sherr delves deep into the spirit of resilience with FUGITIVE FOOTSTEPS: REMEMBRANCE MUSIC. Not shying away from musically pointing to suffering and despair, Sherr paints a vivid picture of persecution, trauma, and survivor's guilt but also of silent and active opposition, hope, renewal, and the eventual overcoming of adversity. Through remembrance and tribute, these compositions unapologetically aim to tell stories of Holocaust resistance and survival, not only in concept but also in their individual tonal language: at all times fully conscious of their cultural roots, vast heritage, a sacrosanct sense of belonging, and the duty of defending these treasures. But perhaps, even more, these works reveal pathways to clearer, brighter horizons.

Luz means light, and light is what violist Amaro Dubois claims we are missing the most in this world of today. Dubois aims to change this with his debut Navona Records release, LUZ, a collection of works highlighting the beauty of Latin American music for viola and piano. Joined by pianist Tingting Yao, the violist brings to life several newly-commissioned works, a beautiful collaboration between eight composers from five different countries. Above all, Dubois aims to share passion, love, and peace, three qualities that undoubtedly shine throughout LUZ.

Frank Felice, an eclectic composer celebrated for his postmodern mischievousness, explores his own brand of “consonant adiatonicism” in THE BEAUTY OF INNUENDOS. Throughout the album, Felice sets a variety of texts to music, ranging from the antiphons of 9th century Christian mystic Hildegard of Bingen to the modernist poetry of Wallace Stevens. Felice’s compositions explore the given text while also demonstrating the virtuosic skill of the singer and the pianist; the latter, far from a mere accompaniment, joins with the voices equally to lend even great profundity to the poetic text. Featured in these recordings is mezzo-soprano Mitzi Westra, who commissioned two of the works. Above all, THE BEAUTY OF INNUENDOS solidifies Felice’s reputation as a dauntless and innovative composer.

Navona Records and pianist Gerry Bryant are proud to present THE COMPOSERS, an album consisting solely of music by exceptionally talented and prolific Black classical music composers who have been overlooked throughout history. Featured within are the works of Thomas “Blind Tom” Wiggins, a slave who was perhaps the first Black American classical music composer, and Florence Price, whose music has so moved Bryant that he has included her in his list of favorite composers. Violinist Mark Cargill joins Bryant on select works throughout the album, a perfect addition to Bryant’s passionate approach to the keys.

QUADRANTS VOL. 4 comes as the fourth installment of Navona's acclaimed series of string quartet recordings by contemporary composers. This time, a variety of ensembles perform a selection of pieces by Daniel Gil, Jacob E. Goodman, John Summers, Sami Seif, and Judith Lang Zaimont. Like its predecessors, QUADRANTS VOL. 4 presents musical creations that are highly structured, thoroughly conceptualized and profoundly cerebral, drawing upon subject matters as diverse as Kabbalistic philosophy, English urban poetry, and Arabic cultural identity, among others. Often the result of years-long toil, these compositions are by no means easy to perform – but each ensemble masterfully succeeds with virtuosic panache.

Few instruments are as viscerally associated with the idea of grace and beauty as the harp, and few are as apt to express a sense of yearning as the oboe. So what could possibly capture the feeling of love better than a duo composed of these two instruments? Possibly nothing, as harpist Rita Costanzi and oboist Alex Klein rivetingly demonstrate on AMOROSO, an archetypally romantic album of intimate chamber music. Well-known classics by Debussy, Fauré, Massenet, Rachmaninoff, Piazzolla, and Rodrigo shine in a new light, and two new, fittingly romantic pieces by contemporary composers Michael Cohen and Michael Amorosi perfectly complete this wonderful picture.

What happens when you combine a love for uncovering new gems in classical music with two highly skilled performers? Violist Jacob Tews and Violinist Erik Rohde answer this very question with SONIC APRICITY: an album consisting of works they have either commissioned or championed, and the namesake of their musical coalescence. The duo presents a dynamic selection of new pieces from contemporary composers Augusta Read Thomas, Erzsébet Szőnyi, Elliott Miles McKinley, Christopher Walczak, and Michael-Thomas Foumai, an engaging program of works influenced by poetry, notable tales from pop culture, the passage of time, and more.

