Catalog

Since composer, conductor and musicologist Alicia Terzian founded Grupos Encuentros in 1978, the six-person group has garnered international acclaim for its success at bringing the music of avant-garde Argentinian and Latin American composers to the world. On 40 YEARS OF CONTEMPORARY MUSIC, their debut recording for NAVONA RECORDS, the group combines compositions from such well-known Latin American composers as Heitor Villa-Lobos, Alberto Ginaslera, and Terzian herself with works by an international array of composers that ranges from Anton Webern (Germany) to Luciano Berio (Italy) to Franz Schreker (Austria) to Pierre Boulez (France).

A CITY OF SILVER & A CITY OF FIRE from pianist Roberta Rust marked a monumental moment for classical music as Carnegie Hall’s first presentation of music by an American Indian composer performed by an American Indian artist. Written in celebration of two cities close to the composer’s heart, these works by Louis W. Ballard come with a generous helping of intricate musical narratives and sentimental tones that speak clearly and thoughtfully through Rust’s performance. Originally recorded in 1984, these pieces honor the late composer and spirit of those to whom they’re dedicated in this live recording.

The Renaissance Men are back with their latest release on Navona Records: A VERY RENMEN CHRISTMAS: LIVE! The album, which features lush choral arrangements of traditional hymns and holiday classics, captures the festive spirit of the RenMen’s annual Christmas galas for listeners everywhere.

Navona Records is pleased to present David Holdhusen and the University of South Dakota Chamber Singers’ performance of the iconic America the Beautiful. Initially arranged by KJ Phillips to accompany a 2021 Veterans Day celebration, the patriotic work flourishes with modern compositional flair, and is accompanied by a visual presentation of the ensemble’s performance. Beginning with a solo line that builds in slow, unfurling intensity, Phillips’ America the Beautiful weaves through several dynamic planes before ascending to a bright, resonant, and cathartic summit, inspiring admiration and reverence for the land of the free.

For Richard Fountain, piano music is as American as apple pie and baseball. On AMERICAN IVORY, his debut album on Navona Records, the well-versed pianist celebrates the variety and vitality of American art music by performing a decades-spanning collection of works by time-honored and contemporary composers alike.

The cello-piano duo is justly hailed for its tremendous expressiveness. Cellist Juliana Soltis and pianist Ruoting Li remarkably demonstrate this setup's emotive power on AMERICAN WOMAN while championing a noble cause — highlighting underrepresented women composers. Featuring works by Mary Howe, Amy Beach, Margaret Bonds, Helen Crane, Dorothy Rudd Moore, and Florence Price, AMERICAN WOMAN sheds light on a treasure trove of rarely heard gems of cello-piano literature. The general tone is sweeping, romantic, expressive, at times fierce and energetic, then again tender and delicate. Soltis and Li show extraordinary ability not only in bringing out the unique style of each composer, but also in uniting them all in a great artistic effort.

Few instruments are as viscerally associated with the idea of grace and beauty as the harp, and few are as apt to express a sense of yearning as the oboe. So what could possibly capture the feeling of love better than a duo composed of these two instruments? Possibly nothing, as harpist Rita Costanzi and oboist Alex Klein rivetingly demonstrate on AMOROSO, an archetypally romantic album of intimate chamber music. Well-known classics by Debussy, Fauré, Massenet, Rachmaninoff, Piazzolla, and Rodrigo shine in a new light, and two new, fittingly romantic pieces by contemporary composers Michael Cohen and Michael Amorosi perfectly complete this wonderful picture.

As the title of this album suggests, AN ARC OF QUARTETS gives listeners unique access to a continuum of composer Michael G. Cunningham’s intricate and inviting string music. Five international string ensembles present the album’s seven compositions, including Sirius Quartet from New York; The Moravian Quartet from the Czech Republic; the Millennium Quartet from Florida; and The Pedroia Quartet and New England String Quartet, both from Massachusetts.

Following their 2023 United Kingdom Remembrance tour, The Syracuse University Wind Ensemble returns to the airwaves with two world premiere recordings on ANGELS RISING: MUSIC OF REMEMBRANCE AND LIGHT. The ensemble has commissioned dozens of new works for their genre, the two most recent being Frank Ticheli’s Angels Rising and Energy and Light by Syracuse’s own Natalie Draper, both of which commemorate the 35 Syracuse University students lost in the 1988 Lockerbie bombings. Draper and Ticheli’s tributes to the 270 total lives lost in the attack on Pan Am Flight 103 are bookended by performances of George Gershwin’s An American in Paris and Rhapsody in Blue in this Navona Records release, and are all available to experience in both stereo and Dolby Atmos immersive audio formats.

Véronique Mathieu’s ARGOT is a spectacular demonstration of her abilities as a violinist, as well as the dramatic range of her instrument. The recording embodies the definition of its title – ‘argot’, which means the language of a particular group – in two meaningful ways. First, Mathieu has selected a unique array of violin-centric works that illuminate the creative strengths of twentieth century modernist composers. Second, as a result of the album’s daring program and Mathieu’s incredible talents, listeners enjoy the opportunity to hear every nuance of the violin’s expressive vocabulary executed at the highest possible level.

Voices of Concinnity finds connection through universal experiences on AWAITING GOLDEN LIGHT. Based in Connecticut, the inclusive professional vocal ensemble melded each singer's unique vocal qualities into the richness of choral sound for this project. Seeking connection through the isolation of a global pandemic, their members took inspiration from gazing at the glowing moon, experiencing the renewal of a new golden sunrise, anticipating wonder at the perseverance of a bulb blooming in spring, and finding solace in shining stars after the loss of a beloved. With this Navona Records release, the ensemble invites listeners to draw their eyes up toward the heavens and out beyond the horizon to find meaning.

With uncompromised interpretation, duo526, the powerful union of violinist Kerry DuWors and pianist Futaba Niekawa, presents BALLADE, their debut on Navona Records, performing violin sonatas by Leoš Janácek, George Enescu, and Edvard Grieg-repertoire rarely performed together. Yet each of the three sonatas introduces themes from European folk tunes and exalted Romanticism.

Edwin Barker’s playing is described as “timeless,” “vibrant,” and “compelling,” three descriptors that could not be better suited for his recording of J.S. Bach’s Suite No. 5 in C minor, BWV 1011 and Mieczyslaw Weinberg’s Sonata Op. 108 for solo double bass. Elegantly capturing Bach’s suite in his arrangement for double bass, Barker navigates the challenging and unwieldy passages of the Prelude’s fugue with the same measured and tolerant musicality innate to the immortal tenderness of the Sarabande. Despite a grand leap in time and place, he inspires equal personality — and often spouts of well-placed capriciousness — in Weinberg’s Sonata, honoring the high technical demands of the work while carving out a unique appreciation for Weinberg’s stylistic traditions. BASSO PROFUNDO is a prime example of a master at work, a recording that will surely inspire another extensive list of descriptors risen in Barker’s praise.

Navona Records is proud to present MUSIC FOR STRING QUARTET, the world premiere recording of renowned composer Leonard Bernstein's long-lost work. Composed by an 18-year-old Bernstein during his studies at Harvard, the piece has been steadfastly shepherded from its re-discovery to this historic release by former Boston Symphony Orchestra Librarian John Perkel, and is performed here by Lucia Lin, Natalie Rose Kress, Danny Kim, and Ronald Feldman. “Movement I” and the newly-discovered “Movement II,” which was found within the U.S Library of Congress, are accompanied here by the seldom-recorded duo piece Elegies for Violin and Viola by composer Aaron Copland, a musical mentor, collaborator, and dear friend of Bernstein’s.

Throughout her storied career, composer and music activist Mary Howe elevated the status of women composers and the Washington DC music scene and gained notoriety for her orchestral works. Many of her pieces for smaller ensembles, however, remain unpublished. On BETWEEN US, premiere recordings of Howe’s duos at last see the light of day and showcase her knack for drawing out the melodic qualities and dynamic timbres of the piano, voice, and stringed instruments. The pieces transcend time, simultaneously pulling from the sensibility and formal structures of romanticism and 20th-century idioms, spanning and bridging the gaps that typically pigeonhole music into a specific milieu.

Be transformed by the haunting intensity of Brankovich’s performance in BLACK SWAN OF PIANO. Extending from the melancholic forms of 19th century composer Eric Satie to the dark, moving compositions of the pianist herself, this album invites listeners into the realms of the past, the war-torn images of her homeland, and a look into the immense possibilities for the musical future.

Apollo Chamber Players’ present their latest Navona release BLURRED BOUNDARIES, featuring commissions from veteran composers Libby Larsen and Marty Regan, as well as from the winner of Apollo’s inaugural International Commissioning Contest, Erberk Eryılmaz. These three commissions mark the beginning of 20x2020, Apollo’s initiative to commission 20 new folk music-inspired works by the end of the decade. Each of these composers explores culturally-specific musical traditions and presents folk material in ways that are engaging, unique, and revelatory.

Minju Choi, a passionate performer with a love for contemporary compositions, unveils the works of three powerful composers in BOUNDLESS, her album for solo piano works. BOUNDLESS covers it all: love, the transcending of cultural boundaries, and music’s ability to communicate the abstract and indescribable.

Since the late 18th century, art songs have combined poetic vocals and equally intricate instrumental accompaniments to delight listeners with intimate compositions across the globe. The Malta Philharmonic Orchestra Trio’s CANTILENA spans the centuries and continents to highlight the form’s enduring appeal.

In 2008, PARMA Recordings acquired Capstone Records, the highly respected New York-based classical label founded by composer Richard Brooks in 1986, with the intent of shepherding the company and its music into the digital era. This album was originally released on Capstone and is being re-released by PARMA Recording's Navona Records.