British-American violist Peter Sulski superbly demonstrates his instrument’s true expressive potential on BOWED COLORS from Navona Records. Sulski, who was a member of the London Symphony Orchestra for seven years, has published seminal solo viola recordings of works by Telemann, J. S. Bach, and Hindemith. Combining Sulski’s signature sound with the works of five composers, BOWED COLORS delivers an exquisite selection of contemporary solo viola pieces that range from the neoclassical to the just barely tonal, all tightly knit together by Sulski’s sublime bow control and finesse as a performer.

Modern traditionalist composer Garth Baxter’s album ASK OF ME WHAT THE BIRDS SANG presents a wide variety of instrumental works as well as vocal music; each of these unique pieces has a special connection with a song. When Lights Begin to Show, for example, includes a musical quote from “Afternoon on a Hill,” which is the first song in Three Poems from Edna St. Vincent Millay. The songs referenced sometimes come from earlier works by Baxter or borrow from folk music. An unabashedly lyrical composer, Baxter combines the traditions of form and clear melodic writing with contemporary approaches to harmony and other elements.

In a modern age crowded with distractions, one quickly learns to appreciate the little oases of peace. Andrew Anderson's 2022 Navona Records release, CHAMBER WORKS, might just be such an oasis – written with replenishing qualities, great clarity, and a sense of purpose. Throughout the album, Anderson skillfully demonstrates his ability to draw on the styles of the great compositional masters while creating a musical language that is truly unique and spoken through a variety of thoughtful orchestrations. Comprehensive in its content and imbued with tranquility, ANDREW ANDERSON: CHAMBER WORKS offers a variegated glimpse into Anderson’s distinct compositional style.

Composer Carl Vollrath and Navona Records presents OLD & NEW POETRY VOL II, a compelling musical-literary experience featuring the works of seminal poet William Blake and contemporary writer John Gracen Brown. An enticing follow-up to his 2021 release of the same title, Vollrath employs piano and clarinet with various vocal ranges in this recording, each an intimate setting reflecting his close relationship with the text itself. Deeply in tune to nature and captured from the lens of the human experience, Vollrath’s musical response to this poetic language shows his dedication to and passion for these works.

Tonality is slowly but steadily making its way into the toolbox of contemporary music again. Accomplished orchestral horn player Andrew Lewinter, who returned to composing in 2016 after a long hiatus, thankfully discovered that very toolbox, and the result can be heard on CHAMBER WORKS. Two quintets and one trio in classical instrumentation, and the neo-Romantic tonal language to match: it’s a difficult feat to pull off. Lewinter, however, diversifies with minimalist elements and, drawing from his considerable experience as an orchestral performer, imbues his chamber works with symphonic richness. It’s the secret ingredient, and it works.

Globally recognized for its unique radio programming, innovative collaborations, and community outreach, All Classical Portland presents AMPLIFY, a response to the industry’s inequities in classical music recordings. The works of five contemporary composers are brought to light in this album, each infused with recollections of stories, cities, and movements that have made an impact along the artists’ journey. As the 1,000th album brought to life by parent organization PARMA Recordings, this important Navona Records release marks a monumental achievement in highlighting voices in classical music, and is a step in helping to change America’s playlist.

From natural scenes of beauty to mystical dreamscapes and vivid characters of villainy, a dynamic assortment of music awaits in SANDMAN’S CASTLE from composer Vincent Ho. A compendium of uniquely-orchestrated and masterfully executed solo and duo works are brought to life from a roster of renowned performers: Vicky Chow, Susanne Ruberg-Gordon, Ben Reimer, Beth Root Sandvoss, and Evelyn Glennie, who serves as a listener’s guide on a mystical journey into the world of dreams in the albums titular track. Between explorations of uncharted territories with tam-tam and music boxes and thoughtful juxtapositions of the drumset with mainstays in classical music, Ho pulls out all of the stops with the renowned featured performers, and his dexterous compositional tool-kit throughout.